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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCC3C5 it is the complementary color #233C3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCC3C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCC3C5 shade: #E1C3C0, #F2D5D3, #FFE7E6 and #FFF9F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCC3C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCC3C5 shade: #DCC3C5, #CBB1B2, #BA9F9F, #A98D8C and #987B79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCC3C5 shade: #DBC1C3 and #DBC1C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCC3C5 shade: #DBC1C3, #DBC1CA, #DBC1D1, #DBC1D8 and #D7C1DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCC3C5 shade matches the following richer shades: #DBC1C3, #E2BABD, #EAB2B6, #F2AAB0 and #FAA2A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCC3C5 shade: #DBC1C3, #D3C9CA, #CBD1D1, #C3D9D7 and #BBE1DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCC3C5 shade: #DBC1D1, #DBC1CA, #DBC1C4, #DBC6C1 and #DBCDC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCC3C5 shade: #BC8D91, #CBA7AA, #DBC1C3, #EADBDD and #F9F5F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCC3C5 shade: #DCC3C5, #D8DBC1 and #C1CEDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCC3C5 shade: #DCC3C5, #C4DBC1 and #C1C4DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCC3C5 shade: #DCC3C5, #D8DBC1, #C1DBD9 and #C4C1DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCC3C5 shade: #DCC3C5, #D0DBC1, #C1DBD9 and #CCC1DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 10 / 14

HEX #DCC3C5

RGB 220 195 197

HSL 355.2, 0.26%, 0.81%

LAB 80.89, 9.14, 2.22

 

Complementary color

CMYK 42 / 0 / 3 / 76

HEX #233C3A

RGB 35 60 58

HSL 175.2, 0.26%, 0.19%

LAB 23.32, -10.2, -1.83

 

CMYK 0 / 13 / 15 / 12

HEX #E1C3C0

RGB 225 195 192

HSL 5.45, 0.35%, 0.82%

LAB 81.21, 10.12, 5.41

 

CMYK 0 / 12 / 13 / 5

HEX #F2D5D3

RGB 242 213 211

HSL 3.87, 0.54%, 0.89%

LAB 87.57, 9.74, 4.68

 

CMYK 0 / 9 / 10 / 0

HEX #FFE7E6

RGB 255 231 230

HSL 2.4, 1%, 0.95%

LAB 93.5, 8.01, 3.45

 

CMYK 0 / 2 / 2 / 0

HEX #FFF9F9

RGB 255 249 249

HSL 0, 1%, 0.99%

LAB 98.37, 2, 0.7

 

CMYK 0 / 11 / 10 / 14

HEX #DCC3C5

RGB 220 195 197

HSL 355.2, 0.26%, 0.81%

LAB 80.89, 9.14, 2.22

 

CMYK 0 / 13 / 12 / 20

HEX #CBB1B2

RGB 203 177 178

HSL 357.69, 0.2%, 0.75%

LAB 74.42, 9.51, 2.93

 

CMYK 0 / 15 / 15 / 27

HEX #BA9F9F

RGB 186 159 159

HSL 0, 0.16%, 0.68%

LAB 67.83, 9.92, 3.68

 

CMYK 0 / 17 / 17 / 34

HEX #A98D8C

RGB 169 141 140

HSL 2.07, 0.14%, 0.61%

LAB 61.11, 10.38, 4.47

 

CMYK 0 / 19 / 20 / 40

HEX #987B79

RGB 152 123 121

HSL 3.87, 0.13%, 0.54%

LAB 54.26, 10.89, 5.33

 

CMYK 0 / 12 / 11 / 14

HEX #DBC1C3

RGB 219 193 195

HSL 355.38, 0.27%, 0.81%

LAB 80.26, 9.52, 2.36

 

CMYK 0 / 12 / 12 / 14

HEX #DBC1C1

RGB 219 193 193

HSL 0, 0.27%, 0.81%

LAB 80.21, 9.19, 3.37

 

CMYK 0 / 12 / 11 / 14

HEX #DBC1C3

RGB 219 193 195

HSL 355.38, 0.27%, 0.81%

LAB 80.26, 9.52, 2.36

 

CMYK 0 / 12 / 8 / 14

HEX #DBC1CA

RGB 219 193 202

HSL 339.23, 0.27%, 0.81%

LAB 80.44, 10.7, -1.14

 

CMYK 0 / 12 / 5 / 14

HEX #DBC1D1

RGB 219 193 209

HSL 323.08, 0.27%, 0.81%

LAB 80.63, 11.92, -4.63

 

CMYK 0 / 12 / 1 / 14

HEX #DBC1D8

RGB 219 193 216

HSL 306.92, 0.27%, 0.81%

LAB 80.83, 13.17, -8.1

 

CMYK 2 / 12 / 0 / 14

HEX #D7C1DB

RGB 215 193 219

HSL 290.77, 0.27%, 0.81%

LAB 80.57, 12.37, -10.12

 

CMYK 0 / 12 / 11 / 14

HEX #DBC1C3

RGB 219 193 195

HSL 355.38, 0.27%, 0.81%

LAB 80.26, 9.52, 2.36

 

CMYK 0 / 18 / 16 / 11

HEX #E2BABD

RGB 226 186 189

HSL 355.5, 0.41%, 0.81%

LAB 79.02, 14.8, 3.88

 

CMYK 0 / 24 / 22 / 8

HEX #EAB2B6

RGB 234 178 182

HSL 355.71, 0.57%, 0.81%

LAB 77.7, 20.92, 5.87

 

CMYK 0 / 30 / 27 / 5

HEX #F2AAB0

RGB 242 170 176

HSL 355, 0.73%, 0.81%

LAB 76.53, 27.26, 7.57

 

CMYK 0 / 35 / 32 / 2

HEX #FAA2A9

RGB 250 162 169

HSL 355.23, 0.9%, 0.81%

LAB 75.47, 33.47, 10

 

CMYK 0 / 12 / 11 / 14

HEX #DBC1C3

RGB 219 193 195

HSL 355.38, 0.27%, 0.81%

LAB 80.26, 9.52, 2.36

 

CMYK 0 / 5 / 4 / 17

HEX #D3C9CA

RGB 211 201 202

HSL 354, 0.1%, 0.81%

LAB 81.78, 3.65, 0.73

 

CMYK 3 / 0 / 0 / 18

HEX #CBD1D1

RGB 203 209 209

HSL 180, 0.06%, 0.81%

LAB 83.39, -2.03, -0.72

 

CMYK 10 / 0 / 1 / 15

HEX #C3D9D7

RGB 195 217 215

HSL 174.55, 0.22%, 0.81%

LAB 85.06, -7.7, -1.52

 

CMYK 17 / 0 / 1 / 12

HEX #BBE1DE

RGB 187 225 222

HSL 175.26, 0.39%, 0.81%

LAB 86.84, -12.94, -2.67

 

CMYK 0 / 12 / 5 / 14

HEX #DBC1D1

RGB 219 193 209

HSL 323.08, 0.27%, 0.81%

LAB 80.63, 11.92, -4.63

 

CMYK 0 / 12 / 8 / 14

HEX #DBC1CA

RGB 219 193 202

HSL 339.23, 0.27%, 0.81%

LAB 80.44, 10.7, -1.14

 

CMYK 0 / 12 / 11 / 14

HEX #DBC1C4

RGB 219 193 196

HSL 353.08, 0.27%, 0.81%

LAB 80.28, 9.68, 1.86

 

CMYK 0 / 10 / 12 / 14

HEX #DBC6C1

RGB 219 198 193

HSL 11.54, 0.27%, 0.81%

LAB 81.46, 6.54, 5.17

 

CMYK 0 / 6 / 12 / 14

HEX #DBCDC1

RGB 219 205 193

HSL 27.69, 0.27%, 0.81%

LAB 83.22, 2.85, 7.71

 

CMYK 0 / 25 / 23 / 26

HEX #BC8D91

RGB 188 141 145

HSL 354.89, 0.26%, 0.65%

LAB 63.17, 18.43, 4.84

 

CMYK 0 / 18 / 16 / 20

HEX #CBA7AA

RGB 203 167 170

HSL 355, 0.26%, 0.73%

LAB 71.72, 13.63, 3.41

 

CMYK 0 / 12 / 11 / 14

HEX #DBC1C3

RGB 219 193 195

HSL 355.38, 0.27%, 0.81%

LAB 80.26, 9.52, 2.36

 

CMYK 0 / 6 / 6 / 8

HEX #EADBDD

RGB 234 219 221

HSL 352, 0.26%, 0.89%

LAB 88.63, 5.48, 0.86

 

CMYK 0 / 2 / 1 / 2

HEX #F9F5F6

RGB 249 245 246

HSL 345, 0.25%, 0.97%

LAB 96.86, 1.51, -0.02

 

CMYK 0 / 11 / 10 / 14

HEX #DCC3C5

RGB 220 195 197

HSL 355.2, 0.26%, 0.81%

LAB 80.89, 9.14, 2.22

 

CMYK 1 / 0 / 12 / 14

HEX #D8DBC1

RGB 216 219 193

HSL 66.92, 0.27%, 0.81%

LAB 86.56, -5.48, 12.44

 

CMYK 12 / 6 / 0 / 14

HEX #C1CEDB

RGB 193 206 219

HSL 210, 0.27%, 0.81%

LAB 82.16, -1.83, -7.95

 

CMYK 0 / 11 / 10 / 14

HEX #DCC3C5

RGB 220 195 197

HSL 355.2, 0.26%, 0.81%

LAB 80.89, 9.14, 2.22

 

CMYK 11 / 0 / 12 / 14

HEX #C4DBC1

RGB 196 219 193

HSL 113.08, 0.27%, 0.81%

LAB 85.12, -12.46, 10.2

 

CMYK 12 / 11 / 0 / 14

HEX #C1C4DB

RGB 193 196 219

HSL 233.08, 0.27%, 0.81%

LAB 79.57, 3.48, -11.8

 

CMYK 0 / 11 / 10 / 14

HEX #DCC3C5

RGB 220 195 197

HSL 355.2, 0.26%, 0.81%

LAB 80.89, 9.14, 2.22

 

CMYK 1 / 0 / 12 / 14

HEX #D8DBC1

RGB 216 219 193

HSL 66.92, 0.27%, 0.81%

LAB 86.56, -5.48, 12.44

 

CMYK 12 / 0 / 1 / 14

HEX #C1DBD9

RGB 193 219 217

HSL 175.38, 0.27%, 0.81%

LAB 85.51, -8.98, -1.95

 

CMYK 11 / 12 / 0 / 14

HEX #C4C1DB

RGB 196 193 219

HSL 246.92, 0.27%, 0.81%

LAB 79.04, 6.06, -12.58

 

CMYK 0 / 11 / 10 / 14

HEX #DCC3C5

RGB 220 195 197

HSL 355.2, 0.26%, 0.81%

LAB 80.89, 9.14, 2.22

 

CMYK 5 / 0 / 12 / 14

HEX #D0DBC1

RGB 208 219 193

HSL 85.38, 0.27%, 0.81%

LAB 85.97, -8.3, 11.52

 

CMYK 12 / 0 / 1 / 14

HEX #C1DBD9

RGB 193 219 217

HSL 175.38, 0.27%, 0.81%

LAB 85.51, -8.98, -1.95

 

CMYK 7 / 12 / 0 / 14

HEX #CCC1DB

RGB 204 193 219

HSL 265.38, 0.27%, 0.81%

LAB 79.67, 8.7, -11.57

 

Description

Color code: HEX #DCC3C5 | qconv.com Color code: HEX #DCC3C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 195 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 195 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 10 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 10% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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