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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCCE6B it is the complementary color #233194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCCE6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCCE6B shade: #E1CE66, #F2E079, #FFF28C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCCE6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCCE6B shade: #DCCE6B, #CBBC58, #BAAA45, #A99832 and #98861F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCCE6B shade: #DCCE6A, #DCAF6A, #DC916A, #DC726A and #DC6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCCE6B shade: #DCCE6A, #CCDC6A, #ADDC6A, #8EDC6A and #6FDC6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCCE6B shade matches the following richer shades: #DCCE6A, #EBD95B and #FAE44D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCCE6B shade: #DCCE6A, #CDC379, #BEB888, #B0AC97 and #A1A1A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCCE6B shade: #DC906A, #DCAF6A, #DCCD6A, #CDDC6A and #AFDC6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCCE6B shade: #C6B32E, #D4C349, #DCCE6A, #E4D98C and #ECE4AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCCE6B shade: #DCCE6B, #6ADC72 and #9F6ADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCCE6B shade: #DCCE6B, #6ADCCD and #CD6ADC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCCE6B shade: #DCCE6B, #6ADC72, #6A79DC and #DC6AD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCCE6B shade: #DCCE6B, #6ADC94, #6A79DC and #DC6AB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 51 / 14

HEX #DCCE6B

RGB 220 206 107

HSL 52.57, 0.62%, 0.64%

LAB 82.07, -7.97, 50.46

 

Complementary color

CMYK 76 / 67 / 0 / 42

HEX #233194

RGB 35 49 148

HSL 232.57, 0.62%, 0.36%

LAB 25.84, 30.6, -55.87

 

CMYK 0 / 8 / 55 / 12

HEX #E1CE66

RGB 225 206 102

HSL 50.73, 0.67%, 0.64%

LAB 82.44, -6.33, 53.37

 

CMYK 0 / 7 / 50 / 5

HEX #F2E079

RGB 242 224 121

HSL 51.07, 0.82%, 0.71%

LAB 88.72, -6.99, 52.21

 

CMYK 0 / 5 / 45 / 0

HEX #FFF28C

RGB 255 242 140

HSL 53.22, 1%, 0.77%

LAB 94.59, -9.12, 50.56

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 6 / 51 / 14

HEX #DCCE6B

RGB 220 206 107

HSL 52.57, 0.62%, 0.64%

LAB 82.07, -7.97, 50.46

 

CMYK 0 / 7 / 57 / 20

HEX #CBBC58

RGB 203 188 88

HSL 52.17, 0.53%, 0.57%

LAB 75.68, -7.29, 51.61

 

CMYK 0 / 9 / 63 / 27

HEX #BAAA45

RGB 186 170 69

HSL 51.79, 0.46%, 0.5%

LAB 69.2, -6.48, 52.64

 

CMYK 0 / 10 / 70 / 34

HEX #A99832

RGB 169 152 50

HSL 51.43, 0.54%, 0.43%

LAB 62.61, -5.49, 53.4

 

CMYK 0 / 12 / 80 / 40

HEX #98861F

RGB 152 134 31

HSL 51.07, 0.66%, 0.36%

LAB 55.91, -4.27, 53.58

 

CMYK 0 / 6 / 52 / 14

HEX #DCCE6A

RGB 220 206 106

HSL 52.63, 0.62%, 0.64%

LAB 82.05, -8.05, 50.93

 

CMYK 0 / 20 / 52 / 14

HEX #DCAF6A

RGB 220 175 106

HSL 36.32, 0.62%, 0.64%

LAB 74.14, 8.12, 41.36

 

CMYK 0 / 34 / 52 / 14

HEX #DC916A

RGB 220 145 106

HSL 20.53, 0.62%, 0.64%

LAB 66.91, 24.22, 32.26

 

CMYK 0 / 48 / 52 / 14

HEX #DC726A

RGB 220 114 106

HSL 4.21, 0.62%, 0.64%

LAB 60.15, 40.54, 23.42

 

CMYK 0 / 52 / 52 / 14

HEX #DC6A6A

RGB 220 106 106

HSL 0, 0.62%, 0.64%

LAB 58.57, 44.55, 21.3

 

CMYK 0 / 6 / 52 / 14

HEX #DCCE6A

RGB 220 206 106

HSL 52.63, 0.62%, 0.64%

LAB 82.05, -8.05, 50.93

 

CMYK 7 / 0 / 52 / 14

HEX #CCDC6A

RGB 204 220 106

HSL 68.42, 0.62%, 0.64%

LAB 84.52, -21.47, 53.51

 

CMYK 21 / 0 / 52 / 14

HEX #ADDC6A

RGB 173 220 106

HSL 84.74, 0.62%, 0.64%

LAB 82.44, -33.37, 50.55

 

CMYK 35 / 0 / 52 / 14

HEX #8EDC6A

RGB 142 220 106

HSL 101.05, 0.62%, 0.64%

LAB 80.73, -44.27, 48.09

 

CMYK 50 / 0 / 52 / 14

HEX #6FDC6A

RGB 111 220 106

HSL 117.37, 0.62%, 0.64%

LAB 79.39, -53.63, 46.16

 

CMYK 0 / 6 / 52 / 14

HEX #DCCE6A

RGB 220 206 106

HSL 52.63, 0.62%, 0.64%

LAB 82.05, -8.05, 50.93

 

CMYK 0 / 8 / 61 / 8

HEX #EBD95B

RGB 235 217 91

HSL 52.5, 0.78%, 0.64%

LAB 86.03, -8.58, 62.57

 

CMYK 0 / 9 / 69 / 2

HEX #FAE44D

RGB 250 228 77

HSL 52.37, 0.95%, 0.64%

LAB 90.02, -8.68, 72.73

 

CMYK 0 / 6 / 52 / 14

HEX #DCCE6A

RGB 220 206 106

HSL 52.63, 0.62%, 0.64%

LAB 82.05, -8.05, 50.93

 

CMYK 0 / 5 / 41 / 20

HEX #CDC379

RGB 205 195 121

HSL 52.86, 0.46%, 0.64%

LAB 78.1, -7.06, 38.4

 

CMYK 0 / 3 / 28 / 25

HEX #BEB888

RGB 190 184 136

HSL 53.33, 0.29%, 0.64%

LAB 74.19, -5.47, 25.21

 

CMYK 0 / 2 / 14 / 31

HEX #B0AC97

RGB 176 172 151

HSL 50.4, 0.14%, 0.64%

LAB 70.15, -2.23, 11.32

 

CMYK 3 / 3 / 0 / 35

HEX #A1A1A6

RGB 161 161 166

HSL 240, 0.03%, 0.64%

LAB 66.38, 0.97, -2.6

 

CMYK 0 / 35 / 52 / 14

HEX #DC906A

RGB 220 144 106

HSL 20, 0.62%, 0.64%

LAB 66.67, 24.75, 31.96

 

CMYK 0 / 20 / 52 / 14

HEX #DCAF6A

RGB 220 175 106

HSL 36.32, 0.62%, 0.64%

LAB 74.14, 8.12, 41.36

 

CMYK 0 / 7 / 52 / 14

HEX #DCCD6A

RGB 220 205 106

HSL 52.11, 0.62%, 0.64%

LAB 81.79, -7.54, 50.62

 

CMYK 7 / 0 / 52 / 14

HEX #CDDC6A

RGB 205 220 106

HSL 67.89, 0.62%, 0.64%

LAB 84.59, -21.07, 53.62

 

CMYK 20 / 0 / 52 / 14

HEX #AFDC6A

RGB 175 220 106

HSL 83.68, 0.62%, 0.64%

LAB 82.56, -32.63, 50.72

 

CMYK 0 / 10 / 77 / 22

HEX #C6B32E

RGB 198 179 46

HSL 52.5, 0.62%, 0.48%

LAB 72.52, -7.18, 65.31

 

CMYK 0 / 8 / 66 / 17

HEX #D4C349

RGB 212 195 73

HSL 52.66, 0.62%, 0.56%

LAB 78.17, -8.11, 61.16

 

CMYK 0 / 6 / 52 / 14

HEX #DCCE6A

RGB 220 206 106

HSL 52.63, 0.62%, 0.64%

LAB 82.05, -8.05, 50.93

 

CMYK 0 / 5 / 39 / 11

HEX #E4D98C

RGB 228 217 140

HSL 52.5, 0.62%, 0.72%

LAB 86.01, -7.15, 39.28

 

CMYK 0 / 3 / 27 / 7

HEX #ECE4AD

RGB 236 228 173

HSL 52.38, 0.62%, 0.8%

LAB 90.02, -5.69, 27.88

 

CMYK 0 / 6 / 51 / 14

HEX #DCCE6B

RGB 220 206 107

HSL 52.57, 0.62%, 0.64%

LAB 82.07, -7.97, 50.46

 

CMYK 52 / 0 / 48 / 14

HEX #6ADC72

RGB 106 220 114

HSL 124.21, 0.62%, 0.64%

LAB 79.31, -53.89, 42.18

 

CMYK 28 / 52 / 0 / 14

HEX #9F6ADC

RGB 159 106 220

HSL 267.89, 0.62%, 0.64%

LAB 54.91, 43.51, -50.69

 

CMYK 0 / 6 / 51 / 14

HEX #DCCE6B

RGB 220 206 107

HSL 52.57, 0.62%, 0.64%

LAB 82.07, -7.97, 50.46

 

CMYK 52 / 0 / 7 / 14

HEX #6ADCCD

RGB 106 220 205

HSL 172.11, 0.62%, 0.64%

LAB 81.1, -36.04, -2.55

 

CMYK 7 / 52 / 0 / 14

HEX #CD6ADC

RGB 205 106 220

HSL 292.11, 0.62%, 0.64%

LAB 60.3, 55.71, -41.82

 

CMYK 0 / 6 / 51 / 14

HEX #DCCE6B

RGB 220 206 107

HSL 52.57, 0.62%, 0.64%

LAB 82.07, -7.97, 50.46

 

CMYK 52 / 0 / 48 / 14

HEX #6ADC72

RGB 106 220 114

HSL 124.21, 0.62%, 0.64%

LAB 79.31, -53.89, 42.18

 

CMYK 52 / 45 / 0 / 14

HEX #6A79DC

RGB 106 121 220

HSL 232.11, 0.62%, 0.64%

LAB 53.93, 21.91, -52.53

 

CMYK 0 / 52 / 3 / 14

HEX #DC6AD5

RGB 220 106 213

HSL 303.68, 0.62%, 0.64%

LAB 61.94, 58.56, -35.18

 

CMYK 0 / 6 / 51 / 14

HEX #DCCE6B

RGB 220 206 107

HSL 52.57, 0.62%, 0.64%

LAB 82.07, -7.97, 50.46

 

CMYK 52 / 0 / 33 / 14

HEX #6ADC94

RGB 106 220 148

HSL 142.11, 0.62%, 0.64%

LAB 79.83, -48.38, 25.72

 

CMYK 52 / 45 / 0 / 14

HEX #6A79DC

RGB 106 121 220

HSL 232.11, 0.62%, 0.64%

LAB 53.93, 21.91, -52.53

 

CMYK 0 / 52 / 19 / 14

HEX #DC6AB2

RGB 220 106 178

HSL 322.11, 0.62%, 0.64%

LAB 60.55, 53, -17.45

 

Description

Color code: HEX #DCCE6B | qconv.com Color code: HEX #DCCE6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 206 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 206 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 51 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 51% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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