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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCB5CB it is the complementary color #234A34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCB5CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCB5CB shade: #E1B5C6, #F2C7D9, #FFD9EC, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCB5CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCB5CB shade: #DCB5CB, #CBA3B8, #BA91A5, #A97F92 and #986D7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCB5CB shade: #DDB6CC, #DDB6C2, #DDB6B7 and #DDB6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCB5CB shade: #DDB6CC, #DDB6D6, #D9B6DD, #CEB6DD and #C4B6DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCB5CB shade matches the following richer shades: #DDB6CC, #E5AECD, #EEA5CE and #F79CCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCB5CB shade: #DDB6CC, #D4BFCB, #CBC8CA, #C3D0C9 and #BAD9C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCB5CB shade: #D9B6DD, #DDB6D6, #DDB6CC, #DDB6C2 and #DDB6B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCB5CB shade: #C27EA5, #D09AB8, #DDB6CC, #EAD2E0 and #F7EEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCB5CB shade: #DCB5CB, #DDCFB6 and #B6DBDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCB5CB shade: #DCB5CB, #CCDDB6 and #B6CCDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCB5CB shade: #DCB5CB, #DDCFB6, #B6DDC7 and #B6C4DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCB5CB shade: #DCB5CB, #DDDAB6, #B6DDC7 and #B6B9DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 8 / 14

HEX #DCB5CB

RGB 220 181 203

HSL 326.15, 0.36%, 0.79%

LAB 77.62, 17.65, -5.81

 

Complementary color

CMYK 53 / 0 / 30 / 71

HEX #234A34

RGB 35 74 52

HSL 146.15, 0.36%, 0.21%

LAB 28.12, -19.79, 8.97

 

CMYK 0 / 20 / 12 / 12

HEX #E1B5C6

RGB 225 181 198

HSL 336.82, 0.42%, 0.8%

LAB 77.95, 18.56, -2.56

 

CMYK 0 / 18 / 10 / 5

HEX #F2C7D9

RGB 242 199 217

HSL 334.88, 0.62%, 0.86%

LAB 84.35, 18.07, -3.2

 

CMYK 0 / 15 / 7 / 0

HEX #FFD9EC

RGB 255 217 236

HSL 330, 1%, 0.93%

LAB 90.29, 16.25, -4.38

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 18 / 8 / 14

HEX #DCB5CB

RGB 220 181 203

HSL 326.15, 0.36%, 0.79%

LAB 77.62, 17.65, -5.81

 

CMYK 0 / 20 / 9 / 20

HEX #CBA3B8

RGB 203 163 184

HSL 328.5, 0.28%, 0.72%

LAB 71.11, 18.15, -5.21

 

CMYK 0 / 22 / 11 / 27

HEX #BA91A5

RGB 186 145 165

HSL 330.73, 0.23%, 0.65%

LAB 64.49, 18.7, -4.57

 

CMYK 0 / 25 / 14 / 34

HEX #A97F92

RGB 169 127 146

HSL 332.86, 0.2%, 0.58%

LAB 57.74, 19.3, -3.89

 

CMYK 0 / 28 / 16 / 40

HEX #986D7F

RGB 152 109 127

HSL 334.88, 0.17%, 0.51%

LAB 50.86, 19.97, -3.15

 

CMYK 0 / 18 / 8 / 13

HEX #DDB6CC

RGB 221 182 204

HSL 326.15, 0.36%, 0.79%

LAB 77.99, 17.63, -5.81

 

CMYK 0 / 18 / 12 / 13

HEX #DDB6C2

RGB 221 182 194

HSL 341.54, 0.36%, 0.79%

LAB 77.71, 15.95, -0.79

 

CMYK 0 / 18 / 17 / 13

HEX #DDB6B7

RGB 221 182 183

HSL 358.46, 0.36%, 0.79%

LAB 77.43, 14.19, 4.77

 

CMYK 0 / 18 / 18 / 13

HEX #DDB6B6

RGB 221 182 182

HSL 0, 0.36%, 0.79%

LAB 77.4, 14.03, 5.28

 

CMYK 0 / 18 / 8 / 13

HEX #DDB6CC

RGB 221 182 204

HSL 326.15, 0.36%, 0.79%

LAB 77.99, 17.63, -5.81

 

CMYK 0 / 18 / 3 / 13

HEX #DDB6D6

RGB 221 182 214

HSL 310.77, 0.36%, 0.79%

LAB 78.28, 19.4, -10.79

 

CMYK 2 / 18 / 0 / 13

HEX #D9B6DD

RGB 217 182 221

HSL 293.85, 0.36%, 0.79%

LAB 78.13, 19.34, -14.84

 

CMYK 7 / 18 / 0 / 13

HEX #CEB6DD

RGB 206 182 221

HSL 276.92, 0.36%, 0.79%

LAB 77.16, 15.69, -16.4

 

CMYK 11 / 18 / 0 / 13

HEX #C4B6DD

RGB 196 182 221

HSL 261.54, 0.36%, 0.79%

LAB 76.32, 12.42, -17.74

 

CMYK 0 / 18 / 8 / 13

HEX #DDB6CC

RGB 221 182 204

HSL 326.15, 0.36%, 0.79%

LAB 77.99, 17.63, -5.81

 

CMYK 0 / 24 / 10 / 10

HEX #E5AECD

RGB 229 174 205

HSL 326.18, 0.51%, 0.79%

LAB 76.88, 24.88, -7.9

 

CMYK 0 / 31 / 13 / 7

HEX #EEA5CE

RGB 238 165 206

HSL 326.3, 0.68%, 0.79%

LAB 75.79, 32.93, -9.97

 

CMYK 0 / 37 / 16 / 3

HEX #F79CCF

RGB 247 156 207

HSL 326.37, 0.85%, 0.79%

LAB 74.86, 40.84, -11.8

 

CMYK 0 / 18 / 8 / 13

HEX #DDB6CC

RGB 221 182 204

HSL 326.15, 0.36%, 0.79%

LAB 77.99, 17.63, -5.81

 

CMYK 0 / 10 / 4 / 17

HEX #D4BFCB

RGB 212 191 203

HSL 325.71, 0.2%, 0.79%

LAB 79.37, 9.49, -3.32

 

CMYK 0 / 1 / 0 / 20

HEX #CBC8CA

RGB 203 200 202

HSL 320, 0.03%, 0.79%

LAB 80.89, 1.4, -0.64

 

CMYK 6 / 0 / 3 / 18

HEX #C3D0C9

RGB 195 208 201

HSL 147.69, 0.12%, 0.79%

LAB 82.34, -5.71, 1.94

 

CMYK 14 / 0 / 8 / 15

HEX #BAD9C7

RGB 186 217 199

HSL 145.16, 0.29%, 0.79%

LAB 84.06, -13.72, 5.42

 

CMYK 2 / 18 / 0 / 13

HEX #D9B6DD

RGB 217 182 221

HSL 293.85, 0.36%, 0.79%

LAB 78.13, 19.34, -14.84

 

CMYK 0 / 18 / 3 / 13

HEX #DDB6D6

RGB 221 182 214

HSL 310.77, 0.36%, 0.79%

LAB 78.28, 19.4, -10.79

 

CMYK 0 / 18 / 8 / 13

HEX #DDB6CC

RGB 221 182 204

HSL 326.15, 0.36%, 0.79%

LAB 77.99, 17.63, -5.81

 

CMYK 0 / 18 / 12 / 13

HEX #DDB6C2

RGB 221 182 194

HSL 341.54, 0.36%, 0.79%

LAB 77.71, 15.95, -0.79

 

CMYK 0 / 18 / 17 / 13

HEX #DDB6B7

RGB 221 182 183

HSL 358.46, 0.36%, 0.79%

LAB 77.43, 14.19, 4.77

 

CMYK 0 / 35 / 15 / 24

HEX #C27EA5

RGB 194 126 165

HSL 325.59, 0.36%, 0.63%

LAB 60.88, 32.07, -9.84

 

CMYK 0 / 26 / 12 / 18

HEX #D09AB8

RGB 208 154 184

HSL 326.67, 0.36%, 0.71%

LAB 69.46, 24.84, -7.61

 

CMYK 0 / 18 / 8 / 13

HEX #DDB6CC

RGB 221 182 204

HSL 326.15, 0.36%, 0.79%

LAB 77.99, 17.63, -5.81

 

CMYK 0 / 10 / 4 / 8

HEX #EAD2E0

RGB 234 210 224

HSL 325, 0.36%, 0.87%

LAB 86.49, 10.7, -3.86

 

CMYK 0 / 4 / 2 / 3

HEX #F7EEF3

RGB 247 238 243

HSL 326.67, 0.36%, 0.95%

LAB 94.91, 3.89, -1.34

 

CMYK 0 / 18 / 8 / 14

HEX #DCB5CB

RGB 220 181 203

HSL 326.15, 0.36%, 0.79%

LAB 77.62, 17.65, -5.81

 

CMYK 0 / 6 / 18 / 13

HEX #DDCFB6

RGB 221 207 182

HSL 38.46, 0.36%, 0.79%

LAB 83.64, 0.8, 14.17

 

CMYK 18 / 1 / 0 / 13

HEX #B6DBDD

RGB 182 219 221

HSL 183.08, 0.36%, 0.79%

LAB 84.91, -11.65, -5.03

 

CMYK 0 / 18 / 8 / 14

HEX #DCB5CB

RGB 220 181 203

HSL 326.15, 0.36%, 0.79%

LAB 77.62, 17.65, -5.81

 

CMYK 8 / 0 / 18 / 13

HEX #CCDDB6

RGB 204 221 182

HSL 86.15, 0.36%, 0.79%

LAB 85.97, -12.52, 17.26

 

CMYK 18 / 8 / 0 / 13

HEX #B6CCDD

RGB 182 204 221

HSL 206.15, 0.36%, 0.79%

LAB 80.93, -3.87, -10.93

 

CMYK 0 / 18 / 8 / 14

HEX #DCB5CB

RGB 220 181 203

HSL 326.15, 0.36%, 0.79%

LAB 77.62, 17.65, -5.81

 

CMYK 0 / 6 / 18 / 13

HEX #DDCFB6

RGB 221 207 182

HSL 38.46, 0.36%, 0.79%

LAB 83.64, 0.8, 14.17

 

CMYK 18 / 0 / 10 / 13

HEX #B6DDC7

RGB 182 221 199

HSL 146.15, 0.36%, 0.79%

LAB 84.88, -17.04, 6.57

 

CMYK 18 / 11 / 0 / 13

HEX #B6C4DD

RGB 182 196 221

HSL 218.46, 0.36%, 0.79%

LAB 78.84, 0.38, -14.06

 

CMYK 0 / 18 / 8 / 14

HEX #DCB5CB

RGB 220 181 203

HSL 326.15, 0.36%, 0.79%

LAB 77.62, 17.65, -5.81

 

CMYK 0 / 1 / 18 / 13

HEX #DDDAB6

RGB 221 218 182

HSL 55.38, 0.36%, 0.79%

LAB 86.45, -4.88, 18.12

 

CMYK 18 / 0 / 10 / 13

HEX #B6DDC7

RGB 182 221 199

HSL 146.15, 0.36%, 0.79%

LAB 84.88, -17.04, 6.57

 

CMYK 18 / 16 / 0 / 13

HEX #B6B9DD

RGB 182 185 221

HSL 235.38, 0.36%, 0.79%

LAB 75.99, 6.31, -18.36

 

Description

Color code: HEX #DCB5CB | qconv.com Color code: HEX #DCB5CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 181 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 181 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 8 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 8% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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