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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCE351 it is the complementary color #231CAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCE351. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCE351 shade: #E1E34C, #F2F55F, #FFFF72, #FFFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCE351. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCE351 shade: #DCE351, #CBD13E, #BABF2B, #A9AD18 and #989B05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCE351 shade: #DBE250, #E2C250, #E29A50, #E27350 and #E25050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCE351 shade: #DBE250, #B4E250, #8CE250, #65E250 and #50E262

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCE351 shade matches the following richer shades: #DBE250 and #EAF33F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCE351 shade: #DBE250, #CCD260, #BEC171, #AFB181 and #A0A092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCE351 shade: #E29950, #E2C050, #DEE250, #B6E250 and #8FE250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCE351 shade: #B8C01F, #D4DD2C, #DBE250, #E3E873 and #EAEE97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCE351 shade: #DCE351, #50E272 and #AD50E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCE351 shade: #DCE351, #50DEE2 and #E250DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCE351 shade: #DCE351, #50E272, #5450E2 and #E250C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCE351 shade: #DCE351, #50E29E, #5450E2 and #E25094

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 64 / 11

HEX #DCE351

RGB 220 227 81

HSL 62.88, 0.72%, 0.6%

LAB 87.36, -20.29, 67.72

 

Complementary color

CMYK 80 / 84 / 0 / 32

HEX #231CAE

RGB 35 28 174

HSL 242.88, 0.72%, 0.4%

LAB 24.46, 51.35, -73.96

 

CMYK 1 / 0 / 67 / 11

HEX #E1E34C

RGB 225 227 76

HSL 60.79, 0.73%, 0.59%

LAB 87.71, -18.53, 70.12

 

CMYK 1 / 0 / 61 / 4

HEX #F2F55F

RGB 242 245 95

HSL 61.2, 0.88%, 0.67%

LAB 93.89, -19.26, 69.53

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 3 / 0 / 64 / 11

HEX #DCE351

RGB 220 227 81

HSL 62.88, 0.72%, 0.6%

LAB 87.36, -20.29, 67.72

 

CMYK 3 / 0 / 70 / 18

HEX #CBD13E

RGB 203 209 62

HSL 62.45, 0.62%, 0.53%

LAB 81.1, -19.52, 68.09

 

CMYK 3 / 0 / 77 / 25

HEX #BABF2B

RGB 186 191 43

HSL 62.03, 0.63%, 0.46%

LAB 74.75, -18.6, 67.9

 

CMYK 2 / 0 / 86 / 32

HEX #A9AD18

RGB 169 173 24

HSL 61.61, 0.76%, 0.39%

LAB 68.31, -17.48, 66.73

 

CMYK 2 / 0 / 97 / 39

HEX #989B05

RGB 152 155 5

HSL 61.2, 0.94%, 0.31%

LAB 61.77, -16.13, 64.13

 

CMYK 3 / 0 / 65 / 11

HEX #DBE250

RGB 219 226 80

HSL 62.88, 0.72%, 0.6%

LAB 87.01, -20.27, 67.73

 

CMYK 0 / 14 / 65 / 11

HEX #E2C250

RGB 226 194 80

HSL 46.85, 0.72%, 0.6%

LAB 79.23, -1.27, 59.71

 

CMYK 0 / 32 / 65 / 11

HEX #E29A50

RGB 226 154 80

HSL 30.41, 0.72%, 0.6%

LAB 69.37, 19.89, 48.85

 

CMYK 0 / 49 / 65 / 11

HEX #E27350

RGB 226 115 80

HSL 14.38, 0.72%, 0.6%

LAB 60.79, 40.37, 38.87

 

CMYK 0 / 65 / 65 / 11

HEX #E25050

RGB 226 80 80

HSL 0, 0.72%, 0.6%

LAB 54.54, 56.65, 31.24

 

CMYK 3 / 0 / 65 / 11

HEX #DBE250

RGB 219 226 80

HSL 62.88, 0.72%, 0.6%

LAB 87.01, -20.27, 67.73

 

CMYK 20 / 0 / 65 / 11

HEX #B4E250

RGB 180 226 80

HSL 78.9, 0.72%, 0.6%

LAB 84.32, -35.7, 64.07

 

CMYK 38 / 0 / 65 / 11

HEX #8CE250

RGB 140 226 80

HSL 95.34, 0.72%, 0.6%

LAB 82.13, -50, 61.09

 

CMYK 55 / 0 / 65 / 11

HEX #65E250

RGB 101 226 80

HSL 111.37, 0.72%, 0.6%

LAB 80.59, -61.38, 58.97

 

CMYK 65 / 0 / 57 / 11

HEX #50E262

RGB 80 226 98

HSL 127.4, 0.72%, 0.6%

LAB 80.17, -64.13, 50.57

 

CMYK 3 / 0 / 65 / 11

HEX #DBE250

RGB 219 226 80

HSL 62.88, 0.72%, 0.6%

LAB 87.01, -20.27, 67.73

 

CMYK 4 / 0 / 74 / 5

HEX #EAF33F

RGB 234 243 63

HSL 63, 0.88%, 0.6%

LAB 92.55, -23.18, 79.48

 

CMYK 3 / 0 / 65 / 11

HEX #DBE250

RGB 219 226 80

HSL 62.88, 0.72%, 0.6%

LAB 87.01, -20.27, 67.73

 

CMYK 3 / 0 / 54 / 18

HEX #CCD260

RGB 204 210 96

HSL 63.16, 0.56%, 0.6%

LAB 81.72, -17.4, 54.85

 

CMYK 2 / 0 / 41 / 24

HEX #BEC171

RGB 190 193 113

HSL 62.25, 0.39%, 0.6%

LAB 76.24, -12.9, 39.84

 

CMYK 1 / 0 / 27 / 31

HEX #AFB181

RGB 175 177 129

HSL 62.5, 0.24%, 0.6%

LAB 70.97, -8.59, 24.4

 

CMYK 0 / 0 / 9 / 37

HEX #A0A092

RGB 160 160 146

HSL 60, 0.07%, 0.6%

LAB 65.51, -2.56, 7.29

 

CMYK 0 / 32 / 65 / 11

HEX #E29950

RGB 226 153 80

HSL 30, 0.72%, 0.6%

LAB 69.13, 20.43, 48.58

 

CMYK 0 / 15 / 65 / 11

HEX #E2C050

RGB 226 192 80

HSL 46.03, 0.72%, 0.6%

LAB 78.72, -0.23, 59.16

 

CMYK 2 / 0 / 65 / 11

HEX #DEE250

RGB 222 226 80

HSL 61.64, 0.72%, 0.6%

LAB 87.24, -19.05, 68.03

 

CMYK 19 / 0 / 65 / 11

HEX #B6E250

RGB 182 226 80

HSL 78.08, 0.72%, 0.6%

LAB 84.44, -34.94, 64.24

 

CMYK 37 / 0 / 65 / 11

HEX #8FE250

RGB 143 226 80

HSL 94.11, 0.72%, 0.6%

LAB 82.28, -49, 61.29

 

CMYK 4 / 0 / 84 / 25

HEX #B8C01F

RGB 184 192 31

HSL 62.98, 0.72%, 0.44%

LAB 74.82, -20.34, 71.07

 

CMYK 4 / 0 / 80 / 13

HEX #D4DD2C

RGB 212 221 44

HSL 63.05, 0.72%, 0.52%

LAB 84.94, -22.35, 77.4

 

CMYK 3 / 0 / 65 / 11

HEX #DBE250

RGB 219 226 80

HSL 62.88, 0.72%, 0.6%

LAB 87.01, -20.27, 67.73

 

CMYK 2 / 0 / 50 / 9

HEX #E3E873

RGB 227 232 115

HSL 62.56, 0.72%, 0.68%

LAB 89.52, -17.45, 55.68

 

CMYK 2 / 0 / 37 / 7

HEX #EAEE97

RGB 234 238 151

HSL 62.76, 0.72%, 0.76%

LAB 92.08, -14.12, 41.69

 

CMYK 3 / 0 / 64 / 11

HEX #DCE351

RGB 220 227 81

HSL 62.88, 0.72%, 0.6%

LAB 87.36, -20.29, 67.72

 

CMYK 65 / 0 / 50 / 11

HEX #50E272

RGB 80 226 114

HSL 133.97, 0.72%, 0.6%

LAB 80.36, -61.99, 43.31

 

CMYK 23 / 65 / 0 / 11

HEX #AD50E2

RGB 173 80 226

HSL 278.22, 0.72%, 0.6%

LAB 51.96, 61.39, -58.7

 

CMYK 3 / 0 / 64 / 11

HEX #DCE351

RGB 220 227 81

HSL 62.88, 0.72%, 0.6%

LAB 87.36, -20.29, 67.72

 

CMYK 65 / 2 / 0 / 11

HEX #50DEE2

RGB 80 222 226

HSL 181.64, 0.72%, 0.6%

LAB 81.53, -36.09, -13.17

 

CMYK 0 / 65 / 2 / 11

HEX #E250DE

RGB 226 80 222

HSL 301.64, 0.72%, 0.6%

LAB 59.14, 72.67, -44.57

 

CMYK 3 / 0 / 64 / 11

HEX #DCE351

RGB 220 227 81

HSL 62.88, 0.72%, 0.6%

LAB 87.36, -20.29, 67.72

 

CMYK 65 / 0 / 50 / 11

HEX #50E272

RGB 80 226 114

HSL 133.97, 0.72%, 0.6%

LAB 80.36, -61.99, 43.31

 

CMYK 63 / 65 / 0 / 11

HEX #5450E2

RGB 84 80 226

HSL 241.64, 0.72%, 0.6%

LAB 42.93, 44.62, -73.77

 

CMYK 0 / 65 / 15 / 11

HEX #E250C0

RGB 226 80 192

HSL 313.97, 0.72%, 0.6%

LAB 57.76, 68.11, -29.68

 

CMYK 3 / 0 / 64 / 11

HEX #DCE351

RGB 220 227 81

HSL 62.88, 0.72%, 0.6%

LAB 87.36, -20.29, 67.72

 

CMYK 65 / 0 / 30 / 11

HEX #50E29E

RGB 80 226 158

HSL 152.05, 0.72%, 0.6%

LAB 81.05, -54.32, 22.07

 

CMYK 63 / 65 / 0 / 11

HEX #5450E2

RGB 84 80 226

HSL 241.64, 0.72%, 0.6%

LAB 42.93, 44.62, -73.77

 

CMYK 0 / 65 / 35 / 11

HEX #E25094

RGB 226 80 148

HSL 332.05, 0.72%, 0.6%

LAB 56.13, 62.46, -6.6

 

Description

Color code: HEX #DCE351 | qconv.com Color code: HEX #DCE351 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 227 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 227 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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