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Color name
HEX #DD2E8C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD2E8C it is the complementary color #22D173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD2E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD2E8C shade: #E22E87, #F3409A, #FF52AD, #FF64C0 and #FF76D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD2E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD2E8C shade: #DD2E8C, #CC1C79, #BB0A66, #AA0053 and #990040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD2E8C shade: #DD2C8B, #DD2C5C and #DD2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD2E8C shade: #DD2C8B, #DD2CBB, #CF2CDD, #A02CDD and #702CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD2E8C shade matches the following richer shades: #DD2C8B and #F1198D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD2E8C shade: #DD2C8B, #C9408A, #B55488, #A16887 and #8E7C85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD2E8C shade: #CE2CDD, #DD2CBC, #DD2C8D, #DD2C5E and #DD2C2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD2E8C shade: #9D1A60, #C11F76, #DD2C8B, #E3509F and #E873B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD2E8C shade: #DD2E8C, #DD9F2C and #2CD4DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD2E8C shade: #DD2E8C, #8DDD2C and #2C8DDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD2E8C shade: #DD2E8C, #DD9F2C, #2CDD7C and #2C6ADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD2E8C shade: #DD2E8C, #DDD42C, #2CDD7C and #2C35DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 37 / 13

HEX #DD2E8C

RGB 221 46 140

HSL 327.77, 0.72%, 0.52%

LAB 50.94, 71.63, -9.68

 

Complementary color

CMYK 84 / 0 / 45 / 18

HEX #22D173

RGB 34 209 115

HSL 147.77, 0.72%, 0.48%

LAB 74.3, -62.37, 35.01

 

CMYK 0 / 80 / 40 / 11

HEX #E22E87

RGB 226 46 135

HSL 330.33, 0.76%, 0.53%

LAB 51.69, 72.36, -5.47

 

CMYK 0 / 74 / 37 / 5

HEX #F3409A

RGB 243 64 154

HSL 329.83, 0.88%, 0.6%

LAB 57.13, 73.41, -8.33

 

CMYK 0 / 68 / 32 / 0

HEX #FF52AD

RGB 255 82 173

HSL 328.44, 1%, 0.66%

LAB 61.92, 72.54, -11.99

 

CMYK 0 / 61 / 25 / 0

HEX #FF64C0

RGB 255 100 192

HSL 324.39, 1%, 0.7%

LAB 65.11, 67.85, -18.03

 

CMYK 0 / 54 / 17 / 0

HEX #FF76D3

RGB 255 118 211

HSL 319.27, 1%, 0.73%

LAB 68.69, 62.61, -23.24

 

CMYK 0 / 79 / 37 / 13

HEX #DD2E8C

RGB 221 46 140

HSL 327.77, 0.72%, 0.52%

LAB 50.94, 71.63, -9.68

 

CMYK 0 / 86 / 41 / 20

HEX #CC1C79

RGB 204 28 121

HSL 328.3, 0.76%, 0.45%

LAB 45.7, 69.76, -6.31

 

CMYK 0 / 95 / 45 / 27

HEX #BB0A66

RGB 187 10 102

HSL 328.81, 0.9%, 0.39%

LAB 40.8, 66.74, -2.1

 

CMYK 0 / 100 / 51 / 33

HEX #AA0053

RGB 170 0 83

HSL 330.71, 1%, 0.33%

LAB 36.31, 62.39, 3.08

 

CMYK 0 / 100 / 58 / 40

HEX #990040

RGB 153 0 64

HSL 334.9, 1%, 0.3%

LAB 32.13, 57, 9.1

 

CMYK 0 / 80 / 37 / 13

HEX #DD2C8B

RGB 221 44 139

HSL 327.8, 0.72%, 0.52%

LAB 50.73, 72.04, -9.4

 

CMYK 0 / 80 / 58 / 13

HEX #DD2C5C

RGB 221 44 92

HSL 343.73, 0.72%, 0.52%

LAB 49.43, 68.15, 17.27

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 80 / 37 / 13

HEX #DD2C8B

RGB 221 44 139

HSL 327.8, 0.72%, 0.52%

LAB 50.73, 72.04, -9.4

 

CMYK 0 / 80 / 15 / 13

HEX #DD2CBB

RGB 221 44 187

HSL 311.53, 0.72%, 0.52%

LAB 52.69, 77.66, -34.76

 

CMYK 6 / 80 / 0 / 13

HEX #CF2CDD

RGB 207 44 221

HSL 295.25, 0.72%, 0.52%

LAB 52.16, 79.91, -55.29

 

CMYK 28 / 80 / 0 / 13

HEX #A02CDD

RGB 160 44 221

HSL 279.32, 0.72%, 0.52%

LAB 44.94, 71.81, -67.31

 

CMYK 49 / 80 / 0 / 13

HEX #702CDD

RGB 112 44 221

HSL 263.05, 0.72%, 0.52%

LAB 38.67, 64.87, -77.82

 

CMYK 0 / 80 / 37 / 13

HEX #DD2C8B

RGB 221 44 139

HSL 327.8, 0.72%, 0.52%

LAB 50.73, 72.04, -9.4

 

CMYK 0 / 90 / 41 / 5

HEX #F1198D

RGB 241 25 141

HSL 327.78, 0.89%, 0.52%

LAB 53.3, 80.42, -6.38

 

CMYK 0 / 80 / 37 / 13

HEX #DD2C8B

RGB 221 44 139

HSL 327.8, 0.72%, 0.52%

LAB 50.73, 72.04, -9.4

 

CMYK 0 / 68 / 31 / 21

HEX #C9408A

RGB 201 64 138

HSL 327.59, 0.56%, 0.52%

LAB 49.4, 60.46, -11.16

 

CMYK 0 / 54 / 25 / 29

HEX #B55488

RGB 181 84 136

HSL 327.84, 0.4%, 0.52%

LAB 49.43, 45.33, -10.23

 

CMYK 0 / 35 / 16 / 37

HEX #A16887

RGB 161 104 135

HSL 327.37, 0.23%, 0.52%

LAB 50.95, 27.54, -7.63

 

CMYK 0 / 13 / 6 / 44

HEX #8E7C85

RGB 142 124 133

HSL 330, 0.07%, 0.52%

LAB 53.88, 8.55, -2.35

 

CMYK 7 / 80 / 0 / 13

HEX #CE2CDD

RGB 206 44 221

HSL 294.92, 0.72%, 0.52%

LAB 52, 79.73, -55.55

 

CMYK 0 / 80 / 15 / 13

HEX #DD2CBC

RGB 221 44 188

HSL 311.19, 0.72%, 0.52%

LAB 52.73, 77.79, -35.27

 

CMYK 0 / 80 / 36 / 13

HEX #DD2C8D

RGB 221 44 141

HSL 327.12, 0.72%, 0.52%

LAB 50.8, 72.24, -10.5

 

CMYK 0 / 80 / 57 / 13

HEX #DD2C5E

RGB 221 44 94

HSL 343.05, 0.72%, 0.52%

LAB 49.47, 68.28, 16.11

 

CMYK 0 / 80 / 79 / 13

HEX #DD2C2F

RGB 221 44 47

HSL 358.98, 0.72%, 0.52%

LAB 48.73, 66.01, 42.99

 

CMYK 0 / 83 / 39 / 38

HEX #9D1A60

RGB 157 26 96

HSL 327.94, 0.72%, 0.36%

LAB 35.5, 56.29, -6.81

 

CMYK 0 / 84 / 39 / 24

HEX #C11F76

RGB 193 31 118

HSL 327.78, 0.72%, 0.44%

LAB 43.69, 66.25, -7.68

 

CMYK 0 / 80 / 37 / 13

HEX #DD2C8B

RGB 221 44 139

HSL 327.8, 0.72%, 0.52%

LAB 50.73, 72.04, -9.4

 

CMYK 0 / 65 / 30 / 11

HEX #E3509F

RGB 227 80 159

HSL 327.76, 0.72%, 0.6%

LAB 56.66, 64.02, -12.25

 

CMYK 0 / 50 / 23 / 9

HEX #E873B2

RGB 232 115 178

HSL 327.69, 0.72%, 0.68%

LAB 63.86, 52.4, -12.29

 

CMYK 0 / 79 / 37 / 13

HEX #DD2E8C

RGB 221 46 140

HSL 327.77, 0.72%, 0.52%

LAB 50.94, 71.63, -9.68

 

CMYK 0 / 28 / 80 / 13

HEX #DD9F2C

RGB 221 159 44

HSL 38.98, 0.72%, 0.52%

LAB 69.72, 13.38, 64.3

 

CMYK 80 / 4 / 0 / 13

HEX #2CD4DD

RGB 44 212 221

HSL 183.05, 0.72%, 0.52%

LAB 77.78, -37.08, -16.2

 

CMYK 0 / 79 / 37 / 13

HEX #DD2E8C

RGB 221 46 140

HSL 327.77, 0.72%, 0.52%

LAB 50.94, 71.63, -9.68

 

CMYK 36 / 0 / 80 / 13

HEX #8DDD2C

RGB 141 221 44

HSL 87.12, 0.72%, 0.52%

LAB 80.49, -49.86, 71.75

 

CMYK 80 / 36 / 0 / 13

HEX #2C8DDD

RGB 44 141 221

HSL 207.12, 0.72%, 0.52%

LAB 56.89, 0.17, -48.54

 

CMYK 0 / 79 / 37 / 13

HEX #DD2E8C

RGB 221 46 140

HSL 327.77, 0.72%, 0.52%

LAB 50.94, 71.63, -9.68

 

CMYK 0 / 28 / 80 / 13

HEX #DD9F2C

RGB 221 159 44

HSL 38.98, 0.72%, 0.52%

LAB 69.72, 13.38, 64.3

 

CMYK 80 / 0 / 44 / 13

HEX #2CDD7C

RGB 44 221 124

HSL 147.12, 0.72%, 0.52%

LAB 78.29, -63.98, 35.65

 

CMYK 80 / 52 / 0 / 13

HEX #2C6ADD

RGB 44 106 221

HSL 218.98, 0.72%, 0.52%

LAB 47.06, 21.8, -64.3

 

CMYK 0 / 79 / 37 / 13

HEX #DD2E8C

RGB 221 46 140

HSL 327.77, 0.72%, 0.52%

LAB 50.94, 71.63, -9.68

 

CMYK 0 / 4 / 80 / 13

HEX #DDD42C

RGB 221 212 44

HSL 56.95, 0.72%, 0.52%

LAB 83.25, -14.17, 76.21

 

CMYK 80 / 0 / 44 / 13

HEX #2CDD7C

RGB 44 221 124

HSL 147.12, 0.72%, 0.52%

LAB 78.29, -63.98, 35.65

 

CMYK 80 / 76 / 0 / 13

HEX #2C35DD

RGB 44 53 221

HSL 236.95, 0.72%, 0.52%

LAB 34.6, 54.24, -84.7

 

Description

Color code: HEX #DD2E8C | qconv.com Color code: HEX #DD2E8C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 46 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 46 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 37% 13% C M Y K

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Provide designers and agencies with accurate color values.

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