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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCCC70 it is the complementary color #23338F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCCC70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCCC70 shade: #E1CC6B, #F2DE7E, #FFF091, #FFFFA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCCC70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCCC70 shade: #DCCC70, #CBBA5D, #BAA84A, #A99637 and #988424

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCCC70 shade: #DCCC6F, #DCAF6F, #DC916F, #DC746F and #DC6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCCC70 shade: #DCCC6F, #CFDC6F, #B2DC6F, #94DC6F and #77DC6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCCC70 shade matches the following richer shades: #DCCC6F, #EBD661 and #F9E052

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCCC70 shade: #DCCC6F, #CEC27E, #BFB88C, #B1AE9B and #A2A3A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCCC70 shade: #DC926F, #DCAF6F, #DCCC6F, #CFDC6F and #B2DC6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCCC70 shade: #C8B231, #D4C04E, #DCCC6F, #E4D891 and #ECE4B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCCC70 shade: #DCCC70, #6FDC75 and #A06FDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCCC70 shade: #DCCC70, #6FDCCC and #CC6FDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCCC70 shade: #DCCC70, #6FDC75, #6F80DC and #DC6FD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCCC70 shade: #DCCC70, #6FDC95, #6F80DC and #DC6FB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 49 / 14

HEX #DCCC70

RGB 220 204 112

HSL 51.11, 0.61%, 0.65%

LAB 81.6, -6.51, 47.5

 

Complementary color

CMYK 76 / 64 / 0 / 44

HEX #23338F

RGB 35 51 143

HSL 231.11, 0.61%, 0.35%

LAB 25.89, 27.38, -52.71

 

CMYK 0 / 9 / 52 / 12

HEX #E1CC6B

RGB 225 204 107

HSL 49.32, 0.66%, 0.65%

LAB 81.98, -4.9, 50.46

 

CMYK 0 / 8 / 48 / 5

HEX #F2DE7E

RGB 242 222 126

HSL 49.66, 0.82%, 0.72%

LAB 88.27, -5.55, 49.27

 

CMYK 0 / 6 / 43 / 0

HEX #FFF091

RGB 255 240 145

HSL 51.82, 1%, 0.78%

LAB 94.15, -7.65, 47.6

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 7 / 49 / 14

HEX #DCCC70

RGB 220 204 112

HSL 51.11, 0.61%, 0.65%

LAB 81.6, -6.51, 47.5

 

CMYK 0 / 8 / 54 / 20

HEX #CBBA5D

RGB 203 186 93

HSL 50.73, 0.51%, 0.58%

LAB 75.2, -5.86, 48.7

 

CMYK 0 / 10 / 60 / 27

HEX #BAA84A

RGB 186 168 74

HSL 50.36, 0.45%, 0.51%

LAB 68.71, -5.07, 49.83

 

CMYK 0 / 11 / 67 / 34

HEX #A99637

RGB 169 150 55

HSL 50, 0.51%, 0.44%

LAB 62.1, -4.13, 50.78

 

CMYK 0 / 13 / 76 / 40

HEX #988424

RGB 152 132 36

HSL 49.66, 0.62%, 0.37%

LAB 55.39, -2.96, 51.3

 

CMYK 0 / 7 / 50 / 14

HEX #DCCC6F

RGB 220 204 111

HSL 51.19, 0.61%, 0.65%

LAB 81.59, -6.6, 47.98

 

CMYK 0 / 20 / 50 / 14

HEX #DCAF6F

RGB 220 175 111

HSL 35.23, 0.61%, 0.65%

LAB 74.2, 8.57, 38.88

 

CMYK 0 / 34 / 50 / 14

HEX #DC916F

RGB 220 145 111

HSL 18.72, 0.61%, 0.65%

LAB 66.99, 24.67, 29.65

 

CMYK 0 / 47 / 50 / 14

HEX #DC746F

RGB 220 116 111

HSL 2.75, 0.61%, 0.65%

LAB 60.65, 39.97, 21.24

 

CMYK 0 / 50 / 50 / 14

HEX #DC6F6F

RGB 220 111 111

HSL 0, 0.61%, 0.65%

LAB 59.65, 42.5, 19.88

 

CMYK 0 / 7 / 50 / 14

HEX #DCCC6F

RGB 220 204 111

HSL 51.19, 0.61%, 0.65%

LAB 81.59, -6.6, 47.98

 

CMYK 6 / 0 / 50 / 14

HEX #CFDC6F

RGB 207 220 111

HSL 67.16, 0.61%, 0.65%

LAB 84.79, -19.83, 51.57

 

CMYK 19 / 0 / 50 / 14

HEX #B2DC6F

RGB 178 220 111

HSL 83.12, 0.61%, 0.65%

LAB 82.81, -31, 48.71

 

CMYK 33 / 0 / 50 / 14

HEX #94DC6F

RGB 148 220 111

HSL 99.63, 0.61%, 0.65%

LAB 81.09, -41.69, 46.23

 

CMYK 46 / 0 / 50 / 14

HEX #77DC6F

RGB 119 220 111

HSL 115.6, 0.61%, 0.65%

LAB 79.76, -50.76, 44.3

 

CMYK 0 / 7 / 50 / 14

HEX #DCCC6F

RGB 220 204 111

HSL 51.19, 0.61%, 0.65%

LAB 81.59, -6.6, 47.98

 

CMYK 0 / 9 / 59 / 8

HEX #EBD661

RGB 235 214 97

HSL 50.87, 0.78%, 0.65%

LAB 85.31, -6.66, 59.16

 

CMYK 0 / 10 / 67 / 2

HEX #F9E052

RGB 249 224 82

HSL 51.02, 0.93%, 0.65%

LAB 88.95, -6.84, 69.71

 

CMYK 0 / 7 / 50 / 14

HEX #DCCC6F

RGB 220 204 111

HSL 51.19, 0.61%, 0.65%

LAB 81.59, -6.6, 47.98

 

CMYK 0 / 6 / 39 / 19

HEX #CEC27E

RGB 206 194 126

HSL 51, 0.45%, 0.65%

LAB 78, -5.59, 35.72

 

CMYK 0 / 4 / 27 / 25

HEX #BFB88C

RGB 191 184 140

HSL 51.76, 0.28%, 0.65%

LAB 74.35, -4.53, 23.3

 

CMYK 0 / 2 / 12 / 31

HEX #B1AE9B

RGB 177 174 155

HSL 51.82, 0.12%, 0.65%

LAB 70.86, -2.27, 10.13

 

CMYK 4 / 4 / 0 / 34

HEX #A2A3A9

RGB 162 163 169

HSL 231.43, 0.04%, 0.65%

LAB 67.08, 0.81, -3.23

 

CMYK 0 / 34 / 50 / 14

HEX #DC926F

RGB 220 146 111

HSL 19.27, 0.61%, 0.65%

LAB 67.22, 24.14, 29.95

 

CMYK 0 / 20 / 50 / 14

HEX #DCAF6F

RGB 220 175 111

HSL 35.23, 0.61%, 0.65%

LAB 74.2, 8.57, 38.88

 

CMYK 0 / 7 / 50 / 14

HEX #DCCC6F

RGB 220 204 111

HSL 51.19, 0.61%, 0.65%

LAB 81.59, -6.6, 47.98

 

CMYK 6 / 0 / 50 / 14

HEX #CFDC6F

RGB 207 220 111

HSL 67.16, 0.61%, 0.65%

LAB 84.79, -19.83, 51.57

 

CMYK 19 / 0 / 50 / 14

HEX #B2DC6F

RGB 178 220 111

HSL 83.12, 0.61%, 0.65%

LAB 82.81, -31, 48.71

 

CMYK 0 / 11 / 76 / 22

HEX #C8B231

RGB 200 178 49

HSL 51.26, 0.61%, 0.49%

LAB 72.46, -5.67, 64.3

 

CMYK 0 / 9 / 63 / 17

HEX #D4C04E

RGB 212 192 78

HSL 51.04, 0.61%, 0.57%

LAB 77.43, -6.27, 58.26

 

CMYK 0 / 7 / 50 / 14

HEX #DCCC6F

RGB 220 204 111

HSL 51.19, 0.61%, 0.65%

LAB 81.59, -6.6, 47.98

 

CMYK 0 / 5 / 36 / 11

HEX #E4D891

RGB 228 216 145

HSL 51.33, 0.61%, 0.73%

LAB 85.83, -6.09, 36.52

 

CMYK 0 / 3 / 25 / 7

HEX #ECE4B2

RGB 236 228 178

HSL 51.72, 0.6%, 0.81%

LAB 90.11, -5.03, 25.44

 

CMYK 0 / 7 / 49 / 14

HEX #DCCC70

RGB 220 204 112

HSL 51.11, 0.61%, 0.65%

LAB 81.6, -6.51, 47.5

 

CMYK 50 / 0 / 47 / 14

HEX #6FDC75

RGB 111 220 117

HSL 123.3, 0.61%, 0.65%

LAB 79.53, -52.16, 41.03

 

CMYK 27 / 50 / 0 / 14

HEX #A06FDC

RGB 160 111 220

HSL 266.97, 0.61%, 0.65%

LAB 56.1, 41.01, -48.8

 

CMYK 0 / 7 / 49 / 14

HEX #DCCC70

RGB 220 204 112

HSL 51.11, 0.61%, 0.65%

LAB 81.6, -6.51, 47.5

 

CMYK 50 / 0 / 7 / 14

HEX #6FDCCC

RGB 111 220 204

HSL 171.19, 0.61%, 0.65%

LAB 81.25, -35.2, -1.79

 

CMYK 7 / 50 / 0 / 14

HEX #CC6FDC

RGB 204 111 220

HSL 291.19, 0.61%, 0.65%

LAB 61.11, 52.96, -40.55

 

CMYK 0 / 7 / 49 / 14

HEX #DCCC70

RGB 220 204 112

HSL 51.11, 0.61%, 0.65%

LAB 81.6, -6.51, 47.5

 

CMYK 50 / 0 / 47 / 14

HEX #6FDC75

RGB 111 220 117

HSL 123.3, 0.61%, 0.65%

LAB 79.53, -52.16, 41.03

 

CMYK 50 / 42 / 0 / 14

HEX #6F80DC

RGB 111 128 220

HSL 230.64, 0.61%, 0.65%

LAB 56.07, 18.81, -49.09

 

CMYK 0 / 50 / 2 / 14

HEX #DC6FD7

RGB 220 111 215

HSL 302.75, 0.61%, 0.65%

LAB 62.92, 56.52, -34.77

 

CMYK 0 / 7 / 49 / 14

HEX #DCCC70

RGB 220 204 112

HSL 51.11, 0.61%, 0.65%

LAB 81.6, -6.51, 47.5

 

CMYK 50 / 0 / 32 / 14

HEX #6FDC95

RGB 111 220 149

HSL 140.92, 0.61%, 0.65%

LAB 80.03, -46.97, 25.5

 

CMYK 50 / 42 / 0 / 14

HEX #6F80DC

RGB 111 128 220

HSL 230.64, 0.61%, 0.65%

LAB 56.07, 18.81, -49.09

 

CMYK 0 / 50 / 17 / 14

HEX #DC6FB6

RGB 220 111 182

HSL 320.92, 0.61%, 0.65%

LAB 61.62, 51.17, -18.11

 

Description

Color code: HEX #DCCC70 | qconv.com Color code: HEX #DCCC70 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 204 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 204 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 49 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 49% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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