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Color name
HEX #DD2D7F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD2D7F it is the complementary color #22D280. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD2D7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD2D7F shade: #E22D7A, #F33F8D, #FF51A0, #FF63B3 and #FF75C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD2D7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD2D7F shade: #DD2D7F, #CC1B6C, #BB0959, #AA0046 and #990033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD2D7F shade: #DD2C7F, #DD2C4F and #DD2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD2D7F shade: #DD2C7F, #DD2CAE, #DC2CDD, #AC2CDD and #7D2CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD2D7F shade matches the following richer shades: #DD2C7F and #F1197D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD2D7F shade: #DD2C7F, #C94080, #B55481, #A16883 and #8E7C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD2D7F shade: #DD2CDD, #DD2CAE, #DD2C7F, #DD2C50 and #DD382C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD2D7F shade: #9D1A57, #C11F6A, #DD2C7F, #E35094 and #E873AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD2D7F shade: #DD2D7F, #DDAE2C and #2CC5DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD2D7F shade: #DD2D7F, #7FDD2C and #2C7FDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD2D7F shade: #DD2D7F, #DDAE2C, #2CDD8A and #2C5BDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD2D7F shade: #DD2D7F, #D7DD2C, #2CDD8A and #322CDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 43 / 13

HEX #DD2D7F

RGB 221 45 127

HSL 332.05, 0.72%, 0.52%

LAB 50.43, 70.63, -2.61

 

Complementary color

CMYK 84 / 0 / 39 / 18

HEX #22D280

RGB 34 210 128

HSL 152.05, 0.72%, 0.48%

LAB 74.82, -60.35, 29.05

 

CMYK 0 / 80 / 46 / 11

HEX #E22D7A

RGB 226 45 122

HSL 334.48, 0.76%, 0.53%

LAB 51.21, 71.44, 1.66

 

CMYK 0 / 74 / 42 / 5

HEX #F33F8D

RGB 243 63 141

HSL 334, 0.88%, 0.6%

LAB 56.62, 72.45, -1.43

 

CMYK 0 / 68 / 37 / 0

HEX #FF51A0

RGB 255 81 160

HSL 332.76, 1%, 0.66%

LAB 61.38, 71.51, -5.3

 

CMYK 0 / 61 / 30 / 0

HEX #FF63B3

RGB 255 99 179

HSL 329.23, 1%, 0.69%

LAB 64.51, 66.66, -11.54

 

CMYK 0 / 54 / 22 / 0

HEX #FF75C6

RGB 255 117 198

HSL 324.78, 1%, 0.73%

LAB 68.06, 61.25, -16.93

 

CMYK 0 / 80 / 43 / 13

HEX #DD2D7F

RGB 221 45 127

HSL 332.05, 0.72%, 0.52%

LAB 50.43, 70.63, -2.61

 

CMYK 0 / 87 / 47 / 20

HEX #CC1B6C

RGB 204 27 108

HSL 332.54, 0.77%, 0.45%

LAB 45.23, 68.79, 1.02

 

CMYK 0 / 95 / 52 / 27

HEX #BB0959

RGB 187 9 89

HSL 333.03, 0.91%, 0.38%

LAB 40.38, 65.8, 5.53

 

CMYK 0 / 100 / 59 / 33

HEX #AA0046

RGB 170 0 70

HSL 335.29, 1%, 0.33%

LAB 35.96, 61.46, 11.04

 

CMYK 0 / 100 / 67 / 40

HEX #990033

RGB 153 0 51

HSL 340, 1%, 0.3%

LAB 31.83, 56.2, 17.33

 

CMYK 0 / 80 / 43 / 13

HEX #DD2C7F

RGB 221 44 127

HSL 331.86, 0.72%, 0.52%

LAB 50.34, 70.89, -2.74

 

CMYK 0 / 80 / 64 / 13

HEX #DD2C4F

RGB 221 44 79

HSL 348.14, 0.72%, 0.52%

LAB 49.18, 67.37, 24.84

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 80 / 43 / 13

HEX #DD2C7F

RGB 221 44 127

HSL 331.86, 0.72%, 0.52%

LAB 50.34, 70.89, -2.74

 

CMYK 0 / 80 / 21 / 13

HEX #DD2CAE

RGB 221 44 174

HSL 315.93, 0.72%, 0.52%

LAB 52.1, 75.98, -28.1

 

CMYK 0 / 80 / 0 / 13

HEX #DC2CDD

RGB 220 44 221

HSL 299.66, 0.72%, 0.52%

LAB 54.28, 82.3, -51.78

 

CMYK 22 / 80 / 0 / 13

HEX #AC2CDD

RGB 172 44 221

HSL 283.39, 0.72%, 0.52%

LAB 46.7, 73.78, -64.36

 

CMYK 43 / 80 / 0 / 13

HEX #7D2CDD

RGB 125 44 221

HSL 267.46, 0.72%, 0.52%

LAB 40.22, 66.58, -75.21

 

CMYK 0 / 80 / 43 / 13

HEX #DD2C7F

RGB 221 44 127

HSL 331.86, 0.72%, 0.52%

LAB 50.34, 70.89, -2.74

 

CMYK 0 / 90 / 48 / 5

HEX #F1197D

RGB 241 25 125

HSL 332.22, 0.89%, 0.52%

LAB 52.81, 79.09, 2.53

 

CMYK 0 / 80 / 43 / 13

HEX #DD2C7F

RGB 221 44 127

HSL 331.86, 0.72%, 0.52%

LAB 50.34, 70.89, -2.74

 

CMYK 0 / 68 / 36 / 21

HEX #C94080

RGB 201 64 128

HSL 331.97, 0.56%, 0.52%

LAB 49.06, 59.31, -5.64

 

CMYK 0 / 54 / 29 / 29

HEX #B55481

RGB 181 84 129

HSL 332.16, 0.4%, 0.52%

LAB 49.19, 44.36, -6.39

 

CMYK 0 / 35 / 19 / 37

HEX #A16883

RGB 161 104 131

HSL 331.58, 0.23%, 0.52%

LAB 50.82, 26.88, -5.45

 

CMYK 0 / 13 / 7 / 44

HEX #8E7C84

RGB 142 124 132

HSL 333.33, 0.07%, 0.52%

LAB 53.85, 8.36, -1.81

 

CMYK 0 / 80 / 0 / 13

HEX #DD2CDD

RGB 221 44 221

HSL 300, 0.72%, 0.52%

LAB 54.44, 82.48, -51.51

 

CMYK 0 / 80 / 21 / 13

HEX #DD2CAE

RGB 221 44 174

HSL 315.93, 0.72%, 0.52%

LAB 52.1, 75.98, -28.1

 

CMYK 0 / 80 / 43 / 13

HEX #DD2C7F

RGB 221 44 127

HSL 331.86, 0.72%, 0.52%

LAB 50.34, 70.89, -2.74

 

CMYK 0 / 80 / 64 / 13

HEX #DD2C50

RGB 221 44 80

HSL 347.8, 0.72%, 0.52%

LAB 49.19, 67.43, 24.26

 

CMYK 0 / 75 / 80 / 13

HEX #DD382C

RGB 221 56 44

HSL 4.07, 0.72%, 0.52%

LAB 49.96, 62.4, 45.82

 

CMYK 0 / 83 / 45 / 38

HEX #9D1A57

RGB 157 26 87

HSL 332.06, 0.72%, 0.36%

LAB 35.19, 55.39, -1.47

 

CMYK 0 / 84 / 45 / 24

HEX #C11F6A

RGB 193 31 106

HSL 332.22, 0.72%, 0.44%

LAB 43.3, 65.12, -0.81

 

CMYK 0 / 80 / 43 / 13

HEX #DD2C7F

RGB 221 44 127

HSL 331.86, 0.72%, 0.52%

LAB 50.34, 70.89, -2.74

 

CMYK 0 / 65 / 35 / 11

HEX #E35094

RGB 227 80 148

HSL 332.24, 0.72%, 0.6%

LAB 56.29, 62.75, -6.34

 

CMYK 0 / 50 / 27 / 9

HEX #E873AA

RGB 232 115 170

HSL 331.79, 0.72%, 0.68%

LAB 63.61, 51.32, -8.12

 

CMYK 0 / 80 / 43 / 13

HEX #DD2D7F

RGB 221 45 127

HSL 332.05, 0.72%, 0.52%

LAB 50.43, 70.63, -2.61

 

CMYK 0 / 21 / 80 / 13

HEX #DDAE2C

RGB 221 174 44

HSL 44.07, 0.72%, 0.52%

LAB 73.43, 5.39, 67.61

 

CMYK 80 / 11 / 0 / 13

HEX #2CC5DD

RGB 44 197 221

HSL 188.14, 0.72%, 0.52%

LAB 73.34, -29.97, -22.93

 

CMYK 0 / 80 / 43 / 13

HEX #DD2D7F

RGB 221 45 127

HSL 332.05, 0.72%, 0.52%

LAB 50.43, 70.63, -2.61

 

CMYK 43 / 0 / 80 / 13

HEX #7FDD2C

RGB 127 221 44

HSL 91.86, 0.72%, 0.52%

LAB 79.84, -54.53, 70.92

 

CMYK 80 / 43 / 0 / 13

HEX #2C7FDD

RGB 44 127 221

HSL 211.86, 0.72%, 0.52%

LAB 52.88, 8.61, -54.92

 

CMYK 0 / 80 / 43 / 13

HEX #DD2D7F

RGB 221 45 127

HSL 332.05, 0.72%, 0.52%

LAB 50.43, 70.63, -2.61

 

CMYK 0 / 21 / 80 / 13

HEX #DDAE2C

RGB 221 174 44

HSL 44.07, 0.72%, 0.52%

LAB 73.43, 5.39, 67.61

 

CMYK 80 / 0 / 38 / 13

HEX #2CDD8A

RGB 44 221 138

HSL 151.86, 0.72%, 0.52%

LAB 78.51, -61.42, 28.84

 

CMYK 80 / 59 / 0 / 13

HEX #2C5BDD

RGB 44 91 221

HSL 224.07, 0.72%, 0.52%

LAB 43.12, 31.4, -70.7

 

CMYK 0 / 80 / 43 / 13

HEX #DD2D7F

RGB 221 45 127

HSL 332.05, 0.72%, 0.52%

LAB 50.43, 70.63, -2.61

 

CMYK 3 / 0 / 80 / 13

HEX #D7DD2C

RGB 215 221 44

HSL 62.03, 0.72%, 0.52%

LAB 85.17, -21.11, 77.69

 

CMYK 80 / 0 / 38 / 13

HEX #2CDD8A

RGB 44 221 138

HSL 151.86, 0.72%, 0.52%

LAB 78.51, -61.42, 28.84

 

CMYK 77 / 80 / 0 / 13

HEX #322CDD

RGB 50 44 221

HSL 242.03, 0.72%, 0.52%

LAB 33.35, 59.08, -86.78

 

Description

Color code: HEX #DD2D7F | qconv.com Color code: HEX #DD2D7F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 45 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 45 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 43% 13% C M Y K

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Provide designers and agencies with accurate color values.

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