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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCE7D2 it is the complementary color #23182D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCE7D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCE7D2 shade: #E1E7CD, #F2F9E0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCE7D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCE7D2 shade: #DCE7D2, #CBD5BF, #BAC3AC, #A9B199 and #989F86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCE7D2 shade: #DAE6D0, #E0E6D0, #E6E5D0, #E6DFD0 and #E6DAD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCE7D2 shade: #DAE6D0, #D5E6D0, #D0E6D1, #D0E6D7 and #D0E6DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCE7D2 shade matches the following richer shades: #DAE6D0, #DAEBCA, #DAF1C5, #D9F7BF and #D9FDB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCE7D2 shade: #DAE6D0, #DBE0D6, #DBDADC, #DBD4E1 and #DBCEE7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCE7D2 shade: #E6E5D0, #E0E6D0, #DAE6D0, #D5E6D0 and #D0E6D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCE7D2 shade: #B0C99A, #C5D7B5, #DAE6D0 and #EFF4EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCE7D2 shade: #DCE7D2, #D0E6DF and #E6D0E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCE7D2 shade: #DCE7D2, #D0DAE6 and #E6D0DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCE7D2 shade: #DCE7D2, #D0E6DF, #DBD0E6 and #E6D0D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCE7D2 shade: #DCE7D2, #D0E5E6, #DBD0E6 and #E6D0D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 9 / 9

HEX #DCE7D2

RGB 220 231 210

HSL 91.43, 0.3%, 0.86%

LAB 90.33, -7.38, 8.95

 

Complementary color

CMYK 22 / 47 / 0 / 82

HEX #23182D

RGB 35 24 45

HSL 271.43, 0.3%, 0.14%

LAB 10.56, 10.76, -12.06

 

CMYK 3 / 0 / 11 / 9

HEX #E1E7CD

RGB 225 231 205

HSL 73.85, 0.35%, 0.85%

LAB 90.58, -6.49, 11.97

 

CMYK 3 / 0 / 10 / 2

HEX #F2F9E0

RGB 242 249 224

HSL 76.8, 0.68%, 0.93%

LAB 96.82, -6.59, 11.2

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 5 / 0 / 9 / 9

HEX #DCE7D2

RGB 220 231 210

HSL 91.43, 0.3%, 0.86%

LAB 90.33, -7.38, 8.95

 

CMYK 5 / 0 / 10 / 16

HEX #CBD5BF

RGB 203 213 191

HSL 87.27, 0.21%, 0.79%

LAB 83.99, -7.32, 9.71

 

CMYK 5 / 0 / 12 / 24

HEX #BAC3AC

RGB 186 195 172

HSL 83.48, 0.16%, 0.72%

LAB 77.55, -7.24, 10.5

 

CMYK 5 / 0 / 14 / 31

HEX #A9B199

RGB 169 177 153

HSL 80, 0.13%, 0.65%

LAB 70.99, -7.17, 11.33

 

CMYK 4 / 0 / 16 / 38

HEX #989F86

RGB 152 159 134

HSL 76.8, 0.12%, 0.57%

LAB 64.32, -7.09, 12.21

 

CMYK 5 / 0 / 10 / 10

HEX #DAE6D0

RGB 218 230 208

HSL 92.73, 0.31%, 0.86%

LAB 89.88, -7.9, 9.34

 

CMYK 3 / 0 / 10 / 10

HEX #E0E6D0

RGB 224 230 208

HSL 76.36, 0.31%, 0.86%

LAB 90.32, -5.83, 10.02

 

CMYK 0 / 0 / 10 / 10

HEX #E6E5D0

RGB 230 229 208

HSL 57.27, 0.31%, 0.86%

LAB 90.51, -3.23, 10.36

 

CMYK 0 / 3 / 10 / 10

HEX #E6DFD0

RGB 230 223 208

HSL 40.91, 0.31%, 0.86%

LAB 88.99, -0.16, 8.18

 

CMYK 0 / 5 / 10 / 10

HEX #E6DAD0

RGB 230 218 208

HSL 27.27, 0.31%, 0.86%

LAB 87.74, 2.43, 6.38

 

CMYK 5 / 0 / 10 / 10

HEX #DAE6D0

RGB 218 230 208

HSL 92.73, 0.31%, 0.86%

LAB 89.88, -7.9, 9.34

 

CMYK 7 / 0 / 10 / 10

HEX #D5E6D0

RGB 213 230 208

HSL 106.36, 0.31%, 0.86%

LAB 89.53, -9.61, 8.79

 

CMYK 10 / 0 / 9 / 10

HEX #D0E6D1

RGB 208 230 209

HSL 122.73, 0.31%, 0.86%

LAB 89.21, -11.13, 7.76

 

CMYK 10 / 0 / 7 / 10

HEX #D0E6D7

RGB 208 230 215

HSL 139.09, 0.31%, 0.86%

LAB 89.35, -10.05, 4.82

 

CMYK 10 / 0 / 4 / 10

HEX #D0E6DD

RGB 208 230 221

HSL 155.45, 0.31%, 0.86%

LAB 89.5, -8.95, 1.89

HEX #D0E6DD

CMYK 5 / 0 / 10 / 10

HEX #DAE6D0

RGB 218 230 208

HSL 92.73, 0.31%, 0.86%

LAB 89.88, -7.9, 9.34

 

CMYK 7 / 0 / 14 / 8

HEX #DAEBCA

RGB 218 235 202

HSL 90.91, 0.45%, 0.86%

LAB 91.05, -11.42, 14.12

 

CMYK 10 / 0 / 18 / 5

HEX #DAF1C5

RGB 218 241 197

HSL 91.36, 0.61%, 0.86%

LAB 92.51, -15.21, 18.76

 

CMYK 12 / 0 / 23 / 3

HEX #D9F7BF

RGB 217 247 191

HSL 92.14, 0.78%, 0.86%

LAB 93.9, -19.43, 23.76

 

CMYK 14 / 0 / 27 / 1

HEX #D9FDB9

RGB 217 253 185

HSL 91.76, 0.94%, 0.86%

LAB 95.37, -23.22, 28.82

 

CMYK 5 / 0 / 10 / 10

HEX #DAE6D0

RGB 218 230 208

HSL 92.73, 0.31%, 0.86%

LAB 89.88, -7.9, 9.34

 

CMYK 2 / 0 / 4 / 12

HEX #DBE0D6

RGB 219 224 214

HSL 90, 0.14%, 0.86%

LAB 88.56, -3.46, 4.29

 

CMYK 0 / 1 / 0 / 14

HEX #DBDADC

RGB 219 218 220

HSL 270, 0.03%, 0.86%

LAB 87.18, 0.7, -0.87

 

CMYK 3 / 6 / 0 / 12

HEX #DBD4E1

RGB 219 212 225

HSL 272.31, 0.18%, 0.86%

LAB 85.8, 4.76, -5.54

 

CMYK 5 / 11 / 0 / 9

HEX #DBCEE7

RGB 219 206 231

HSL 271.2, 0.34%, 0.86%

LAB 84.47, 9.05, -10.7

 

CMYK 0 / 0 / 10 / 10

HEX #E6E5D0

RGB 230 229 208

HSL 57.27, 0.31%, 0.86%

LAB 90.51, -3.23, 10.36

 

CMYK 3 / 0 / 10 / 10

HEX #E0E6D0

RGB 224 230 208

HSL 76.36, 0.31%, 0.86%

LAB 90.32, -5.83, 10.02

 

CMYK 5 / 0 / 10 / 10

HEX #DAE6D0

RGB 218 230 208

HSL 92.73, 0.31%, 0.86%

LAB 89.88, -7.9, 9.34

 

CMYK 7 / 0 / 10 / 10

HEX #D5E6D0

RGB 213 230 208

HSL 106.36, 0.31%, 0.86%

LAB 89.53, -9.61, 8.79

 

CMYK 10 / 0 / 9 / 10

HEX #D0E6D1

RGB 208 230 209

HSL 122.73, 0.31%, 0.86%

LAB 89.21, -11.13, 7.76

 

CMYK 12 / 0 / 23 / 21

HEX #B0C99A

RGB 176 201 154

HSL 91.91, 0.3%, 0.7%

LAB 78.07, -16.88, 20.75

 

CMYK 8 / 0 / 16 / 16

HEX #C5D7B5

RGB 197 215 181

HSL 91.76, 0.3%, 0.78%

LAB 83.87, -12.12, 14.76

 

CMYK 5 / 0 / 10 / 10

HEX #DAE6D0

RGB 218 230 208

HSL 92.73, 0.31%, 0.86%

LAB 89.88, -7.9, 9.34

 

CMYK 2 / 0 / 4 / 4

HEX #EFF4EB

RGB 239 244 235

HSL 93.33, 0.29%, 0.94%

LAB 95.6, -3.24, 3.74

 

CMYK 5 / 0 / 9 / 9

HEX #DCE7D2

RGB 220 231 210

HSL 91.43, 0.3%, 0.86%

LAB 90.33, -7.38, 8.95

 

CMYK 10 / 0 / 3 / 10

HEX #D0E6DF

RGB 208 230 223

HSL 160.91, 0.31%, 0.86%

LAB 89.55, -8.57, 0.92

 

CMYK 0 / 10 / 1 / 10

HEX #E6D0E3

RGB 230 208 227

HSL 308.18, 0.31%, 0.86%

LAB 85.75, 10.93, -6.58

 

CMYK 5 / 0 / 9 / 9

HEX #DCE7D2

RGB 220 231 210

HSL 91.43, 0.3%, 0.86%

LAB 90.33, -7.38, 8.95

 

CMYK 10 / 5 / 0 / 10

HEX #D0DAE6

RGB 208 218 230

HSL 212.73, 0.31%, 0.86%

LAB 86.64, -1.05, -7.04

 

CMYK 0 / 10 / 5 / 10

HEX #E6D0DA

RGB 230 208 218

HSL 332.73, 0.31%, 0.86%

LAB 85.5, 9.34, -2.16

 

CMYK 5 / 0 / 9 / 9

HEX #DCE7D2

RGB 220 231 210

HSL 91.43, 0.3%, 0.86%

LAB 90.33, -7.38, 8.95

 

CMYK 10 / 0 / 3 / 10

HEX #D0E6DF

RGB 208 230 223

HSL 160.91, 0.31%, 0.86%

LAB 89.55, -8.57, 0.92

 

CMYK 5 / 10 / 0 / 10

HEX #DBD0E6

RGB 219 208 230

HSL 270, 0.31%, 0.86%

LAB 84.94, 7.8, -9.47

 

CMYK 0 / 10 / 7 / 10

HEX #E6D0D6

RGB 230 208 214

HSL 343.64, 0.31%, 0.86%

LAB 85.4, 8.65, -0.19

 

CMYK 5 / 0 / 9 / 9

HEX #DCE7D2

RGB 220 231 210

HSL 91.43, 0.3%, 0.86%

LAB 90.33, -7.38, 8.95

 

CMYK 10 / 0 / 0 / 10

HEX #D0E5E6

RGB 208 229 230

HSL 182.73, 0.31%, 0.86%

LAB 89.47, -6.73, -2.87

 

CMYK 5 / 10 / 0 / 10

HEX #DBD0E6

RGB 219 208 230

HSL 270, 0.31%, 0.86%

LAB 84.94, 7.8, -9.47

 

CMYK 0 / 10 / 10 / 10

HEX #E6D0D0

RGB 230 208 208

HSL 0, 0.31%, 0.86%

LAB 85.25, 7.64, 2.77

 

Description

Color code: HEX #DCE7D2 | qconv.com Color code: HEX #DCE7D2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 231 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 231 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 9 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 9% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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