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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCDCC0CE it is the complementary color #23233FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCDCC0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCDCC0CE shade: #E1DCBBCE, #F2EECECE, #FFFFE1CE, #FFFFF4CE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCDCC0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCDCC0CE shade: #DCDCC0CE, #CBCAADCE, #BAB89ACE, #A9A687CE and #989474CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCDCC0CE shade: #DDDDC0, #DDD5C0, #DDCDC0, #DDC6C0 and #DDC0C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCDCC0CE shade: #DDDDC0, #D5DDC0, #CDDDC0, #C6DDC0 and #C0DDC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCDCC0CE shade matches the following richer shades: #DDDDC0, #E4E4B9, #ECECB1, #F4F4A9 and #FCFCA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCDCC0CE shade: #DDDDC0, #D5D5C8, #CDCDD0, #C5C5D8 and #BDBDE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCDCC0CE shade: #DDCEC0, #DDD5C0, #DDDDC0, #D5DDC0 and #CEDDC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCDCC0CE shade: #BFBF8B, #CECEA6, #DDDDC0, #EBEBDB and #FAFAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCDCC0CE shade: #DCDCC0, #C0DDC6 and #D1C0DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCDCC0CE shade: #DCDCC0, #C0DDDD and #DDC0DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCDCC0CE shade: #DCDCC0, #C0DDC6, #C0C0DD and #DDC0D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCDCC0CE shade: #DCDCC0, #C0DDCF, #C0C0DD and #DDC0CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 10 / 11

HEX #DCDCC0CE

RGBA 220 220 192 0.81

HSLA 60, 0.29%, 0.81%, 0.81

LABA 87.1, -4.73, 13.77, 0.81

 

Complementary color

CMYK 36 / 36 / 0 / 61

HEX #23233FCE

RGBA 35 35 63 0.81

HSLA 240, 0.29%, 0.19%, 0.81

LABA 15.05, 8.46, -17.88, 0.81

 

CMYK 0 / 2 / 14 / 10

HEX #E1DCBBCE

RGBA 225 220 187 0.81

HSLA 52.11, 0.39%, 0.81%, 0.81

LABA 87.38, -3.7, 16.85, 0.81

 

CMYK 0 / 1 / 12 / 4

HEX #F2EECECE

RGBA 242 238 206 0.81

HSLA 53.33, 0.58%, 0.88%, 0.81

LABA 93.66, -3.89, 15.99, 0.81

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE1CE

RGBA 255 255 225 0.81

HSLA 60, 1%, 0.94%, 0.81

LABA 99.31, -4.95, 14.35, 0.81

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF4CE

RGBA 255 255 244 0.81

HSLA 60, 1%, 0.98%, 0.81

LABA 99.73, -1.88, 5.24, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 0 / 10 / 11

HEX #DCDCC0CE

RGBA 220 220 192 0.81

HSLA 60, 0.29%, 0.81%, 0.81

LABA 87.1, -4.73, 13.77, 0.81

 

CMYK 0 / 0 / 12 / 17

HEX #CBCAADCE

RGBA 203 202 173 0.81

HSLA 58, 0.22%, 0.74%, 0.81

LABA 80.71, -4.57, 14.63, 0.81

 

CMYK 0 / 1 / 14 / 22

HEX #BAB89ACE

RGBA 186 184 154 0.81

HSLA 56.25, 0.19%, 0.67%, 0.81

LABA 74.22, -4.4, 15.52, 0.81

 

CMYK 0 / 1 / 16 / 27

HEX #A9A687CE

RGBA 169 166 135 0.81

HSLA 54.71, 0.17%, 0.6%, 0.81

LABA 67.62, -4.2, 16.47, 0.81

 

CMYK 0 / 2 / 19 / 33

HEX #989474CE

RGBA 152 148 116 0.81

HSLA 53.33, 0.15%, 0.53%, 0.81

LABA 60.88, -3.97, 17.49, 0.81

 

CMYK 0 / 0 / 13 / 13

HEX #DDDDC0

RGB 221 221 192

HSL 60, 0.3%, 0.81%

LAB 87.43, -4.88, 14.26

 

CMYK 0 / 4 / 13 / 13

HEX #DDD5C0

RGB 221 213 192

HSL 43.45, 0.3%, 0.81%

LAB 85.39, -0.76, 11.36

 

CMYK 0 / 7 / 13 / 13

HEX #DDCDC0

RGB 221 205 192

HSL 26.9, 0.3%, 0.81%

LAB 83.36, 3.41, 8.46

 

CMYK 0 / 10 / 13 / 13

HEX #DDC6C0

RGB 221 198 192

HSL 12.41, 0.3%, 0.81%

LAB 81.6, 7.09, 5.94

 

CMYK 0 / 13 / 13 / 13

HEX #DDC0C0

RGB 221 192 192

HSL 0, 0.3%, 0.81%

LAB 80.11, 10.27, 3.79

 

CMYK 0 / 0 / 13 / 13

HEX #DDDDC0

RGB 221 221 192

HSL 60, 0.3%, 0.81%

LAB 87.43, -4.88, 14.26

 

CMYK 4 / 0 / 13 / 13

HEX #D5DDC0

RGB 213 221 192

HSL 76.55, 0.3%, 0.81%

LAB 86.83, -7.73, 13.32

 

CMYK 7 / 0 / 13 / 13

HEX #CDDDC0

RGB 205 221 192

HSL 93.1, 0.3%, 0.81%

LAB 86.25, -10.53, 12.42

 

CMYK 10 / 0 / 13 / 13

HEX #C6DDC0

RGB 198 221 192

HSL 107.59, 0.3%, 0.81%

LAB 85.77, -12.96, 11.67

 

CMYK 13 / 0 / 12 / 13

HEX #C0DDC3

RGB 192 221 195

HSL 126.21, 0.3%, 0.81%

LAB 85.43, -14.47, 9.55

 

CMYK 0 / 0 / 13 / 13

HEX #DDDDC0

RGB 221 221 192

HSL 60, 0.3%, 0.81%

LAB 87.43, -4.88, 14.26

 

CMYK 0 / 0 / 19 / 11

HEX #E4E4B9

RGB 228 228 185

HSL 60, 0.44%, 0.81%

LAB 89.62, -6.98, 21.05

 

CMYK 0 / 0 / 25 / 7

HEX #ECECB1

RGB 236 236 177

HSL 60, 0.61%, 0.81%

LAB 92.13, -9.19, 28.7

 

CMYK 0 / 0 / 31 / 4

HEX #F4F4A9

RGB 244 244 169

HSL 60, 0.77%, 0.81%

LAB 94.65, -11.21, 36.23

 

CMYK 0 / 0 / 36 / 1

HEX #FCFCA1

RGB 252 252 161

HSL 60, 0.94%, 0.81%

LAB 97.18, -13.06, 43.61

 

CMYK 0 / 0 / 13 / 13

HEX #DDDDC0

RGB 221 221 192

HSL 60, 0.3%, 0.81%

LAB 87.43, -4.88, 14.26

 

CMYK 0 / 0 / 6 / 16

HEX #D5D5C8

RGB 213 213 200

HSL 60, 0.13%, 0.81%

LAB 84.95, -2.28, 6.41

 

CMYK 1 / 1 / 0 / 18

HEX #CDCDD0

RGB 205 205 208

HSL 240, 0.03%, 0.81%

LAB 82.48, 0.56, -1.5

 

CMYK 9 / 9 / 0 / 15

HEX #C5C5D8

RGB 197 197 216

HSL 240, 0.2%, 0.81%

LAB 80.04, 3.64, -9.45

 

CMYK 16 / 16 / 0 / 12

HEX #BDBDE0

RGB 189 189 224

HSL 240, 0.36%, 0.81%

LAB 77.64, 7, -17.44

 

CMYK 0 / 7 / 13 / 13

HEX #DDCEC0

RGB 221 206 192

HSL 28.97, 0.3%, 0.81%

LAB 83.61, 2.88, 8.82

 

CMYK 0 / 4 / 13 / 13

HEX #DDD5C0

RGB 221 213 192

HSL 43.45, 0.3%, 0.81%

LAB 85.39, -0.76, 11.36

 

CMYK 0 / 0 / 13 / 13

HEX #DDDDC0

RGB 221 221 192

HSL 60, 0.3%, 0.81%

LAB 87.43, -4.88, 14.26

 

CMYK 4 / 0 / 13 / 13

HEX #D5DDC0

RGB 213 221 192

HSL 76.55, 0.3%, 0.81%

LAB 86.83, -7.73, 13.32

 

CMYK 7 / 0 / 13 / 13

HEX #CEDDC0

RGB 206 221 192

HSL 91.03, 0.3%, 0.81%

LAB 86.33, -10.19, 12.54

 

CMYK 0 / 0 / 27 / 25

HEX #BFBF8B

RGB 191 191 139

HSL 60, 0.29%, 0.65%

LAB 76.19, -8.33, 26.32

 

CMYK 0 / 0 / 19 / 19

HEX #CECEA6

RGB 206 206 166

HSL 60, 0.29%, 0.73%

LAB 81.85, -6.6, 19.96

 

CMYK 0 / 0 / 13 / 13

HEX #DDDDC0

RGB 221 221 192

HSL 60, 0.3%, 0.81%

LAB 87.43, -4.88, 14.26

 

CMYK 0 / 0 / 7 / 8

HEX #EBEBDB

RGB 235 235 219

HSL 60, 0.29%, 0.89%

LAB 92.66, -2.75, 7.75

 

CMYK 0 / 0 / 2 / 2

HEX #FAFAF6

RGB 250 250 246

HSL 60, 0.29%, 0.97%

LAB 98.17, -0.69, 1.9

 

Description

Color code: HEX #DCDCC0CE | qconv.com Color code: HEX #DCDCC0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 220 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 220 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 10 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 10% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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