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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD2967 it is the complementary color #22D698. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD2967. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD2967 shade: #E22962, #F33B75, #FF4D88, #FF5F9B and #FF71AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD2967. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD2967 shade: #DD2967, #CC1754, #BB0541, #AA002E and #99001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD2967 shade: #DD2766, #DD2734 and #DD2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD2967 shade: #DD2766, #DD2797, #DD27C8, #C127DD and #9027DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD2967 shade matches the following richer shades: #DD2766 and #F1135F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD2967 shade: #DD2766, #C93B6C, #B54F72, #A16379 and #8C787F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD2967 shade: #DD27C8, #DD2797, #DD2767, #DD2736 and #DD4827

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD2967 shade: #9A1845, #BD1E55, #DD2766, #E34B7F and #E86E98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD2967 shade: #DD2967, #DDC227 and #27B0DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD2967 shade: #DD2967, #67DD27 and #2767DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD2967 shade: #DD2967, #DDC227, #27DD9D and #2742DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD2967 shade: #DD2967, #C2DD27, #27DD9D and #4227DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 53 / 13

HEX #DD2967

RGB 221 41 103

HSL 339.33, 0.73%, 0.51%

LAB 49.42, 69.65, 10.54

 

Complementary color

CMYK 84 / 0 / 29 / 16

HEX #22D698

RGB 34 214 152

HSL 159.33, 0.73%, 0.49%

LAB 76.5, -56.85, 18.8

 

CMYK 0 / 82 / 57 / 11

HEX #E22962

RGB 226 41 98

HSL 341.51, 0.76%, 0.52%

LAB 50.26, 70.59, 14.9

 

CMYK 0 / 76 / 52 / 5

HEX #F33B75

RGB 243 59 117

HSL 341.09, 0.88%, 0.59%

LAB 55.55, 71.64, 11.29

 

CMYK 0 / 70 / 47 / 0

HEX #FF4D88

RGB 255 77 136

HSL 340.11, 1%, 0.65%

LAB 60.2, 70.66, 6.96

 

CMYK 0 / 63 / 39 / 0

HEX #FF5F9B

RGB 255 95 155

HSL 337.5, 1%, 0.69%

LAB 63.19, 65.64, 0.25

 

CMYK 0 / 56 / 32 / 0

HEX #FF71AE

RGB 255 113 174

HSL 334.23, 1%, 0.72%

LAB 66.62, 60.01, -5.57

 

CMYK 0 / 81 / 53 / 13

HEX #DD2967

RGB 221 41 103

HSL 339.33, 0.73%, 0.51%

LAB 49.42, 69.65, 10.54

 

CMYK 0 / 89 / 59 / 20

HEX #CC1754

RGB 204 23 84

HSL 339.78, 0.8%, 0.45%

LAB 44.36, 67.72, 14.77

 

CMYK 0 / 97 / 65 / 27

HEX #BB0541

RGB 187 5 65

HSL 340.22, 0.95%, 0.38%

LAB 39.67, 64.69, 19.87

 

CMYK 0 / 100 / 73 / 33

HEX #AA002E

RGB 170 0 46

HSL 343.76, 1%, 0.33%

LAB 35.49, 60.18, 25.96

 

CMYK 0 / 100 / 82 / 40

HEX #99001B

RGB 153 0 27

HSL 349.41, 1%, 0.3%

LAB 31.47, 55.21, 32.28

 

CMYK 0 / 82 / 54 / 13

HEX #DD2766

RGB 221 39 102

HSL 339.23, 0.73%, 0.51%

LAB 49.23, 70.05, 10.89

 

CMYK 0 / 82 / 76 / 13

HEX #DD2734

RGB 221 39 52

HSL 355.71, 0.73%, 0.51%

LAB 48.35, 67.41, 39.8

 

CMYK 0 / 82 / 82 / 13

HEX #DD2727

RGB 221 39 39

HSL 0, 0.73%, 0.51%

LAB 48.22, 67.02, 46.74

 

CMYK 0 / 82 / 54 / 13

HEX #DD2766

RGB 221 39 102

HSL 339.23, 0.73%, 0.51%

LAB 49.23, 70.05, 10.89

 

CMYK 0 / 82 / 32 / 13

HEX #DD2797

RGB 221 39 151

HSL 323.08, 0.73%, 0.51%

LAB 50.75, 74.46, -16.55

 

CMYK 0 / 82 / 10 / 13

HEX #DD27C8

RGB 221 39 200

HSL 306.92, 0.73%, 0.51%

LAB 52.94, 80.53, -41.88

 

CMYK 13 / 82 / 0 / 13

HEX #C127DD

RGB 193 39 221

HSL 290.77, 0.73%, 0.51%

LAB 49.51, 78.63, -59.67

 

CMYK 35 / 82 / 0 / 13

HEX #9027DD

RGB 144 39 221

HSL 274.62, 0.73%, 0.51%

LAB 42.16, 70.87, -71.94

 

CMYK 0 / 82 / 54 / 13

HEX #DD2766

RGB 221 39 102

HSL 339.23, 0.73%, 0.51%

LAB 49.23, 70.05, 10.89

 

CMYK 0 / 92 / 61 / 5

HEX #F1135F

RGB 241 19 95

HSL 339.46, 0.89%, 0.51%

LAB 51.83, 77.82, 19.35

 

CMYK 0 / 82 / 54 / 13

HEX #DD2766

RGB 221 39 102

HSL 339.23, 0.73%, 0.51%

LAB 49.23, 70.05, 10.89

 

CMYK 0 / 71 / 46 / 21

HEX #C93B6C

RGB 201 59 108

HSL 339.3, 0.57%, 0.51%

LAB 47.79, 59.16, 4.65

 

CMYK 0 / 56 / 37 / 29

HEX #B54F72

RGB 181 79 114

HSL 339.41, 0.41%, 0.51%

LAB 47.79, 44.92, 0.59

 

CMYK 0 / 39 / 25 / 37

HEX #A16379

RGB 161 99 121

HSL 338.71, 0.25%, 0.51%

LAB 49.35, 28.12, -1.67

 

CMYK 0 / 14 / 9 / 45

HEX #8C787F

RGB 140 120 127

HSL 339, 0.08%, 0.51%

LAB 52.44, 8.99, -0.96

 

CMYK 0 / 82 / 10 / 13

HEX #DD27C8

RGB 221 39 200

HSL 306.92, 0.73%, 0.51%

LAB 52.94, 80.53, -41.88

 

CMYK 0 / 82 / 32 / 13

HEX #DD2797

RGB 221 39 151

HSL 323.08, 0.73%, 0.51%

LAB 50.75, 74.46, -16.55

 

CMYK 0 / 82 / 53 / 13

HEX #DD2767

RGB 221 39 103

HSL 338.9, 0.73%, 0.51%

LAB 49.26, 70.12, 10.31

 

CMYK 0 / 82 / 76 / 13

HEX #DD2736

RGB 221 39 54

HSL 355.05, 0.73%, 0.51%

LAB 48.37, 67.48, 38.69

 

CMYK 0 / 67 / 82 / 13

HEX #DD4827

RGB 221 72 39

HSL 10.88, 0.73%, 0.51%

LAB 52.01, 56.5, 50.24

 

CMYK 0 / 84 / 55 / 40

HEX #9A1845

RGB 154 24 69

HSL 339.23, 0.73%, 0.35%

LAB 33.88, 53.53, 8.29

 

CMYK 0 / 84 / 55 / 26

HEX #BD1E55

RGB 189 30 85

HSL 339.25, 0.73%, 0.43%

LAB 41.85, 62.63, 10.2

 

CMYK 0 / 82 / 54 / 13

HEX #DD2766

RGB 221 39 102

HSL 339.23, 0.73%, 0.51%

LAB 49.23, 70.05, 10.89

 

CMYK 0 / 67 / 44 / 11

HEX #E34B7F

RGB 227 75 127

HSL 339.47, 0.73%, 0.59%

LAB 54.96, 62.54, 4.12

 

CMYK 0 / 53 / 34 / 9

HEX #E86E98

RGB 232 110 152

HSL 339.34, 0.73%, 0.67%

LAB 62.15, 51.47, 0.04

 

CMYK 0 / 81 / 53 / 13

HEX #DD2967

RGB 221 41 103

HSL 339.33, 0.73%, 0.51%

LAB 49.42, 69.65, 10.54

 

CMYK 0 / 12 / 82 / 13

HEX #DDC227

RGB 221 194 39

HSL 51.1, 0.73%, 0.51%

LAB 78.52, -5.2, 73.48

 

CMYK 82 / 20 / 0 / 13

HEX #27B0DD

RGB 39 176 221

HSL 194.84, 0.73%, 0.51%

LAB 67.05, -19.79, -32.6

 

CMYK 0 / 81 / 53 / 13

HEX #DD2967

RGB 221 41 103

HSL 339.33, 0.73%, 0.51%

LAB 49.42, 69.65, 10.54

 

CMYK 53 / 0 / 82 / 13

HEX #67DD27

RGB 103 221 39

HSL 98.9, 0.73%, 0.51%

LAB 78.89, -61.85, 71

 

CMYK 82 / 53 / 0 / 13

HEX #2767DD

RGB 39 103 221

HSL 218.9, 0.73%, 0.51%

LAB 46.11, 23.28, -65.84

 

CMYK 0 / 81 / 53 / 13

HEX #DD2967

RGB 221 41 103

HSL 339.33, 0.73%, 0.51%

LAB 49.42, 69.65, 10.54

 

CMYK 0 / 12 / 82 / 13

HEX #DDC227

RGB 221 194 39

HSL 51.1, 0.73%, 0.51%

LAB 78.52, -5.2, 73.48

 

CMYK 82 / 0 / 29 / 13

HEX #27DD9D

RGB 39 221 157

HSL 158.9, 0.73%, 0.51%

LAB 78.8, -57.98, 19.37

 

CMYK 82 / 70 / 0 / 13

HEX #2742DD

RGB 39 66 221

HSL 231.1, 0.73%, 0.51%

LAB 37.02, 46.6, -80.72

 

CMYK 0 / 81 / 53 / 13

HEX #DD2967

RGB 221 41 103

HSL 339.33, 0.73%, 0.51%

LAB 49.42, 69.65, 10.54

 

CMYK 12 / 0 / 82 / 13

HEX #C2DD27

RGB 194 221 39

HSL 68.9, 0.73%, 0.51%

LAB 83.62, -29.91, 76.97

 

CMYK 82 / 0 / 29 / 13

HEX #27DD9D

RGB 39 221 157

HSL 158.9, 0.73%, 0.51%

LAB 78.8, -57.98, 19.37

 

CMYK 70 / 82 / 0 / 13

HEX #4227DD

RGB 66 39 221

HSL 248.9, 0.73%, 0.51%

LAB 33.63, 62.31, -86.29

 

Description

Color code: HEX #DD2967 | qconv.com Color code: HEX #DD2967 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 41 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 41 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 53 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 53% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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