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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD2BB6 it is the complementary color #22D449. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD2BB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD2BB6 shade: #E22BB1, #F33DC4, #FF4FD7, #FF61EA and #FF73FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD2BB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD2BB6 shade: #DD2BB6, #CC19A3, #BB0790, #AA007D and #99006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD2BB6 shade: #DD2CB6, #DD2C87, #DD2C57 and #DD2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD2BB6 shade: #DD2CB6, #D42CDD, #A42CDD, #752CDD and #452CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD2BB6 shade matches the following richer shades: #DD2CB6 and #F119C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD2BB6 shade: #DD2CB6, #C940AB, #B554A0, #A16895 and #8E7C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD2BB6 shade: #A52CDD, #D42CDD, #DD2CB7, #DD2C88 and #DD2C59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD2BB6 shade: #9D1A80, #C11F9D, #DD2CB6, #E350C2 and #E873CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD2BB6 shade: #DD2BB6, #DD762C and #2CDDBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD2BB6 shade: #DD2BB6, #B7DD2C and #2CB7DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD2BB6 shade: #DD2BB6, #DD762C, #2CDD53 and #2C93DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD2BB6 shade: #DD2BB6, #DDAB2C, #2CDD53 and #2C5EDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 18 / 13

HEX #DD2BB6

RGB 221 43 182

HSL 313.15, 0.72%, 0.52%

LAB 52.37, 77.24, -32.35

 

Complementary color

CMYK 84 / 0 / 66 / 17

HEX #22D449

RGB 34 212 73

HSL 133.15, 0.72%, 0.48%

LAB 74.77, -69.15, 55.04

 

CMYK 0 / 81 / 22 / 11

HEX #E22BB1

RGB 226 43 177

HSL 316.07, 0.76%, 0.53%

LAB 53.03, 77.68, -28.34

 

CMYK 0 / 75 / 19 / 5

HEX #F33DC4

RGB 243 61 196

HSL 315.49, 0.88%, 0.6%

LAB 58.39, 79.15, -30.78

 

CMYK 0 / 69 / 16 / 0

HEX #FF4FD7

RGB 255 79 215

HSL 313.64, 1%, 0.65%

LAB 63.14, 78.79, -34.04

 

CMYK 0 / 62 / 8 / 0

HEX #FF61EA

RGB 255 97 234

HSL 307.97, 1%, 0.69%

LAB 66.33, 74.92, -39.69

 

CMYK 0 / 55 / 1 / 0

HEX #FF73FD

RGB 255 115 253

HSL 300.86, 1%, 0.73%

LAB 69.9, 70.47, -44.55

 

CMYK 0 / 81 / 18 / 13

HEX #DD2BB6

RGB 221 43 182

HSL 313.15, 0.72%, 0.52%

LAB 52.37, 77.24, -32.35

 

CMYK 0 / 88 / 20 / 20

HEX #CC19A3

RGB 204 25 163

HSL 313.74, 0.78%, 0.45%

LAB 47.21, 74.89, -29.44

 

CMYK 0 / 96 / 23 / 27

HEX #BB0790

RGB 187 7 144

HSL 314.33, 0.93%, 0.38%

LAB 42.35, 71.39, -25.8

 

CMYK 0 / 100 / 26 / 33

HEX #AA007D

RGB 170 0 125

HSL 315.88, 1%, 0.33%

LAB 37.89, 66.49, -21.28

 

CMYK 0 / 100 / 31 / 40

HEX #99006A

RGB 153 0 106

HSL 318.43, 1%, 0.3%

LAB 33.59, 60.81, -16.19

 

CMYK 0 / 80 / 18 / 13

HEX #DD2CB6

RGB 221 44 182

HSL 313.22, 0.72%, 0.52%

LAB 52.45, 77, -32.22

 

CMYK 0 / 80 / 39 / 13

HEX #DD2C87

RGB 221 44 135

HSL 329.15, 0.72%, 0.52%

LAB 50.6, 71.64, -7.19

 

CMYK 0 / 80 / 61 / 13

HEX #DD2C57

RGB 221 44 87

HSL 345.42, 0.72%, 0.52%

LAB 49.33, 67.84, 20.18

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 80 / 18 / 13

HEX #DD2CB6

RGB 221 44 182

HSL 313.22, 0.72%, 0.52%

LAB 52.45, 77, -32.22

 

CMYK 4 / 80 / 0 / 13

HEX #D42CDD

RGB 212 44 221

HSL 296.95, 0.72%, 0.52%

LAB 52.97, 80.82, -53.94

 

CMYK 26 / 80 / 0 / 13

HEX #A42CDD

RGB 164 44 221

HSL 280.68, 0.72%, 0.52%

LAB 45.52, 72.46, -66.34

 

CMYK 47 / 80 / 0 / 13

HEX #752CDD

RGB 117 44 221

HSL 264.75, 0.72%, 0.52%

LAB 39.25, 65.51, -76.84

 

CMYK 69 / 80 / 0 / 13

HEX #452CDD

RGB 69 44 221

HSL 248.47, 0.72%, 0.52%

LAB 34.57, 60.4, -84.71

 

CMYK 0 / 80 / 18 / 13

HEX #DD2CB6

RGB 221 44 182

HSL 313.22, 0.72%, 0.52%

LAB 52.45, 77, -32.22

 

CMYK 0 / 90 / 20 / 5

HEX #F119C1

RGB 241 25 193

HSL 313.33, 0.89%, 0.52%

LAB 55.33, 85.83, -33.86

 

CMYK 0 / 80 / 18 / 13

HEX #DD2CB6

RGB 221 44 182

HSL 313.22, 0.72%, 0.52%

LAB 52.45, 77, -32.22

 

CMYK 0 / 68 / 15 / 21

HEX #C940AB

RGB 201 64 171

HSL 313.14, 0.56%, 0.52%

LAB 50.72, 64.81, -28.74

 

CMYK 0 / 54 / 12 / 29

HEX #B554A0

RGB 181 84 160

HSL 312.99, 0.4%, 0.52%

LAB 50.34, 49, -23.1

 

CMYK 0 / 35 / 7 / 37

HEX #A16895

RGB 161 104 149

HSL 312.63, 0.23%, 0.52%

LAB 51.44, 30, -15.17

 

CMYK 0 / 13 / 3 / 44

HEX #8E7C8A

RGB 142 124 138

HSL 313.33, 0.07%, 0.52%

LAB 54.03, 9.51, -5.04

 

CMYK 25 / 80 / 0 / 13

HEX #A52CDD

RGB 165 44 221

HSL 281.02, 0.72%, 0.52%

LAB 45.66, 72.62, -66.09

 

CMYK 4 / 80 / 0 / 13

HEX #D42CDD

RGB 212 44 221

HSL 296.95, 0.72%, 0.52%

LAB 52.97, 80.82, -53.94

 

CMYK 0 / 80 / 17 / 13

HEX #DD2CB7

RGB 221 44 183

HSL 312.88, 0.72%, 0.52%

LAB 52.5, 77.13, -32.73

 

CMYK 0 / 80 / 38 / 13

HEX #DD2C88

RGB 221 44 136

HSL 328.81, 0.72%, 0.52%

LAB 50.63, 71.74, -7.75

 

CMYK 0 / 80 / 60 / 13

HEX #DD2C59

RGB 221 44 89

HSL 344.75, 0.72%, 0.52%

LAB 49.37, 67.96, 19.02

 

CMYK 0 / 83 / 18 / 38

HEX #9D1A80

RGB 157 26 128

HSL 313.28, 0.72%, 0.36%

LAB 36.87, 60.17, -24.94

 

CMYK 0 / 84 / 19 / 24

HEX #C11F9D

RGB 193 31 157

HSL 313.33, 0.72%, 0.44%

LAB 45.29, 70.74, -28.99

 

CMYK 0 / 80 / 18 / 13

HEX #DD2CB6

RGB 221 44 182

HSL 313.22, 0.72%, 0.52%

LAB 52.45, 77, -32.22

 

CMYK 0 / 65 / 15 / 11

HEX #E350C2

RGB 227 80 194

HSL 313.47, 0.72%, 0.6%

LAB 58, 68.65, -30.44

 

CMYK 0 / 50 / 11 / 9

HEX #E873CF

RGB 232 115 207

HSL 312.82, 0.72%, 0.68%

LAB 64.9, 56.72, -27.09

 

CMYK 0 / 81 / 18 / 13

HEX #DD2BB6

RGB 221 43 182

HSL 313.15, 0.72%, 0.52%

LAB 52.37, 77.24, -32.35

 

CMYK 0 / 47 / 80 / 13

HEX #DD762C

RGB 221 118 44

HSL 25.08, 0.72%, 0.52%

LAB 60.35, 35.18, 55.74

 

CMYK 80 / 0 / 15 / 13

HEX #2CDDBC

RGB 44 221 188

HSL 168.81, 0.72%, 0.52%

LAB 79.55, -50.16, 4.05

 

CMYK 0 / 81 / 18 / 13

HEX #DD2BB6

RGB 221 43 182

HSL 313.15, 0.72%, 0.52%

LAB 52.37, 77.24, -32.35

 

CMYK 17 / 0 / 80 / 13

HEX #B7DD2C

RGB 183 221 44

HSL 72.88, 0.72%, 0.52%

LAB 82.89, -34.16, 74.81

 

CMYK 80 / 17 / 0 / 13

HEX #2CB7DD

RGB 44 183 221

HSL 192.88, 0.72%, 0.52%

LAB 69.2, -22.98, -29.28

 

CMYK 0 / 81 / 18 / 13

HEX #DD2BB6

RGB 221 43 182

HSL 313.15, 0.72%, 0.52%

LAB 52.37, 77.24, -32.35

 

CMYK 0 / 47 / 80 / 13

HEX #DD762C

RGB 221 118 44

HSL 25.08, 0.72%, 0.52%

LAB 60.35, 35.18, 55.74

 

CMYK 80 / 0 / 62 / 13

HEX #2CDD53

RGB 44 221 83

HSL 133.22, 0.72%, 0.52%

LAB 77.8, -69.82, 54.26

 

CMYK 80 / 33 / 0 / 13

HEX #2C93DD

RGB 44 147 221

HSL 205.08, 0.72%, 0.52%

LAB 58.62, -3.34, -45.78

 

CMYK 0 / 81 / 18 / 13

HEX #DD2BB6

RGB 221 43 182

HSL 313.15, 0.72%, 0.52%

LAB 52.37, 77.24, -32.35

 

CMYK 0 / 23 / 80 / 13

HEX #DDAB2C

RGB 221 171 44

HSL 43.05, 0.72%, 0.52%

LAB 72.68, 6.98, 66.94

 

CMYK 80 / 0 / 62 / 13

HEX #2CDD53

RGB 44 221 83

HSL 133.22, 0.72%, 0.52%

LAB 77.8, -69.82, 54.26

 

CMYK 80 / 57 / 0 / 13

HEX #2C5EDD

RGB 44 94 221

HSL 223.05, 0.72%, 0.52%

LAB 43.89, 29.48, -69.45

 

Description

Color code: HEX #DD2BB6 | qconv.com Color code: HEX #DD2BB6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 43 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 43 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 18 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 18% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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