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Color name
HEX #DD2A76

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD2A76 it is the complementary color #22D589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD2A76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD2A76 shade: #E22A71, #F33C84, #FF4E97, #FF60AA and #FF72BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD2A76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD2A76 shade: #DD2A76, #CC1863, #BB0650, #AA003D and #99002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD2A76 shade: #DD2C77, #DD2C48 and #DD2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD2A76 shade: #DD2C77, #DD2CA7, #DD2CD6, #B42CDD and #842CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD2A76 shade matches the following richer shades: #DD2C77 and #F11974

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD2A76 shade: #DD2C77, #C9407A, #B5547D, #A16880 and #8E7C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD2A76 shade: #DD2CD7, #DD2CA8, #DD2C79, #DD2C4A and #DD3E2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD2A76 shade: #9D1A51, #C11F64, #DD2C77, #E3508E and #E873A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD2A76 shade: #DD2A76, #DDB42C and #2CBFDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD2A76 shade: #DD2A76, #79DD2C and #2C79DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD2A76 shade: #DD2A76, #DDB42C, #2CDD90 and #2C56DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD2A76 shade: #DD2A76, #D1DD2C, #2CDD90 and #382CDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 47 / 13

HEX #DD2A76

RGB 221 42 118

HSL 334.53, 0.72%, 0.52%

LAB 49.9, 70.59, 2.07

 

Complementary color

CMYK 84 / 0 / 36 / 16

HEX #22D589

RGB 34 213 137

HSL 154.53, 0.72%, 0.48%

LAB 75.91, -59.66, 25.85

 

CMYK 0 / 81 / 50 / 11

HEX #E22A71

RGB 226 42 113

HSL 336.85, 0.76%, 0.53%

LAB 50.71, 71.44, 6.4

 

CMYK 0 / 75 / 46 / 5

HEX #F33C84

RGB 243 60 132

HSL 336.39, 0.88%, 0.59%

LAB 56.04, 72.55, 3.06

 

CMYK 0 / 69 / 41 / 0

HEX #FF4E97

RGB 255 78 151

HSL 335.25, 1%, 0.65%

LAB 60.73, 71.67, -1.03

 

CMYK 0 / 62 / 33 / 0

HEX #FF60AA

RGB 255 96 170

HSL 332.08, 1%, 0.69%

LAB 63.78, 66.84, -7.5

 

CMYK 0 / 55 / 26 / 0

HEX #FF72BD

RGB 255 114 189

HSL 328.09, 1%, 0.72%

LAB 67.25, 61.42, -13.1

 

CMYK 0 / 81 / 47 / 13

HEX #DD2A76

RGB 221 42 118

HSL 334.53, 0.72%, 0.52%

LAB 49.9, 70.59, 2.07

 

CMYK 0 / 88 / 51 / 20

HEX #CC1863

RGB 204 24 99

HSL 335, 0.79%, 0.45%

LAB 44.79, 68.6, 5.99

 

CMYK 0 / 97 / 57 / 27

HEX #BB0650

RGB 187 6 80

HSL 335.47, 0.94%, 0.38%

LAB 40.04, 65.48, 10.79

 

CMYK 0 / 100 / 64 / 33

HEX #AA003D

RGB 170 0 61

HSL 338.47, 1%, 0.33%

LAB 35.76, 60.92, 16.62

 

CMYK 0 / 100 / 73 / 40

HEX #99002A

RGB 153 0 42

HSL 343.53, 1%, 0.3%

LAB 31.67, 55.76, 23.05

 

CMYK 0 / 80 / 46 / 13

HEX #DD2C77

RGB 221 44 119

HSL 334.58, 0.72%, 0.52%

LAB 50.1, 70.18, 1.76

 

CMYK 0 / 80 / 67 / 13

HEX #DD2C48

RGB 221 44 72

HSL 350.51, 0.72%, 0.52%

LAB 49.06, 67.01, 28.91

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 80 / 46 / 13

HEX #DD2C77

RGB 221 44 119

HSL 334.58, 0.72%, 0.52%

LAB 50.1, 70.18, 1.76

 

CMYK 0 / 80 / 24 / 13

HEX #DD2CA7

RGB 221 44 167

HSL 318.31, 0.72%, 0.52%

LAB 51.8, 75.13, -24.45

 

CMYK 0 / 80 / 3 / 13

HEX #DD2CD6

RGB 221 44 214

HSL 302.37, 0.72%, 0.52%

LAB 54.06, 81.44, -48.14

 

CMYK 19 / 80 / 0 / 13

HEX #B42CDD

RGB 180 44 221

HSL 286.1, 0.72%, 0.52%

LAB 47.91, 75.14, -62.35

 

CMYK 40 / 80 / 0 / 13

HEX #842CDD

RGB 132 44 221

HSL 269.83, 0.72%, 0.52%

LAB 41.1, 67.55, -73.73

 

CMYK 0 / 80 / 46 / 13

HEX #DD2C77

RGB 221 44 119

HSL 334.58, 0.72%, 0.52%

LAB 50.1, 70.18, 1.76

 

CMYK 0 / 90 / 52 / 5

HEX #F11974

RGB 241 25 116

HSL 334.72, 0.89%, 0.52%

LAB 52.57, 78.42, 7.63

 

CMYK 0 / 80 / 46 / 13

HEX #DD2C77

RGB 221 44 119

HSL 334.58, 0.72%, 0.52%

LAB 50.1, 70.18, 1.76

 

CMYK 0 / 68 / 39 / 21

HEX #C9407A

RGB 201 64 122

HSL 334.6, 0.56%, 0.52%

LAB 48.87, 58.66, -2.29

 

CMYK 0 / 54 / 31 / 29

HEX #B5547D

RGB 181 84 125

HSL 334.64, 0.4%, 0.52%

LAB 49.06, 43.83, -4.18

 

CMYK 0 / 35 / 20 / 37

HEX #A16880

RGB 161 104 128

HSL 334.74, 0.23%, 0.52%

LAB 50.73, 26.39, -3.81

 

CMYK 0 / 13 / 8 / 44

HEX #8E7C83

RGB 142 124 131

HSL 336.67, 0.07%, 0.52%

LAB 53.82, 8.17, -1.26

 

CMYK 0 / 80 / 3 / 13

HEX #DD2CD7

RGB 221 44 215

HSL 302.03, 0.72%, 0.52%

LAB 54.11, 81.59, -48.62

 

CMYK 0 / 80 / 24 / 13

HEX #DD2CA8

RGB 221 44 168

HSL 317.97, 0.72%, 0.52%

LAB 51.84, 75.25, -24.97

 

CMYK 0 / 80 / 45 / 13

HEX #DD2C79

RGB 221 44 121

HSL 333.9, 0.72%, 0.52%

LAB 50.16, 70.35, 0.63

 

CMYK 0 / 80 / 67 / 13

HEX #DD2C4A

RGB 221 44 74

HSL 349.83, 0.72%, 0.52%

LAB 49.09, 67.11, 27.75

 

CMYK 0 / 72 / 80 / 13

HEX #DD3E2C

RGB 221 62 44

HSL 6.1, 0.72%, 0.52%

LAB 50.69, 60.38, 46.53

 

CMYK 0 / 83 / 48 / 38

HEX #9D1A51

RGB 157 26 81

HSL 334.81, 0.72%, 0.36%

LAB 35.01, 54.84, 2.15

 

CMYK 0 / 84 / 48 / 24

HEX #C11F64

RGB 193 31 100

HSL 334.44, 0.72%, 0.44%

LAB 43.12, 64.6, 2.68

 

CMYK 0 / 80 / 46 / 13

HEX #DD2C77

RGB 221 44 119

HSL 334.58, 0.72%, 0.52%

LAB 50.1, 70.18, 1.76

 

CMYK 0 / 65 / 37 / 11

HEX #E3508E

RGB 227 80 142

HSL 334.69, 0.72%, 0.6%

LAB 56.11, 62.09, -3.08

 

CMYK 0 / 50 / 29 / 9

HEX #E873A5

RGB 232 115 165

HSL 334.36, 0.72%, 0.68%

LAB 63.45, 50.66, -5.49

 

CMYK 0 / 81 / 47 / 13

HEX #DD2A76

RGB 221 42 118

HSL 334.53, 0.72%, 0.52%

LAB 49.9, 70.59, 2.07

 

CMYK 0 / 19 / 80 / 13

HEX #DDB42C

RGB 221 180 44

HSL 46.1, 0.72%, 0.52%

LAB 74.95, 2.23, 68.95

 

CMYK 80 / 14 / 0 / 13

HEX #2CBFDD

RGB 44 191 221

HSL 190.17, 0.72%, 0.52%

LAB 71.57, -27.02, -25.64

 

CMYK 0 / 81 / 47 / 13

HEX #DD2A76

RGB 221 42 118

HSL 334.53, 0.72%, 0.52%

LAB 49.9, 70.59, 2.07

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2C

RGB 121 221 44

HSL 93.9, 0.72%, 0.52%

LAB 79.59, -56.41, 70.6

 

CMYK 80 / 45 / 0 / 13

HEX #2C79DD

RGB 44 121 221

HSL 213.9, 0.72%, 0.52%

LAB 51.19, 12.32, -57.64

 

CMYK 0 / 81 / 47 / 13

HEX #DD2A76

RGB 221 42 118

HSL 334.53, 0.72%, 0.52%

LAB 49.9, 70.59, 2.07

 

CMYK 0 / 19 / 80 / 13

HEX #DDB42C

RGB 221 180 44

HSL 46.1, 0.72%, 0.52%

LAB 74.95, 2.23, 68.95

 

CMYK 80 / 0 / 35 / 13

HEX #2CDD90

RGB 44 221 144

HSL 153.9, 0.72%, 0.52%

LAB 78.61, -60.24, 25.89

 

CMYK 80 / 61 / 0 / 13

HEX #2C56DD

RGB 44 86 221

HSL 225.76, 0.72%, 0.52%

LAB 41.86, 34.59, -72.76

 

CMYK 0 / 81 / 47 / 13

HEX #DD2A76

RGB 221 42 118

HSL 334.53, 0.72%, 0.52%

LAB 49.9, 70.59, 2.07

 

CMYK 5 / 0 / 80 / 13

HEX #D1DD2C

RGB 209 221 44

HSL 64.07, 0.72%, 0.52%

LAB 84.72, -23.6, 77.11

 

CMYK 80 / 0 / 35 / 13

HEX #2CDD90

RGB 44 221 144

HSL 153.9, 0.72%, 0.52%

LAB 78.61, -60.24, 25.89

 

CMYK 75 / 80 / 0 / 13

HEX #382CDD

RGB 56 44 221

HSL 244.07, 0.72%, 0.52%

LAB 33.7, 59.45, -86.19

 

Description

Color code: HEX #DD2A76 | qconv.com Color code: HEX #DD2A76 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 42 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 42 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 47 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 47% 13% C M Y K

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Provide designers and agencies with accurate color values.

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