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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCC5E5 it is the complementary color #233A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCC5E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCC5E5 shade: #E1C5E0, #F2D7F3, #FFE9FF and #FFFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCC5E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCC5E5 shade: #DCC5E5, #CBB3D2, #BAA1BF, #A98FAC and #987D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCC5E5 shade: #DCC6E5, #E5C6E5, #E5C6DD, #E5C6D5 and #E5C6CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCC5E5 shade: #DCC6E5, #D4C6E5, #CCC6E5 and #C6C6E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCC5E5 shade matches the following richer shades: #DCC6E5, #DFC0EC, #E2B9F2 and #E5B2F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCC5E5 shade: #DCC6E5, #DACDDF, #D7D3D8, #D4DAD1 and #D1E1CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCC5E5 shade: #CCC6E5, #D4C6E5, #DCC6E5, #E5C6E5 and #E5C6DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCC5E5 shade: #BA8DCC, #CBAAD8, #DCC6E5 and #EEE3F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCC5E5 shade: #DCC5E5, #E5C6C9 and #C6E5D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCC5E5 shade: #DCC5E5, #E5DCC6 and #C6E5DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCC5E5 shade: #DCC5E5, #E5C6C9, #CFE5C6 and #C6E5E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCC5E5 shade: #DCC5E5, #E5CDC6, #CFE5C6 and #C6DEE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 14 / 0 / 10

HEX #DCC5E5

RGB 220 197 229

HSL 283.13, 0.38%, 0.84%

LAB 82.27, 13.79, -12.9

 

Complementary color

CMYK 40 / 0 / 55 / 77

HEX #233A1A

RGB 35 58 26

HSL 103.13, 0.38%, 0.16%

LAB 21.79, -16.36, 17.02

 

CMYK 0 / 12 / 0 / 12

HEX #E1C5E0

RGB 225 197 224

HSL 302.14, 0.32%, 0.83%

LAB 82.55, 14.53, -9.77

 

CMYK 0 / 12 / 0 / 5

HEX #F2D7F3

RGB 242 215 243

HSL 297.86, 0.54%, 0.9%

LAB 88.9, 14.15, -10.25

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 4 / 14 / 0 / 10

HEX #DCC5E5

RGB 220 197 229

HSL 283.13, 0.38%, 0.84%

LAB 82.27, 13.79, -12.9

 

CMYK 3 / 15 / 0 / 18

HEX #CBB3D2

RGB 203 179 210

HSL 286.45, 0.26%, 0.76%

LAB 75.82, 14.17, -12.47

 

CMYK 3 / 16 / 0 / 25

HEX #BAA1BF

RGB 186 161 191

HSL 290, 0.19%, 0.69%

LAB 69.25, 14.59, -12.03

 

CMYK 2 / 17 / 0 / 33

HEX #A98FAC

RGB 169 143 172

HSL 293.79, 0.15%, 0.62%

LAB 62.56, 15.04, -11.58

 

CMYK 1 / 18 / 0 / 40

HEX #987D99

RGB 152 125 153

HSL 297.86, 0.12%, 0.55%

LAB 55.73, 15.54, -11.12

 

CMYK 4 / 14 / 0 / 10

HEX #DCC6E5

RGB 220 198 229

HSL 282.58, 0.37%, 0.84%

LAB 82.52, 13.26, -12.54

 

CMYK 0 / 14 / 0 / 10

HEX #E5C6E5

RGB 229 198 229

HSL 300, 0.37%, 0.84%

LAB 83.29, 16.26, -11.31

 

CMYK 0 / 14 / 3 / 10

HEX #E5C6DD

RGB 229 198 221

HSL 315.48, 0.37%, 0.84%

LAB 83.06, 14.81, -7.38

 

CMYK 0 / 14 / 7 / 10

HEX #E5C6D5

RGB 229 198 213

HSL 330.97, 0.37%, 0.84%

LAB 82.83, 13.42, -3.43

 

CMYK 0 / 14 / 11 / 10

HEX #E5C6CC

RGB 229 198 204

HSL 348.39, 0.37%, 0.84%

LAB 82.6, 11.9, 1.04

 

CMYK 4 / 14 / 0 / 10

HEX #DCC6E5

RGB 220 198 229

HSL 282.58, 0.37%, 0.84%

LAB 82.52, 13.26, -12.54

 

CMYK 7 / 14 / 0 / 10

HEX #D4C6E5

RGB 212 198 229

HSL 267.1, 0.37%, 0.84%

LAB 81.86, 10.62, -13.59

 

CMYK 11 / 14 / 0 / 10

HEX #CCC6E5

RGB 204 198 229

HSL 251.61, 0.37%, 0.84%

LAB 81.23, 8.01, -14.6

 

CMYK 14 / 14 / 0 / 10

HEX #C6C6E5

RGB 198 198 229

HSL 240, 0.37%, 0.84%

LAB 80.77, 6.08, -15.34

 

CMYK 4 / 14 / 0 / 10

HEX #DCC6E5

RGB 220 198 229

HSL 282.58, 0.37%, 0.84%

LAB 82.52, 13.26, -12.54

 

CMYK 6 / 19 / 0 / 7

HEX #DFC0EC

RGB 223 192 236

HSL 282.27, 0.54%, 0.84%

LAB 81.53, 18.8, -17.73

 

CMYK 7 / 24 / 0 / 5

HEX #E2B9F2

RGB 226 185 242

HSL 283.16, 0.69%, 0.84%

LAB 80.34, 24.69, -22.74

 

CMYK 8 / 29 / 0 / 2

HEX #E5B2F9

RGB 229 178 249

HSL 283.1, 0.86%, 0.84%

LAB 79.24, 30.77, -28.15

 

CMYK 4 / 14 / 0 / 10

HEX #DCC6E5

RGB 220 198 229

HSL 282.58, 0.37%, 0.84%

LAB 82.52, 13.26, -12.54

 

CMYK 2 / 8 / 0 / 13

HEX #DACDDF

RGB 218 205 223

HSL 283.33, 0.22%, 0.84%

LAB 83.91, 7.74, -7.28

 

CMYK 0 / 2 / 0 / 15

HEX #D7D3D8

RGB 215 211 216

HSL 288, 0.06%, 0.84%

LAB 84.99, 2.27, -1.99

 

CMYK 3 / 0 / 4 / 15

HEX #D4DAD1

RGB 212 218 209

HSL 100, 0.11%, 0.84%

LAB 86.38, -3.65, 3.71

 

CMYK 7 / 0 / 10 / 12

HEX #D1E1CB

RGB 209 225 203

HSL 103.64, 0.27%, 0.84%

LAB 87.83, -9.31, 8.94

 

CMYK 11 / 14 / 0 / 10

HEX #CCC6E5

RGB 204 198 229

HSL 251.61, 0.37%, 0.84%

LAB 81.23, 8.01, -14.6

 

CMYK 7 / 14 / 0 / 10

HEX #D4C6E5

RGB 212 198 229

HSL 267.1, 0.37%, 0.84%

LAB 81.86, 10.62, -13.59

 

CMYK 4 / 14 / 0 / 10

HEX #DCC6E5

RGB 220 198 229

HSL 282.58, 0.37%, 0.84%

LAB 82.52, 13.26, -12.54

 

CMYK 0 / 14 / 0 / 10

HEX #E5C6E5

RGB 229 198 229

HSL 300, 0.37%, 0.84%

LAB 83.29, 16.26, -11.31

 

CMYK 0 / 14 / 3 / 10

HEX #E5C6DD

RGB 229 198 221

HSL 315.48, 0.37%, 0.84%

LAB 83.06, 14.81, -7.38

 

CMYK 9 / 31 / 0 / 20

HEX #BA8DCC

RGB 186 141 204

HSL 282.86, 0.38%, 0.68%

LAB 64.84, 28.33, -25.96

 

CMYK 6 / 21 / 0 / 15

HEX #CBAAD8

RGB 203 170 216

HSL 283.04, 0.37%, 0.76%

LAB 73.81, 20.26, -18.77

 

CMYK 4 / 14 / 0 / 10

HEX #DCC6E5

RGB 220 198 229

HSL 282.58, 0.37%, 0.84%

LAB 82.52, 13.26, -12.54

 

CMYK 2 / 6 / 0 / 5

HEX #EEE3F2

RGB 238 227 242

HSL 284, 0.37%, 0.92%

LAB 91.47, 6.38, -5.95

 

CMYK 4 / 14 / 0 / 10

HEX #DCC5E5

RGB 220 197 229

HSL 283.13, 0.38%, 0.84%

LAB 82.27, 13.79, -12.9

 

CMYK 0 / 14 / 12 / 10

HEX #E5C6C9

RGB 229 198 201

HSL 354.19, 0.37%, 0.84%

LAB 82.52, 11.41, 2.54

 

CMYK 14 / 0 / 9 / 10

HEX #C6E5D0

RGB 198 229 208

HSL 139.35, 0.37%, 0.84%

LAB 88.26, -14.14, 6.82

 

CMYK 4 / 14 / 0 / 10

HEX #DCC5E5

RGB 220 197 229

HSL 283.13, 0.38%, 0.84%

LAB 82.27, 13.79, -12.9

 

CMYK 0 / 4 / 14 / 10

HEX #E5DCC6

RGB 229 220 198

HSL 42.58, 0.37%, 0.84%

LAB 87.93, -0.57, 11.9

 

CMYK 14 / 0 / 4 / 10

HEX #C6E5DC

RGB 198 229 220

HSL 162.58, 0.37%, 0.84%

LAB 88.55, -11.88, 0.95

 

CMYK 4 / 14 / 0 / 10

HEX #DCC5E5

RGB 220 197 229

HSL 283.13, 0.38%, 0.84%

LAB 82.27, 13.79, -12.9

 

CMYK 0 / 14 / 12 / 10

HEX #E5C6C9

RGB 229 198 201

HSL 354.19, 0.37%, 0.84%

LAB 82.52, 11.41, 2.54

 

CMYK 10 / 0 / 14 / 10

HEX #CFE5C6

RGB 207 229 198

HSL 102.58, 0.37%, 0.84%

LAB 88.63, -12.87, 12.67

 

CMYK 14 / 0 / 1 / 10

HEX #C6E5E3

RGB 198 229 227

HSL 176.13, 0.37%, 0.84%

LAB 88.73, -10.51, -2.46

 

CMYK 4 / 14 / 0 / 10

HEX #DCC5E5

RGB 220 197 229

HSL 283.13, 0.38%, 0.84%

LAB 82.27, 13.79, -12.9

 

CMYK 0 / 10 / 14 / 10

HEX #E5CDC6

RGB 229 205 198

HSL 13.55, 0.37%, 0.84%

LAB 84.17, 7.24, 6.53

 

CMYK 10 / 0 / 14 / 10

HEX #CFE5C6

RGB 207 229 198

HSL 102.58, 0.37%, 0.84%

LAB 88.63, -12.87, 12.67

 

CMYK 14 / 3 / 0 / 10

HEX #C6DEE5

RGB 198 222 229

HSL 193.55, 0.37%, 0.84%

LAB 86.95, -6.53, -6.13

 

Description

Color code: HEX #DCC5E5 | qconv.com Color code: HEX #DCC5E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 197 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 197 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 14 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 14% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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