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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCCC72 it is the complementary color #23338D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCCC72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCCC72 shade: #E1CC6D, #F2DE80, #FFF093, #FFFFA6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCCC72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCCC72 shade: #DCCC72, #CBBA5F, #BAA84C, #A99639 and #988426

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCCC72 shade: #DBCB70, #DBAE70, #DB9170, #DB7470 and #DB7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCCC72 shade: #DBCB70, #CFDB70, #B2DB70, #95DB70 and #78DB70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCCC72 shade matches the following richer shades: #DBCB70, #EAD562 and #F8DF53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCCC72 shade: #DBCB70, #CDC17F, #BEB78D, #B0AD9C and #A2A3AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCCC72 shade: #DB9070, #DBAD70, #DBC970, #D1DB70 and #B4DB70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCCC72 shade: #C7B132, #D3BF4F, #DBCB70, #E4D791 and #ECE3B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCCC72 shade: #DCCC72, #70DB74 and #9F70DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCCC72 shade: #DCCC72, #70DBC9 and #C970DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCCC72 shade: #DCCC72, #70DB74, #7082DB and #DB70D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCCC72 shade: #DCCC72, #70DB94, #7082DB and #DB70B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 48 / 14

HEX #DCCC72

RGB 220 204 114

HSL 50.94, 0.6%, 0.65%

LAB 81.63, -6.33, 46.56

 

Complementary color

CMYK 75 / 64 / 0 / 45

HEX #23338D

RGB 35 51 141

HSL 230.94, 0.6%, 0.35%

LAB 25.71, 26.61, -51.76

 

CMYK 0 / 9 / 52 / 12

HEX #E1CC6D

RGB 225 204 109

HSL 49.14, 0.66%, 0.65%

LAB 82, -4.74, 49.53

 

CMYK 0 / 8 / 47 / 5

HEX #F2DE80

RGB 242 222 128

HSL 49.47, 0.81%, 0.73%

LAB 88.29, -5.36, 48.33

 

CMYK 0 / 6 / 42 / 0

HEX #FFF093

RGB 255 240 147

HSL 51.67, 1%, 0.79%

LAB 94.18, -7.46, 46.66

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 7 / 48 / 14

HEX #DCCC72

RGB 220 204 114

HSL 50.94, 0.6%, 0.65%

LAB 81.63, -6.33, 46.56

 

CMYK 0 / 8 / 53 / 20

HEX #CBBA5F

RGB 203 186 95

HSL 50.56, 0.51%, 0.58%

LAB 75.23, -5.69, 47.76

 

CMYK 0 / 10 / 59 / 27

HEX #BAA84C

RGB 186 168 76

HSL 50.18, 0.44%, 0.51%

LAB 68.73, -4.93, 48.92

 

CMYK 0 / 11 / 66 / 34

HEX #A99639

RGB 169 150 57

HSL 49.82, 0.5%, 0.44%

LAB 62.12, -4, 49.92

 

CMYK 0 / 13 / 75 / 40

HEX #988426

RGB 152 132 38

HSL 49.47, 0.6%, 0.37%

LAB 55.4, -2.86, 50.54

 

CMYK 0 / 7 / 49 / 14

HEX #DBCB70

RGB 219 203 112

HSL 51.03, 0.6%, 0.65%

LAB 81.26, -6.4, 47.07

 

CMYK 0 / 21 / 49 / 14

HEX #DBAE70

RGB 219 174 112

HSL 34.77, 0.6%, 0.65%

LAB 73.87, 8.78, 37.92

 

CMYK 0 / 34 / 49 / 14

HEX #DB9170

RGB 219 145 112

HSL 18.5, 0.6%, 0.65%

LAB 66.89, 24.37, 28.95

 

CMYK 0 / 47 / 49 / 14

HEX #DB7470

RGB 219 116 112

HSL 2.24, 0.6%, 0.65%

LAB 60.53, 39.69, 20.49

 

CMYK 0 / 49 / 49 / 14

HEX #DB7070

RGB 219 112 112

HSL 0, 0.6%, 0.65%

LAB 59.72, 41.73, 19.39

 

CMYK 0 / 7 / 49 / 14

HEX #DBCB70

RGB 219 203 112

HSL 51.03, 0.6%, 0.65%

LAB 81.26, -6.4, 47.07

 

CMYK 5 / 0 / 49 / 14

HEX #CFDB70

RGB 207 219 112

HSL 66.73, 0.6%, 0.65%

LAB 84.53, -19.25, 50.79

 

CMYK 19 / 0 / 49 / 14

HEX #B2DB70

RGB 178 219 112

HSL 82.99, 0.6%, 0.65%

LAB 82.54, -30.43, 47.91

 

CMYK 32 / 0 / 49 / 14

HEX #95DB70

RGB 149 219 112

HSL 99.25, 0.6%, 0.65%

LAB 80.86, -40.8, 45.48

 

CMYK 45 / 0 / 49 / 14

HEX #78DB70

RGB 120 219 112

HSL 115.51, 0.6%, 0.65%

LAB 79.51, -49.93, 43.52

 

CMYK 0 / 7 / 49 / 14

HEX #DBCB70

RGB 219 203 112

HSL 51.03, 0.6%, 0.65%

LAB 81.26, -6.4, 47.07

 

CMYK 0 / 9 / 58 / 8

HEX #EAD562

RGB 234 213 98

HSL 50.74, 0.76%, 0.65%

LAB 84.98, -6.5, 58.31

 

CMYK 0 / 10 / 67 / 3

HEX #F8DF53

RGB 248 223 83

HSL 50.91, 0.92%, 0.65%

LAB 88.62, -6.7, 68.95

 

CMYK 0 / 7 / 49 / 14

HEX #DBCB70

RGB 219 203 112

HSL 51.03, 0.6%, 0.65%

LAB 81.26, -6.4, 47.07

 

CMYK 0 / 6 / 38 / 20

HEX #CDC17F

RGB 205 193 127

HSL 50.77, 0.44%, 0.65%

LAB 77.67, -5.36, 34.76

 

CMYK 0 / 4 / 26 / 25

HEX #BEB78D

RGB 190 183 141

HSL 51.43, 0.27%, 0.65%

LAB 74.02, -4.26, 22.3

 

CMYK 0 / 2 / 11 / 31

HEX #B0AD9C

RGB 176 173 156

HSL 51, 0.11%, 0.65%

LAB 70.54, -1.94, 9.11

 

CMYK 5 / 4 / 0 / 33

HEX #A2A3AA

RGB 162 163 170

HSL 232.5, 0.04%, 0.65%

LAB 67.11, 1.01, -3.75

 

CMYK 0 / 34 / 49 / 14

HEX #DB9070

RGB 219 144 112

HSL 17.94, 0.6%, 0.65%

LAB 66.65, 24.9, 28.64

 

CMYK 0 / 21 / 49 / 14

HEX #DBAD70

RGB 219 173 112

HSL 34.21, 0.6%, 0.65%

LAB 73.62, 9.32, 37.61

 

CMYK 0 / 8 / 49 / 14

HEX #DBC970

RGB 219 201 112

HSL 49.91, 0.6%, 0.65%

LAB 80.74, -5.38, 46.44

 

CMYK 5 / 0 / 49 / 14

HEX #D1DB70

RGB 209 219 112

HSL 65.61, 0.6%, 0.65%

LAB 84.68, -18.46, 51

 

CMYK 18 / 0 / 49 / 14

HEX #B4DB70

RGB 180 219 112

HSL 81.87, 0.6%, 0.65%

LAB 82.67, -29.68, 48.1

 

CMYK 0 / 11 / 75 / 22

HEX #C7B132

RGB 199 177 50

HSL 51.14, 0.6%, 0.49%

LAB 72.11, -5.54, 63.59

 

CMYK 0 / 9 / 63 / 17

HEX #D3BF4F

RGB 211 191 79

HSL 50.91, 0.6%, 0.57%

LAB 77.09, -6.11, 57.43

 

CMYK 0 / 7 / 49 / 14

HEX #DBCB70

RGB 219 203 112

HSL 51.03, 0.6%, 0.65%

LAB 81.26, -6.4, 47.07

 

CMYK 0 / 6 / 36 / 11

HEX #E4D791

RGB 228 215 145

HSL 50.6, 0.61%, 0.73%

LAB 85.57, -5.58, 36.18

 

CMYK 0 / 4 / 25 / 7

HEX #ECE3B2

RGB 236 227 178

HSL 50.69, 0.6%, 0.81%

LAB 89.85, -4.52, 25.09

 

CMYK 0 / 7 / 48 / 14

HEX #DCCC72

RGB 220 204 114

HSL 50.94, 0.6%, 0.65%

LAB 81.63, -6.33, 46.56

 

CMYK 49 / 0 / 47 / 14

HEX #70DB74

RGB 112 219 116

HSL 122.24, 0.6%, 0.65%

LAB 79.25, -51.63, 41.18

 

CMYK 27 / 49 / 0 / 14

HEX #9F70DB

RGB 159 112 219

HSL 266.36, 0.6%, 0.65%

LAB 56.16, 39.95, -48.14

 

CMYK 0 / 7 / 48 / 14

HEX #DCCC72

RGB 220 204 114

HSL 50.94, 0.6%, 0.65%

LAB 81.63, -6.33, 46.56

 

CMYK 49 / 0 / 8 / 14

HEX #70DBC9

RGB 112 219 201

HSL 169.91, 0.6%, 0.65%

LAB 80.92, -35.24, -0.67

 

CMYK 8 / 49 / 0 / 14

HEX #C970DB

RGB 201 112 219

HSL 289.91, 0.6%, 0.65%

LAB 60.89, 51.43, -40.37

 

CMYK 0 / 7 / 48 / 14

HEX #DCCC72

RGB 220 204 114

HSL 50.94, 0.6%, 0.65%

LAB 81.63, -6.33, 46.56

 

CMYK 49 / 0 / 47 / 14

HEX #70DB74

RGB 112 219 116

HSL 122.24, 0.6%, 0.65%

LAB 79.25, -51.63, 41.18

 

CMYK 49 / 41 / 0 / 14

HEX #7082DB

RGB 112 130 219

HSL 229.91, 0.6%, 0.65%

LAB 56.61, 17.53, -47.68

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 0 / 7 / 48 / 14

HEX #DCCC72

RGB 220 204 114

HSL 50.94, 0.6%, 0.65%

LAB 81.63, -6.33, 46.56

 

CMYK 49 / 0 / 32 / 14

HEX #70DB94

RGB 112 219 148

HSL 140.19, 0.6%, 0.65%

LAB 79.75, -46.47, 25.65

 

CMYK 49 / 41 / 0 / 14

HEX #7082DB

RGB 112 130 219

HSL 229.91, 0.6%, 0.65%

LAB 56.61, 17.53, -47.68

 

CMYK 0 / 49 / 16 / 14

HEX #DB70B8

RGB 219 112 184

HSL 319.63, 0.6%, 0.65%

LAB 61.75, 50.67, -19.07

 

Description

Color code: HEX #DCCC72 | qconv.com Color code: HEX #DCCC72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 204 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 204 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 48 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 48% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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