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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD1B12 it is the complementary color #22E4ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD1B12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD1B12 shade: #E21B0D, #F32D20, #FF3F33, #FF5146 and #FF6359

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD1B12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD1B12 shade: #DD1B12, #CC0900, #BB0000, #AA0000 and #990000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD1B12 shade: #DE1B12 and #DE1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD1B12 shade: #DE1B12, #DE5212, #DE8912, #DEC012 and #C5DE12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD1B12 shade matches the following richer shades: #DE1B12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD1B12 shade: #DE1B12, #CA2D25, #B73E39, #A4504C and #906260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD1B12 shade: #DE1278, #DE1242, #DE1912, #DE4F12 and #DE8512

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD1B12 shade: #91120C, #B8160F, #DE1B12, #EE342B and #F15851

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD1B12 shade: #DD1B12, #AEDE12 and #125DDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD1B12 shade: #DD1B12, #12DE19 and #1912DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD1B12 shade: #DD1B12, #AEDE12, #12D7DE and #4212DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD1B12 shade: #DD1B12, #71DE12, #12D7DE and #7F12DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 92 / 13

HEX #DD1B12

RGB 221 27 18

HSL 2.66, 0.85%, 0.47%

LAB 47.24, 69.07, 55.38

 

Complementary color

CMYK 86 / 4 / 0 / 7

HEX #22E4ED

RGB 34 228 237

HSL 182.66, 0.85%, 0.53%

LAB 82.88, -40.34, -17.05

 

CMYK 0 / 88 / 94 / 11

HEX #E21B0D

RGB 226 27 13

HSL 3.94, 0.89%, 0.47%

LAB 48.24, 70.33, 58.15

 

CMYK 0 / 81 / 87 / 5

HEX #F32D20

RGB 243 45 32

HSL 3.7, 0.9%, 0.54%

LAB 52.99, 71.5, 55.87

 

CMYK 0 / 75 / 80 / 0

HEX #FF3F33

RGB 255 63 51

HSL 3.53, 1%, 0.6%

LAB 57.13, 70.45, 51.4

 

CMYK 0 / 68 / 73 / 0

HEX #FF5146

RGB 255 81 70

HSL 3.57, 1%, 0.64%

LAB 59.51, 65.04, 43.95

 

CMYK 0 / 61 / 65 / 0

HEX #FF6359

RGB 255 99 89

HSL 3.61, 1%, 0.67%

LAB 62.43, 58.75, 36.96

 

CMYK 0 / 88 / 92 / 13

HEX #DD1B12

RGB 221 27 18

HSL 2.66, 0.85%, 0.47%

LAB 47.24, 69.07, 55.38

 

CMYK 0 / 96 / 100 / 20

HEX #CC0900

RGB 204 9 0

HSL 2.65, 1%, 0.4%

LAB 42.81, 66.85, 56.92

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 100 / 100 / 33

HEX #AA0000

RGB 170 0 0

HSL 0, 1%, 0.33%

LAB 35.1, 59.12, 49.41

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 88 / 92 / 13

HEX #DE1B12

RGB 222 27 18

HSL 2.65, 0.85%, 0.47%

LAB 47.44, 69.33, 55.61

 

CMYK 0 / 92 / 92 / 13

HEX #DE1212

RGB 222 18 18

HSL 0, 0.85%, 0.47%

LAB 46.98, 70.65, 55.32

 

CMYK 0 / 88 / 92 / 13

HEX #DE1B12

RGB 222 27 18

HSL 2.65, 0.85%, 0.47%

LAB 47.44, 69.33, 55.61

 

CMYK 0 / 63 / 92 / 13

HEX #DE5212

RGB 222 82 18

HSL 18.82, 0.85%, 0.47%

LAB 53.61, 52.27, 59.67

 

CMYK 0 / 38 / 92 / 13

HEX #DE8912

RGB 222 137 18

HSL 35, 0.85%, 0.47%

LAB 64.54, 24.98, 67.39

 

CMYK 0 / 14 / 92 / 13

HEX #DEC012

RGB 222 192 18

HSL 51.18, 0.85%, 0.47%

LAB 78.04, -4.18, 77.44

 

CMYK 11 / 0 / 92 / 13

HEX #C5DE12

RGB 197 222 18

HSL 67.35, 0.85%, 0.47%

LAB 84.05, -29.62, 81.19

 

CMYK 0 / 88 / 92 / 13

HEX #DE1B12

RGB 222 27 18

HSL 2.65, 0.85%, 0.47%

LAB 47.44, 69.33, 55.61

 

CMYK 0 / 88 / 92 / 13

HEX #DE1B12

RGB 222 27 18

HSL 2.65, 0.85%, 0.47%

LAB 47.44, 69.33, 55.61

 

CMYK 0 / 78 / 82 / 21

HEX #CA2D25

RGB 202 45 37

HSL 2.91, 0.69%, 0.47%

LAB 45.04, 59.94, 43.44

 

CMYK 0 / 66 / 69 / 28

HEX #B73E39

RGB 183 62 57

HSL 2.38, 0.53%, 0.47%

LAB 43.96, 48.51, 30

 

CMYK 0 / 51 / 54 / 36

HEX #A4504C

RGB 164 80 76

HSL 2.73, 0.37%, 0.47%

LAB 44.45, 34.25, 18.61

 

CMYK 0 / 32 / 33 / 44

HEX #906260

RGB 144 98 96

HSL 2.5, 0.2%, 0.47%

LAB 46.32, 18.39, 8.69

 

CMYK 0 / 92 / 46 / 13

HEX #DE1278

RGB 222 18 120

HSL 330, 0.85%, 0.47%

LAB 48.66, 75.3, -0.93

 

CMYK 0 / 92 / 70 / 13

HEX #DE1242

RGB 222 18 66

HSL 345.88, 0.85%, 0.47%

LAB 47.44, 71.93, 30.57

 

CMYK 0 / 89 / 92 / 13

HEX #DE1912

RGB 222 25 18

HSL 2.06, 0.85%, 0.47%

LAB 47.32, 69.66, 55.54

 

CMYK 0 / 64 / 92 / 13

HEX #DE4F12

RGB 222 79 18

HSL 17.94, 0.85%, 0.47%

LAB 53.13, 53.55, 59.35

 

CMYK 0 / 40 / 92 / 13

HEX #DE8512

RGB 222 133 18

HSL 33.82, 0.85%, 0.47%

LAB 63.63, 27.11, 66.74

 

CMYK 0 / 88 / 92 / 43

HEX #91120C

RGB 145 18 12

HSL 2.71, 0.85%, 0.31%

LAB 30.59, 49.73, 38.9

 

CMYK 0 / 88 / 92 / 28

HEX #B8160F

RGB 184 22 15

HSL 2.49, 0.85%, 0.39%

LAB 39.24, 59.99, 47.57

 

CMYK 0 / 88 / 92 / 13

HEX #DE1B12

RGB 222 27 18

HSL 2.65, 0.85%, 0.47%

LAB 47.44, 69.33, 55.61

 

CMYK 0 / 78 / 82 / 7

HEX #EE342B

RGB 238 52 43

HSL 2.77, 0.85%, 0.55%

LAB 52.74, 68.55, 50.11

 

CMYK 0 / 63 / 66 / 5

HEX #F15851

RGB 241 88 81

HSL 2.63, 0.85%, 0.63%

LAB 58.3, 58.32, 35.86

 

CMYK 0 / 88 / 92 / 13

HEX #DD1B12

RGB 221 27 18

HSL 2.66, 0.85%, 0.47%

LAB 47.24, 69.07, 55.38

 

CMYK 22 / 0 / 92 / 13

HEX #AEDE12

RGB 174 222 18

HSL 74.12, 0.85%, 0.47%

LAB 82.53, -38.84, 79.35

 

CMYK 92 / 58 / 0 / 13

HEX #125DDE

RGB 18 93 222

HSL 217.94, 0.85%, 0.47%

LAB 43.11, 28.84, -71.31

 

CMYK 0 / 88 / 92 / 13

HEX #DD1B12

RGB 221 27 18

HSL 2.66, 0.85%, 0.47%

LAB 47.24, 69.07, 55.38

 

CMYK 92 / 0 / 89 / 13

HEX #12DE19

RGB 18 222 25

HSL 122.06, 0.85%, 0.47%

LAB 77.54, -76.37, 72.13

 

CMYK 89 / 92 / 0 / 13

HEX #1912DE

RGB 25 18 222

HSL 242.06, 0.85%, 0.47%

LAB 29.19, 68.01, -94.3

 

CMYK 0 / 88 / 92 / 13

HEX #DD1B12

RGB 221 27 18

HSL 2.66, 0.85%, 0.47%

LAB 47.24, 69.07, 55.38

 

CMYK 22 / 0 / 92 / 13

HEX #AEDE12

RGB 174 222 18

HSL 74.12, 0.85%, 0.47%

LAB 82.53, -38.84, 79.35

 

CMYK 92 / 3 / 0 / 13

HEX #12D7DE

RGB 18 215 222

HSL 182.06, 0.85%, 0.47%

LAB 78.46, -39.69, -15.73

 

CMYK 70 / 92 / 0 / 13

HEX #4212DE

RGB 66 18 222

HSL 254.12, 0.85%, 0.47%

LAB 31.5, 69.31, -90.4

 

CMYK 0 / 88 / 92 / 13

HEX #DD1B12

RGB 221 27 18

HSL 2.66, 0.85%, 0.47%

LAB 47.24, 69.07, 55.38

 

CMYK 49 / 0 / 92 / 13

HEX #71DE12

RGB 113 222 18

HSL 92.06, 0.85%, 0.47%

LAB 79.5, -60.06, 75.63

 

CMYK 92 / 3 / 0 / 13

HEX #12D7DE

RGB 18 215 222

HSL 182.06, 0.85%, 0.47%

LAB 78.46, -39.69, -15.73

 

CMYK 43 / 92 / 0 / 13

HEX #7F12DE

RGB 127 18 222

HSL 272.06, 0.85%, 0.47%

LAB 38.23, 73.95, -79.04

 

Description

Color code: HEX #DD1B12 | qconv.com Color code: HEX #DD1B12 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 27 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 27 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 92 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 92% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Asigurări online - A...
Link: http://www.astraonline.ro

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