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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCF447 it is the complementary color #230BB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCF447. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCF447 shade: #E1F442, #F2FF55, #FFFF68, #FFFF7B and #FFFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCF447. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCF447 shade: #DCF447, #CBE234, #BAD021, #A9BE0E and #98AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCF447 shade: #DCF448, #F4DE48, #F4AF48, #F48148 and #F45248

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCF447 shade: #DCF448, #AEF448, #7FF448, #51F448 and #48F46D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCF447 shade matches the following richer shades: #DCF448

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCF447 shade: #DCF448, #D1E558, #C6D567, #BAC577 and #AFB687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCF447 shade: #F4AF48, #F4DD48, #DDF448, #AFF448 and #81F448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCF447 shade: #C0DD0D, #D5F221, #DCF448, #E4F76F and #EBF996

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCF447 shade: #DCF447, #48F481 and #C648F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCF447 shade: #DCF447, #48DDF4 and #F448DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCF447 shade: #DCF447, #48F481, #5F48F4 and #F448BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCF447 shade: #DCF447, #48F4B5, #5F48F4 and #F44887

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 71 / 4

HEX #DCF447

RGB 220 244 71

HSL 68.32, 0.89%, 0.62%

LAB 91.85, -28.92, 75.87

 

Complementary color

CMYK 81 / 94 / 0 / 28

HEX #230BB8

RGB 35 11 184

HSL 248.32, 0.89%, 0.38%

LAB 23.86, 59.94, -80.94

 

CMYK 8 / 0 / 73 / 4

HEX #E1F442

RGB 225 244 66

HSL 66.4, 0.89%, 0.61%

LAB 92.18, -27.16, 77.95

 

CMYK 5 / 0 / 67 / 0

HEX #F2FF55

RGB 242 255 85

HSL 64.59, 1%, 0.67%

LAB 96.43, -24.61, 76.01

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 10 / 0 / 71 / 4

HEX #DCF447

RGB 220 244 71

HSL 68.32, 0.89%, 0.62%

LAB 91.85, -28.92, 75.87

 

CMYK 10 / 0 / 77 / 11

HEX #CBE234

RGB 203 226 52

HSL 67.93, 0.75%, 0.55%

LAB 85.67, -28.15, 75.62

 

CMYK 11 / 0 / 84 / 18

HEX #BAD021

RGB 186 208 33

HSL 67.54, 0.73%, 0.47%

LAB 79.42, -27.22, 74.55

 

CMYK 11 / 0 / 93 / 25

HEX #A9BE0E

RGB 169 190 14

HSL 67.16, 0.86%, 0.4%

LAB 73.08, -26.1, 72.27

 

CMYK 12 / 0 / 100 / 33

HEX #98AC00

RGB 152 172 0

HSL 66.98, 1%, 0.34%

LAB 66.66, -24.78, 68.48

 

CMYK 10 / 0 / 70 / 4

HEX #DCF448

RGB 220 244 72

HSL 68.37, 0.89%, 0.62%

LAB 91.86, -28.87, 75.54

 

CMYK 0 / 9 / 70 / 4

HEX #F4DE48

RGB 244 222 72

HSL 52.33, 0.89%, 0.62%

LAB 87.94, -8.41, 72.34

 

CMYK 0 / 28 / 70 / 4

HEX #F4AF48

RGB 244 175 72

HSL 35.93, 0.89%, 0.62%

LAB 76.29, 15.82, 60.6

 

CMYK 0 / 47 / 70 / 4

HEX #F48148

RGB 244 129 72

HSL 19.88, 0.89%, 0.62%

LAB 66.06, 39.79, 49.7

 

CMYK 0 / 66 / 70 / 4

HEX #F45248

RGB 244 82 72

HSL 3.49, 0.89%, 0.62%

LAB 57.79, 61.27, 40.38

 

CMYK 10 / 0 / 70 / 4

HEX #DCF448

RGB 220 244 72

HSL 68.37, 0.89%, 0.62%

LAB 91.86, -28.87, 75.54

 

CMYK 29 / 0 / 70 / 4

HEX #AEF448

RGB 174 244 72

HSL 84.42, 0.89%, 0.62%

LAB 89, -46.36, 71.76

 

CMYK 48 / 0 / 70 / 4

HEX #7FF448

RGB 127 244 72

HSL 100.81, 0.89%, 0.62%

LAB 86.84, -61.62, 68.88

 

CMYK 67 / 0 / 70 / 4

HEX #51F448

RGB 81 244 72

HSL 116.86, 0.89%, 0.62%

LAB 85.46, -72.54, 67.03

 

CMYK 70 / 0 / 55 / 4

HEX #48F46D

RGB 72 244 109

HSL 132.91, 0.89%, 0.62%

LAB 85.6, -70.27, 51.98

 

CMYK 10 / 0 / 70 / 4

HEX #DCF448

RGB 220 244 72

HSL 68.37, 0.89%, 0.62%

LAB 91.86, -28.87, 75.54

 

CMYK 10 / 0 / 70 / 4

HEX #DCF448

RGB 220 244 72

HSL 68.37, 0.89%, 0.62%

LAB 91.86, -28.87, 75.54

 

CMYK 9 / 0 / 62 / 10

HEX #D1E558

RGB 209 229 88

HSL 68.51, 0.73%, 0.62%

LAB 87.14, -25.23, 64.44

 

CMYK 7 / 0 / 52 / 16

HEX #C6D567

RGB 198 213 103

HSL 68.18, 0.57%, 0.62%

LAB 82.15, -20.69, 52.02

 

CMYK 6 / 0 / 40 / 23

HEX #BAC577

RGB 186 197 119

HSL 68.46, 0.4%, 0.62%

LAB 77.1, -15.85, 37.83

 

CMYK 4 / 0 / 26 / 29

HEX #AFB687

RGB 175 182 135

HSL 68.94, 0.24%, 0.62%

LAB 72.44, -10.37, 23.17

 

CMYK 0 / 28 / 70 / 4

HEX #F4AF48

RGB 244 175 72

HSL 35.93, 0.89%, 0.62%

LAB 76.29, 15.82, 60.6

 

CMYK 0 / 9 / 70 / 4

HEX #F4DD48

RGB 244 221 72

HSL 51.98, 0.89%, 0.62%

LAB 87.69, -7.91, 72.09

 

CMYK 9 / 0 / 70 / 4

HEX #DDF448

RGB 221 244 72

HSL 68.02, 0.89%, 0.62%

LAB 91.93, -28.47, 75.63

 

CMYK 28 / 0 / 70 / 4

HEX #AFF448

RGB 175 244 72

HSL 84.07, 0.89%, 0.62%

LAB 89.06, -46, 71.83

 

CMYK 47 / 0 / 70 / 4

HEX #81F448

RGB 129 244 72

HSL 100.12, 0.89%, 0.62%

LAB 86.92, -61.04, 68.98

 

CMYK 13 / 0 / 94 / 13

HEX #C0DD0D

RGB 192 221 13

HSL 68.37, 0.89%, 0.46%

LAB 83.42, -31.26, 81.11

 

CMYK 12 / 0 / 86 / 5

HEX #D5F221

RGB 213 242 33

HSL 68.33, 0.89%, 0.54%

LAB 90.67, -32.14, 84.65

 

CMYK 10 / 0 / 70 / 4

HEX #DCF448

RGB 220 244 72

HSL 68.37, 0.89%, 0.62%

LAB 91.86, -28.87, 75.54

 

CMYK 8 / 0 / 55 / 3

HEX #E4F76F

RGB 228 247 111

HSL 68.38, 0.89%, 0.7%

LAB 93.52, -24.61, 62.11

 

CMYK 6 / 0 / 40 / 2

HEX #EBF996

RGB 235 249 150

HSL 68.48, 0.89%, 0.78%

LAB 95, -19.21, 45.92

 

CMYK 10 / 0 / 71 / 4

HEX #DCF447

RGB 220 244 71

HSL 68.32, 0.89%, 0.62%

LAB 91.85, -28.92, 75.87

 

CMYK 70 / 0 / 47 / 4

HEX #48F481

RGB 72 244 129

HSL 139.88, 0.89%, 0.62%

LAB 85.84, -67.46, 42.92

 

CMYK 19 / 70 / 0 / 4

HEX #C648F4

RGB 198 72 244

HSL 283.95, 0.89%, 0.62%

LAB 55.25, 73.53, -63.35

 

CMYK 10 / 0 / 71 / 4

HEX #DCF447

RGB 220 244 71

HSL 68.32, 0.89%, 0.62%

LAB 91.85, -28.92, 75.87

 

CMYK 70 / 9 / 0 / 4

HEX #48DDF4

RGB 72 221 244

HSL 188.02, 0.89%, 0.62%

LAB 81.63, -31.54, -22.6

 

CMYK 0 / 70 / 9 / 4

HEX #F448DD

RGB 244 72 221

HSL 308.02, 0.89%, 0.62%

LAB 60.86, 79.41, -41.11

 

CMYK 10 / 0 / 71 / 4

HEX #DCF447

RGB 220 244 71

HSL 68.32, 0.89%, 0.62%

LAB 91.85, -28.92, 75.87

 

CMYK 70 / 0 / 47 / 4

HEX #48F481

RGB 72 244 129

HSL 139.88, 0.89%, 0.62%

LAB 85.84, -67.46, 42.92

 

CMYK 61 / 70 / 0 / 4

HEX #5F48F4

RGB 95 72 244

HSL 248.02, 0.89%, 0.62%

LAB 43.65, 56.1, -82.73

 

CMYK 0 / 70 / 23 / 4

HEX #F448BB

RGB 244 72 187

HSL 319.88, 0.89%, 0.62%

LAB 59.39, 74.84, -24.06

 

CMYK 10 / 0 / 71 / 4

HEX #DCF447

RGB 220 244 71

HSL 68.32, 0.89%, 0.62%

LAB 91.85, -28.92, 75.87

 

CMYK 70 / 0 / 26 / 4

HEX #48F4B5

RGB 72 244 181

HSL 158.02, 0.89%, 0.62%

LAB 86.71, -57.8, 17.97

 

CMYK 61 / 70 / 0 / 4

HEX #5F48F4

RGB 95 72 244

HSL 248.02, 0.89%, 0.62%

LAB 43.65, 56.1, -82.73

 

CMYK 0 / 70 / 45 / 4

HEX #F44887

RGB 244 72 135

HSL 338.02, 0.89%, 0.62%

LAB 57.67, 69.24, 3.66

 

Description

Color code: HEX #DCF447 | qconv.com Color code: HEX #DCF447 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 244 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 244 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 71 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 71% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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