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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD236A it is the complementary color #22DC95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD236A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD236A shade: #E22365, #F33578, #FF478B, #FF599E and #FF6BB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD236A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD236A shade: #DD236A, #CC1157, #BB0044, #AA0031 and #99001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD236A shade: #DD2269, #DD2237 and #DD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD236A shade: #DD2269, #DD229C, #DD22CE, #B922DD and #8722DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD236A shade matches the following richer shades: #DD2269 and #F10E65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD236A shade: #DD2269, #C8376E, #B34C73, #9F6078 and #8A757D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD236A shade: #DD22CD, #DD229B, #DD226A, #DD2238 and #DD3E22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD236A shade: #951747, #B91D58, #DD2269, #E24682 and #E86A9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD236A shade: #DD236A, #DDBA22 and #22B4DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD236A shade: #DD236A, #6ADD22 and #226ADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD236A shade: #DD236A, #DDBA22, #22DD95 and #2245DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD236A shade: #DD236A, #C7DD22, #22DD95 and #3822DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 52 / 13

HEX #DD236A

RGB 221 35 106

HSL 337.1, 0.73%, 0.5%

LAB 49.03, 71.21, 8.15

 

Complementary color

CMYK 85 / 0 / 32 / 14

HEX #22DC95

RGB 34 220 149

HSL 157.1, 0.73%, 0.5%

LAB 78.28, -59.73, 22.83

 

CMYK 0 / 85 / 55 / 11

HEX #E22365

RGB 226 35 101

HSL 339.27, 0.77%, 0.51%

LAB 49.87, 72.1, 12.53

 

CMYK 0 / 78 / 51 / 5

HEX #F33578

RGB 243 53 120

HSL 338.84, 0.89%, 0.58%

LAB 55.03, 73.55, 8.76

 

CMYK 0 / 72 / 45 / 0

HEX #FF478B

RGB 255 71 139

HSL 337.83, 1%, 0.64%

LAB 59.55, 72.93, 4.27

 

CMYK 0 / 65 / 38 / 0

HEX #FF599E

RGB 255 89 158

HSL 335.06, 1%, 0.67%

LAB 62.4, 68.32, -2.63

 

CMYK 0 / 58 / 31 / 0

HEX #FF6BB1

RGB 255 107 177

HSL 331.62, 1%, 0.71%

LAB 65.71, 63.02, -8.62

 

CMYK 0 / 84 / 52 / 13

HEX #DD236A

RGB 221 35 106

HSL 337.1, 0.73%, 0.5%

LAB 49.03, 71.21, 8.15

 

CMYK 0 / 92 / 57 / 20

HEX #CC1157

RGB 204 17 87

HSL 337.54, 0.85%, 0.43%

LAB 44.13, 68.79, 12.56

 

CMYK 0 / 100 / 64 / 27

HEX #BB0044

RGB 187 0 68

HSL 338.18, 1%, 0.37%

LAB 39.55, 65.38, 17.8

 

CMYK 0 / 100 / 71 / 33

HEX #AA0031

RGB 170 0 49

HSL 342.71, 1%, 0.33%

LAB 35.53, 60.31, 24.1

 

CMYK 0 / 100 / 80 / 40

HEX #99001E

RGB 153 0 30

HSL 348.24, 1%, 0.3%

LAB 31.5, 55.3, 30.49

 

CMYK 0 / 85 / 52 / 13

HEX #DD2269

RGB 221 34 105

HSL 337.22, 0.73%, 0.5%

LAB 48.93, 71.35, 8.62

 

CMYK 0 / 85 / 75 / 13

HEX #DD2237

RGB 221 34 55

HSL 353.26, 0.73%, 0.5%

LAB 48, 68.62, 37.7

 

CMYK 0 / 85 / 85 / 13

HEX #DD2222

RGB 221 34 34

HSL 0, 0.73%, 0.5%

LAB 47.79, 68.02, 48.87

 

CMYK 0 / 85 / 52 / 13

HEX #DD2269

RGB 221 34 105

HSL 337.22, 0.73%, 0.5%

LAB 48.93, 71.35, 8.62

 

CMYK 0 / 85 / 29 / 13

HEX #DD229C

RGB 221 34 156

HSL 320.86, 0.73%, 0.5%

LAB 50.59, 76.05, -19.79

 

CMYK 0 / 85 / 7 / 13

HEX #DD22CE

RGB 221 34 206

HSL 304.81, 0.73%, 0.5%

LAB 52.92, 82.35, -45.37

 

CMYK 16 / 85 / 0 / 13

HEX #B922DD

RGB 185 34 221

HSL 288.45, 0.73%, 0.5%

LAB 47.85, 78.42, -62.4

 

CMYK 39 / 85 / 0 / 13

HEX #8722DD

RGB 135 34 221

HSL 272.41, 0.73%, 0.5%

LAB 40.44, 71.07, -74.8

 

CMYK 0 / 85 / 52 / 13

HEX #DD2269

RGB 221 34 105

HSL 337.22, 0.73%, 0.5%

LAB 48.93, 71.35, 8.62

 

CMYK 0 / 94 / 58 / 5

HEX #F10E65

RGB 241 14 101

HSL 337, 0.89%, 0.5%

LAB 51.79, 78.67, 15.64

 

CMYK 0 / 85 / 52 / 13

HEX #DD2269

RGB 221 34 105

HSL 337.22, 0.73%, 0.5%

LAB 48.93, 71.35, 8.62

 

CMYK 0 / 73 / 45 / 22

HEX #C8376E

RGB 200 55 110

HSL 337.24, 0.57%, 0.5%

LAB 47.15, 60.48, 2.49

 

CMYK 0 / 58 / 36 / 30

HEX #B34C73

RGB 179 76 115

HSL 337.28, 0.4%, 0.5%

LAB 46.96, 45.82, -1.27

 

CMYK 0 / 40 / 25 / 38

HEX #9F6078

RGB 159 96 120

HSL 337.14, 0.25%, 0.5%

LAB 48.38, 28.91, -2.54

 

CMYK 0 / 15 / 9 / 46

HEX #8A757D

RGB 138 117 125

HSL 337.14, 0.08%, 0.5%

LAB 51.39, 9.6, -1.35

 

CMYK 0 / 85 / 7 / 13

HEX #DD22CD

RGB 221 34 205

HSL 305.13, 0.73%, 0.5%

LAB 52.87, 82.21, -44.88

 

CMYK 0 / 85 / 30 / 13

HEX #DD229B

RGB 221 34 155

HSL 321.18, 0.73%, 0.5%

LAB 50.55, 75.94, -19.25

 

CMYK 0 / 85 / 52 / 13

HEX #DD226A

RGB 221 34 106

HSL 336.9, 0.73%, 0.5%

LAB 48.95, 71.42, 8.04

 

CMYK 0 / 85 / 75 / 13

HEX #DD2238

RGB 221 34 56

HSL 352.94, 0.73%, 0.5%

LAB 48.01, 68.66, 37.13

 

CMYK 0 / 72 / 85 / 13

HEX #DD3E22

RGB 221 62 34

HSL 8.98, 0.73%, 0.5%

LAB 50.61, 60.11, 51.31

 

CMYK 0 / 85 / 52 / 42

HEX #951747

RGB 149 23 71

HSL 337.14, 0.73%, 0.34%

LAB 32.83, 52.58, 5.34

 

CMYK 0 / 84 / 52 / 27

HEX #B91D58

RGB 185 29 88

HSL 337.31, 0.73%, 0.42%

LAB 41.05, 62.04, 7.07

 

CMYK 0 / 85 / 52 / 13

HEX #DD2269

RGB 221 34 105

HSL 337.22, 0.73%, 0.5%

LAB 48.93, 71.35, 8.62

 

CMYK 0 / 69 / 42 / 11

HEX #E24682

RGB 226 70 130

HSL 336.92, 0.73%, 0.58%

LAB 54.2, 64.42, 1.21

 

CMYK 0 / 54 / 34 / 9

HEX #E86A9A

RGB 232 106 154

HSL 337.14, 0.73%, 0.66%

LAB 61.48, 53.61, -2.09

 

CMYK 0 / 84 / 52 / 13

HEX #DD236A

RGB 221 35 106

HSL 337.1, 0.73%, 0.5%

LAB 49.03, 71.21, 8.15

 

CMYK 0 / 16 / 85 / 13

HEX #DDBA22

RGB 221 186 34

HSL 48.77, 0.73%, 0.5%

LAB 76.44, -1.2, 73.01

 

CMYK 85 / 19 / 0 / 13

HEX #22B4DD

RGB 34 180 221

HSL 193.16, 0.73%, 0.5%

LAB 68.17, -22.25, -30.88

 

CMYK 0 / 84 / 52 / 13

HEX #DD236A

RGB 221 35 106

HSL 337.1, 0.73%, 0.5%

LAB 49.03, 71.21, 8.15

 

CMYK 52 / 0 / 85 / 13

HEX #6ADD22

RGB 106 221 34

HSL 96.9, 0.73%, 0.5%

LAB 78.98, -61.24, 72.28

 

CMYK 85 / 52 / 0 / 13

HEX #226ADD

RGB 34 106 221

HSL 216.9, 0.73%, 0.5%

LAB 46.8, 20.96, -64.73

 

CMYK 0 / 84 / 52 / 13

HEX #DD236A

RGB 221 35 106

HSL 337.1, 0.73%, 0.5%

LAB 49.03, 71.21, 8.15

 

CMYK 0 / 16 / 85 / 13

HEX #DDBA22

RGB 221 186 34

HSL 48.77, 0.73%, 0.5%

LAB 76.44, -1.2, 73.01

 

CMYK 85 / 0 / 33 / 13

HEX #22DD95

RGB 34 221 149

HSL 156.9, 0.73%, 0.5%

LAB 78.59, -60.1, 23.25

 

CMYK 85 / 69 / 0 / 13

HEX #2245DD

RGB 34 69 221

HSL 228.77, 0.73%, 0.5%

LAB 37.51, 44.49, -79.91

 

CMYK 0 / 84 / 52 / 13

HEX #DD236A

RGB 221 35 106

HSL 337.1, 0.73%, 0.5%

LAB 49.03, 71.21, 8.15

 

CMYK 10 / 0 / 85 / 13

HEX #C7DD22

RGB 199 221 34

HSL 67.06, 0.73%, 0.5%

LAB 83.95, -28.01, 78.5

 

CMYK 85 / 0 / 33 / 13

HEX #22DD95

RGB 34 221 149

HSL 156.9, 0.73%, 0.5%

LAB 78.59, -60.1, 23.25

 

CMYK 75 / 85 / 0 / 13

HEX #3822DD

RGB 56 34 221

HSL 247.06, 0.73%, 0.5%

LAB 32.27, 63.66, -88.56

 

Description

Color code: HEX #DD236A | qconv.com Color code: HEX #DD236A | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 35 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 35 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 52% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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