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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCB508 it is the complementary color #234AF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCB508. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCB508 shade: #E1B503, #F2C716, #FFD929, #FFEB3C and #FFFD4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCB508. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCB508 shade: #DCB508, #CBA300, #BA9100, #A97F00 and #986D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCB508 shade: #DDB608, #DD7D08, #DD4308, #DD0A08 and #DD0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCB508 shade: #DDB608, #CBDD08, #92DD08, #58DD08 and #1FDD08

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCB508 shade matches the following richer shades: #DDB608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCB508 shade: #DDB608, #CBAA1B, #B89F2D, #A69340 and #938752

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCB508 shade: #DD4108, #DD7A08, #DDB308, #CFDD08 and #96DD08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCB508 shade: #8E7505, #B69507, #DDB608, #F7CE18 and #F8D640

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCB508 shade: #DCB508, #08DD08 and #5D08DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCB508 shade: #DCB508, #08DDB3 and #B308DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCB508 shade: #DCB508, #08DD08, #0833DD and #DD08DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCB508 shade: #DCB508, #08DD48, #0833DD and #DD089D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 96 / 14

HEX #DCB508

RGB 220 181 8

HSL 48.96, 0.93%, 0.45%

LAB 75, 0.55, 76.32

 

Complementary color

CMYK 86 / 70 / 0 / 3

HEX #234AF7

RGB 35 74 247

HSL 228.96, 0.93%, 0.55%

LAB 41.17, 50.63, -88.61

 

CMYK 0 / 20 / 99 / 12

HEX #E1B503

RGB 225 181 3

HSL 48.11, 0.97%, 0.45%

LAB 75.49, 2.69, 77.44

 

CMYK 0 / 18 / 91 / 5

HEX #F2C716

RGB 242 199 22

HSL 48.27, 0.89%, 0.52%

LAB 81.72, 0.9, 80.45

 

CMYK 0 / 15 / 84 / 0

HEX #FFD929

RGB 255 217 41

HSL 49.35, 1%, 0.58%

LAB 87.51, -2.38, 81.76

 

CMYK 0 / 8 / 76 / 0

HEX #FFEB3C

RGB 255 235 60

HSL 53.85, 1%, 0.62%

LAB 92.13, -10.8, 80.62

 

CMYK 0 / 1 / 69 / 0

HEX #FFFD4F

RGB 255 253 79

HSL 59.32, 1%, 0.65%

LAB 96.85, -18.76, 78.89

 

CMYK 0 / 18 / 96 / 14

HEX #DCB508

RGB 220 181 8

HSL 48.96, 0.93%, 0.45%

LAB 75, 0.55, 76.32

 

CMYK 0 / 20 / 100 / 20

HEX #CBA300

RGB 203 163 0

HSL 48.18, 1%, 0.4%

LAB 68.67, 2.49, 71.97

 

CMYK 0 / 22 / 100 / 27

HEX #BA9100

RGB 186 145 0

HSL 46.77, 1%, 0.36%

LAB 62.24, 4.58, 66.68

 

CMYK 0 / 25 / 100 / 34

HEX #A97F00

RGB 169 127 0

HSL 45.09, 1%, 0.33%

LAB 55.7, 6.77, 61.29

 

CMYK 0 / 28 / 100 / 40

HEX #986D00

RGB 152 109 0

HSL 43.03, 1%, 0.3%

LAB 49.02, 9.06, 55.81

 

CMYK 0 / 18 / 96 / 13

HEX #DDB608

RGB 221 182 8

HSL 49.01, 0.93%, 0.45%

LAB 75.36, 0.46, 76.62

 

CMYK 0 / 43 / 96 / 13

HEX #DD7D08

RGB 221 125 8

HSL 32.96, 0.93%, 0.45%

LAB 61.7, 30.8, 67.1

 

CMYK 0 / 70 / 96 / 13

HEX #DD4308

RGB 221 67 8

HSL 16.62, 0.93%, 0.45%

LAB 51.16, 57.9, 60.54

 

CMYK 0 / 95 / 96 / 13

HEX #DD0A08

RGB 221 10 8

HSL 0.56, 0.93%, 0.45%

LAB 46.45, 71.12, 58.06

 

CMYK 0 / 96 / 96 / 13

HEX #DD0808

RGB 221 8 8

HSL 0, 0.93%, 0.45%

LAB 46.4, 71.29, 58.04

 

CMYK 0 / 18 / 96 / 13

HEX #DDB608

RGB 221 182 8

HSL 49.01, 0.93%, 0.45%

LAB 75.36, 0.46, 76.62

 

CMYK 8 / 0 / 96 / 13

HEX #CBDD08

RGB 203 221 8

HSL 65.07, 0.93%, 0.45%

LAB 84.19, -26.8, 82.5

 

CMYK 34 / 0 / 96 / 13

HEX #92DD08

RGB 146 221 8

HSL 81.13, 0.93%, 0.45%

LAB 80.65, -49.05, 78.23

 

CMYK 60 / 0 / 96 / 13

HEX #58DD08

RGB 88 221 8

HSL 97.46, 0.93%, 0.45%

LAB 78.35, -66.52, 75.43

 

CMYK 86 / 0 / 96 / 13

HEX #1FDD08

RGB 31 221 8

HSL 113.52, 0.93%, 0.45%

LAB 77.29, -75.63, 74.13

 

CMYK 0 / 18 / 96 / 13

HEX #DDB608

RGB 221 182 8

HSL 49.01, 0.93%, 0.45%

LAB 75.36, 0.46, 76.62

 

CMYK 0 / 18 / 96 / 13

HEX #DDB608

RGB 221 182 8

HSL 49.01, 0.93%, 0.45%

LAB 75.36, 0.46, 76.62

 

CMYK 0 / 16 / 87 / 20

HEX #CBAA1B

RGB 203 170 27

HSL 48.75, 0.77%, 0.45%

LAB 70.54, -0.84, 69.14

 

CMYK 0 / 14 / 76 / 28

HEX #B89F2D

RGB 184 159 45

HSL 49.21, 0.61%, 0.45%

LAB 65.89, -2.82, 59.01

 

CMYK 0 / 11 / 61 / 35

HEX #A69340

RGB 166 147 64

HSL 48.82, 0.44%, 0.45%

LAB 61.08, -3.23, 45.5

 

CMYK 0 / 8 / 44 / 42

HEX #938752

RGB 147 135 82

HSL 48.92, 0.28%, 0.45%

LAB 56.23, -3.31, 30.07

 

CMYK 0 / 71 / 96 / 13

HEX #DD4108

RGB 221 65 8

HSL 16.06, 0.93%, 0.45%

LAB 50.89, 58.64, 60.39

 

CMYK 0 / 45 / 96 / 13

HEX #DD7A08

RGB 221 122 8

HSL 32.11, 0.93%, 0.45%

LAB 61.05, 32.37, 66.66

 

CMYK 0 / 19 / 96 / 13

HEX #DDB308

RGB 221 179 8

HSL 48.17, 0.93%, 0.45%

LAB 74.59, 2.04, 76.07

 

CMYK 6 / 0 / 96 / 13

HEX #CFDD08

RGB 207 221 8

HSL 63.94, 0.93%, 0.45%

LAB 84.48, -25.14, 82.85

 

CMYK 32 / 0 / 96 / 13

HEX #96DD08

RGB 150 221 8

HSL 80, 0.93%, 0.45%

LAB 80.86, -47.61, 78.48

 

CMYK 0 / 18 / 96 / 44

HEX #8E7505

RGB 142 117 5

HSL 49.05, 0.93%, 0.29%

LAB 50.08, -0.13, 54.99

 

CMYK 0 / 18 / 96 / 29

HEX #B69507

RGB 182 149 7

HSL 48.69, 0.93%, 0.37%

LAB 62.89, 0.68, 65.92

 

CMYK 0 / 18 / 96 / 13

HEX #DDB608

RGB 221 182 8

HSL 49.01, 0.93%, 0.45%

LAB 75.36, 0.46, 76.62

 

CMYK 0 / 17 / 90 / 3

HEX #F7CE18

RGB 247 206 24

HSL 48.97, 0.93%, 0.53%

LAB 83.96, -0.52, 82.04

 

CMYK 0 / 14 / 74 / 3

HEX #F8D640

RGB 248 214 64

HSL 48.91, 0.93%, 0.61%

LAB 86.22, -3.06, 73.63

 

CMYK 0 / 18 / 96 / 14

HEX #DCB508

RGB 220 181 8

HSL 48.96, 0.93%, 0.45%

LAB 75, 0.55, 76.32

 

CMYK 96 / 0 / 96 / 13

HEX #08DD08

RGB 8 221 8

HSL 120, 0.93%, 0.45%

LAB 77.15, -76.93, 73.96

 

CMYK 58 / 96 / 0 / 13

HEX #5D08DD

RGB 93 8 221

HSL 263.94, 0.93%, 0.45%

LAB 33.4, 72.36, -86.6

 

CMYK 0 / 18 / 96 / 14

HEX #DCB508

RGB 220 181 8

HSL 48.96, 0.93%, 0.45%

LAB 75, 0.55, 76.32

 

CMYK 96 / 0 / 19 / 13

HEX #08DDB3

RGB 8 221 179

HSL 168.17, 0.93%, 0.45%

LAB 79.05, -54.45, 8.08

 

CMYK 19 / 96 / 0 / 13

HEX #B308DD

RGB 179 8 221

HSL 288.17, 0.93%, 0.45%

LAB 45.6, 81.31, -66.09

 

CMYK 0 / 18 / 96 / 14

HEX #DCB508

RGB 220 181 8

HSL 48.96, 0.93%, 0.45%

LAB 75, 0.55, 76.32

 

CMYK 96 / 0 / 96 / 13

HEX #08DD08

RGB 8 221 8

HSL 120, 0.93%, 0.45%

LAB 77.15, -76.93, 73.96

 

CMYK 96 / 77 / 0 / 13

HEX #0833DD

RGB 8 51 221

HSL 227.89, 0.93%, 0.45%

LAB 33.22, 53.99, -87.03

 

CMYK 0 / 96 / 0 / 13

HEX #DD08DD

RGB 221 8 221

HSL 300, 0.93%, 0.45%

LAB 52.69, 87.62, -54.3

 

CMYK 0 / 18 / 96 / 14

HEX #DCB508

RGB 220 181 8

HSL 48.96, 0.93%, 0.45%

LAB 75, 0.55, 76.32

 

CMYK 96 / 0 / 67 / 13

HEX #08DD48

RGB 8 221 72

HSL 138.03, 0.93%, 0.45%

LAB 77.42, -73.48, 58.28

 

CMYK 96 / 77 / 0 / 13

HEX #0833DD

RGB 8 51 221

HSL 227.89, 0.93%, 0.45%

LAB 33.22, 53.99, -87.03

 

CMYK 0 / 96 / 29 / 13

HEX #DD089D

RGB 221 8 157

HSL 318.03, 0.93%, 0.45%

LAB 49.47, 79.53, -22.1

 

Description

Color code: HEX #DCB508 | qconv.com Color code: HEX #DCB508 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 181 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 181 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 96 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 96% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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