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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCDD57 it is the complementary color #2322A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCDD57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCDD57 shade: #E1DD52, #F2EF65, #FFFF78, #FFFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCDD57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCDD57 shade: #DCDD57, #CBCB44, #BAB931, #A9A71E and #98950B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCDD57 shade: #DBDC56, #DCB956, #DC9556, #DC7056 and #DC5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCDD57 shade: #DBDC56, #B7DC56, #93DC56, #6EDC56 and #56DC61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCDD57 shade matches the following richer shades: #DBDC56, #ECED45 and #FCFD35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCDD57 shade: #DBDC56, #CBCC66, #BBBB77, #ABAB87 and #9A9A98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCDD57 shade: #DC9556, #DCB856, #DCDC56, #B8DC56 and #95DC56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCDD57 shade: #B8B926, #D4D533, #DBDC56, #E3E378 and #EAEA9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCDD57 shade: #DCDD57, #56DC71 and #A656DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCDD57 shade: #DCDD57, #56DCDC and #DC56DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCDD57 shade: #DCDD57, #56DC71, #5656DC and #DC56C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCDD57 shade: #DCDD57, #56DC99, #5656DC and #DC5699

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 61 / 13

HEX #DCDD57

RGB 220 221 87

HSL 60.45, 0.66%, 0.6%

LAB 85.81, -16.98, 63.66

 

Complementary color

CMYK 79 / 80 / 0 / 34

HEX #2322A8

RGB 35 34 168

HSL 240.45, 0.66%, 0.4%

LAB 24.73, 46.57, -69.9

 

CMYK 0 / 2 / 64 / 12

HEX #E1DD52

RGB 225 221 82

HSL 58.32, 0.7%, 0.6%

LAB 86.17, -15.25, 66.2

 

CMYK 0 / 1 / 58 / 5

HEX #F2EF65

RGB 242 239 101

HSL 58.72, 0.84%, 0.67%

LAB 92.38, -15.96, 65.42

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 0 / 61 / 13

HEX #DCDD57

RGB 220 221 87

HSL 60.45, 0.66%, 0.6%

LAB 85.81, -16.98, 63.66

 

CMYK 0 / 0 / 67 / 20

HEX #CBCB44

RGB 203 203 68

HSL 60, 0.56%, 0.53%

LAB 79.51, -16.23, 64.3

 

CMYK 0 / 1 / 74 / 27

HEX #BAB931

RGB 186 185 49

HSL 59.56, 0.58%, 0.46%

LAB 73.13, -15.33, 64.5

 

CMYK 0 / 1 / 82 / 34

HEX #A9A71E

RGB 169 167 30

HSL 59.14, 0.7%, 0.39%

LAB 66.65, -14.24, 63.91

 

CMYK 0 / 2 / 93 / 40

HEX #98950B

RGB 152 149 11

HSL 58.72, 0.87%, 0.32%

LAB 60.06, -12.9, 61.96

 

CMYK 0 / 0 / 61 / 14

HEX #DBDC56

RGB 219 220 86

HSL 60.45, 0.66%, 0.6%

LAB 85.46, -16.96, 63.68

 

CMYK 0 / 16 / 61 / 14

HEX #DCB956

RGB 220 185 86

HSL 44.33, 0.66%, 0.6%

LAB 76.43, 1.28, 53.8

 

CMYK 0 / 32 / 61 / 14

HEX #DC9556

RGB 220 149 86

HSL 28.21, 0.66%, 0.6%

LAB 67.56, 20.48, 43.59

 

CMYK 0 / 49 / 61 / 14

HEX #DC7056

RGB 220 112 86

HSL 11.64, 0.66%, 0.6%

LAB 59.41, 39.99, 33.71

 

CMYK 0 / 61 / 61 / 14

HEX #DC5656

RGB 220 86 86

HSL 0, 0.66%, 0.6%

LAB 54.6, 52.44, 27.64

 

CMYK 0 / 0 / 61 / 14

HEX #DBDC56

RGB 219 220 86

HSL 60.45, 0.66%, 0.6%

LAB 85.46, -16.96, 63.68

 

CMYK 17 / 0 / 61 / 14

HEX #B7DC56

RGB 183 220 86

HSL 76.57, 0.66%, 0.6%

LAB 82.87, -31.35, 60.12

 

CMYK 33 / 0 / 61 / 14

HEX #93DC56

RGB 147 220 86

HSL 92.69, 0.66%, 0.6%

LAB 80.77, -44.61, 57.21

 

CMYK 50 / 0 / 61 / 14

HEX #6EDC56

RGB 110 220 86

HSL 109.25, 0.66%, 0.6%

LAB 79.14, -56.19, 54.93

 

CMYK 61 / 0 / 56 / 14

HEX #56DC61

RGB 86 220 97

HSL 124.93, 0.66%, 0.6%

LAB 78.48, -60.89, 49.07

 

CMYK 0 / 0 / 61 / 14

HEX #DBDC56

RGB 219 220 86

HSL 60.45, 0.66%, 0.6%

LAB 85.46, -16.96, 63.68

 

CMYK 0 / 0 / 71 / 7

HEX #ECED45

RGB 236 237 69

HSL 60.36, 0.82%, 0.6%

LAB 91.16, -19.23, 76.28

 

CMYK 0 / 0 / 79 / 1

HEX #FCFD35

RGB 252 253 53

HSL 60.3, 0.98%, 0.6%

LAB 96.49, -20.98, 86.32

 

CMYK 0 / 0 / 61 / 14

HEX #DBDC56

RGB 219 220 86

HSL 60.45, 0.66%, 0.6%

LAB 85.46, -16.96, 63.68

 

CMYK 0 / 0 / 50 / 20

HEX #CBCC66

RGB 203 204 102

HSL 60.59, 0.5%, 0.6%

LAB 80.09, -14.3, 50.16

 

CMYK 0 / 0 / 36 / 27

HEX #BBBB77

RGB 187 187 119

HSL 60, 0.33%, 0.6%

LAB 74.47, -10.35, 34.47

 

CMYK 0 / 0 / 21 / 33

HEX #ABAB87

RGB 171 171 135

HSL 60, 0.18%, 0.6%

LAB 69.14, -6.1, 18.6

 

CMYK 0 / 0 / 1 / 40

HEX #9A9A98

RGB 154 154 152

HSL 60, 0.01%, 0.6%

LAB 63.55, -0.38, 1.04

 

CMYK 0 / 32 / 61 / 14

HEX #DC9556

RGB 220 149 86

HSL 28.21, 0.66%, 0.6%

LAB 67.56, 20.48, 43.59

 

CMYK 0 / 16 / 61 / 14

HEX #DCB856

RGB 220 184 86

HSL 43.88, 0.66%, 0.6%

LAB 76.17, 1.8, 53.51

 

CMYK 0 / 0 / 61 / 14

HEX #DCDC56

RGB 220 220 86

HSL 60, 0.66%, 0.6%

LAB 85.54, -16.55, 63.79

 

CMYK 16 / 0 / 61 / 14

HEX #B8DC56

RGB 184 220 86

HSL 76.12, 0.66%, 0.6%

LAB 82.94, -30.96, 60.21

 

CMYK 32 / 0 / 61 / 14

HEX #95DC56

RGB 149 220 86

HSL 91.79, 0.66%, 0.6%

LAB 80.88, -43.92, 57.35

 

CMYK 1 / 0 / 79 / 27

HEX #B8B926

RGB 184 185 38

HSL 60.41, 0.66%, 0.44%

LAB 72.91, -16.63, 67.65

 

CMYK 0 / 0 / 76 / 16

HEX #D4D533

RGB 212 213 51

HSL 60.37, 0.66%, 0.52%

LAB 82.82, -18.21, 73.57

 

CMYK 0 / 0 / 61 / 14

HEX #DBDC56

RGB 219 220 86

HSL 60.45, 0.66%, 0.6%

LAB 85.46, -16.96, 63.68

 

CMYK 0 / 0 / 47 / 11

HEX #E3E378

RGB 227 227 120

HSL 60, 0.66%, 0.68%

LAB 88.27, -14.55, 51.85

 

CMYK 0 / 0 / 34 / 8

HEX #EAEA9A

RGB 234 234 154

HSL 60, 0.66%, 0.76%

LAB 91.09, -11.8, 38.91

 

CMYK 0 / 0 / 61 / 13

HEX #DCDD57

RGB 220 221 87

HSL 60.45, 0.66%, 0.6%

LAB 85.81, -16.98, 63.66

 

CMYK 61 / 0 / 49 / 14

HEX #56DC71

RGB 86 220 113

HSL 132.09, 0.66%, 0.6%

LAB 78.67, -58.74, 41.73

 

CMYK 25 / 61 / 0 / 14

HEX #A656DC

RGB 166 86 220

HSL 275.82, 0.66%, 0.6%

LAB 51.76, 55.67, -55.68

 

CMYK 0 / 0 / 61 / 13

HEX #DCDD57

RGB 220 221 87

HSL 60.45, 0.66%, 0.6%

LAB 85.81, -16.98, 63.66

 

CMYK 61 / 0 / 0 / 14

HEX #56DCDC

RGB 86 220 220

HSL 180, 0.66%, 0.6%

LAB 80.92, -35.88, -10.87

 

CMYK 0 / 61 / 0 / 14

HEX #DC56DC

RGB 220 86 220

HSL 300, 0.66%, 0.6%

LAB 59.01, 68.56, -43.71

 

CMYK 0 / 0 / 61 / 13

HEX #DCDD57

RGB 220 221 87

HSL 60.45, 0.66%, 0.6%

LAB 85.81, -16.98, 63.66

 

CMYK 61 / 0 / 49 / 14

HEX #56DC71

RGB 86 220 113

HSL 132.09, 0.66%, 0.6%

LAB 78.67, -58.74, 41.73

 

CMYK 61 / 61 / 0 / 14

HEX #5656DC

RGB 86 86 220

HSL 240, 0.66%, 0.6%

LAB 43.95, 39.42, -68.69

 

CMYK 0 / 61 / 12 / 14

HEX #DC56C1

RGB 220 86 193

HSL 312.09, 0.66%, 0.6%

LAB 57.77, 64.27, -30.31

 

CMYK 0 / 0 / 61 / 13

HEX #DCDD57

RGB 220 221 87

HSL 60.45, 0.66%, 0.6%

LAB 85.81, -16.98, 63.66

 

CMYK 61 / 0 / 30 / 14

HEX #56DC99

RGB 86 220 153

HSL 150, 0.66%, 0.6%

LAB 79.31, -51.81, 22.3

 

CMYK 61 / 61 / 0 / 14

HEX #5656DC

RGB 86 86 220

HSL 240, 0.66%, 0.6%

LAB 43.95, 39.42, -68.69

 

CMYK 0 / 61 / 30 / 14

HEX #DC5699

RGB 220 86 153

HSL 330, 0.66%, 0.6%

LAB 56.26, 58.79, -9.44

 

Description

Color code: HEX #DCDD57 | qconv.com Color code: HEX #DCDD57 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 221 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 221 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 61 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 61% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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