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Color name
HEX #DD1631

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD1631 it is the complementary color #22E9CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD1631. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD1631 shade: #E2162C, #F3283F, #FF3A52, #FF4C65 and #FF5E78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD1631. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD1631 shade: #DD1631, #CC041E, #BB000B, #AA0000 and #990000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD1631 shade: #DF1631 and #DF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD1631 shade: #DF1631, #DF1667, #DF169E, #DF16D4 and #B416DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD1631 shade matches the following richer shades: #DF1631 and #F30223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD1631 shade: #DF1631, #CB2A40, #B73E4E, #A3515D and #90656B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD1631 shade: #DF169F, #DF166A, #DF1634, #DF2D16 and #DF6316

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD1631 shade: #940F21, #B91229, #DF1631, #EB334C and #EF596D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD1631 shade: #DD1631, #D5DF16 and #1684DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD1631 shade: #DD1631, #34DF16 and #1634DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD1631 shade: #DD1631, #D5DF16, #16DFC1 and #2016DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD1631 shade: #DD1631, #99DF16, #16DFC1 and #5C16DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 78 / 13

HEX #DD1631

RGB 221 22 49

HSL 351.86, 0.82%, 0.48%

LAB 47.19, 70.52, 40.27

 

Complementary color

CMYK 85 / 0 / 12 / 9

HEX #22E9CE

RGB 34 233 206

HSL 171.86, 0.82%, 0.52%

LAB 83.48, -51.19, 0.22

 

CMYK 0 / 90 / 81 / 11

HEX #E2162C

RGB 226 22 44

HSL 353.53, 0.82%, 0.49%

LAB 48.16, 71.65, 44.38

 

CMYK 0 / 84 / 74 / 5

HEX #F3283F

RGB 243 40 63

HSL 353.2, 0.89%, 0.55%

LAB 52.87, 73.46, 39.76

 

CMYK 0 / 77 / 68 / 0

HEX #FF3A52

RGB 255 58 82

HSL 352.69, 1%, 0.61%

LAB 56.97, 73.06, 34.23

 

CMYK 0 / 70 / 60 / 0

HEX #FF4C65

RGB 255 76 101

HSL 351.62, 1%, 0.65%

LAB 59.31, 68.43, 26.19

 

CMYK 0 / 63 / 53 / 0

HEX #FF5E78

RGB 255 94 120

HSL 350.31, 1%, 0.68%

LAB 62.19, 62.9, 19.04

 

CMYK 0 / 90 / 78 / 13

HEX #DD1631

RGB 221 22 49

HSL 351.86, 0.82%, 0.48%

LAB 47.19, 70.52, 40.27

 

CMYK 0 / 98 / 85 / 20

HEX #CC041E

RGB 204 4 30

HSL 352.2, 0.96%, 0.41%

LAB 42.79, 67.72, 45.18

 

CMYK 0 / 100 / 94 / 27

HEX #BB000B

RGB 187 0 11

HSL 356.47, 1%, 0.37%

LAB 38.88, 63.57, 49.18

 

CMYK 0 / 100 / 100 / 33

HEX #AA0000

RGB 170 0 0

HSL 0, 1%, 0.33%

LAB 35.1, 59.12, 49.41

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 90 / 78 / 13

HEX #DF1631

RGB 223 22 49

HSL 351.94, 0.82%, 0.48%

LAB 47.6, 71.03, 40.82

 

CMYK 0 / 90 / 90 / 13

HEX #DF1616

RGB 223 22 22

HSL 0, 0.82%, 0.48%

LAB 47.39, 70.43, 54.15

 

CMYK 0 / 90 / 78 / 13

HEX #DF1631

RGB 223 22 49

HSL 351.94, 0.82%, 0.48%

LAB 47.6, 71.03, 40.82

 

CMYK 0 / 90 / 54 / 13

HEX #DF1667

RGB 223 22 103

HSL 335.82, 0.82%, 0.48%

LAB 48.56, 73.73, 9.39

 

CMYK 0 / 90 / 29 / 13

HEX #DF169E

RGB 223 22 158

HSL 319.4, 0.82%, 0.48%

LAB 50.37, 78.64, -21.28

 

CMYK 0 / 90 / 5 / 13

HEX #DF16D4

RGB 223 22 212

HSL 303.28, 0.82%, 0.48%

LAB 52.97, 85.38, -48.71

 

CMYK 19 / 90 / 0 / 13

HEX #B416DF

RGB 180 22 223

HSL 287.16, 0.82%, 0.48%

LAB 46.45, 80.19, -65.85

 

CMYK 0 / 90 / 78 / 13

HEX #DF1631

RGB 223 22 49

HSL 351.94, 0.82%, 0.48%

LAB 47.6, 71.03, 40.82

 

CMYK 0 / 99 / 86 / 5

HEX #F30223

RGB 243 2 35

HSL 351.78, 0.98%, 0.48%

LAB 50.94, 77.48, 52.85

 

CMYK 0 / 90 / 78 / 13

HEX #DF1631

RGB 223 22 49

HSL 351.94, 0.82%, 0.48%

LAB 47.6, 71.03, 40.82

 

CMYK 0 / 79 / 68 / 20

HEX #CB2A40

RGB 203 42 64

HSL 351.8, 0.66%, 0.48%

LAB 45.25, 62.14, 28.24

 

CMYK 0 / 66 / 57 / 28

HEX #B73E4E

RGB 183 62 78

HSL 352.07, 0.49%, 0.48%

LAB 44.32, 49.87, 17.76

 

CMYK 0 / 50 / 43 / 36

HEX #A3515D

RGB 163 81 93

HSL 351.22, 0.34%, 0.48%

LAB 44.89, 35.06, 8.85

 

CMYK 0 / 30 / 26 / 44

HEX #90656B

RGB 144 101 107

HSL 351.63, 0.18%, 0.48%

LAB 47.36, 18.25, 3.57

 

CMYK 0 / 90 / 29 / 13

HEX #DF169F

RGB 223 22 159

HSL 319.1, 0.82%, 0.48%

LAB 50.41, 78.75, -21.81

 

CMYK 0 / 90 / 52 / 13

HEX #DF166A

RGB 223 22 106

HSL 334.93, 0.82%, 0.48%

LAB 48.64, 73.94, 7.65

 

CMYK 0 / 90 / 77 / 13

HEX #DF1634

RGB 223 22 52

HSL 351.04, 0.82%, 0.48%

LAB 47.64, 71.13, 39.15

 

CMYK 0 / 80 / 90 / 13

HEX #DF2D16

RGB 223 45 22

HSL 6.87, 0.82%, 0.48%

LAB 49.04, 65.74, 55.29

 

CMYK 0 / 56 / 90 / 13

HEX #DF6316

RGB 223 99 22

HSL 22.99, 0.82%, 0.48%

LAB 56.75, 44.93, 60.81

 

CMYK 0 / 90 / 78 / 42

HEX #940F21

RGB 148 15 33

HSL 351.88, 0.82%, 0.32%

LAB 31.22, 51.78, 28.01

 

CMYK 0 / 90 / 78 / 27

HEX #B91229

RGB 185 18 41

HSL 351.74, 0.82%, 0.4%

LAB 39.42, 61.56, 34.38

 

CMYK 0 / 90 / 78 / 13

HEX #DF1631

RGB 223 22 49

HSL 351.94, 0.82%, 0.48%

LAB 47.6, 71.03, 40.82

 

CMYK 0 / 78 / 68 / 8

HEX #EB334C

RGB 235 51 76

HSL 351.85, 0.82%, 0.56%

LAB 52.46, 69.19, 31.33

 

CMYK 0 / 63 / 54 / 6

HEX #EF596D

RGB 239 89 109

HSL 352, 0.82%, 0.64%

LAB 58.6, 59.06, 20.11

 

CMYK 0 / 90 / 78 / 13

HEX #DD1631

RGB 221 22 49

HSL 351.86, 0.82%, 0.48%

LAB 47.19, 70.52, 40.27

 

CMYK 4 / 0 / 90 / 13

HEX #D5DF16

RGB 213 223 22

HSL 62.99, 0.82%, 0.48%

LAB 85.49, -23.43, 82.29

 

CMYK 90 / 41 / 0 / 13

HEX #1684DF

RGB 22 132 223

HSL 207.16, 0.82%, 0.48%

LAB 54.03, 4.69, -54.23

 

CMYK 0 / 90 / 78 / 13

HEX #DD1631

RGB 221 22 49

HSL 351.86, 0.82%, 0.48%

LAB 47.19, 70.52, 40.27

 

CMYK 77 / 0 / 90 / 13

HEX #34DF16

RGB 52 223 22

HSL 111.04, 0.82%, 0.48%

LAB 78.21, -73.57, 73.33

 

CMYK 90 / 77 / 0 / 13

HEX #1634DF

RGB 22 52 223

HSL 231.04, 0.82%, 0.48%

LAB 33.89, 54.44, -87.06

 

CMYK 0 / 90 / 78 / 13

HEX #DD1631

RGB 221 22 49

HSL 351.86, 0.82%, 0.48%

LAB 47.19, 70.52, 40.27

 

CMYK 4 / 0 / 90 / 13

HEX #D5DF16

RGB 213 223 22

HSL 62.99, 0.82%, 0.48%

LAB 85.49, -23.43, 82.29

 

CMYK 90 / 0 / 13 / 13

HEX #16DFC1

RGB 22 223 193

HSL 171.04, 0.82%, 0.48%

LAB 80.06, -51.16, 2.12

 

CMYK 86 / 90 / 0 / 13

HEX #2016DF

RGB 32 22 223

HSL 242.99, 0.82%, 0.48%

LAB 29.93, 67.34, -93.63

 

CMYK 0 / 90 / 78 / 13

HEX #DD1631

RGB 221 22 49

HSL 351.86, 0.82%, 0.48%

LAB 47.19, 70.52, 40.27

 

CMYK 31 / 0 / 90 / 13

HEX #99DF16

RGB 153 223 22

HSL 80.9, 0.82%, 0.48%

LAB 81.62, -47.13, 77.56

 

CMYK 90 / 0 / 13 / 13

HEX #16DFC1

RGB 22 223 193

HSL 171.04, 0.82%, 0.48%

LAB 80.06, -51.16, 2.12

 

CMYK 59 / 90 / 0 / 13

HEX #5C16DF

RGB 92 22 223

HSL 260.9, 0.82%, 0.48%

LAB 34.35, 70.22, -86.17

 

Description

Color code: HEX #DD1631 | qconv.com Color code: HEX #DD1631 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 22 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 22 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 78 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 78% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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