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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD27C9 it is the complementary color #22D836. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD27C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD27C9 shade: #E227C4, #F339D7, #FF4BEA, #FF5DFD and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD27C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD27C9 shade: #DD27C9, #CC15B6, #BB03A3, #AA0090 and #99007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD27C9 shade: #DD27C9, #DD2798, #DD2767, #DD2736 and #DD2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD27C9 shade: #DD27C9, #C027DD, #8F27DD, #5E27DD and #2D27DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD27C9 shade matches the following richer shades: #DD27C9 and #F113D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD27C9 shade: #DD27C9, #C93BB9, #B54FAA, #A1639A and #8C788A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD27C9 shade: #8E27DD, #BF27DD, #DD27CB, #DD279A and #DD276A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD27C9 shade: #9A188B, #BD1EAC, #DD27C9, #E34BD2 and #E86EDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD27C9 shade: #DD27C9, #DD5E27 and #27DDA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD27C9 shade: #DD27C9, #CBDD27 and #27CBDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD27C9 shade: #DD27C9, #DD5E27, #27DD39 and #27A7DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD27C9 shade: #DD27C9, #DD9427, #27DD39 and #2770DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 9 / 13

HEX #DD27C9

RGB 221 39 201

HSL 306.59, 0.73%, 0.51%

LAB 52.99, 80.67, -42.38

 

Complementary color

CMYK 84 / 0 / 75 / 15

HEX #22D836

RGB 34 216 54

HSL 126.59, 0.73%, 0.49%

LAB 75.9, -72.02, 63.3

 

CMYK 0 / 83 / 13 / 11

HEX #E227C4

RGB 226 39 196

HSL 309.63, 0.76%, 0.52%

LAB 53.61, 80.97, -38.47

 

CMYK 0 / 77 / 12 / 5

HEX #F339D7

RGB 243 57 215

HSL 309.03, 0.89%, 0.59%

LAB 58.87, 82.76, -40.86

 

CMYK 0 / 71 / 8 / 0

HEX #FF4BEA

RGB 255 75 234

HSL 307, 1%, 0.65%

LAB 63.53, 82.75, -44.07

 

CMYK 0 / 64 / 1 / 0

HEX #FF5DFD

RGB 255 93 253

HSL 300.74, 1%, 0.68%

LAB 66.66, 79.4, -49.66

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 82 / 9 / 13

HEX #DD27C9

RGB 221 39 201

HSL 306.59, 0.73%, 0.51%

LAB 52.99, 80.67, -42.38

 

CMYK 0 / 90 / 11 / 20

HEX #CC15B6

RGB 204 21 182

HSL 307.21, 0.81%, 0.44%

LAB 47.94, 77.96, -39.51

 

CMYK 0 / 98 / 13 / 27

HEX #BB03A3

RGB 187 3 163

HSL 307.83, 0.97%, 0.37%

LAB 43.17, 74.18, -35.99

 

CMYK 0 / 100 / 15 / 33

HEX #AA0090

RGB 170 0 144

HSL 309.18, 1%, 0.33%

LAB 38.83, 68.85, -31.56

 

CMYK 0 / 100 / 18 / 40

HEX #99007D

RGB 153 0 125

HSL 310.98, 1%, 0.3%

LAB 34.5, 63.13, -26.82

 

CMYK 0 / 82 / 9 / 13

HEX #DD27C9

RGB 221 39 201

HSL 306.59, 0.73%, 0.51%

LAB 52.99, 80.67, -42.38

 

CMYK 0 / 82 / 31 / 13

HEX #DD2798

RGB 221 39 152

HSL 322.75, 0.73%, 0.51%

LAB 50.79, 74.57, -17.09

 

CMYK 0 / 82 / 53 / 13

HEX #DD2767

RGB 221 39 103

HSL 338.9, 0.73%, 0.51%

LAB 49.26, 70.12, 10.31

 

CMYK 0 / 82 / 76 / 13

HEX #DD2736

RGB 221 39 54

HSL 355.05, 0.73%, 0.51%

LAB 48.37, 67.48, 38.69

 

CMYK 0 / 82 / 82 / 13

HEX #DD2727

RGB 221 39 39

HSL 0, 0.73%, 0.51%

LAB 48.22, 67.02, 46.74

 

CMYK 0 / 82 / 9 / 13

HEX #DD27C9

RGB 221 39 201

HSL 306.59, 0.73%, 0.51%

LAB 52.99, 80.67, -42.38

 

CMYK 13 / 82 / 0 / 13

HEX #C027DD

RGB 192 39 221

HSL 290.44, 0.73%, 0.51%

LAB 49.35, 78.46, -59.93

 

CMYK 35 / 82 / 0 / 13

HEX #8F27DD

RGB 143 39 221

HSL 274.29, 0.73%, 0.51%

LAB 42.02, 70.73, -72.17

 

CMYK 57 / 82 / 0 / 13

HEX #5E27DD

RGB 94 39 221

HSL 258.13, 0.73%, 0.51%

LAB 36.08, 64.71, -82.14

 

CMYK 80 / 82 / 0 / 13

HEX #2D27DD

RGB 45 39 221

HSL 241.98, 0.73%, 0.51%

LAB 32.32, 61.06, -88.49

 

CMYK 0 / 82 / 9 / 13

HEX #DD27C9

RGB 221 39 201

HSL 306.59, 0.73%, 0.51%

LAB 52.99, 80.67, -42.38

 

CMYK 0 / 92 / 10 / 5

HEX #F113D9

RGB 241 19 217

HSL 306.49, 0.89%, 0.51%

LAB 56.26, 89.53, -46.13

 

CMYK 0 / 82 / 9 / 13

HEX #DD27C9

RGB 221 39 201

HSL 306.59, 0.73%, 0.51%

LAB 52.99, 80.67, -42.38

 

CMYK 0 / 71 / 8 / 21

HEX #C93BB9

RGB 201 59 185

HSL 306.76, 0.57%, 0.51%

LAB 50.74, 68.66, -36.89

 

CMYK 0 / 56 / 6 / 29

HEX #B54FAA

RGB 181 79 170

HSL 306.47, 0.41%, 0.51%

LAB 49.88, 53.06, -29.69

 

CMYK 0 / 39 / 4 / 37

HEX #A1639A

RGB 161 99 154

HSL 306.77, 0.25%, 0.51%

LAB 50.49, 33.72, -19.55

 

CMYK 0 / 14 / 1 / 45

HEX #8C788A

RGB 140 120 138

HSL 306, 0.08%, 0.51%

LAB 52.78, 11.09, -6.92

 

CMYK 36 / 82 / 0 / 13

HEX #8E27DD

RGB 142 39 221

HSL 273.96, 0.73%, 0.51%

LAB 41.88, 70.59, -72.4

 

CMYK 14 / 82 / 0 / 13

HEX #BF27DD

RGB 191 39 221

HSL 290.11, 0.73%, 0.51%

LAB 49.19, 78.29, -60.2

 

CMYK 0 / 82 / 8 / 13

HEX #DD27CB

RGB 221 39 203

HSL 305.93, 0.73%, 0.51%

LAB 53.1, 80.95, -43.37

 

CMYK 0 / 82 / 30 / 13

HEX #DD279A

RGB 221 39 154

HSL 322.09, 0.73%, 0.51%

LAB 50.87, 74.79, -18.17

 

CMYK 0 / 82 / 52 / 13

HEX #DD276A

RGB 221 39 106

HSL 337.91, 0.73%, 0.51%

LAB 49.33, 70.34, 8.58

 

CMYK 0 / 84 / 10 / 40

HEX #9A188B

RGB 154 24 139

HSL 306.92, 0.73%, 0.35%

LAB 36.72, 61.55, -32.02

 

CMYK 0 / 84 / 9 / 26

HEX #BD1EAC

RGB 189 30 172

HSL 306.42, 0.73%, 0.43%

LAB 45.26, 72.17, -38.04

 

CMYK 0 / 82 / 9 / 13

HEX #DD27C9

RGB 221 39 201

HSL 306.59, 0.73%, 0.51%

LAB 52.99, 80.67, -42.38

 

CMYK 0 / 67 / 7 / 11

HEX #E34BD2

RGB 227 75 210

HSL 306.71, 0.73%, 0.59%

LAB 58.05, 72.88, -39.49

 

CMYK 0 / 53 / 6 / 9

HEX #E86EDB

RGB 232 110 219

HSL 306.39, 0.73%, 0.67%

LAB 64.5, 61.01, -34.43

 

CMYK 0 / 82 / 9 / 13

HEX #DD27C9

RGB 221 39 201

HSL 306.59, 0.73%, 0.51%

LAB 52.99, 80.67, -42.38

 

CMYK 0 / 57 / 82 / 13

HEX #DD5E27

RGB 221 94 39

HSL 18.13, 0.73%, 0.51%

LAB 55.61, 46.93, 53.51

 

CMYK 82 / 0 / 24 / 13

HEX #27DDA7

RGB 39 221 167

HSL 162.2, 0.73%, 0.51%

LAB 79, -55.72, 14.4

 

CMYK 0 / 82 / 9 / 13

HEX #DD27C9

RGB 221 39 201

HSL 306.59, 0.73%, 0.51%

LAB 52.99, 80.67, -42.38

 

CMYK 8 / 0 / 82 / 13

HEX #CBDD27

RGB 203 221 39

HSL 65.93, 0.73%, 0.51%

LAB 84.25, -26.23, 77.77

 

CMYK 82 / 8 / 0 / 13

HEX #27CBDD

RGB 39 203 221

HSL 185.93, 0.73%, 0.51%

LAB 75.05, -33.26, -20.33

 

CMYK 0 / 82 / 9 / 13

HEX #DD27C9

RGB 221 39 201

HSL 306.59, 0.73%, 0.51%

LAB 52.99, 80.67, -42.38

 

CMYK 0 / 57 / 82 / 13

HEX #DD5E27

RGB 221 94 39

HSL 18.13, 0.73%, 0.51%

LAB 55.61, 46.93, 53.51

 

CMYK 82 / 0 / 74 / 13

HEX #27DD39

RGB 39 221 57

HSL 125.93, 0.73%, 0.51%

LAB 77.54, -72.78, 63.96

 

CMYK 82 / 24 / 0 / 13

HEX #27A7DD

RGB 39 167 221

HSL 197.8, 0.73%, 0.51%

LAB 64.39, -15, -36.73

 

CMYK 0 / 82 / 9 / 13

HEX #DD27C9

RGB 221 39 201

HSL 306.59, 0.73%, 0.51%

LAB 52.99, 80.67, -42.38

 

CMYK 0 / 33 / 82 / 13

HEX #DD9427

RGB 221 148 39

HSL 35.93, 0.73%, 0.51%

LAB 67.05, 19.12, 63.63

 

CMYK 82 / 0 / 74 / 13

HEX #27DD39

RGB 39 221 57

HSL 125.93, 0.73%, 0.51%

LAB 77.54, -72.78, 63.96

 

CMYK 82 / 49 / 0 / 13

HEX #2770DD

RGB 39 112 221

HSL 215.93, 0.73%, 0.51%

LAB 48.56, 17.53, -61.87

 

Description

Color code: HEX #DD27C9 | qconv.com Color code: HEX #DD27C9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 39 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 39 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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