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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCE34A it is the complementary color #231CB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCE34A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCE34A shade: #E1E345, #F2F558, #FFFF6B, #FFFF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCE34A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCE34A shade: #DCE34A, #CBD137, #BABF24, #A9AD11 and #989B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCE34A shade: #DCE34A, #E3C14A, #E3974A, #E36E4A and #E34A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCE34A shade: #DCE34A, #B3E34A, #89E34A, #60E34A and #4AE35D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCE34A shade matches the following richer shades: #DCE34A and #EBF439

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCE34A shade: #DCE34A, #CCD25B, #BDC16C, #AEB07D and #9E9F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCE34A shade: #E3964A, #E3BF4A, #DEE34A, #B5E34A and #8CE34A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCE34A shade: #B6BD1D, #D5DD26, #DCE34A, #E3E86E and #EAEE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCE34A shade: #DCE34A, #4AE36E and #AB4AE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCE34A shade: #DCE34A, #4ADEE3 and #E34ADE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCE34A shade: #DCE34A, #4AE36E, #4F4AE3 and #E34ABF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCE34A shade: #DCE34A, #4AE39C, #4F4AE3 and #E34A91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 67 / 11

HEX #DCE34A

RGB 220 227 74

HSL 62.75, 0.73%, 0.59%

LAB 87.31, -20.68, 70.33

 

Complementary color

CMYK 81 / 85 / 0 / 29

HEX #231CB5

RGB 35 28 181

HSL 242.75, 0.73%, 0.41%

LAB 25.33, 53.46, -76.7

 

CMYK 1 / 0 / 70 / 11

HEX #E1E345

RGB 225 227 69

HSL 60.76, 0.74%, 0.58%

LAB 87.67, -18.89, 72.61

 

CMYK 1 / 0 / 64 / 4

HEX #F2F558

RGB 242 245 88

HSL 61.15, 0.89%, 0.65%

LAB 93.83, -19.68, 72.24

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 3 / 0 / 67 / 11

HEX #DCE34A

RGB 220 227 74

HSL 62.75, 0.73%, 0.59%

LAB 87.31, -20.68, 70.33

 

CMYK 3 / 0 / 74 / 18

HEX #CBD137

RGB 203 209 55

HSL 62.34, 0.63%, 0.52%

LAB 81.06, -19.85, 70.44

 

CMYK 3 / 0 / 81 / 25

HEX #BABF24

RGB 186 191 36

HSL 61.94, 0.68%, 0.45%

LAB 74.72, -18.84, 69.82

 

CMYK 2 / 0 / 90 / 32

HEX #A9AD11

RGB 169 173 17

HSL 61.54, 0.82%, 0.37%

LAB 68.29, -17.63, 68.05

 

CMYK 2 / 0 / 100 / 39

HEX #989B00

RGB 152 155 0

HSL 61.16, 1%, 0.3%

LAB 61.76, -16.21, 64.85

 

CMYK 3 / 0 / 67 / 11

HEX #DCE34A

RGB 220 227 74

HSL 62.75, 0.73%, 0.59%

LAB 87.31, -20.68, 70.33

 

CMYK 0 / 15 / 67 / 11

HEX #E3C14A

RGB 227 193 74

HSL 46.67, 0.73%, 0.59%

LAB 79.02, -0.68, 62.05

 

CMYK 0 / 33 / 67 / 11

HEX #E3974A

RGB 227 151 74

HSL 30.2, 0.73%, 0.59%

LAB 68.72, 21.56, 51.04

 

CMYK 0 / 52 / 67 / 11

HEX #E36E4A

RGB 227 110 74

HSL 14.12, 0.73%, 0.59%

LAB 59.87, 42.9, 41.03

 

CMYK 0 / 67 / 67 / 11

HEX #E34A4A

RGB 227 74 74

HSL 0, 0.73%, 0.59%

LAB 53.73, 59.05, 33.73

 

CMYK 3 / 0 / 67 / 11

HEX #DCE34A

RGB 220 227 74

HSL 62.75, 0.73%, 0.59%

LAB 87.31, -20.68, 70.33

 

CMYK 21 / 0 / 67 / 11

HEX #B3E34A

RGB 179 227 74

HSL 78.82, 0.73%, 0.59%

LAB 84.49, -36.94, 66.56

 

CMYK 40 / 0 / 67 / 11

HEX #89E34A

RGB 137 227 74

HSL 95.29, 0.73%, 0.59%

LAB 82.24, -51.85, 63.52

 

CMYK 58 / 0 / 67 / 11

HEX #60E34A

RGB 96 227 74

HSL 111.37, 0.73%, 0.59%

LAB 80.69, -63.49, 61.41

 

CMYK 67 / 0 / 59 / 11

HEX #4AE35D

RGB 74 227 93

HSL 127.45, 0.73%, 0.59%

LAB 80.28, -66.21, 52.9

 

CMYK 3 / 0 / 67 / 11

HEX #DCE34A

RGB 220 227 74

HSL 62.75, 0.73%, 0.59%

LAB 87.31, -20.68, 70.33

 

CMYK 4 / 0 / 77 / 4

HEX #EBF439

RGB 235 244 57

HSL 62.89, 0.89%, 0.59%

LAB 92.86, -23.48, 81.55

 

CMYK 3 / 0 / 67 / 11

HEX #DCE34A

RGB 220 227 74

HSL 62.75, 0.73%, 0.59%

LAB 87.31, -20.68, 70.33

 

CMYK 3 / 0 / 57 / 18

HEX #CCD25B

RGB 204 210 91

HSL 63.03, 0.57%, 0.59%

LAB 81.67, -17.79, 57.04

 

CMYK 2 / 0 / 44 / 24

HEX #BDC16C

RGB 189 193 108

HSL 62.82, 0.41%, 0.59%

LAB 76.09, -13.83, 42.15

 

CMYK 1 / 0 / 29 / 31

HEX #AEB07D

RGB 174 176 125

HSL 62.35, 0.24%, 0.59%

LAB 70.55, -9.01, 25.96

 

CMYK 1 / 0 / 11 / 38

HEX #9E9F8E

RGB 158 159 142

HSL 63.53, 0.08%, 0.59%

LAB 64.98, -3.46, 8.75

 

CMYK 0 / 34 / 67 / 11

HEX #E3964A

RGB 227 150 74

HSL 29.8, 0.73%, 0.59%

LAB 68.49, 22.09, 50.78

 

CMYK 0 / 16 / 67 / 11

HEX #E3BF4A

RGB 227 191 74

HSL 45.88, 0.73%, 0.59%

LAB 78.51, 0.36, 61.52

 

CMYK 2 / 0 / 67 / 11

HEX #DEE34A

RGB 222 227 74

HSL 61.96, 0.73%, 0.59%

LAB 87.47, -19.87, 70.54

 

CMYK 20 / 0 / 67 / 11

HEX #B5E34A

RGB 181 227 74

HSL 78.04, 0.73%, 0.59%

LAB 84.62, -36.18, 66.72

 

CMYK 38 / 0 / 67 / 11

HEX #8CE34A

RGB 140 227 74

HSL 94.12, 0.73%, 0.59%

LAB 82.38, -50.87, 63.71

 

CMYK 4 / 0 / 85 / 26

HEX #B6BD1D

RGB 182 189 29

HSL 62.63, 0.73%, 0.43%

LAB 73.82, -19.76, 70.63

 

CMYK 4 / 0 / 83 / 13

HEX #D5DD26

RGB 213 221 38

HSL 62.62, 0.73%, 0.51%

LAB 85, -22.12, 78.92

 

CMYK 3 / 0 / 67 / 11

HEX #DCE34A

RGB 220 227 74

HSL 62.75, 0.73%, 0.59%

LAB 87.31, -20.68, 70.33

 

CMYK 2 / 0 / 53 / 9

HEX #E3E86E

RGB 227 232 110

HSL 62.46, 0.73%, 0.67%

LAB 89.47, -17.87, 57.89

 

CMYK 2 / 0 / 39 / 7

HEX #EAEE92

RGB 234 238 146

HSL 62.61, 0.73%, 0.75%

LAB 92.01, -14.67, 44.06

 

CMYK 3 / 0 / 67 / 11

HEX #DCE34A

RGB 220 227 74

HSL 62.75, 0.73%, 0.59%

LAB 87.31, -20.68, 70.33

 

CMYK 67 / 0 / 52 / 11

HEX #4AE36E

RGB 74 227 110

HSL 134.12, 0.73%, 0.59%

LAB 80.47, -64.02, 45.33

 

CMYK 25 / 67 / 0 / 11

HEX #AB4AE3

RGB 171 74 227

HSL 278.04, 0.73%, 0.59%

LAB 50.81, 63.85, -61.14

 

CMYK 3 / 0 / 67 / 11

HEX #DCE34A

RGB 220 227 74

HSL 62.75, 0.73%, 0.59%

LAB 87.31, -20.68, 70.33

 

CMYK 67 / 2 / 0 / 11

HEX #4ADEE3

RGB 74 222 227

HSL 181.96, 0.73%, 0.59%

LAB 81.43, -36.67, -13.88

 

CMYK 0 / 67 / 2 / 11

HEX #E34ADE

RGB 227 74 222

HSL 301.96, 0.73%, 0.59%

LAB 58.51, 75.09, -45.56

 

CMYK 3 / 0 / 67 / 11

HEX #DCE34A

RGB 220 227 74

HSL 62.75, 0.73%, 0.59%

LAB 87.31, -20.68, 70.33

 

CMYK 67 / 0 / 52 / 11

HEX #4AE36E

RGB 74 227 110

HSL 134.12, 0.73%, 0.59%

LAB 80.47, -64.02, 45.33

 

CMYK 65 / 67 / 0 / 11

HEX #4F4AE3

RGB 79 74 227

HSL 241.96, 0.73%, 0.59%

LAB 41.38, 47.74, -76.89

 

CMYK 0 / 67 / 16 / 11

HEX #E34ABF

RGB 227 74 191

HSL 314.12, 0.73%, 0.59%

LAB 57.07, 70.47, -30.17

 

CMYK 3 / 0 / 67 / 11

HEX #DCE34A

RGB 220 227 74

HSL 62.75, 0.73%, 0.59%

LAB 87.31, -20.68, 70.33

 

CMYK 67 / 0 / 31 / 11

HEX #4AE39C

RGB 74 227 156

HSL 152.16, 0.73%, 0.59%

LAB 81.18, -56.13, 23.26

 

CMYK 65 / 67 / 0 / 11

HEX #4F4AE3

RGB 79 74 227

HSL 241.96, 0.73%, 0.59%

LAB 41.38, 47.74, -76.89

 

CMYK 0 / 67 / 36 / 11

HEX #E34A91

RGB 227 74 145

HSL 332.16, 0.73%, 0.59%

LAB 55.35, 64.75, -5.97

 

Description

Color code: HEX #DCE34A | qconv.com Color code: HEX #DCE34A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 227 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 227 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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