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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCEADC it is the complementary color #231523. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCEADC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCEADC shade: #E1EAD7, #F2FCEA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCEADC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCEADC shade: #DCEADC, #CBD8C9, #BAC6B6, #A9B4A3 and #98A290

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCEADC shade: #DBE9DB, #DFE9DB, #E3E9DB, #E7E9DB and #E9E8DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCEADC shade: #DBE9DB, #DBE9DF, #DBE9E3, #DBE9E7 and #DBE8E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCEADC shade matches the following richer shades: #DBE9DB, #D7EED7, #D2F3D2, #CEF7CE and #C9FCC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCEADC shade: #DBE9DB, #E0E5E0, #E5E0E5, #E9DCE9 and #EED7EE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCEADC shade: #E3E9DB, #DFE9DB, #DBE9DB, #DBE9DF and #DBE9E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCEADC shade: #A8CBA8, #C2DAC2, #DBE9DB and #F5F9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCEADC shade: #DCEADC, #DBE7E9 and #E9DBE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCEADC shade: #DCEADC, #DBDBE9 and #E9DBDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCEADC shade: #DCEADC, #DBE7E9, #E9DBE9 and #E9DEDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCEADC shade: #DCEADC, #DBE2E9, #E9DBE9 and #E9E2DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 6 / 8

HEX #DCEADC

RGB 220 234 220

HSL 120, 0.25%, 0.89%

LAB 91.34, -7.17, 5.19

 

Complementary color

CMYK 0 / 40 / 0 / 86

HEX #231523

RGB 35 21 35

HSL 300, 0.25%, 0.11%

LAB 9.12, 10.22, -6.87

 

CMYK 4 / 0 / 8 / 8

HEX #E1EAD7

RGB 225 234 215

HSL 88.42, 0.31%, 0.88%

LAB 91.58, -6.34, 8.18

 

CMYK 4 / 0 / 7 / 1

HEX #F2FCEA

RGB 242 252 234

HSL 93.33, 0.75%, 0.95%

LAB 97.81, -6.43, 7.47

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 6 / 0 / 6 / 8

HEX #DCEADC

RGB 220 234 220

HSL 120, 0.25%, 0.89%

LAB 91.34, -7.17, 5.19

 

CMYK 6 / 0 / 7 / 15

HEX #CBD8C9

RGB 203 216 201

HSL 112, 0.16%, 0.82%

LAB 85.01, -7.12, 5.88

 

CMYK 6 / 0 / 8 / 22

HEX #BAC6B6

RGB 186 198 182

HSL 105, 0.12%, 0.75%

LAB 78.58, -7.07, 6.6

 

CMYK 6 / 0 / 9 / 29

HEX #A9B4A3

RGB 169 180 163

HSL 98.82, 0.1%, 0.67%

LAB 72.04, -7.01, 7.35

 

CMYK 6 / 0 / 11 / 36

HEX #98A290

RGB 152 162 144

HSL 93.33, 0.09%, 0.6%

LAB 65.38, -6.96, 8.15

 

CMYK 6 / 0 / 6 / 9

HEX #DBE9DB

RGB 219 233 219

HSL 120, 0.24%, 0.89%

LAB 90.99, -7.18, 5.19

 

CMYK 4 / 0 / 6 / 9

HEX #DFE9DB

RGB 223 233 219

HSL 102.86, 0.24%, 0.89%

LAB 91.27, -5.83, 5.64

 

CMYK 3 / 0 / 6 / 9

HEX #E3E9DB

RGB 227 233 219

HSL 85.71, 0.24%, 0.89%

LAB 91.56, -4.47, 6.09

 

CMYK 1 / 0 / 6 / 9

HEX #E7E9DB

RGB 231 233 219

HSL 68.57, 0.24%, 0.89%

LAB 91.86, -3.1, 6.56

HEX #E7E9DB

CMYK 0 / 0 / 6 / 9

HEX #E9E8DB

RGB 233 232 219

HSL 55.71, 0.24%, 0.89%

LAB 91.75, -1.91, 6.43

HEX #E9E8DB

CMYK 6 / 0 / 6 / 9

HEX #DBE9DB

RGB 219 233 219

HSL 120, 0.24%, 0.89%

LAB 90.99, -7.18, 5.19

 

CMYK 6 / 0 / 4 / 9

HEX #DBE9DF

RGB 219 233 223

HSL 137.14, 0.24%, 0.89%

LAB 91.08, -6.46, 3.24

 

CMYK 6 / 0 / 3 / 9

HEX #DBE9E3

RGB 219 233 227

HSL 154.29, 0.24%, 0.89%

LAB 91.18, -5.74, 1.3

 

CMYK 6 / 0 / 1 / 9

HEX #DBE9E7

RGB 219 233 231

HSL 171.43, 0.24%, 0.89%

LAB 91.28, -5, -0.64

 

CMYK 6 / 0 / 0 / 9

HEX #DBE8E9

RGB 219 232 233

HSL 184.29, 0.24%, 0.89%

LAB 91.08, -4.12, -1.99

 

CMYK 6 / 0 / 6 / 9

HEX #DBE9DB

RGB 219 233 219

HSL 120, 0.24%, 0.89%

LAB 90.99, -7.18, 5.19

 

CMYK 10 / 0 / 10 / 7

HEX #D7EED7

RGB 215 238 215

HSL 120, 0.4%, 0.89%

LAB 91.91, -11.74, 8.57

 

CMYK 14 / 0 / 14 / 5

HEX #D2F3D2

RGB 210 243 210

HSL 120, 0.58%, 0.89%

LAB 92.78, -16.77, 12.35

 

CMYK 17 / 0 / 17 / 3

HEX #CEF7CE

RGB 206 247 206

HSL 120, 0.72%, 0.89%

LAB 93.49, -20.73, 15.4

 

CMYK 20 / 0 / 20 / 1

HEX #C9FCC9

RGB 201 252 201

HSL 120, 0.89%, 0.89%

LAB 94.42, -25.63, 19.22

 

CMYK 6 / 0 / 6 / 9

HEX #DBE9DB

RGB 219 233 219

HSL 120, 0.24%, 0.89%

LAB 90.99, -7.18, 5.19

 

CMYK 2 / 0 / 2 / 10

HEX #E0E5E0

RGB 224 229 224

HSL 120, 0.09%, 0.89%

LAB 90.44, -2.57, 1.84

 

CMYK 0 / 2 / 0 / 10

HEX #E5E0E5

RGB 229 224 229

HSL 300, 0.09%, 0.89%

LAB 89.69, 2.59, -1.85

 

CMYK 0 / 6 / 0 / 9

HEX #E9DCE9

RGB 233 220 233

HSL 300, 0.23%, 0.89%

LAB 89.11, 6.73, -4.76

 

CMYK 0 / 10 / 0 / 7

HEX #EED7EE

RGB 238 215 238

HSL 300, 0.4%, 0.89%

LAB 88.42, 11.92, -8.36

 

CMYK 3 / 0 / 6 / 9

HEX #E3E9DB

RGB 227 233 219

HSL 85.71, 0.24%, 0.89%

LAB 91.56, -4.47, 6.09

 

CMYK 4 / 0 / 6 / 9

HEX #DFE9DB

RGB 223 233 219

HSL 102.86, 0.24%, 0.89%

LAB 91.27, -5.83, 5.64

 

CMYK 6 / 0 / 6 / 9

HEX #DBE9DB

RGB 219 233 219

HSL 120, 0.24%, 0.89%

LAB 90.99, -7.18, 5.19

 

CMYK 6 / 0 / 4 / 9

HEX #DBE9DF

RGB 219 233 223

HSL 137.14, 0.24%, 0.89%

LAB 91.08, -6.46, 3.24

 

CMYK 6 / 0 / 3 / 9

HEX #DBE9E3

RGB 219 233 227

HSL 154.29, 0.24%, 0.89%

LAB 91.18, -5.74, 1.3

 

CMYK 17 / 0 / 17 / 20

HEX #A8CBA8

RGB 168 203 168

HSL 120, 0.25%, 0.73%

LAB 78.38, -18.36, 13.65

 

CMYK 11 / 0 / 11 / 15

HEX #C2DAC2

RGB 194 218 194

HSL 120, 0.24%, 0.81%

LAB 84.74, -12.46, 9.12

 

CMYK 6 / 0 / 6 / 9

HEX #DBE9DB

RGB 219 233 219

HSL 120, 0.24%, 0.89%

LAB 90.99, -7.18, 5.19

 

CMYK 2 / 0 / 2 / 2

HEX #F5F9F5

RGB 245 249 245

HSL 120, 0.25%, 0.97%

LAB 97.53, -2.02, 1.44

 

CMYK 6 / 0 / 6 / 8

HEX #DCEADC

RGB 220 234 220

HSL 120, 0.25%, 0.89%

LAB 91.34, -7.17, 5.19

 

CMYK 6 / 1 / 0 / 9

HEX #DBE7E9

RGB 219 231 233

HSL 188.57, 0.24%, 0.89%

LAB 90.82, -3.6, -2.36

 

CMYK 0 / 6 / 3 / 9

HEX #E9DBE1

RGB 233 219 225

HSL 334.29, 0.24%, 0.89%

LAB 88.65, 5.83, -1.22

 

CMYK 6 / 0 / 6 / 8

HEX #DCEADC

RGB 220 234 220

HSL 120, 0.25%, 0.89%

LAB 91.34, -7.17, 5.19

 

CMYK 6 / 6 / 0 / 9

HEX #DBDBE9

RGB 219 219 233

HSL 240, 0.24%, 0.89%

LAB 87.78, 2.6, -6.85

 

CMYK 0 / 6 / 6 / 9

HEX #E9DBDB

RGB 233 219 219

HSL 0, 0.24%, 0.89%

LAB 88.5, 4.79, 1.71

 

CMYK 6 / 0 / 6 / 8

HEX #DCEADC

RGB 220 234 220

HSL 120, 0.25%, 0.89%

LAB 91.34, -7.17, 5.19

 

CMYK 6 / 1 / 0 / 9

HEX #DBE7E9

RGB 219 231 233

HSL 188.57, 0.24%, 0.89%

LAB 90.82, -3.6, -2.36

 

CMYK 0 / 6 / 0 / 9

HEX #E9DBE9

RGB 233 219 233

HSL 300, 0.24%, 0.89%

LAB 88.86, 7.25, -5.13

 

CMYK 0 / 5 / 6 / 9

HEX #E9DEDB

RGB 233 222 219

HSL 12.86, 0.24%, 0.89%

LAB 89.24, 3.24, 2.8

 

CMYK 6 / 0 / 6 / 8

HEX #DCEADC

RGB 220 234 220

HSL 120, 0.25%, 0.89%

LAB 91.34, -7.17, 5.19

 

CMYK 6 / 3 / 0 / 9

HEX #DBE2E9

RGB 219 226 233

HSL 210, 0.24%, 0.89%

LAB 89.55, -1.03, -4.23

HEX #DBE2E9

CMYK 0 / 6 / 0 / 9

HEX #E9DBE9

RGB 233 219 233

HSL 300, 0.24%, 0.89%

LAB 88.86, 7.25, -5.13

HEX #E9DBE9

CMYK 0 / 3 / 6 / 9

HEX #E9E2DB

RGB 233 226 219

HSL 30, 0.24%, 0.89%

LAB 90.24, 1.17, 4.25

HEX #E9E2DB

Description

Color code: HEX #DCEADC | qconv.com Color code: HEX #DCEADC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 234 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 234 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 6 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 6% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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