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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD2FC7 it is the complementary color #22D038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD2FC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD2FC7 shade: #E22FC2, #F341D5, #FF53E8, #FF65FB and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD2FC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD2FC7 shade: #DD2FC7, #CC1DB4, #BB0BA1, #AA008E and #99007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD2FC7 shade: #DD31C8, #DD3199, #DD316B, #DD313C and #DD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD2FC7 shade: #DD31C8, #C531DD, #9631DD, #6831DD and #3931DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD2FC7 shade matches the following richer shades: #DD31C8 and #F11DD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD2FC7 shade: #DD31C8, #CA44B9, #B758AB, #A36B9C and #907E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD2FC7 shade: #9631DD, #C431DD, #DD31C9, #DD319B and #DD316D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD2FC7 shade: #A11A90, #C520B0, #DD31C8, #E354D1 and #E978DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD2FC7 shade: #DD2FC7, #DD6831 and #31DDAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD2FC7 shade: #DD2FC7, #C9DD31 and #31C9DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD2FC7 shade: #DD2FC7, #DD6831, #31DD45 and #31A7DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD2FC7 shade: #DD2FC7, #DD9B31, #31DD45 and #3173DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 10 / 13

HEX #DD2FC7

RGB 221 47 199

HSL 307.59, 0.72%, 0.53%

LAB 53.52, 78.56, -40.39

 

Complementary color

CMYK 84 / 0 / 73 / 18

HEX #22D038

RGB 34 208 56

HSL 127.59, 0.72%, 0.47%

LAB 73.37, -69.52, 60.08

 

CMYK 0 / 79 / 14 / 11

HEX #E22FC2

RGB 226 47 194

HSL 310.73, 0.76%, 0.54%

LAB 54.13, 78.91, -36.5

 

CMYK 0 / 73 / 12 / 5

HEX #F341D5

RGB 243 65 213

HSL 310.11, 0.88%, 0.6%

LAB 59.56, 80.24, -38.64

 

CMYK 0 / 67 / 9 / 0

HEX #FF53E8

RGB 255 83 232

HSL 308.02, 1%, 0.66%

LAB 64.38, 79.81, -41.63

 

CMYK 0 / 60 / 2 / 0

HEX #FF65FB

RGB 255 101 251

HSL 301.56, 1%, 0.7%

LAB 67.67, 75.99, -46.96

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 79 / 10 / 13

HEX #DD2FC7

RGB 221 47 199

HSL 307.59, 0.72%, 0.53%

LAB 53.52, 78.56, -40.39

 

CMYK 0 / 86 / 12 / 20

HEX #CC1DB4

RGB 204 29 180

HSL 308.23, 0.75%, 0.46%

LAB 48.27, 76.42, -37.82

 

CMYK 0 / 94 / 14 / 27

HEX #BB0BA1

RGB 187 11 161

HSL 308.86, 0.89%, 0.39%

LAB 43.33, 73.15, -34.55

 

CMYK 0 / 100 / 16 / 33

HEX #AA008E

RGB 170 0 142

HSL 309.88, 1%, 0.33%

LAB 38.72, 68.59, -30.5

 

CMYK 0 / 100 / 20 / 40

HEX #99007B

RGB 153 0 123

HSL 311.76, 1%, 0.3%

LAB 34.4, 62.87, -25.72

 

CMYK 0 / 78 / 10 / 13

HEX #DD31C8

RGB 221 49 200

HSL 307.33, 0.72%, 0.53%

LAB 53.75, 78.2, -40.61

 

CMYK 0 / 78 / 31 / 13

HEX #DD3199

RGB 221 49 153

HSL 323.72, 0.72%, 0.53%

LAB 51.69, 72.22, -16.32

 

CMYK 0 / 78 / 52 / 13

HEX #DD316B

RGB 221 49 107

HSL 339.77, 0.72%, 0.53%

LAB 50.25, 67.87, 9.27

 

CMYK 0 / 78 / 73 / 13

HEX #DD313C

RGB 221 49 60

HSL 356.16, 0.72%, 0.53%

LAB 49.37, 65.1, 36.36

 

CMYK 0 / 78 / 78 / 13

HEX #DD3131

RGB 221 49 49

HSL 0, 0.72%, 0.53%

LAB 49.24, 64.7, 42.42

 

CMYK 0 / 78 / 10 / 13

HEX #DD31C8

RGB 221 49 200

HSL 307.33, 0.72%, 0.53%

LAB 53.75, 78.2, -40.61

 

CMYK 11 / 78 / 0 / 13

HEX #C531DD

RGB 197 49 221

HSL 291.63, 0.72%, 0.53%

LAB 51.02, 76.77, -57.2

 

CMYK 32 / 78 / 0 / 13

HEX #9631DD

RGB 150 49 221

HSL 275.23, 0.72%, 0.53%

LAB 44.09, 68.56, -68.75

 

CMYK 53 / 78 / 0 / 13

HEX #6831DD

RGB 104 49 221

HSL 259.19, 0.72%, 0.53%

LAB 38.48, 61.86, -78.15

 

CMYK 74 / 78 / 0 / 13

HEX #3931DD

RGB 57 49 221

HSL 242.79, 0.72%, 0.53%

LAB 34.57, 57.15, -84.73

 

CMYK 0 / 78 / 10 / 13

HEX #DD31C8

RGB 221 49 200

HSL 307.33, 0.72%, 0.53%

LAB 53.75, 78.2, -40.61

 

CMYK 0 / 88 / 11 / 5

HEX #F11DD6

RGB 241 29 214

HSL 307.64, 0.88%, 0.53%

LAB 56.52, 87.93, -44.02

 

CMYK 0 / 78 / 10 / 13

HEX #DD31C8

RGB 221 49 200

HSL 307.33, 0.72%, 0.53%

LAB 53.75, 78.2, -40.61

 

CMYK 0 / 66 / 8 / 21

HEX #CA44B9

RGB 202 68 185

HSL 307.61, 0.56%, 0.53%

LAB 52.06, 65.66, -34.82

 

CMYK 0 / 52 / 7 / 28

HEX #B758AB

RGB 183 88 171

HSL 307.58, 0.4%, 0.53%

LAB 51.82, 49.48, -27.24

 

CMYK 0 / 34 / 4 / 36

HEX #A36B9C

RGB 163 107 156

HSL 307.5, 0.23%, 0.53%

LAB 52.62, 30.29, -17.45

 

CMYK 0 / 13 / 1 / 44

HEX #907E8E

RGB 144 126 142

HSL 306.67, 0.08%, 0.53%

LAB 54.87, 9.87, -6.1

 

CMYK 32 / 78 / 0 / 13

HEX #9631DD

RGB 150 49 221

HSL 275.23, 0.72%, 0.53%

LAB 44.09, 68.56, -68.75

 

CMYK 11 / 78 / 0 / 13

HEX #C431DD

RGB 196 49 221

HSL 291.28, 0.72%, 0.53%

LAB 50.87, 76.59, -57.46

 

CMYK 0 / 78 / 9 / 13

HEX #DD31C9

RGB 221 49 201

HSL 306.98, 0.72%, 0.53%

LAB 53.8, 78.34, -41.11

 

CMYK 0 / 78 / 30 / 13

HEX #DD319B

RGB 221 49 155

HSL 323.02, 0.72%, 0.53%

LAB 51.76, 72.45, -17.4

 

CMYK 0 / 78 / 51 / 13

HEX #DD316D

RGB 221 49 109

HSL 339.07, 0.72%, 0.53%

LAB 50.3, 68.02, 8.12

 

CMYK 0 / 84 / 11 / 37

HEX #A11A90

RGB 161 26 144

HSL 307.56, 0.72%, 0.37%

LAB 38.43, 63.3, -32.3

 

CMYK 0 / 84 / 11 / 23

HEX #C520B0

RGB 197 32 176

HSL 307.64, 0.72%, 0.45%

LAB 47.02, 73.91, -37.52

 

CMYK 0 / 78 / 10 / 13

HEX #DD31C8

RGB 221 49 200

HSL 307.33, 0.72%, 0.53%

LAB 53.75, 78.2, -40.61

 

CMYK 0 / 63 / 8 / 11

HEX #E354D1

RGB 227 84 209

HSL 307.55, 0.72%, 0.61%

LAB 59.23, 69.32, -37.08

 

CMYK 0 / 48 / 6 / 9

HEX #E978DB

RGB 233 120 219

HSL 307.43, 0.72%, 0.69%

LAB 66.42, 56.56, -31.44

 

CMYK 0 / 79 / 10 / 13

HEX #DD2FC7

RGB 221 47 199

HSL 307.59, 0.72%, 0.53%

LAB 53.52, 78.56, -40.39

 

CMYK 0 / 53 / 78 / 13

HEX #DD6831

RGB 221 104 49

HSL 19.19, 0.72%, 0.53%

LAB 57.55, 42.44, 50.86

 

CMYK 78 / 0 / 22 / 13

HEX #31DDAD

RGB 49 221 173

HSL 163.26, 0.72%, 0.53%

LAB 79.26, -53.37, 11.61

 

CMYK 0 / 79 / 10 / 13

HEX #DD2FC7

RGB 221 47 199

HSL 307.59, 0.72%, 0.53%

LAB 53.52, 78.56, -40.39

 

CMYK 9 / 0 / 78 / 13

HEX #C9DD31

RGB 201 221 49

HSL 66.98, 0.72%, 0.53%

LAB 84.15, -26.71, 75.04

 

CMYK 78 / 9 / 0 / 13

HEX #31C9DD

RGB 49 201 221

HSL 186.98, 0.72%, 0.53%

LAB 74.6, -31.45, -21.01

 

CMYK 0 / 79 / 10 / 13

HEX #DD2FC7

RGB 221 47 199

HSL 307.59, 0.72%, 0.53%

LAB 53.52, 78.56, -40.39

 

CMYK 0 / 53 / 78 / 13

HEX #DD6831

RGB 221 104 49

HSL 19.19, 0.72%, 0.53%

LAB 57.55, 42.44, 50.86

 

CMYK 78 / 0 / 69 / 13

HEX #31DD45

RGB 49 221 69

HSL 126.98, 0.72%, 0.53%

LAB 77.75, -70.64, 59.9

 

CMYK 78 / 24 / 0 / 13

HEX #31A7DD

RGB 49 167 221

HSL 198.84, 0.72%, 0.53%

LAB 64.57, -14.06, -36.44

 

CMYK 0 / 79 / 10 / 13

HEX #DD2FC7

RGB 221 47 199

HSL 307.59, 0.72%, 0.53%

LAB 53.52, 78.56, -40.39

 

CMYK 0 / 30 / 78 / 13

HEX #DD9B31

RGB 221 155 49

HSL 36.98, 0.72%, 0.53%

LAB 68.78, 15.7, 61.63

 

CMYK 78 / 0 / 69 / 13

HEX #31DD45

RGB 49 221 69

HSL 126.98, 0.72%, 0.53%

LAB 77.75, -70.64, 59.9

 

CMYK 78 / 48 / 0 / 13

HEX #3173DD

RGB 49 115 221

HSL 216.98, 0.72%, 0.53%

LAB 49.66, 16.59, -60.09

 

Description

Color code: HEX #DD2FC7 | qconv.com Color code: HEX #DD2FC7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 47 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 47 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 10 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 10% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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