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Color name
HEX #DCD641

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCD641 it is the complementary color #2329BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCD641. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCD641 shade: #E1D63C, #F2E84F, #FFFA62, #FFFF75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCD641. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCD641 shade: #DCD641, #CBC42E, #BAB21B, #A9A008 and #988E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCD641 shade: #DCD641, #DCAC41, #DC8341, #DC5941 and #DC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCD641 shade: #DCD641, #B8DC41, #8FDC41, #65DC41 and #41DC48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCD641 shade matches the following richer shades: #DCD641 and #EEE72F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCD641 shade: #DCD641, #CAC554, #B8B566, #A6A478 and #94938A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCD641 shade: #DC8241, #DCAB41, #DCD441, #BBDC41 and #91DC41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCD641 shade: #ACA61F, #CEC826, #DCD641, #E3DE64 and #E9E587

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCD641 shade: #DCD641, #41DC59 and #9741DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCD641 shade: #DCD641, #41DCD4 and #D441DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCD641 shade: #DCD641, #41DC59, #4149DC and #DC41C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCD641 shade: #DCD641, #41DC87, #4149DC and #DC4197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 70 / 14

HEX #DCD641

RGB 220 214 65

HSL 57.68, 0.69%, 0.56%

LAB 83.8, -14.76, 70.13

 

Complementary color

CMYK 82 / 78 / 0 / 25

HEX #2329BE

RGB 35 41 190

HSL 237.68, 0.69%, 0.44%

LAB 28.54, 50.05, -76.72

 

CMYK 0 / 5 / 73 / 12

HEX #E1D63C

RGB 225 214 60

HSL 56, 0.73%, 0.56%

LAB 84.19, -12.89, 72.36

 

CMYK 0 / 4 / 67 / 5

HEX #F2E84F

RGB 242 232 79

HSL 56.32, 0.86%, 0.63%

LAB 90.39, -13.85, 72.14

 

CMYK 0 / 2 / 62 / 0

HEX #FFFA62

RGB 255 250 98

HSL 58.09, 1%, 0.69%

LAB 96.21, -16.28, 71.1

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 3 / 70 / 14

HEX #DCD641

RGB 220 214 65

HSL 57.68, 0.69%, 0.56%

LAB 83.8, -14.76, 70.13

 

CMYK 0 / 3 / 77 / 20

HEX #CBC42E

RGB 203 196 46

HSL 57.32, 0.63%, 0.49%

LAB 77.5, -13.74, 70

 

CMYK 0 / 4 / 85 / 27

HEX #BAB21B

RGB 186 178 27

HSL 56.98, 0.75%, 0.42%

LAB 71.12, -12.52, 68.97

 

CMYK 0 / 5 / 95 / 34

HEX #A9A008

RGB 169 160 8

HSL 56.65, 0.91%, 0.35%

LAB 64.64, -11.07, 66.53

 

CMYK 0 / 7 / 100 / 40

HEX #988E00

RGB 152 142 0

HSL 56.05, 1%, 0.3%

LAB 58.06, -9.35, 62.15

 

CMYK 0 / 3 / 70 / 14

HEX #DCD641

RGB 220 214 65

HSL 57.68, 0.69%, 0.56%

LAB 83.8, -14.76, 70.13

 

CMYK 0 / 22 / 70 / 14

HEX #DCAC41

RGB 220 172 65

HSL 41.42, 0.69%, 0.56%

LAB 72.96, 6.89, 59.33

 

CMYK 0 / 40 / 70 / 14

HEX #DC8341

RGB 220 131 65

HSL 25.55, 0.69%, 0.56%

LAB 63.2, 28.84, 49.08

 

CMYK 0 / 60 / 70 / 14

HEX #DC5941

RGB 220 89 65

HSL 9.29, 0.69%, 0.56%

LAB 54.81, 49.88, 39.74

 

CMYK 0 / 70 / 70 / 14

HEX #DC4141

RGB 220 65 65

HSL 0, 0.69%, 0.56%

LAB 51.13, 59.8, 35.48

 

CMYK 0 / 3 / 70 / 14

HEX #DCD641

RGB 220 214 65

HSL 57.68, 0.69%, 0.56%

LAB 83.8, -14.76, 70.13

 

CMYK 16 / 0 / 70 / 14

HEX #B8DC41

RGB 184 220 65

HSL 73.94, 0.69%, 0.56%

LAB 82.78, -32.34, 68.23

 

CMYK 35 / 0 / 70 / 14

HEX #8FDC41

RGB 143 220 65

HSL 89.81, 0.69%, 0.56%

LAB 80.41, -47.62, 65.07

 

CMYK 54 / 0 / 70 / 14

HEX #65DC41

RGB 101 220 65

HSL 106.06, 0.69%, 0.56%

LAB 78.66, -60.48, 62.72

 

CMYK 70 / 0 / 67 / 14

HEX #41DC48

RGB 65 220 72

HSL 122.71, 0.69%, 0.56%

LAB 77.74, -67.68, 58.81

 

CMYK 0 / 3 / 70 / 14

HEX #DCD641

RGB 220 214 65

HSL 57.68, 0.69%, 0.56%

LAB 83.8, -14.76, 70.13

 

CMYK 0 / 3 / 80 / 7

HEX #EEE72F

RGB 238 231 47

HSL 57.8, 0.85%, 0.56%

LAB 89.64, -16.32, 81.49

 

CMYK 0 / 3 / 70 / 14

HEX #DCD641

RGB 220 214 65

HSL 57.68, 0.69%, 0.56%

LAB 83.8, -14.76, 70.13

 

CMYK 0 / 2 / 58 / 21

HEX #CAC554

RGB 202 197 84

HSL 57.46, 0.53%, 0.56%

LAB 77.95, -12.62, 55.96

 

CMYK 0 / 2 / 45 / 28

HEX #B8B566

RGB 184 181 102

HSL 57.8, 0.37%, 0.56%

LAB 72.36, -10.31, 40.46

 

CMYK 0 / 1 / 28 / 35

HEX #A6A478

RGB 166 164 120

HSL 57.39, 0.21%, 0.56%

LAB 66.53, -6.49, 23.16

 

CMYK 0 / 1 / 7 / 42

HEX #94938A

RGB 148 147 138

HSL 54, 0.04%, 0.56%

LAB 60.78, -1.32, 4.88

 

CMYK 0 / 41 / 70 / 14

HEX #DC8241

RGB 220 130 65

HSL 25.16, 0.69%, 0.56%

LAB 62.98, 29.37, 48.84

 

CMYK 0 / 22 / 70 / 14

HEX #DCAB41

RGB 220 171 65

HSL 41.03, 0.69%, 0.56%

LAB 72.71, 7.42, 59.07

 

CMYK 0 / 4 / 70 / 14

HEX #DCD441

RGB 220 212 65

HSL 56.9, 0.69%, 0.56%

LAB 83.28, -13.77, 69.61

 

CMYK 15 / 0 / 70 / 14

HEX #BBDC41

RGB 187 220 65

HSL 72.77, 0.69%, 0.56%

LAB 82.98, -31.15, 68.49

 

CMYK 34 / 0 / 70 / 14

HEX #91DC41

RGB 145 220 65

HSL 89.03, 0.69%, 0.56%

LAB 80.51, -46.92, 65.21

 

CMYK 0 / 3 / 82 / 33

HEX #ACA61F

RGB 172 166 31

HSL 57.45, 0.69%, 0.4%

LAB 66.63, -12.37, 63.72

 

CMYK 0 / 3 / 82 / 19

HEX #CEC826

RGB 206 200 38

HSL 57.86, 0.69%, 0.48%

LAB 78.79, -14.73, 73.45

 

CMYK 0 / 3 / 70 / 14

HEX #DCD641

RGB 220 214 65

HSL 57.68, 0.69%, 0.56%

LAB 83.8, -14.76, 70.13

 

CMYK 0 / 2 / 56 / 11

HEX #E3DE64

RGB 227 222 100

HSL 57.64, 0.69%, 0.64%

LAB 86.75, -13.72, 59.26

 

CMYK 0 / 2 / 42 / 9

HEX #E9E587

RGB 233 229 135

HSL 57.55, 0.69%, 0.72%

LAB 89.45, -11.75, 46.19

 

CMYK 0 / 3 / 70 / 14

HEX #DCD641

RGB 220 214 65

HSL 57.68, 0.69%, 0.56%

LAB 83.8, -14.76, 70.13

 

CMYK 70 / 0 / 60 / 14

HEX #41DC59

RGB 65 220 89

HSL 129.29, 0.69%, 0.56%

LAB 77.89, -65.89, 51.86

 

CMYK 31 / 70 / 0 / 14

HEX #9741DC

RGB 151 65 220

HSL 273.29, 0.69%, 0.56%

LAB 46.35, 62.24, -64.5

 

CMYK 0 / 3 / 70 / 14

HEX #DCD641

RGB 220 214 65

HSL 57.68, 0.69%, 0.56%

LAB 83.8, -14.76, 70.13

 

CMYK 70 / 0 / 4 / 14

HEX #41DCD4

RGB 65 220 212

HSL 176.9, 0.69%, 0.56%

LAB 80.22, -41.1, -7.72

 

CMYK 4 / 70 / 0 / 14

HEX #D441DC

RGB 212 65 220

HSL 296.9, 0.69%, 0.56%

LAB 55.02, 74.62, -50.11

 

CMYK 0 / 3 / 70 / 14

HEX #DCD641

RGB 220 214 65

HSL 57.68, 0.69%, 0.56%

LAB 83.8, -14.76, 70.13

 

CMYK 70 / 0 / 60 / 14

HEX #41DC59

RGB 65 220 89

HSL 129.29, 0.69%, 0.56%

LAB 77.89, -65.89, 51.86

 

CMYK 70 / 67 / 0 / 14

HEX #4149DC

RGB 65 73 220

HSL 236.9, 0.69%, 0.56%

LAB 39.67, 44.37, -75.73

 

CMYK 0 / 70 / 10 / 14

HEX #DC41C5

RGB 220 65 197

HSL 308.9, 0.69%, 0.56%

LAB 55.1, 72.8, -36.77

 

CMYK 0 / 3 / 70 / 14

HEX #DCD641

RGB 220 214 65

HSL 57.68, 0.69%, 0.56%

LAB 83.8, -14.76, 70.13

 

CMYK 70 / 0 / 39 / 14

HEX #41DC87

RGB 65 220 135

HSL 147.1, 0.69%, 0.56%

LAB 78.5, -58.95, 30.42

 

CMYK 70 / 67 / 0 / 14

HEX #4149DC

RGB 65 73 220

HSL 236.9, 0.69%, 0.56%

LAB 39.67, 44.37, -75.73

 

CMYK 0 / 70 / 31 / 14

HEX #DC4197

RGB 220 65 151

HSL 326.71, 0.69%, 0.56%

LAB 53.2, 66.77, -12.86

 

Description

Color code: HEX #DCD641 | qconv.com Color code: HEX #DCD641 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 214 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 214 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 70 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 70% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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