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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCCF2E it is the complementary color #2330D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCCF2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCCF2E shade: #E1CF29, #F2E13C, #FFF34F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCCF2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCCF2E shade: #DCCF2E, #CBBD1B, #BAAB08, #A99900 and #988700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCCF2E shade: #DCCF2E, #DCA02E, #DC712E, #DC422E and #DC2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCCF2E shade: #DCCF2E, #BADC2E, #8BDC2E, #5CDC2E and #2EDC2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCCF2E shade matches the following richer shades: #DCCF2E and #EFDF1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCCF2E shade: #DCCF2E, #C8BE42, #B4AD55, #A09C69 and #8C8B7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCCF2E shade: #DC702E, #DC9F2E, #DCCD2E, #BCDC2E and #8DDC2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCCF2E shade: #9C931A, #BFB420, #DCCF2E, #E1D751 and #E7DF74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCCF2E shade: #DCCF2E, #2EDC42 and #872EDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCCF2E shade: #DCCF2E, #2EDCCD and #CD2EDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCCF2E shade: #DCCF2E, #2EDC42, #2E3CDC and #DC2EC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCCF2E shade: #DCCF2E, #2EDC76, #2E3CDC and #DC2E93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 79 / 14

HEX #DCCF2E

RGB 220 207 46

HSL 55.52, 0.71%, 0.52%

LAB 81.86, -12.03, 74.42

 

Complementary color

CMYK 83 / 77 / 0 / 18

HEX #2330D1

RGB 35 48 209

HSL 235.52, 0.71%, 0.48%

LAB 31.98, 52.52, -82.15

 

CMYK 0 / 8 / 82 / 12

HEX #E1CF29

RGB 225 207 41

HSL 54.13, 0.75%, 0.52%

LAB 82.27, -10.05, 76.28

 

CMYK 0 / 7 / 75 / 5

HEX #F2E13C

RGB 242 225 60

HSL 54.4, 0.88%, 0.59%

LAB 88.47, -11.25, 76.87

 

CMYK 0 / 5 / 69 / 0

HEX #FFF34F

RGB 255 243 79

HSL 55.91, 1%, 0.65%

LAB 94.28, -13.92, 76.36

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 6 / 79 / 14

HEX #DCCF2E

RGB 220 207 46

HSL 55.52, 0.71%, 0.52%

LAB 81.86, -12.03, 74.42

 

CMYK 0 / 7 / 87 / 20

HEX #CBBD1B

RGB 203 189 27

HSL 55.23, 0.77%, 0.45%

LAB 75.56, -10.74, 73.19

 

CMYK 0 / 8 / 96 / 27

HEX #BAAB08

RGB 186 171 8

HSL 54.94, 0.92%, 0.38%

LAB 69.17, -9.23, 70.6

 

CMYK 0 / 9 / 100 / 34

HEX #A99900

RGB 169 153 0

HSL 54.32, 1%, 0.33%

LAB 62.69, -7.47, 66.21

 

CMYK 0 / 11 / 100 / 40

HEX #988700

RGB 152 135 0

HSL 53.29, 1%, 0.3%

LAB 56.09, -5.55, 60.74

 

CMYK 0 / 6 / 79 / 14

HEX #DCCF2E

RGB 220 207 46

HSL 55.52, 0.71%, 0.52%

LAB 81.86, -12.03, 74.42

 

CMYK 0 / 27 / 79 / 14

HEX #DCA02E

RGB 220 160 46

HSL 39.31, 0.71%, 0.52%

LAB 69.86, 12.48, 63.69

 

CMYK 0 / 49 / 79 / 14

HEX #DC712E

RGB 220 113 46

HSL 23.1, 0.71%, 0.52%

LAB 59.18, 37.42, 53.74

 

CMYK 0 / 70 / 79 / 14

HEX #DC422E

RGB 220 66 46

HSL 6.9, 0.71%, 0.52%

LAB 51.05, 58.68, 45.8

 

CMYK 0 / 79 / 79 / 14

HEX #DC2E2E

RGB 220 46 46

HSL 0, 0.71%, 0.52%

LAB 48.72, 65.16, 43.46

 

CMYK 0 / 6 / 79 / 14

HEX #DCCF2E

RGB 220 207 46

HSL 55.52, 0.71%, 0.52%

LAB 81.86, -12.03, 74.42

 

CMYK 15 / 0 / 79 / 14

HEX #BADC2E

RGB 186 220 46

HSL 71.72, 0.71%, 0.52%

LAB 82.82, -32.43, 74.29

 

CMYK 37 / 0 / 79 / 14

HEX #8BDC2E

RGB 139 220 46

HSL 87.93, 0.71%, 0.52%

LAB 80.11, -50.05, 70.82

 

CMYK 58 / 0 / 79 / 14

HEX #5CDC2E

RGB 92 220 46

HSL 104.14, 0.71%, 0.52%

LAB 78.26, -63.99, 68.44

 

CMYK 79 / 0 / 79 / 14

HEX #2EDC2E

RGB 46 220 46

HSL 120, 0.71%, 0.52%

LAB 77.26, -72.43, 67.14

 

CMYK 0 / 6 / 79 / 14

HEX #DCCF2E

RGB 220 207 46

HSL 55.52, 0.71%, 0.52%

LAB 81.86, -12.03, 74.42

 

CMYK 0 / 7 / 89 / 6

HEX #EFDF1A

RGB 239 223 26

HSL 55.49, 0.87%, 0.52%

LAB 87.58, -12.45, 84.21

 

CMYK 0 / 6 / 79 / 14

HEX #DCCF2E

RGB 220 207 46

HSL 55.52, 0.71%, 0.52%

LAB 81.86, -12.03, 74.42

 

CMYK 0 / 5 / 67 / 22

HEX #C8BE42

RGB 200 190 66

HSL 55.52, 0.55%, 0.52%

LAB 75.76, -11.04, 61.19

 

CMYK 0 / 4 / 53 / 29

HEX #B4AD55

RGB 180 173 85

HSL 55.58, 0.39%, 0.52%

LAB 69.64, -9.4, 45.54

 

CMYK 0 / 2 / 34 / 37

HEX #A09C69

RGB 160 156 105

HSL 55.64, 0.22%, 0.52%

LAB 63.57, -6.6, 27.28

 

CMYK 0 / 1 / 11 / 45

HEX #8C8B7D

RGB 140 139 125

HSL 56, 0.06%, 0.52%

LAB 57.58, -2.23, 7.62

 

CMYK 0 / 49 / 79 / 14

HEX #DC702E

RGB 220 112 46

HSL 22.76, 0.71%, 0.52%

LAB 58.98, 37.93, 53.55

 

CMYK 0 / 28 / 79 / 14

HEX #DC9F2E

RGB 220 159 46

HSL 38.97, 0.71%, 0.52%

LAB 69.62, 13.02, 63.47

 

CMYK 0 / 7 / 79 / 14

HEX #DCCD2E

RGB 220 205 46

HSL 54.83, 0.71%, 0.52%

LAB 81.33, -11.02, 73.95

 

CMYK 15 / 0 / 79 / 14

HEX #BCDC2E

RGB 188 220 46

HSL 71.03, 0.71%, 0.52%

LAB 82.95, -31.63, 74.46

 

CMYK 36 / 0 / 79 / 14

HEX #8DDC2E

RGB 141 220 46

HSL 87.24, 0.71%, 0.52%

LAB 80.21, -49.36, 70.95

 

CMYK 0 / 6 / 83 / 39

HEX #9C931A

RGB 156 147 26

HSL 55.85, 0.71%, 0.36%

LAB 59.9, -9.67, 58.76

 

CMYK 0 / 6 / 83 / 25

HEX #BFB420

RGB 191 180 32

HSL 55.85, 0.71%, 0.44%

LAB 72.11, -11.22, 68.78

 

CMYK 0 / 6 / 79 / 14

HEX #DCCF2E

RGB 220 207 46

HSL 55.52, 0.71%, 0.52%

LAB 81.86, -12.03, 74.42

 

CMYK 0 / 4 / 64 / 12

HEX #E1D751

RGB 225 215 81

HSL 55.83, 0.71%, 0.6%

LAB 84.59, -12.32, 64.95

 

CMYK 0 / 3 / 50 / 9

HEX #E7DF74

RGB 231 223 116

HSL 55.83, 0.71%, 0.68%

LAB 87.5, -11.33, 52.89

 

CMYK 0 / 6 / 79 / 14

HEX #DCCF2E

RGB 220 207 46

HSL 55.52, 0.71%, 0.52%

LAB 81.86, -12.03, 74.42

 

CMYK 79 / 0 / 70 / 14

HEX #2EDC42

RGB 46 220 66

HSL 126.9, 0.71%, 0.52%

LAB 77.38, -70.97, 60.62

 

CMYK 39 / 79 / 0 / 14

HEX #872EDC

RGB 135 46 220

HSL 270.69, 0.71%, 0.52%

LAB 41.65, 67.06, -72.25

 

CMYK 0 / 6 / 79 / 14

HEX #DCCF2E

RGB 220 207 46

HSL 55.52, 0.71%, 0.52%

LAB 81.86, -12.03, 74.42

 

CMYK 79 / 0 / 7 / 14

HEX #2EDCCD

RGB 46 220 205

HSL 174.83, 0.71%, 0.52%

LAB 79.71, -45.06, -4.76

 

CMYK 7 / 79 / 0 / 14

HEX #CD2EDC

RGB 205 46 220

HSL 294.83, 0.71%, 0.52%

LAB 51.95, 78.88, -55.07

 

CMYK 0 / 6 / 79 / 14

HEX #DCCF2E

RGB 220 207 46

HSL 55.52, 0.71%, 0.52%

LAB 81.86, -12.03, 74.42

 

CMYK 79 / 0 / 70 / 14

HEX #2EDC42

RGB 46 220 66

HSL 126.9, 0.71%, 0.52%

LAB 77.38, -70.97, 60.62

 

CMYK 79 / 73 / 0 / 14

HEX #2E3CDC

RGB 46 60 220

HSL 235.17, 0.71%, 0.52%

LAB 35.95, 50.21, -81.91

 

CMYK 0 / 79 / 10 / 14

HEX #DC2EC7

RGB 220 46 199

HSL 307.24, 0.71%, 0.52%

LAB 53.27, 78.61, -40.8

 

CMYK 0 / 6 / 79 / 14

HEX #DCCF2E

RGB 220 207 46

HSL 55.52, 0.71%, 0.52%

LAB 81.86, -12.03, 74.42

 

CMYK 79 / 0 / 46 / 14

HEX #2EDC76

RGB 46 220 118

HSL 144.83, 0.71%, 0.52%

LAB 77.92, -64.43, 38.16

 

CMYK 79 / 73 / 0 / 14

HEX #2E3CDC

RGB 46 60 220

HSL 235.17, 0.71%, 0.52%

LAB 35.95, 50.21, -81.91

 

CMYK 0 / 79 / 33 / 14

HEX #DC2E93

RGB 220 46 147

HSL 325.17, 0.71%, 0.52%

LAB 51.01, 72.12, -13.79

 

Description

Color code: HEX #DCCF2E | qconv.com Color code: HEX #DCCF2E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 207 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 207 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 79 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 79% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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