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Color name
HEX #DCCB2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCCB2A it is the complementary color #2334D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCCB2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCCB2A shade: #E1CB25, #F2DD38, #FFEF4B, #FFFF5E and #FFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCCB2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCCB2A shade: #DCCB2A, #CBB917, #BAA704, #A99500 and #988300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCCB2A shade: #DCCB28, #DC9A28, #DC6A28, #DC3928 and #DC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCCB2A shade: #DCCB28, #BDDC28, #8CDC28, #5CDC28 and #2BDC28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCCB2A shade matches the following richer shades: #DCCB28 and #F0DB14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCCB2A shade: #DCCB28, #C8BA3C, #B4AA51, #9F9A65 and #8B8979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCCB2A shade: #DC6A28, #DC9A28, #DCCA28, #BEDC28 and #8EDC28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCCB2A shade: #998D19, #BCAD1F, #DCCB28, #E2D34C and #E8DC6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCCB2A shade: #DCCB2A, #28DC3A and #8228DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCCB2A shade: #DCCB2A, #28DCCA and #CA28DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCCB2A shade: #DCCB2A, #28DC3A, #283ADC and #DC28CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCCB2A shade: #DCCB2A, #28DC70, #283ADC and #DC2894

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 81 / 14

HEX #DCCB2A

RGB 220 203 42

HSL 54.27, 0.72%, 0.51%

LAB 80.79, -10.14, 74.59

 

Complementary color

CMYK 84 / 76 / 0 / 16

HEX #2334D5

RGB 35 52 213

HSL 234.27, 0.72%, 0.49%

LAB 33.17, 51.67, -82.48

 

CMYK 0 / 10 / 84 / 12

HEX #E1CB25

RGB 225 203 37

HSL 52.98, 0.76%, 0.51%

LAB 81.21, -8.14, 76.39

 

CMYK 0 / 9 / 77 / 5

HEX #F2DD38

RGB 242 221 56

HSL 53.23, 0.88%, 0.58%

LAB 87.42, -9.41, 77.15

 

CMYK 0 / 6 / 71 / 0

HEX #FFEF4B

RGB 255 239 75

HSL 54.67, 1%, 0.65%

LAB 93.23, -12.15, 76.75

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 8 / 81 / 14

HEX #DCCB2A

RGB 220 203 42

HSL 54.27, 0.72%, 0.51%

LAB 80.79, -10.14, 74.59

 

CMYK 0 / 9 / 89 / 20

HEX #CBB917

RGB 203 185 23

HSL 54, 0.8%, 0.44%

LAB 74.48, -8.77, 73.12

 

CMYK 0 / 10 / 98 / 27

HEX #BAA704

RGB 186 167 4

HSL 53.74, 0.96%, 0.37%

LAB 68.08, -7.18, 70.29

 

CMYK 0 / 12 / 100 / 34

HEX #A99500

RGB 169 149 0

HSL 52.9, 1%, 0.33%

LAB 61.59, -5.33, 65.42

 

CMYK 0 / 14 / 100 / 40

HEX #988300

RGB 152 131 0

HSL 51.71, 1%, 0.3%

LAB 54.98, -3.35, 59.95

 

CMYK 0 / 8 / 82 / 14

HEX #DCCB28

RGB 220 203 40

HSL 54.33, 0.72%, 0.51%

LAB 80.78, -10.2, 75.1

 

CMYK 0 / 30 / 82 / 14

HEX #DC9A28

RGB 220 154 40

HSL 38, 0.72%, 0.51%

LAB 68.37, 15.5, 64.41

 

CMYK 0 / 52 / 82 / 14

HEX #DC6A28

RGB 220 106 40

HSL 22, 0.72%, 0.51%

LAB 57.73, 40.76, 54.95

 

CMYK 0 / 74 / 82 / 14

HEX #DC3928

RGB 220 57 40

HSL 5.67, 0.72%, 0.51%

LAB 49.85, 61.66, 47.69

 

CMYK 0 / 82 / 82 / 14

HEX #DC2828

RGB 220 40 40

HSL 0, 0.72%, 0.51%

LAB 48.12, 66.53, 46.05

 

CMYK 0 / 8 / 82 / 14

HEX #DCCB28

RGB 220 203 40

HSL 54.33, 0.72%, 0.51%

LAB 80.78, -10.2, 75.1

 

CMYK 14 / 0 / 82 / 14

HEX #BDDC28

RGB 189 220 40

HSL 70.33, 0.72%, 0.51%

LAB 83, -31.43, 76.06

 

CMYK 36 / 0 / 82 / 14

HEX #8CDC28

RGB 140 220 40

HSL 86.67, 0.72%, 0.51%

LAB 80.13, -49.97, 72.44

 

CMYK 58 / 0 / 82 / 14

HEX #5CDC28

RGB 92 220 40

HSL 102.67, 0.72%, 0.51%

LAB 78.24, -64.29, 70.03

 

CMYK 80 / 0 / 82 / 14

HEX #2BDC28

RGB 43 220 40

HSL 119, 0.72%, 0.51%

LAB 77.19, -73.12, 68.69

 

CMYK 0 / 8 / 82 / 14

HEX #DCCB28

RGB 220 203 40

HSL 54.33, 0.72%, 0.51%

LAB 80.78, -10.2, 75.1

 

CMYK 0 / 9 / 92 / 6

HEX #F0DB14

RGB 240 219 20

HSL 54.27, 0.88%, 0.51%

LAB 86.62, -10.13, 84.38

 

CMYK 0 / 8 / 82 / 14

HEX #DCCB28

RGB 220 203 40

HSL 54.33, 0.72%, 0.51%

LAB 80.78, -10.2, 75.1

 

CMYK 0 / 7 / 70 / 22

HEX #C8BA3C

RGB 200 186 60

HSL 54, 0.56%, 0.51%

LAB 74.65, -9.31, 62.41

 

CMYK 0 / 6 / 55 / 29

HEX #B4AA51

RGB 180 170 81

HSL 53.94, 0.4%, 0.51%

LAB 68.79, -8.16, 46.47

 

CMYK 0 / 3 / 36 / 38

HEX #9F9A65

RGB 159 154 101

HSL 54.83, 0.23%, 0.51%

LAB 62.86, -6.43, 28.51

 

CMYK 0 / 1 / 13 / 45

HEX #8B8979

RGB 139 137 121

HSL 53.33, 0.07%, 0.51%

LAB 56.84, -2.19, 8.85

 

CMYK 0 / 52 / 82 / 14

HEX #DC6A28

RGB 220 106 40

HSL 22, 0.72%, 0.51%

LAB 57.73, 40.76, 54.95

 

CMYK 0 / 30 / 82 / 14

HEX #DC9A28

RGB 220 154 40

HSL 38, 0.72%, 0.51%

LAB 68.37, 15.5, 64.41

 

CMYK 0 / 8 / 82 / 14

HEX #DCCA28

RGB 220 202 40

HSL 54, 0.72%, 0.51%

LAB 80.52, -9.69, 74.88

 

CMYK 14 / 0 / 82 / 14

HEX #BEDC28

RGB 190 220 40

HSL 70, 0.72%, 0.51%

LAB 83.07, -31.03, 76.15

 

CMYK 35 / 0 / 82 / 14

HEX #8EDC28

RGB 142 220 40

HSL 86, 0.72%, 0.51%

LAB 80.23, -49.27, 72.57

 

CMYK 0 / 8 / 84 / 40

HEX #998D19

RGB 153 141 25

HSL 54.38, 0.72%, 0.35%

LAB 57.93, -7.84, 57.25

 

CMYK 0 / 8 / 84 / 26

HEX #BCAD1F

RGB 188 173 31

HSL 54.27, 0.72%, 0.43%

LAB 69.95, -8.94, 67.11

 

CMYK 0 / 8 / 82 / 14

HEX #DCCB28

RGB 220 203 40

HSL 54.33, 0.72%, 0.51%

LAB 80.78, -10.2, 75.1

 

CMYK 0 / 7 / 66 / 11

HEX #E2D34C

RGB 226 211 76

HSL 54, 0.72%, 0.59%

LAB 83.59, -10.19, 65.94

 

CMYK 0 / 5 / 52 / 9

HEX #E8DC6F

RGB 232 220 111

HSL 54.05, 0.72%, 0.67%

LAB 86.75, -9.84, 54.36

 

CMYK 0 / 8 / 81 / 14

HEX #DCCB2A

RGB 220 203 42

HSL 54.27, 0.72%, 0.51%

LAB 80.79, -10.14, 74.59

 

CMYK 82 / 0 / 74 / 14

HEX #28DC3A

RGB 40 220 58

HSL 126, 0.72%, 0.51%

LAB 77.25, -72.3, 63.32

 

CMYK 41 / 82 / 0 / 14

HEX #8228DC

RGB 130 40 220

HSL 270, 0.72%, 0.51%

LAB 40.3, 68.39, -74.48

 

CMYK 0 / 8 / 81 / 14

HEX #DCCB2A

RGB 220 203 42

HSL 54.27, 0.72%, 0.51%

LAB 80.79, -10.14, 74.59

 

CMYK 82 / 0 / 8 / 14

HEX #28DCCA

RGB 40 220 202

HSL 174, 0.72%, 0.51%

LAB 79.56, -46.38, -3.4

 

CMYK 8 / 82 / 0 / 14

HEX #CA28DC

RGB 202 40 220

HSL 294, 0.72%, 0.51%

LAB 50.97, 79.8, -56.67

 

CMYK 0 / 8 / 81 / 14

HEX #DCCB2A

RGB 220 203 42

HSL 54.27, 0.72%, 0.51%

LAB 80.79, -10.14, 74.59

 

CMYK 82 / 0 / 74 / 14

HEX #28DC3A

RGB 40 220 58

HSL 126, 0.72%, 0.51%

LAB 77.25, -72.3, 63.32

 

CMYK 82 / 74 / 0 / 14

HEX #283ADC

RGB 40 58 220

HSL 234, 0.72%, 0.51%

LAB 35.29, 50.95, -83

 

CMYK 0 / 82 / 8 / 14

HEX #DC28CA

RGB 220 40 202

HSL 306, 0.72%, 0.51%

LAB 52.95, 80.41, -43.04

 

CMYK 0 / 8 / 81 / 14

HEX #DCCB2A

RGB 220 203 42

HSL 54.27, 0.72%, 0.51%

LAB 80.79, -10.14, 74.59

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 82 / 74 / 0 / 14

HEX #283ADC

RGB 40 58 220

HSL 234, 0.72%, 0.51%

LAB 35.29, 50.95, -83

 

CMYK 0 / 82 / 33 / 14

HEX #DC2894

RGB 220 40 148

HSL 324, 0.72%, 0.51%

LAB 50.54, 73.69, -15.11

 

Description

Color code: HEX #DCCB2A | qconv.com Color code: HEX #DCCB2A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 203 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 203 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 81 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 81% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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