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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCBA6C it is the complementary color #234593. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCBA6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCBA6C shade: #E1BA67, #F2CC7A, #FFDE8D, #FFF0A0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCBA6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCBA6C shade: #DCBA6C, #CBA859, #BA9646, #A98433 and #987220

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCBA6C shade: #DCBA6A, #DC9B6A, #DC7C6A and #DC6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCBA6C shade: #DCBA6A, #DCD86A, #C1DC6A, #A3DC6A and #84DC6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCBA6C shade matches the following richer shades: #DCBA6A, #EBBF5B and #FAC54D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCBA6C shade: #DCBA6A, #CDB479, #BEAE88, #B0A897 and #A1A2A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCBA6C shade: #DC7B6A, #DC9A6A, #DCB86A, #DCD66A and #C3DC6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCBA6C shade: #C6982E, #D4AA49, #DCBA6A, #E4C98C and #ECD9AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCBA6C shade: #DCBA6C, #78DC6A and #8B6ADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCBA6C shade: #DCBA6C, #6ADCB8 and #B86ADC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCBA6C shade: #DCBA6C, #78DC6A, #6A8EDC and #CF6ADC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCBA6C shade: #DCBA6C, #6ADC7F, #6A8EDC and #DC6AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 51 / 14

HEX #DCBA6C

RGB 220 186 108

HSL 41.79, 0.62%, 0.64%

LAB 76.93, 2.47, 43.78

 

Complementary color

CMYK 76 / 53 / 0 / 42

HEX #234593

RGB 35 69 147

HSL 221.79, 0.62%, 0.36%

LAB 31.16, 16.64, -46.59

 

CMYK 0 / 17 / 54 / 12

HEX #E1BA67

RGB 225 186 103

HSL 40.82, 0.67%, 0.64%

LAB 77.34, 4.11, 46.87

 

CMYK 0 / 16 / 50 / 5

HEX #F2CC7A

RGB 242 204 122

HSL 41, 0.82%, 0.71%

LAB 83.69, 3.3, 45.59

 

CMYK 0 / 13 / 45 / 0

HEX #FFDE8D

RGB 255 222 141

HSL 42.63, 1%, 0.78%

LAB 89.59, 1.01, 43.82

 

CMYK 0 / 6 / 37 / 0

HEX #FFF0A0

RGB 255 240 160

HSL 50.53, 1%, 0.81%

LAB 94.36, -6.1, 40.5

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 15 / 51 / 14

HEX #DCBA6C

RGB 220 186 108

HSL 41.79, 0.62%, 0.64%

LAB 76.93, 2.47, 43.78

 

CMYK 0 / 17 / 56 / 20

HEX #CBA859

RGB 203 168 89

HSL 41.58, 0.52%, 0.57%

LAB 70.47, 3.32, 45.08

 

CMYK 0 / 19 / 62 / 27

HEX #BA9646

RGB 186 150 70

HSL 41.38, 0.46%, 0.5%

LAB 63.91, 4.33, 46.34

 

CMYK 0 / 22 / 70 / 34

HEX #A98433

RGB 169 132 51

HSL 41.19, 0.54%, 0.43%

LAB 57.25, 5.54, 47.48

 

CMYK 0 / 25 / 79 / 40

HEX #987220

RGB 152 114 32

HSL 41, 0.65%, 0.36%

LAB 50.47, 7.01, 48.2

 

CMYK 0 / 15 / 52 / 14

HEX #DCBA6A

RGB 220 186 106

HSL 42.11, 0.62%, 0.64%

LAB 76.91, 2.3, 44.75

 

CMYK 0 / 30 / 52 / 14

HEX #DC9B6A

RGB 220 155 106

HSL 25.79, 0.62%, 0.64%

LAB 69.25, 18.84, 35.25

 

CMYK 0 / 44 / 52 / 14

HEX #DC7C6A

RGB 220 124 106

HSL 9.47, 0.62%, 0.64%

LAB 62.23, 35.38, 26.17

 

CMYK 0 / 52 / 52 / 14

HEX #DC6A6A

RGB 220 106 106

HSL 0, 0.62%, 0.64%

LAB 58.57, 44.55, 21.3

 

CMYK 0 / 15 / 52 / 14

HEX #DCBA6A

RGB 220 186 106

HSL 42.11, 0.62%, 0.64%

LAB 76.91, 2.3, 44.75

 

CMYK 0 / 2 / 52 / 14

HEX #DCD86A

RGB 220 216 106

HSL 57.89, 0.62%, 0.64%

LAB 84.67, -13.1, 54.01

 

CMYK 12 / 0 / 52 / 14

HEX #C1DC6A

RGB 193 220 106

HSL 74.21, 0.62%, 0.64%

LAB 83.74, -25.78, 52.41

 

CMYK 26 / 0 / 52 / 14

HEX #A3DC6A

RGB 163 220 106

HSL 90, 0.62%, 0.64%

LAB 81.85, -37.02, 49.7

 

CMYK 40 / 0 / 52 / 14

HEX #84DC6A

RGB 132 220 106

HSL 106.32, 0.62%, 0.64%

LAB 80.25, -47.48, 47.41

 

CMYK 0 / 15 / 52 / 14

HEX #DCBA6A

RGB 220 186 106

HSL 42.11, 0.62%, 0.64%

LAB 76.91, 2.3, 44.75

 

CMYK 0 / 19 / 61 / 8

HEX #EBBF5B

RGB 235 191 91

HSL 41.67, 0.78%, 0.64%

LAB 79.43, 4.76, 55.27

 

CMYK 0 / 21 / 69 / 2

HEX #FAC54D

RGB 250 197 77

HSL 41.62, 0.95%, 0.64%

LAB 82.27, 7.09, 64.87

 

CMYK 0 / 15 / 52 / 14

HEX #DCBA6A

RGB 220 186 106

HSL 42.11, 0.62%, 0.64%

LAB 76.91, 2.3, 44.75

 

CMYK 0 / 12 / 41 / 20

HEX #CDB479

RGB 205 180 121

HSL 42.14, 0.46%, 0.64%

LAB 74.19, 0.8, 33.37

 

CMYK 0 / 8 / 28 / 25

HEX #BEAE88

RGB 190 174 136

HSL 42.22, 0.29%, 0.64%

LAB 71.55, -0.16, 21.63

HEX #BEAE88

CMYK 0 / 5 / 14 / 31

HEX #B0A897

RGB 176 168 151

HSL 40.8, 0.14%, 0.64%

LAB 69.09, -0.07, 9.81

HEX #B0A897

CMYK 3 / 2 / 0 / 35

HEX #A1A2A6

RGB 161 162 166

HSL 228, 0.03%, 0.64%

LAB 66.65, 0.42, -2.2

HEX #A1A2A6

CMYK 0 / 44 / 52 / 14

HEX #DC7B6A

RGB 220 123 106

HSL 8.95, 0.62%, 0.64%

LAB 62.02, 35.9, 25.89

 

CMYK 0 / 30 / 52 / 14

HEX #DC9A6A

RGB 220 154 106

HSL 25.26, 0.62%, 0.64%

LAB 69.02, 19.38, 34.95

 

CMYK 0 / 16 / 52 / 14

HEX #DCB86A

RGB 220 184 106

HSL 41.05, 0.62%, 0.64%

LAB 76.4, 3.35, 44.13

 

CMYK 0 / 3 / 52 / 14

HEX #DCD66A

RGB 220 214 106

HSL 56.84, 0.62%, 0.64%

LAB 84.15, -12.1, 53.39

 

CMYK 11 / 0 / 52 / 14

HEX #C3DC6A

RGB 195 220 106

HSL 73.16, 0.62%, 0.64%

LAB 83.88, -25, 52.6

 

CMYK 0 / 23 / 77 / 22

HEX #C6982E

RGB 198 152 46

HSL 41.84, 0.62%, 0.48%

LAB 65.48, 7.2, 58.76

 

CMYK 0 / 20 / 66 / 17

HEX #D4AA49

RGB 212 170 73

HSL 41.87, 0.62%, 0.56%

LAB 71.71, 4.97, 54.29

 

CMYK 0 / 15 / 52 / 14

HEX #DCBA6A

RGB 220 186 106

HSL 42.11, 0.62%, 0.64%

LAB 76.91, 2.3, 44.75

 

CMYK 0 / 12 / 39 / 11

HEX #E4C98C

RGB 228 201 140

HSL 41.59, 0.62%, 0.72%

LAB 81.93, 1.07, 33.97

 

CMYK 0 / 8 / 27 / 7

HEX #ECD9AD

RGB 236 217 173

HSL 41.9, 0.62%, 0.8%

LAB 87.23, -0.08, 24.08

 

CMYK 0 / 15 / 51 / 14

HEX #DCBA6C

RGB 220 186 108

HSL 41.79, 0.62%, 0.64%

LAB 76.93, 2.47, 43.78

 

CMYK 45 / 0 / 52 / 14

HEX #78DC6A

RGB 120 220 106

HSL 112.63, 0.62%, 0.64%

LAB 79.74, -51.1, 46.66

 

CMYK 37 / 52 / 0 / 14

HEX #8B6ADC

RGB 139 106 220

HSL 257.37, 0.62%, 0.64%

LAB 52.91, 38.49, -54

 

CMYK 0 / 15 / 51 / 14

HEX #DCBA6C

RGB 220 186 108

HSL 41.79, 0.62%, 0.64%

LAB 76.93, 2.47, 43.78

 

CMYK 52 / 0 / 16 / 14

HEX #6ADCB8

RGB 106 220 184

HSL 161.05, 0.62%, 0.64%

LAB 80.58, -41, 7.84

 

CMYK 16 / 52 / 0 / 14

HEX #B86ADC

RGB 184 106 220

HSL 281.05, 0.62%, 0.64%

LAB 57.72, 50.07, -46.06

 

CMYK 0 / 15 / 51 / 14

HEX #DCBA6C

RGB 220 186 108

HSL 41.79, 0.62%, 0.64%

LAB 76.93, 2.47, 43.78

 

CMYK 45 / 0 / 52 / 14

HEX #78DC6A

RGB 120 220 106

HSL 112.63, 0.62%, 0.64%

LAB 79.74, -51.1, 46.66

 

CMYK 52 / 35 / 0 / 14

HEX #6A8EDC

RGB 106 142 220

HSL 221.05, 0.62%, 0.64%

LAB 59.51, 9.35, -43.68

 

CMYK 6 / 52 / 0 / 14

HEX #CF6ADC

RGB 207 106 220

HSL 293.16, 0.62%, 0.64%

LAB 60.55, 56.25, -41.4

 

CMYK 0 / 15 / 51 / 14

HEX #DCBA6C

RGB 220 186 108

HSL 41.79, 0.62%, 0.64%

LAB 76.93, 2.47, 43.78

 

CMYK 52 / 0 / 42 / 14

HEX #6ADC7F

RGB 106 220 127

HSL 131.05, 0.62%, 0.64%

LAB 79.49, -51.96, 35.99

 

CMYK 52 / 35 / 0 / 14

HEX #6A8EDC

RGB 106 142 220

HSL 221.05, 0.62%, 0.64%

LAB 59.51, 9.35, -43.68

 

CMYK 0 / 52 / 10 / 14

HEX #DC6AC7

RGB 220 106 199

HSL 311.05, 0.62%, 0.64%

LAB 61.35, 56.24, -28.19

 

Description

Color code: HEX #DCBA6C | qconv.com Color code: HEX #DCBA6C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 186 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 186 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 51 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 51% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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