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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCBE35 it is the complementary color #2341CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCBE35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCBE35 shade: #E1BE30, #F2D043, #FFE256, #FFF469 and #FFFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCBE35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCBE35 shade: #DCBE35, #CBAC22, #BA9A0F, #A98800 and #987600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCBE35 shade: #DCBE38, #DC9238, #DC6638, #DC3938 and #DC3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCBE35 shade: #DCBE38, #CDDC38, #A1DC38, #74DC38 and #48DC38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCBE35 shade matches the following richer shades: #DCBE38 and #EFCA25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCBE35 shade: #DCBE38, #C9B24B, #B6A65E, #A39A71 and #908E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCBE35 shade: #DC6638, #DC9238, #DCBE38, #CEDC38 and #A2DC38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCBE35 shade: #A48C1D, #C7AA23, #DCBE38, #E2CA5B and #E8D57E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCBE35 shade: #DCBE35, #38DC3A and #7C38DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCBE35 shade: #DCBE35, #38DCBE and #BE38DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCBE35 shade: #DCBE35, #38DC3A, #3856DC and #DC38D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCBE35 shade: #DCBE35, #38DC6C, #3856DC and #DC38A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 76 / 14

HEX #DCBE35

RGB 220 190 53

HSL 49.22, 0.7%, 0.54%

LAB 77.46, -3.1, 68.26

 

Complementary color

CMYK 83 / 68 / 0 / 21

HEX #2341CA

RGB 35 65 202

HSL 229.22, 0.7%, 0.46%

LAB 34.81, 40.22, -73.4

 

CMYK 0 / 16 / 79 / 12

HEX #E1BE30

RGB 225 190 48

HSL 48.14, 0.75%, 0.54%

LAB 77.9, -1.13, 70.48

 

CMYK 0 / 14 / 72 / 5

HEX #F2D043

RGB 242 208 67

HSL 48.34, 0.87%, 0.61%

LAB 84.17, -2.41, 70.42

 

CMYK 0 / 11 / 66 / 0

HEX #FFE256

RGB 255 226 86

HSL 49.7, 1%, 0.67%

LAB 90.01, -5.16, 69.39

 

CMYK 0 / 4 / 59 / 0

HEX #FFF469

RGB 255 244 105

HSL 55.6, 1%, 0.71%

LAB 94.73, -12.92, 66.61

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 14 / 76 / 14

HEX #DCBE35

RGB 220 190 53

HSL 49.22, 0.7%, 0.54%

LAB 77.46, -3.1, 68.26

 

CMYK 0 / 15 / 83 / 20

HEX #CBAC22

RGB 203 172 34

HSL 48.99, 0.71%, 0.46%

LAB 71.09, -1.72, 67.84

 

CMYK 0 / 17 / 92 / 27

HEX #BA9A0F

RGB 186 154 15

HSL 48.77, 0.85%, 0.39%

LAB 64.63, -0.11, 66.21

 

CMYK 0 / 20 / 100 / 34

HEX #A98800

RGB 169 136 0

HSL 48.28, 1%, 0.33%

LAB 58.08, 1.77, 62.94

 

CMYK 0 / 22 / 100 / 40

HEX #987600

RGB 152 118 0

HSL 46.58, 1%, 0.3%

LAB 51.42, 3.93, 57.45

 

CMYK 0 / 14 / 75 / 14

HEX #DCBE38

RGB 220 190 56

HSL 49.02, 0.7%, 0.54%

LAB 77.48, -2.98, 67.24

 

CMYK 0 / 34 / 75 / 14

HEX #DC9238

RGB 220 146 56

HSL 32.93, 0.7%, 0.54%

LAB 66.56, 20.39, 56.65

 

CMYK 0 / 54 / 75 / 14

HEX #DC6638

RGB 220 102 56

HSL 16.83, 0.7%, 0.54%

LAB 57.08, 43.32, 46.95

 

CMYK 0 / 74 / 75 / 14

HEX #DC3938

RGB 220 57 56

HSL 0.37, 0.7%, 0.54%

LAB 50.01, 62.19, 39.31

 

CMYK 0 / 75 / 75 / 14

HEX #DC3838

RGB 220 56 56

HSL 0, 0.7%, 0.54%

LAB 49.89, 62.51, 39.18

 

CMYK 0 / 14 / 75 / 14

HEX #DCBE38

RGB 220 190 56

HSL 49.02, 0.7%, 0.54%

LAB 77.48, -2.98, 67.24

 

CMYK 7 / 0 / 75 / 14

HEX #CDDC38

RGB 205 220 56

HSL 65.49, 0.7%, 0.54%

LAB 84.2, -24.32, 73.11

 

CMYK 27 / 0 / 75 / 14

HEX #A1DC38

RGB 161 220 56

HSL 81.59, 0.7%, 0.54%

LAB 81.32, -41.67, 69.36

 

CMYK 47 / 0 / 75 / 14

HEX #74DC38

RGB 116 220 56

HSL 98.05, 0.7%, 0.54%

LAB 79.15, -56.9, 66.52

 

CMYK 67 / 0 / 75 / 14

HEX #48DC38

RGB 72 220 56

HSL 114.15, 0.7%, 0.54%

LAB 77.79, -67.72, 64.72

 

CMYK 0 / 14 / 75 / 14

HEX #DCBE38

RGB 220 190 56

HSL 49.02, 0.7%, 0.54%

LAB 77.48, -2.98, 67.24

 

CMYK 0 / 15 / 85 / 6

HEX #EFCA25

RGB 239 202 37

HSL 49.01, 0.86%, 0.54%

LAB 82.23, -1.64, 77.75

 

CMYK 0 / 14 / 75 / 14

HEX #DCBE38

RGB 220 190 56

HSL 49.02, 0.7%, 0.54%

LAB 77.48, -2.98, 67.24

 

CMYK 0 / 11 / 63 / 21

HEX #C9B24B

RGB 201 178 75

HSL 49.05, 0.54%, 0.54%

LAB 72.74, -3.85, 54.21

 

CMYK 0 / 9 / 48 / 29

HEX #B6A65E

RGB 182 166 94

HSL 49.09, 0.38%, 0.54%

LAB 68.04, -4.03, 39.16

 

CMYK 0 / 6 / 31 / 36

HEX #A39A71

RGB 163 154 113

HSL 49.2, 0.21%, 0.54%

LAB 63.42, -3.25, 22.76

 

CMYK 0 / 1 / 8 / 44

HEX #908E84

RGB 144 142 132

HSL 50, 0.05%, 0.54%

LAB 58.92, -1.13, 5.58

 

CMYK 0 / 54 / 75 / 14

HEX #DC6638

RGB 220 102 56

HSL 16.83, 0.7%, 0.54%

LAB 57.08, 43.32, 46.95

 

CMYK 0 / 34 / 75 / 14

HEX #DC9238

RGB 220 146 56

HSL 32.93, 0.7%, 0.54%

LAB 66.56, 20.39, 56.65

 

CMYK 0 / 14 / 75 / 14

HEX #DCBE38

RGB 220 190 56

HSL 49.02, 0.7%, 0.54%

LAB 77.48, -2.98, 67.24

 

CMYK 6 / 0 / 75 / 14

HEX #CEDC38

RGB 206 220 56

HSL 65.12, 0.7%, 0.54%

LAB 84.27, -23.91, 73.2

 

CMYK 26 / 0 / 75 / 14

HEX #A2DC38

RGB 162 220 56

HSL 81.22, 0.7%, 0.54%

LAB 81.38, -41.3, 69.44

 

CMYK 0 / 15 / 82 / 36

HEX #A48C1D

RGB 164 140 29

HSL 49.33, 0.7%, 0.38%

LAB 58.73, -2.14, 57.18

 

CMYK 0 / 15 / 82 / 22

HEX #C7AA23

RGB 199 170 35

HSL 49.39, 0.7%, 0.46%

LAB 70.18, -2.4, 66.64

 

CMYK 0 / 14 / 75 / 14

HEX #DCBE38

RGB 220 190 56

HSL 49.02, 0.7%, 0.54%

LAB 77.48, -2.98, 67.24

 

CMYK 0 / 11 / 60 / 11

HEX #E2CA5B

RGB 226 202 91

HSL 49.33, 0.7%, 0.62%

LAB 81.38, -4.68, 57.22

 

CMYK 0 / 8 / 46 / 9

HEX #E8D57E

RGB 232 213 126

HSL 49.25, 0.7%, 0.7%

LAB 85.12, -4.97, 45.2

 

CMYK 0 / 14 / 76 / 14

HEX #DCBE35

RGB 220 190 53

HSL 49.22, 0.7%, 0.54%

LAB 77.46, -3.1, 68.26

 

CMYK 75 / 0 / 74 / 14

HEX #38DC3A

RGB 56 220 58

HSL 120.73, 0.7%, 0.54%

LAB 77.48, -70.28, 63.63

 

CMYK 44 / 75 / 0 / 14

HEX #7C38DC

RGB 124 56 220

HSL 264.88, 0.7%, 0.54%

LAB 41.66, 61.44, -72.28

 

CMYK 0 / 14 / 76 / 14

HEX #DCBE35

RGB 220 190 53

HSL 49.22, 0.7%, 0.54%

LAB 77.46, -3.1, 68.26

 

CMYK 75 / 0 / 14 / 14

HEX #38DCBE

RGB 56 220 190

HSL 169.02, 0.7%, 0.54%

LAB 79.47, -48.01, 2.89

 

CMYK 14 / 75 / 0 / 14

HEX #BE38DC

RGB 190 56 220

HSL 289.02, 0.7%, 0.54%

LAB 50.62, 73.15, -57.33

 

CMYK 0 / 14 / 76 / 14

HEX #DCBE35

RGB 220 190 53

HSL 49.22, 0.7%, 0.54%

LAB 77.46, -3.1, 68.26

 

CMYK 75 / 0 / 74 / 14

HEX #38DC3A

RGB 56 220 58

HSL 120.73, 0.7%, 0.54%

LAB 77.48, -70.28, 63.63

 

CMYK 75 / 61 / 0 / 14

HEX #3856DC

RGB 56 86 220

HSL 229.02, 0.7%, 0.54%

LAB 42.25, 35.39, -71.53

 

CMYK 0 / 75 / 1 / 14

HEX #DC38D9

RGB 220 56 217

HSL 301.1, 0.7%, 0.54%

LAB 55.13, 78.6, -48.16

 

CMYK 0 / 14 / 76 / 14

HEX #DCBE35

RGB 220 190 53

HSL 49.22, 0.7%, 0.54%

LAB 77.46, -3.1, 68.26

 

CMYK 75 / 0 / 51 / 14

HEX #38DC6C

RGB 56 220 108

HSL 139.02, 0.7%, 0.54%

LAB 77.94, -64.74, 43.09

 

CMYK 75 / 61 / 0 / 14

HEX #3856DC

RGB 56 86 220

HSL 229.02, 0.7%, 0.54%

LAB 42.25, 35.39, -71.53

 

CMYK 0 / 75 / 24 / 14

HEX #DC38A8

RGB 220 56 168

HSL 319.02, 0.7%, 0.54%

LAB 52.81, 71.75, -23.49

 

Description

Color code: HEX #DCBE35 | qconv.com Color code: HEX #DCBE35 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 190 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 190 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 76 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 76% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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