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Color name
HEX #DCD021

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCD021 it is the complementary color #232FDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCD021. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCD021 shade: #E1D01C, #F2E22F, #FFF442, #FFFF55 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCD021. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCD021 shade: #DCD021, #CBBE0E, #BAAC00, #A99A00 and #988800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCD021 shade: #DED221, #DE9F21, #DE6C21, #DE3921 and #DE2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCD021 shade: #DED221, #B7DE21, #84DE21, #51DE21 and #21DE24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCD021 shade matches the following richer shades: #DED221 and #F2E40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCD021 shade: #DED221, #C9C036, #B5AE4A, #A09C5F and #8B8A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCD021 shade: #DE6D21, #DE9F21, #DED121, #B8DE21 and #86DE21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCD021 shade: #968E16, #BAB01C, #DED221, #E3D945 and #E9E069

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCD021 shade: #DCD021, #21DE3A and #8621DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCD021 shade: #DCD021, #21DED1 and #D121DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCD021 shade: #DCD021, #21DE3A, #212EDE and #DE21C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCD021 shade: #DCD021, #21DE73, #212EDE and #DE218C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 85 / 14

HEX #DCD021

RGB 220 208 33

HSL 56.15, 0.74%, 0.5%

LAB 82.08, -12.9, 77.83

 

Complementary color

CMYK 84 / 79 / 0 / 13

HEX #232FDE

RGB 35 47 222

HSL 236.15, 0.74%, 0.5%

LAB 33.27, 57.18, -87.5

 

CMYK 0 / 8 / 88 / 12

HEX #E1D01C

RGB 225 208 28

HSL 54.82, 0.78%, 0.5%

LAB 82.49, -10.87, 79.34

 

CMYK 0 / 7 / 81 / 5

HEX #F2E22F

RGB 242 226 47

HSL 55.08, 0.88%, 0.57%

LAB 88.67, -12.19, 80.79

 

CMYK 0 / 4 / 74 / 0

HEX #FFF442

RGB 255 244 66

HSL 56.51, 1%, 0.63%

LAB 94.46, -14.98, 80.91

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 5 / 85 / 14

HEX #DCD021

RGB 220 208 33

HSL 56.15, 0.74%, 0.5%

LAB 82.08, -12.9, 77.83

 

CMYK 0 / 6 / 93 / 20

HEX #CBBE0E

RGB 203 190 14

HSL 55.87, 0.87%, 0.43%

LAB 75.8, -11.47, 75.53

 

CMYK 0 / 8 / 100 / 27

HEX #BAAC00

RGB 186 172 0

HSL 55.48, 1%, 0.36%

LAB 69.43, -9.84, 71.76

 

CMYK 0 / 9 / 100 / 34

HEX #A99A00

RGB 169 154 0

HSL 54.67, 1%, 0.33%

LAB 62.97, -8, 66.4

 

CMYK 0 / 11 / 100 / 40

HEX #988800

RGB 152 136 0

HSL 53.68, 1%, 0.3%

LAB 56.37, -6.1, 60.94

 

CMYK 0 / 5 / 85 / 13

HEX #DED221

RGB 222 210 33

HSL 56.19, 0.74%, 0.5%

LAB 82.77, -13.04, 78.47

 

CMYK 0 / 28 / 85 / 13

HEX #DE9F21

RGB 222 159 33

HSL 40, 0.74%, 0.5%

LAB 69.78, 13.5, 67.82

 

CMYK 0 / 51 / 85 / 13

HEX #DE6C21

RGB 222 108 33

HSL 23.81, 0.74%, 0.5%

LAB 58.38, 40.35, 58.37

 

CMYK 0 / 74 / 85 / 13

HEX #DE3921

RGB 222 57 33

HSL 7.62, 0.74%, 0.5%

LAB 50.18, 62.1, 51.47

 

CMYK 0 / 85 / 85 / 13

HEX #DE2121

RGB 222 33 33

HSL 0, 0.74%, 0.5%

LAB 47.91, 68.47, 49.55

 

CMYK 0 / 5 / 85 / 13

HEX #DED221

RGB 222 210 33

HSL 56.19, 0.74%, 0.5%

LAB 82.77, -13.04, 78.47

 

CMYK 18 / 0 / 85 / 13

HEX #B7DE21

RGB 183 222 33

HSL 72.38, 0.74%, 0.5%

LAB 83.14, -34.96, 77.59

 

CMYK 41 / 0 / 85 / 13

HEX #84DE21

RGB 132 222 33

HSL 88.57, 0.74%, 0.5%

LAB 80.32, -53.72, 74.08

 

CMYK 64 / 0 / 85 / 13

HEX #51DE21

RGB 81 222 33

HSL 104.76, 0.74%, 0.5%

LAB 78.52, -67.79, 71.8

 

CMYK 85 / 0 / 84 / 13

HEX #21DE24

RGB 33 222 36

HSL 120.95, 0.74%, 0.5%

LAB 77.69, -74.9, 70.08

 

CMYK 0 / 5 / 85 / 13

HEX #DED221

RGB 222 210 33

HSL 56.19, 0.74%, 0.5%

LAB 82.77, -13.04, 78.47

 

CMYK 0 / 6 / 95 / 5

HEX #F2E40D

RGB 242 228 13

HSL 56.33, 0.9%, 0.5%

LAB 89.11, -13.82, 87.11

 

CMYK 0 / 5 / 85 / 13

HEX #DED221

RGB 222 210 33

HSL 56.19, 0.74%, 0.5%

LAB 82.77, -13.04, 78.47

 

CMYK 0 / 4 / 73 / 21

HEX #C9C036

RGB 201 192 54

HSL 56.33, 0.58%, 0.5%

LAB 76.3, -12.24, 66.23

 

CMYK 0 / 4 / 59 / 29

HEX #B5AE4A

RGB 181 174 74

HSL 56.07, 0.42%, 0.5%

LAB 69.89, -10.37, 51.02

 

CMYK 0 / 2 / 41 / 37

HEX #A09C5F

RGB 160 156 95

HSL 56.31, 0.25%, 0.5%

LAB 63.41, -7.8, 32.44

 

CMYK 0 / 1 / 17 / 45

HEX #8B8A74

RGB 139 138 116

HSL 57.39, 0.09%, 0.5%

LAB 57, -3.6, 11.94

 

CMYK 0 / 51 / 85 / 13

HEX #DE6D21

RGB 222 109 33

HSL 24.13, 0.74%, 0.5%

LAB 58.58, 39.85, 58.54

 

CMYK 0 / 28 / 85 / 13

HEX #DE9F21

RGB 222 159 33

HSL 40, 0.74%, 0.5%

LAB 69.78, 13.5, 67.82

 

CMYK 0 / 6 / 85 / 13

HEX #DED121

RGB 222 209 33

HSL 55.87, 0.74%, 0.5%

LAB 82.51, -12.54, 78.26

 

CMYK 17 / 0 / 85 / 13

HEX #B8DE21

RGB 184 222 33

HSL 72.06, 0.74%, 0.5%

LAB 83.2, -34.56, 77.67

 

CMYK 40 / 0 / 85 / 13

HEX #86DE21

RGB 134 222 33

HSL 87.94, 0.74%, 0.5%

LAB 80.42, -53.06, 74.19

 

CMYK 0 / 5 / 85 / 41

HEX #968E16

RGB 150 142 22

HSL 56.25, 0.74%, 0.34%

LAB 57.93, -9.84, 57.93

 

CMYK 0 / 5 / 85 / 27

HEX #BAB01C

RGB 186 176 28

HSL 56.2, 0.74%, 0.42%

LAB 70.58, -11.46, 68.29

 

CMYK 0 / 5 / 85 / 13

HEX #DED221

RGB 222 210 33

HSL 56.19, 0.74%, 0.5%

LAB 82.77, -13.04, 78.47

 

CMYK 0 / 4 / 70 / 11

HEX #E3D945

RGB 227 217 69

HSL 56.2, 0.74%, 0.58%

LAB 85.19, -13.14, 70.24

 

CMYK 0 / 4 / 55 / 9

HEX #E9E069

RGB 233 224 105

HSL 55.78, 0.74%, 0.66%

LAB 87.8, -11.91, 58.35

 

CMYK 0 / 5 / 85 / 14

HEX #DCD021

RGB 220 208 33

HSL 56.15, 0.74%, 0.5%

LAB 82.08, -12.9, 77.83

 

CMYK 85 / 0 / 74 / 13

HEX #21DE3A

RGB 33 222 58

HSL 127.94, 0.74%, 0.5%

LAB 77.8, -73.56, 63.85

 

CMYK 40 / 85 / 0 / 13

HEX #8621DE

RGB 134 33 222

HSL 272.06, 0.74%, 0.5%

LAB 40.3, 71.43, -75.61

 

CMYK 0 / 5 / 85 / 14

HEX #DCD021

RGB 220 208 33

HSL 56.15, 0.74%, 0.5%

LAB 82.08, -12.9, 77.83

 

CMYK 85 / 0 / 6 / 13

HEX #21DED1

RGB 33 222 209

HSL 175.87, 0.74%, 0.5%

LAB 80.27, -45.81, -6.08

 

CMYK 6 / 85 / 0 / 13

HEX #D121DE

RGB 209 33 222

HSL 295.87, 0.74%, 0.5%

LAB 51.74, 82.77, -56.5

 

CMYK 0 / 5 / 85 / 14

HEX #DCD021

RGB 220 208 33

HSL 56.15, 0.74%, 0.5%

LAB 82.08, -12.9, 77.83

 

CMYK 85 / 0 / 74 / 13

HEX #21DE3A

RGB 33 222 58

HSL 127.94, 0.74%, 0.5%

LAB 77.8, -73.56, 63.85

 

CMYK 85 / 79 / 0 / 13

HEX #212EDE

RGB 33 46 222

HSL 235.87, 0.74%, 0.5%

LAB 33.03, 57.59, -87.9

 

CMYK 0 / 85 / 11 / 13

HEX #DE21C5

RGB 222 33 197

HSL 307.94, 0.74%, 0.5%

LAB 52.56, 81.48, -40.74

 

CMYK 0 / 5 / 85 / 14

HEX #DCD021

RGB 220 208 33

HSL 56.15, 0.74%, 0.5%

LAB 82.08, -12.9, 77.83

 

CMYK 85 / 0 / 48 / 13

HEX #21DE73

RGB 33 222 115

HSL 146.03, 0.74%, 0.5%

LAB 78.35, -66.83, 40.15

 

CMYK 85 / 79 / 0 / 13

HEX #212EDE

RGB 33 46 222

HSL 235.87, 0.74%, 0.5%

LAB 33.03, 57.59, -87.9

 

CMYK 0 / 85 / 37 / 13

HEX #DE218C

RGB 222 33 140

HSL 326.03, 0.74%, 0.5%

LAB 50.11, 74.79, -10.92

 

Description

Color code: HEX #DCD021 | qconv.com Color code: HEX #DCD021 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 208 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 208 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 85 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 85% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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