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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCB4B0CE it is the complementary color #234B4FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCB4B0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCB4B0CE shade: #E1B4ABCE, #F2C6BECE, #FFD8D1CE, #FFEAE4CE and #FFFCF7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCB4B0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCB4B0CE shade: #DCB4B0CE, #CBA29DCE, #BA908ACE, #A97E77CE and #986C64CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCB4B0CE shade: #DDB5B1 and #DDB1B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCB4B0CE shade: #DDB5B1, #DDC1B1, #DDCDB1, #DDD8B1 and #D5DDB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCB4B0CE shade matches the following richer shades: #DDB5B1, #E6AEA8, #EFA69F and #F89F96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCB4B0CE shade: #DDB5B1, #D4BCBA, #CBC4C3, #C2CBCC and #B8D3D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCB4B0CE shade: #DDB1C5, #DDB1B9, #DDB5B1, #DDC0B1 and #DDCCB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCB4B0CE shade: #C47F78, #D09A94, #DDB5B1, #E9D0CE and #F6EBEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCB4B0CE shade: #DCB4B0, #D0DDB1 and #B1BFDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCB4B0CE shade: #DCB4B0, #B1DDB5 and #B5B1DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCB4B0CE shade: #DCB4B0, #D0DDB1, #B1D9DD and #BDB1DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCB4B0CE shade: #DCB4B0, #C3DDB1, #B1D9DD and #CBB1DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 16 / 11

HEX #DCB4B0CE

RGBA 220 180 176 0.81

HSLA 5.45, 0.39%, 0.78%, 0.81

LABA 76.67, 13.82, 7.48, 0.81

 

Complementary color

CMYK 45 / 4 / 0 / 56

HEX #234B4FCE

RGBA 35 75 79 0.81

HSLA 185.45, 0.39%, 0.22%, 0.81

LABA 29.3, -12.76, -6.71, 0.81

 

CMYK 0 / 16 / 19 / 10

HEX #E1B4ABCE

RGBA 225 180 171 0.81

HSLA 10, 0.47%, 0.78%, 0.81

LABA 77.04, 14.94, 10.77, 0.81

 

CMYK 0 / 15 / 17 / 4

HEX #F2C6BECE

RGBA 242 198 190 0.81

HSLA 9.23, 0.67%, 0.85%, 0.81

LABA 83.43, 14.41, 9.88, 0.81

 

CMYK 0 / 12 / 15 / 0

HEX #FFD8D1CE

RGBA 255 216 209 0.81

HSLA 9.13, 1%, 0.91%, 0.81

LABA 89.38, 12.49, 8.49, 0.81

 

CMYK 0 / 7 / 9 / 0

HEX #FFEAE4CE

RGBA 255 234 228 0.81

HSLA 13.33, 1%, 0.95%, 0.81

LABA 94.19, 6.15, 5.48, 0.81

 

CMYK 0 / 1 / 3 / 0

HEX #FFFCF7CE

RGBA 255 252 247 0.81

HSLA 37.5, 1%, 0.98%, 0.81

LABA 99.06, 0.14, 2.73, 0.81

 

CMYK 0 / 15 / 16 / 11

HEX #DCB4B0CE

RGBA 220 180 176 0.81

HSLA 5.45, 0.39%, 0.78%, 0.81

LABA 76.67, 13.82, 7.48, 0.81

 

CMYK 0 / 16 / 18 / 17

HEX #CBA29DCE

RGBA 203 162 157 0.81

HSLA 6.52, 0.31%, 0.71%, 0.81

LABA 70.16, 14.35, 8.35, 0.81

 

CMYK 0 / 18 / 21 / 22

HEX #BA908ACE

RGBA 186 144 138 0.81

HSLA 7.5, 0.26%, 0.64%, 0.81

LABA 63.52, 14.95, 9.28, 0.81

 

CMYK 0 / 21 / 24 / 27

HEX #A97E77CE

RGBA 169 126 119 0.81

HSLA 8.4, 0.23%, 0.56%, 0.81

LABA 56.77, 15.64, 10.31, 0.81

 

CMYK 0 / 23 / 28 / 33

HEX #986C64CE

RGBA 152 108 100 0.81

HSLA 9.23, 0.21%, 0.49%, 0.81

LABA 49.88, 16.42, 11.44, 0.81

 

CMYK 0 / 18 / 20 / 13

HEX #DDB5B1

RGB 221 181 177

HSL 5.45, 0.39%, 0.78%

LAB 77.04, 13.8, 7.47

 

CMYK 0 / 20 / 20 / 13

HEX #DDB1B1

RGB 221 177 177

HSL 0, 0.39%, 0.78%

LAB 76.06, 15.95, 6.07

 

CMYK 0 / 18 / 20 / 13

HEX #DDB5B1

RGB 221 181 177

HSL 5.45, 0.39%, 0.78%

LAB 77.04, 13.8, 7.47

 

CMYK 0 / 13 / 20 / 13

HEX #DDC1B1

RGB 221 193 177

HSL 21.82, 0.39%, 0.78%

LAB 80, 7.41, 11.69

 

CMYK 0 / 7 / 20 / 13

HEX #DDCDB1

RGB 221 205 177

HSL 38.18, 0.39%, 0.78%

LAB 83.02, 1.1, 15.96

 

CMYK 0 / 2 / 20 / 13

HEX #DDD8B1

RGB 221 216 177

HSL 53.18, 0.39%, 0.78%

LAB 85.84, -4.59, 19.88

 

CMYK 4 / 0 / 20 / 13

HEX #D5DDB1

RGB 213 221 177

HSL 70.91, 0.39%, 0.78%

LAB 86.52, -10.06, 20.74

 

CMYK 0 / 18 / 20 / 13

HEX #DDB5B1

RGB 221 181 177

HSL 5.45, 0.39%, 0.78%

LAB 77.04, 13.8, 7.47

 

CMYK 0 / 24 / 27 / 10

HEX #E6AEA8

RGB 230 174 168

HSL 5.81, 0.55%, 0.78%

LAB 76.02, 19.6, 11.03

 

CMYK 0 / 31 / 33 / 6

HEX #EFA69F

RGB 239 166 159

HSL 5.25, 0.71%, 0.78%

LAB 74.9, 26.06, 14.5

 

CMYK 0 / 36 / 40 / 3

HEX #F89F96

RGB 248 159 150

HSL 5.51, 0.88%, 0.78%

LAB 74.16, 32.07, 18.53

 

CMYK 0 / 18 / 20 / 13

HEX #DDB5B1

RGB 221 181 177

HSL 5.45, 0.39%, 0.78%

LAB 77.04, 13.8, 7.47

 

CMYK 0 / 11 / 12 / 17

HEX #D4BCBA

RGB 212 188 186

HSL 4.62, 0.23%, 0.78%

LAB 78.17, 8.19, 4.12

 

CMYK 0 / 3 / 4 / 20

HEX #CBC4C3

RGB 203 196 195

HSL 7.5, 0.07%, 0.78%

LAB 79.68, 2.26, 1.36

 

CMYK 5 / 0 / 0 / 20

HEX #C2CBCC

RGB 194 203 204

HSL 186, 0.09%, 0.78%

LAB 81.04, -2.87, -1.57

 

CMYK 14 / 1 / 0 / 16

HEX #B8D3D5

RGB 184 211 213

HSL 184.14, 0.26%, 0.78%

LAB 82.69, -8.56, -4.03

 

CMYK 0 / 20 / 11 / 13

HEX #DDB1C5

RGB 221 177 197

HSL 332.73, 0.39%, 0.78%

LAB 76.59, 19.13, -4.07

 

CMYK 0 / 20 / 16 / 13

HEX #DDB1B9

RGB 221 177 185

HSL 349.09, 0.39%, 0.78%

LAB 76.26, 17.18, 2

 

CMYK 0 / 18 / 20 / 13

HEX #DDB5B1

RGB 221 181 177

HSL 5.45, 0.39%, 0.78%

LAB 77.04, 13.8, 7.47

 

CMYK 0 / 13 / 20 / 13

HEX #DDC0B1

RGB 221 192 177

HSL 20.45, 0.39%, 0.78%

LAB 79.75, 7.94, 11.34

 

CMYK 0 / 8 / 20 / 13

HEX #DDCCB1

RGB 221 204 177

HSL 36.82, 0.39%, 0.78%

LAB 82.77, 1.62, 15.6

 

CMYK 0 / 35 / 39 / 23

HEX #C47F78

RGB 196 127 120

HSL 5.53, 0.39%, 0.62%

LAB 60.13, 25.89, 14.89

 

CMYK 0 / 26 / 29 / 18

HEX #D09A94

RGB 208 154 148

HSL 6, 0.39%, 0.7%

LAB 68.5, 19.34, 11.06

 

CMYK 0 / 18 / 20 / 13

HEX #DDB5B1

RGB 221 181 177

HSL 5.45, 0.39%, 0.78%

LAB 77.04, 13.8, 7.47

 

CMYK 0 / 11 / 12 / 9

HEX #E9D0CE

RGB 233 208 206

HSL 4.44, 0.38%, 0.86%

LAB 85.45, 8.37, 4.16

 

CMYK 0 / 4 / 5 / 4

HEX #F6EBEA

RGB 246 235 234

HSL 5, 0.4%, 0.94%

LAB 93.86, 3.54, 1.8

 

CMYK 0 / 18 / 20 / 14

HEX #DCB4B0

RGB 220 180 176

HSL 5.45, 0.39%, 0.78%

LAB 76.67, 13.82, 7.48

 

CMYK 6 / 0 / 20 / 13

HEX #D0DDB1

RGB 208 221 177

HSL 77.73, 0.39%, 0.78%

LAB 86.15, -11.87, 20.17

 

CMYK 20 / 14 / 0 / 13

HEX #B1BFDD

RGB 177 191 221

HSL 220.91, 0.39%, 0.78%

LAB 77.18, 1.49, -16.59

 

CMYK 0 / 18 / 20 / 14

HEX #DCB4B0

RGB 220 180 176

HSL 5.45, 0.39%, 0.78%

LAB 76.67, 13.82, 7.48

 

CMYK 20 / 0 / 18 / 13

HEX #B1DDB5

RGB 177 221 181

HSL 125.45, 0.39%, 0.78%

LAB 84.17, -21.98, 15

 

CMYK 18 / 20 / 0 / 13

HEX #B5B1DD

RGB 181 177 221

HSL 245.45, 0.39%, 0.78%

LAB 73.86, 10.37, -21.59

 

CMYK 0 / 18 / 20 / 14

HEX #DCB4B0

RGB 220 180 176

HSL 5.45, 0.39%, 0.78%

LAB 76.67, 13.82, 7.48

 

CMYK 6 / 0 / 20 / 13

HEX #D0DDB1

RGB 208 221 177

HSL 77.73, 0.39%, 0.78%

LAB 86.15, -11.87, 20.17

 

CMYK 20 / 2 / 0 / 13

HEX #B1D9DD

RGB 177 217 221

HSL 185.45, 0.39%, 0.78%

LAB 84.07, -12.17, -6.31

 

CMYK 14 / 20 / 0 / 13

HEX #BDB1DD

RGB 189 177 221

HSL 256.36, 0.39%, 0.78%

LAB 74.5, 12.9, -20.56

 

CMYK 0 / 18 / 20 / 14

HEX #DCB4B0

RGB 220 180 176

HSL 5.45, 0.39%, 0.78%

LAB 76.67, 13.82, 7.48

 

CMYK 12 / 0 / 20 / 13

HEX #C3DDB1

RGB 195 221 177

HSL 95.45, 0.39%, 0.78%

LAB 85.25, -16.49, 18.77

 

CMYK 20 / 2 / 0 / 13

HEX #B1D9DD

RGB 177 217 221

HSL 185.45, 0.39%, 0.78%

LAB 84.07, -12.17, -6.31

 

CMYK 8 / 20 / 0 / 13

HEX #CBB1DD

RGB 203 177 221

HSL 275.45, 0.39%, 0.78%

LAB 75.68, 17.43, -18.66

 

Description

Color code: HEX #DCB4B0CE | qconv.com Color code: HEX #DCB4B0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 180 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 180 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 16 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 16% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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