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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCEF12 it is the complementary color #2310ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCEF12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCEF12 shade: #E1EF0D, #F2FF20, #FFFF33, #FFFF46 and #FFFF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCEF12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCEF12 shade: #DCEF12, #CBDD00, #BACB00, #A9B900 and #98A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCEF12 shade: #DBEE11, #EEC611, #EE8A11, #EE4E11 and #EE1211

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCEF12 shade: #DBEE11, #A0EE11, #64EE11, #28EE11 and #11EE35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCEF12 shade matches the following richer shades: #DBEE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCEF12 shade: #DBEE11, #CADA25, #B9C53A, #A8B14E and #979C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCEF12 shade: #EE8B11, #EEC611, #DCEE11, #A1EE11 and #66EE11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCEF12 shade: #94A10B, #B8C80E, #DBEE11, #E1F137 and #E7F45E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCEF12 shade: #DCEF12, #11EE4F and #A811EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCEF12 shade: #DCEF12, #11DCEE and #EE11DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCEF12 shade: #DCEF12, #11EE4F, #2311EE and #EE11B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCEF12 shade: #DCEF12, #11EE92, #2311EE and #EE116D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 92 / 6

HEX #DCEF12

RGB 220 239 18

HSL 65.16, 0.87%, 0.5%

LAB 90.32, -28.18, 86.77

 

Complementary color

CMYK 85 / 93 / 0 / 7

HEX #2310ED

RGB 35 16 237

HSL 245.16, 0.87%, 0.5%

LAB 31.45, 72.51, -99.11

 

CMYK 6 / 0 / 95 / 6

HEX #E1EF0D

RGB 225 239 13

HSL 63.72, 0.9%, 0.49%

LAB 90.67, -26.2, 87.7

 

CMYK 5 / 0 / 87 / 0

HEX #F2FF20

RGB 242 255 32

HSL 63.5, 1%, 0.56%

LAB 96.2, -26.5, 90.15

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF33

RGB 255 255 51

HSL 60, 1%, 0.6%

LAB 97.24, -20.77, 87.55

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF46

RGB 255 255 70

HSL 60, 1%, 0.64%

LAB 97.32, -20.11, 82.31

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 8 / 0 / 92 / 6

HEX #DCEF12

RGB 220 239 18

HSL 65.16, 0.87%, 0.5%

LAB 90.32, -28.18, 86.77

 

CMYK 8 / 0 / 100 / 13

HEX #CBDD00

RGB 203 221 0

HSL 64.89, 1%, 0.43%

LAB 84.18, -26.88, 83.18

 

CMYK 8 / 0 / 100 / 20

HEX #BACB00

RGB 186 203 0

HSL 65.02, 1%, 0.4%

LAB 77.96, -25.38, 78.01

HEX #BACB00

CMYK 9 / 0 / 100 / 27

HEX #A9B900

RGB 169 185 0

HSL 65.19, 1%, 0.36%

LAB 71.65, -23.85, 72.75

HEX #A9B900

CMYK 9 / 0 / 100 / 35

HEX #98A700

RGB 152 167 0

HSL 65.39, 1%, 0.33%

LAB 65.21, -22.31, 67.4

HEX #98A700

CMYK 8 / 0 / 93 / 7

HEX #DBEE11

RGB 219 238 17

HSL 65.16, 0.87%, 0.5%

LAB 89.98, -28.14, 86.58

 

CMYK 0 / 17 / 93 / 7

HEX #EEC611

RGB 238 198 17

HSL 49.14, 0.87%, 0.5%

LAB 81.07, -0.37, 80.53

 

CMYK 0 / 42 / 93 / 7

HEX #EE8A11

RGB 238 138 17

HSL 32.85, 0.87%, 0.5%

LAB 66.82, 31.12, 70.17

 

CMYK 0 / 67 / 93 / 7

HEX #EE4E11

RGB 238 78 17

HSL 16.56, 0.87%, 0.5%

LAB 55.75, 59.34, 62.7

 

CMYK 0 / 92 / 93 / 7

HEX #EE1211

RGB 238 18 17

HSL 0.27, 0.87%, 0.5%

LAB 50.28, 74.67, 59.34

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE11

RGB 219 238 17

HSL 65.16, 0.87%, 0.5%

LAB 89.98, -28.14, 86.58

 

CMYK 33 / 0 / 93 / 7

HEX #A0EE11

RGB 160 238 17

HSL 81.18, 0.87%, 0.5%

LAB 86.34, -50.91, 82.17

 

CMYK 58 / 0 / 93 / 7

HEX #64EE11

RGB 100 238 17

HSL 97.47, 0.87%, 0.5%

LAB 83.91, -69.13, 79.2

 

CMYK 83 / 0 / 93 / 7

HEX #28EE11

RGB 40 238 17

HSL 113.76, 0.87%, 0.5%

LAB 82.72, -79.33, 77.73

 

CMYK 93 / 0 / 78 / 7

HEX #11EE35

RGB 17 238 53

HSL 129.77, 0.87%, 0.5%

LAB 82.66, -79.44, 70.16

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE11

RGB 219 238 17

HSL 65.16, 0.87%, 0.5%

LAB 89.98, -28.14, 86.58

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE11

RGB 219 238 17

HSL 65.16, 0.87%, 0.5%

LAB 89.98, -28.14, 86.58

 

CMYK 7 / 0 / 83 / 15

HEX #CADA25

RGB 202 218 37

HSL 65.3, 0.71%, 0.5%

LAB 83.35, -25.26, 77.44

 

CMYK 6 / 0 / 71 / 23

HEX #B9C53A

RGB 185 197 58

HSL 65.18, 0.55%, 0.5%

LAB 76.41, -21.32, 64.47

 

CMYK 5 / 0 / 56 / 31

HEX #A8B14E

RGB 168 177 78

HSL 65.45, 0.39%, 0.5%

LAB 69.7, -17.09, 48.67

 

CMYK 3 / 0 / 37 / 39

HEX #979C63

RGB 151 156 99

HSL 65.26, 0.22%, 0.5%

LAB 62.72, -11.04, 29.28

 

CMYK 0 / 42 / 93 / 7

HEX #EE8B11

RGB 238 139 17

HSL 33.12, 0.87%, 0.5%

LAB 67.04, 30.6, 70.33

 

CMYK 0 / 17 / 93 / 7

HEX #EEC611

RGB 238 198 17

HSL 49.14, 0.87%, 0.5%

LAB 81.07, -0.37, 80.53

 

CMYK 8 / 0 / 93 / 7

HEX #DCEE11

RGB 220 238 17

HSL 64.89, 0.87%, 0.5%

LAB 90.05, -27.73, 86.67

 

CMYK 32 / 0 / 93 / 7

HEX #A1EE11

RGB 161 238 17

HSL 80.9, 0.87%, 0.5%

LAB 86.39, -50.56, 82.23

 

CMYK 57 / 0 / 93 / 7

HEX #66EE11

RGB 102 238 17

HSL 96.92, 0.87%, 0.5%

LAB 83.97, -68.64, 79.27

 

CMYK 8 / 0 / 93 / 37

HEX #94A10B

RGB 148 161 11

HSL 65.2, 0.87%, 0.34%

LAB 63.19, -20.88, 64.25

 

CMYK 8 / 0 / 93 / 22

HEX #B8C80E

RGB 184 200 14

HSL 65.16, 0.87%, 0.42%

LAB 77, -24.61, 75.79

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE11

RGB 219 238 17

HSL 65.16, 0.87%, 0.5%

LAB 89.98, -28.14, 86.58

 

CMYK 7 / 0 / 77 / 5

HEX #E1F137

RGB 225 241 55

HSL 65.16, 0.87%, 0.58%

LAB 91.32, -26.19, 80.45

 

CMYK 5 / 0 / 61 / 4

HEX #E7F45E

RGB 231 244 94

HSL 65.2, 0.87%, 0.66%

LAB 92.79, -23.23, 68.53

 

CMYK 8 / 0 / 92 / 6

HEX #DCEF12

RGB 220 239 18

HSL 65.16, 0.87%, 0.5%

LAB 90.32, -28.18, 86.77

 

CMYK 93 / 0 / 67 / 7

HEX #11EE4F

RGB 17 238 79

HSL 136.83, 0.87%, 0.5%

LAB 82.82, -77.35, 61.37

 

CMYK 29 / 93 / 0 / 7

HEX #A811EE

RGB 168 17 238

HSL 281, 0.87%, 0.5%

LAB 45.5, 81.98, -76

 

CMYK 8 / 0 / 92 / 6

HEX #DCEF12

RGB 220 239 18

HSL 65.16, 0.87%, 0.5%

LAB 90.32, -28.18, 86.77

 

CMYK 93 / 8 / 0 / 7

HEX #11DCEE

RGB 17 220 238

HSL 184.89, 0.87%, 0.5%

LAB 80.45, -37.15, -21.27

 

CMYK 0 / 93 / 8 / 7

HEX #EE11DC

RGB 238 17 220

HSL 304.89, 0.87%, 0.5%

LAB 55.83, 89.6, -48.55

 

CMYK 8 / 0 / 92 / 6

HEX #DCEF12

RGB 220 239 18

HSL 65.16, 0.87%, 0.5%

LAB 90.32, -28.18, 86.77

 

CMYK 93 / 0 / 67 / 7

HEX #11EE4F

RGB 17 238 79

HSL 136.83, 0.87%, 0.5%

LAB 82.82, -77.35, 61.37

 

CMYK 85 / 93 / 0 / 7

HEX #2311EE

RGB 35 17 238

HSL 244.89, 0.87%, 0.5%

LAB 31.65, 72.55, -99.34

 

CMYK 0 / 93 / 26 / 7

HEX #EE11B0

RGB 238 17 176

HSL 316.83, 0.87%, 0.5%

LAB 53.72, 84.2, -26.51

 

CMYK 8 / 0 / 92 / 6

HEX #DCEF12

RGB 220 239 18

HSL 65.16, 0.87%, 0.5%

LAB 90.32, -28.18, 86.77

 

CMYK 93 / 0 / 39 / 7

HEX #11EE92

RGB 17 238 146

HSL 155.02, 0.87%, 0.5%

LAB 83.62, -67.67, 31.54

 

CMYK 85 / 93 / 0 / 7

HEX #2311EE

RGB 35 17 238

HSL 244.89, 0.87%, 0.5%

LAB 31.65, 72.55, -99.34

 

CMYK 0 / 93 / 54 / 7

HEX #EE116D

RGB 238 17 109

HSL 335.02, 0.87%, 0.5%

LAB 51.48, 78.21, 10.25

 

Description

Color code: HEX #DCEF12 | qconv.com Color code: HEX #DCEF12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 239 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 239 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 92 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 92% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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