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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD239B it is the complementary color #22DC64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD239B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD239B shade: #E22396, #F335A9, #FF47BC, #FF59CF and #FF6BE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD239B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD239B shade: #DD239B, #CC1188, #BB0075, #AA0062 and #99004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD239B shade: #DD229B, #DD2268, #DD2236 and #DD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD239B shade: #DD229B, #DD22CD, #BA22DD, #8822DD and #5622DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD239B shade matches the following richer shades: #DD229B and #F10EA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD239B shade: #DD229B, #C83795, #B34C8F, #9F6089 and #8A7583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD239B shade: #BA22DD, #DD22CD, #DD229B, #DD226A and #DD2238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD239B shade: #951769, #B91D82, #DD229B, #E246AB and #E86ABB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD239B shade: #DD239B, #DD8922 and #22DDD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD239B shade: #DD239B, #9BDD22 and #229BDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD239B shade: #DD239B, #DD8922, #22DD64 and #2276DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD239B shade: #DD239B, #DDC122, #22DD64 and #223EDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 30 / 13

HEX #DD239B

RGB 221 35 155

HSL 321.29, 0.73%, 0.5%

LAB 50.62, 75.74, -19.15

 

Complementary color

CMYK 85 / 0 / 55 / 14

HEX #22DC64

RGB 34 220 100

HSL 141.29, 0.73%, 0.5%

LAB 77.55, -68.35, 46.33

 

CMYK 0 / 85 / 34 / 11

HEX #E22396

RGB 226 35 150

HSL 323.87, 0.77%, 0.51%

LAB 51.35, 76.32, -14.96

 

CMYK 0 / 78 / 30 / 5

HEX #F335A9

RGB 243 53 169

HSL 323.37, 0.89%, 0.58%

LAB 56.55, 78.12, -17.99

 

CMYK 0 / 72 / 26 / 0

HEX #FF47BC

RGB 255 71 188

HSL 321.85, 1%, 0.64%

LAB 61.13, 77.97, -21.81

 

CMYK 0 / 65 / 19 / 0

HEX #FF59CF

RGB 255 89 207

HSL 317.35, 1%, 0.67%

LAB 64.09, 74.15, -28.07

 

CMYK 0 / 58 / 11 / 0

HEX #FF6BE2

RGB 255 107 226

HSL 311.76, 1%, 0.71%

LAB 67.48, 69.64, -33.46

 

CMYK 0 / 84 / 30 / 13

HEX #DD239B

RGB 221 35 155

HSL 321.29, 0.73%, 0.5%

LAB 50.62, 75.74, -19.15

 

CMYK 0 / 92 / 33 / 20

HEX #CC1188

RGB 204 17 136

HSL 321.82, 0.85%, 0.43%

LAB 45.66, 72.95, -15.56

 

CMYK 0 / 100 / 37 / 27

HEX #BB0075

RGB 187 0 117

HSL 322.46, 1%, 0.37%

LAB 40.98, 69.14, -11.26

 

CMYK 0 / 100 / 42 / 33

HEX #AA0062

RGB 170 0 98

HSL 325.41, 1%, 0.33%

LAB 36.8, 63.67, -5.88

 

CMYK 0 / 100 / 48 / 40

HEX #99004F

RGB 153 0 79

HSL 329.02, 1%, 0.3%

LAB 32.56, 58.14, -0.2

 

CMYK 0 / 85 / 30 / 13

HEX #DD229B

RGB 221 34 155

HSL 321.18, 0.73%, 0.5%

LAB 50.55, 75.94, -19.25

 

CMYK 0 / 85 / 53 / 13

HEX #DD2268

RGB 221 34 104

HSL 337.54, 0.73%, 0.5%

LAB 48.9, 71.27, 9.2

 

CMYK 0 / 85 / 76 / 13

HEX #DD2236

RGB 221 34 54

HSL 353.58, 0.73%, 0.5%

LAB 47.98, 68.59, 38.26

 

CMYK 0 / 85 / 85 / 13

HEX #DD2222

RGB 221 34 34

HSL 0, 0.73%, 0.5%

LAB 47.79, 68.02, 48.87

 

CMYK 0 / 85 / 30 / 13

HEX #DD229B

RGB 221 34 155

HSL 321.18, 0.73%, 0.5%

LAB 50.55, 75.94, -19.25

 

CMYK 0 / 85 / 7 / 13

HEX #DD22CD

RGB 221 34 205

HSL 305.13, 0.73%, 0.5%

LAB 52.87, 82.21, -44.88

 

CMYK 16 / 85 / 0 / 13

HEX #BA22DD

RGB 186 34 221

HSL 288.77, 0.73%, 0.5%

LAB 48.01, 78.58, -62.14

 

CMYK 38 / 85 / 0 / 13

HEX #8822DD

RGB 136 34 221

HSL 272.73, 0.73%, 0.5%

LAB 40.57, 71.2, -74.58

 

CMYK 61 / 85 / 0 / 13

HEX #5622DD

RGB 86 34 221

HSL 256.68, 0.73%, 0.5%

LAB 34.69, 65.76, -84.48

 

CMYK 0 / 85 / 30 / 13

HEX #DD229B

RGB 221 34 155

HSL 321.18, 0.73%, 0.5%

LAB 50.55, 75.94, -19.25

 

CMYK 0 / 94 / 33 / 5

HEX #F10EA1

RGB 241 14 161

HSL 321.15, 0.89%, 0.5%

LAB 53.59, 83.49, -17.84

 

CMYK 0 / 85 / 30 / 13

HEX #DD229B

RGB 221 34 155

HSL 321.18, 0.73%, 0.5%

LAB 50.55, 75.94, -19.25

 

CMYK 0 / 73 / 26 / 22

HEX #C83795

RGB 200 55 149

HSL 321.1, 0.57%, 0.5%

LAB 48.49, 64.76, -19.15

 

CMYK 0 / 58 / 20 / 30

HEX #B34C8F

RGB 179 76 143

HSL 320.97, 0.4%, 0.5%

LAB 47.93, 49.59, -16.72

 

CMYK 0 / 40 / 14 / 38

HEX #9F6089

RGB 159 96 137

HSL 320.95, 0.25%, 0.5%

LAB 48.94, 31.66, -11.87

 

CMYK 0 / 15 / 5 / 46

HEX #8A7583

RGB 138 117 131

HSL 320, 0.08%, 0.5%

LAB 51.57, 10.73, -4.62

 

CMYK 16 / 85 / 0 / 13

HEX #BA22DD

RGB 186 34 221

HSL 288.77, 0.73%, 0.5%

LAB 48.01, 78.58, -62.14

 

CMYK 0 / 85 / 7 / 13

HEX #DD22CD

RGB 221 34 205

HSL 305.13, 0.73%, 0.5%

LAB 52.87, 82.21, -44.88

 

CMYK 0 / 85 / 30 / 13

HEX #DD229B

RGB 221 34 155

HSL 321.18, 0.73%, 0.5%

LAB 50.55, 75.94, -19.25

 

CMYK 0 / 85 / 52 / 13

HEX #DD226A

RGB 221 34 106

HSL 336.9, 0.73%, 0.5%

LAB 48.95, 71.42, 8.04

 

CMYK 0 / 85 / 75 / 13

HEX #DD2238

RGB 221 34 56

HSL 352.94, 0.73%, 0.5%

LAB 48.01, 68.66, 37.13

 

CMYK 0 / 85 / 30 / 42

HEX #951769

RGB 149 23 105

HSL 320.95, 0.73%, 0.34%

LAB 34.03, 56.05, -14.95

 

CMYK 0 / 84 / 30 / 27

HEX #B91D82

RGB 185 29 130

HSL 321.15, 0.73%, 0.42%

LAB 42.47, 66.09, -17.09

 

CMYK 0 / 85 / 30 / 13

HEX #DD229B

RGB 221 34 155

HSL 321.18, 0.73%, 0.5%

LAB 50.55, 75.94, -19.25

 

CMYK 0 / 69 / 24 / 11

HEX #E246AB

RGB 226 70 171

HSL 321.15, 0.73%, 0.58%

LAB 55.57, 69, -20.91

 

CMYK 0 / 54 / 19 / 9

HEX #E86ABB

RGB 232 106 187

HSL 321.43, 0.73%, 0.66%

LAB 62.55, 57.93, -19.39

 

CMYK 0 / 84 / 30 / 13

HEX #DD239B

RGB 221 35 155

HSL 321.29, 0.73%, 0.5%

LAB 50.62, 75.74, -19.15

 

CMYK 0 / 38 / 85 / 13

HEX #DD8922

RGB 221 137 34

HSL 33.05, 0.73%, 0.5%

LAB 64.47, 24.88, 63.06

 

CMYK 85 / 0 / 5 / 13

HEX #22DDD3

RGB 34 221 211

HSL 176.79, 0.73%, 0.5%

LAB 80.04, -44.75, -7.49

 

CMYK 0 / 84 / 30 / 13

HEX #DD239B

RGB 221 35 155

HSL 321.29, 0.73%, 0.5%

LAB 50.62, 75.74, -19.15

 

CMYK 30 / 0 / 85 / 13

HEX #9BDD22

RGB 155 221 34

HSL 81.18, 0.73%, 0.5%

LAB 81.18, -45.24, 75.05

 

CMYK 85 / 30 / 0 / 13

HEX #229BDD

RGB 34 155 221

HSL 201.18, 0.73%, 0.5%

LAB 60.78, -8.77, -42.39

 

CMYK 0 / 84 / 30 / 13

HEX #DD239B

RGB 221 35 155

HSL 321.29, 0.73%, 0.5%

LAB 50.62, 75.74, -19.15

 

CMYK 0 / 38 / 85 / 13

HEX #DD8922

RGB 221 137 34

HSL 33.05, 0.73%, 0.5%

LAB 64.47, 24.88, 63.06

 

CMYK 85 / 0 / 55 / 13

HEX #22DD64

RGB 34 221 100

HSL 141.18, 0.73%, 0.5%

LAB 77.86, -68.67, 46.71

 

CMYK 85 / 47 / 0 / 13

HEX #2276DD

RGB 34 118 221

HSL 213.05, 0.73%, 0.5%

LAB 50.12, 13.34, -59.37

 

CMYK 0 / 84 / 30 / 13

HEX #DD239B

RGB 221 35 155

HSL 321.29, 0.73%, 0.5%

LAB 50.62, 75.74, -19.15

 

CMYK 0 / 13 / 85 / 13

HEX #DDC122

RGB 221 193 34

HSL 51.02, 0.73%, 0.5%

LAB 78.24, -4.82, 74.5

 

CMYK 85 / 0 / 55 / 13

HEX #22DD64

RGB 34 221 100

HSL 141.18, 0.73%, 0.5%

LAB 77.86, -68.67, 46.71

 

CMYK 85 / 72 / 0 / 13

HEX #223EDD

RGB 34 62 221

HSL 231.02, 0.73%, 0.5%

LAB 36, 48.66, -82.42

 

Description

Color code: HEX #DD239B | qconv.com Color code: HEX #DD239B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 35 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 35 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 30 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 30% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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