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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCB390CE it is the complementary color #234C6FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCB390CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCB390CE shade: #E1B38BCE, #F2C59ECE, #FFD7B1CE, #FFE9C4CE and #FFFBD7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCB390CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCB390CE shade: #DCB390CE, #CBA17DCE, #BA8F6ACE, #A97D57CE and #986B44CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCB390CE shade: #DCB28F, #DC9D8F and #DC8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCB390CE shade: #DCB28F, #DCC78F, #DCDB8F, #C7DC8F and #B2DC8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCB390CE shade matches the following richer shades: #DCB28F, #E7B183 and #F3B077

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCB390CE shade: #DCB28F, #D0B39B, #C4B4A7, #B8B5B2 and #ACB6BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCB390CE shade: #DC8F95, #DC9D8F, #DCB18F, #DCC68F and #DCDA8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCB390CE shade: #C88750, #D29D6F, #DCB28F, #E5C7AE and #EFDDCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCB390CE shade: #DCB390, #AADC8F and #928FDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCB390CE shade: #DCB390, #8FDCB1 and #B18FDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCB390CE shade: #DCB390, #AADC8F, #8FB9DC and #C18FDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCB390CE shade: #DCB390, #92DC8F, #8FB9DC and #D88FDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 28 / 11

HEX #DCB390CE

RGBA 220 179 144 0.81

HSLA 27.63, 0.52%, 0.71%, 0.81

LABA 75.74, 9.98, 23.48, 0.81

 

Complementary color

CMYK 55 / 26 / 0 / 46

HEX #234C6FCE

RGBA 35 76 111 0.81

HSLA 207.63, 0.52%, 0.29%, 0.81

LABA 31.05, -2.12, -24.42, 0.81

 

CMYK 0 / 17 / 31 / 10

HEX #E1B38BCE

RGBA 225 179 139 0.81

HSLA 27.91, 0.59%, 0.71%, 0.81

LABA 76.14, 11.35, 26.77, 0.81

 

CMYK 0 / 15 / 28 / 4

HEX #F2C59ECE

RGBA 242 197 158 0.81

HSLA 27.86, 0.76%, 0.78%, 0.81

LABA 82.53, 10.7, 25.61, 0.81

 

CMYK 0 / 13 / 25 / 0

HEX #FFD7B1CE

RGBA 255 215 177 0.81

HSLA 29.23, 1%, 0.85%, 0.81

LABA 88.46, 8.61, 23.96, 0.81

 

CMYK 0 / 7 / 19 / 0

HEX #FFE9C4CE

RGBA 255 233 196 0.81

HSLA 37.63, 1%, 0.88%, 0.81

LABA 93.24, 1.88, 20.72, 0.81

 

CMYK 0 / 1 / 13 / 0

HEX #FFFBD7CE

RGBA 255 251 215 0.81

HSLA 54, 1%, 0.92%, 0.81

LABA 98.1, -4.47, 17.75, 0.81

 

CMYK 0 / 15 / 28 / 11

HEX #DCB390CE

RGBA 220 179 144 0.81

HSLA 27.63, 0.52%, 0.71%, 0.81

LABA 75.74, 9.98, 23.48, 0.81

 

CMYK 0 / 17 / 31 / 17

HEX #CBA17DCE

RGBA 203 161 125 0.81

HSLA 27.69, 0.43%, 0.64%, 0.81

LABA 69.23, 10.64, 24.66, 0.81

 

CMYK 0 / 19 / 35 / 22

HEX #BA8F6ACE

RGBA 186 143 106 0.81

HSLA 27.75, 0.37%, 0.57%, 0.81

LABA 62.61, 11.41, 25.93, 0.81

 

CMYK 0 / 21 / 39 / 27

HEX #A97D57CE

RGBA 169 125 87 0.81

HSLA 27.8, 0.32%, 0.5%, 0.81

LABA 55.88, 12.31, 27.33, 0.81

 

CMYK 0 / 24 / 45 / 33

HEX #986B44CE

RGBA 152 107 68 0.81

HSLA 27.86, 0.38%, 0.43%, 0.81

LABA 49.02, 13.38, 28.85, 0.81

 

CMYK 0 / 19 / 35 / 14

HEX #DCB28F

RGB 220 178 143

HSL 27.27, 0.52%, 0.71%

LAB 75.48, 10.39, 23.65

 

CMYK 0 / 29 / 35 / 14

HEX #DC9D8F

RGB 220 157 143

HSL 10.91, 0.52%, 0.71%

LAB 70.39, 21.68, 16.67

 

CMYK 0 / 35 / 35 / 14

HEX #DC8F8F

RGB 220 143 143

HSL 0, 0.52%, 0.71%

LAB 67.16, 29.21, 12.14

 

CMYK 0 / 19 / 35 / 14

HEX #DCB28F

RGB 220 178 143

HSL 27.27, 0.52%, 0.71%

LAB 75.48, 10.39, 23.65

 

CMYK 0 / 10 / 35 / 14

HEX #DCC78F

RGB 220 199 143

HSL 43.64, 0.52%, 0.71%

LAB 80.76, -0.69, 30.75

 

CMYK 0 / 0 / 35 / 14

HEX #DCDB8F

RGB 220 219 143

HSL 59.22, 0.52%, 0.71%

LAB 85.94, -10.93, 37.54

 

CMYK 10 / 0 / 35 / 14

HEX #C7DC8F

RGB 199 220 143

HSL 76.36, 0.52%, 0.71%

LAB 84.64, -19.43, 35.56

 

CMYK 19 / 0 / 35 / 14

HEX #B2DC8F

RGB 178 220 143

HSL 92.73, 0.52%, 0.71%

LAB 83.25, -27.12, 33.47

 

CMYK 0 / 19 / 35 / 14

HEX #DCB28F

RGB 220 178 143

HSL 27.27, 0.52%, 0.71%

LAB 75.48, 10.39, 23.65

 

CMYK 0 / 23 / 43 / 9

HEX #E7B183

RGB 231 177 131

HSL 27.6, 0.68%, 0.71%

LAB 76.11, 13.92, 31.1

 

CMYK 0 / 28 / 51 / 5

HEX #F3B077

RGB 243 176 119

HSL 27.58, 0.84%, 0.71%

LAB 76.94, 18.09, 38.7

 

CMYK 0 / 19 / 35 / 14

HEX #DCB28F

RGB 220 178 143

HSL 27.27, 0.52%, 0.71%

LAB 75.48, 10.39, 23.65

 

CMYK 0 / 14 / 25 / 18

HEX #D0B39B

RGB 208 179 155

HSL 27.17, 0.36%, 0.71%

LAB 74.84, 6.78, 16.12

 

CMYK 0 / 8 / 15 / 23

HEX #C4B4A7

RGB 196 180 167

HSL 26.9, 0.2%, 0.71%

LAB 74.3, 3.53, 8.68

 

CMYK 0 / 2 / 3 / 28

HEX #B8B5B2

RGB 184 181 178

HSL 30, 0.04%, 0.71%

LAB 73.84, 0.51, 1.89

 

CMYK 9 / 4 / 0 / 25

HEX #ACB6BE

RGB 172 182 190

HSL 206.67, 0.12%, 0.71%

LAB 73.51, -1.87, -5.26

 

CMYK 0 / 35 / 32 / 14

HEX #DC8F95

RGB 220 143 149

HSL 355.32, 0.52%, 0.71%

LAB 67.3, 29.96, 8.98

 

CMYK 0 / 29 / 35 / 14

HEX #DC9D8F

RGB 220 157 143

HSL 10.91, 0.52%, 0.71%

LAB 70.39, 21.68, 16.67

 

CMYK 0 / 20 / 35 / 14

HEX #DCB18F

RGB 220 177 143

HSL 26.49, 0.52%, 0.71%

LAB 75.23, 10.92, 23.32

 

CMYK 0 / 10 / 35 / 14

HEX #DCC68F

RGB 220 198 143

HSL 42.86, 0.52%, 0.71%

LAB 80.51, -0.17, 30.41

 

CMYK 0 / 1 / 35 / 14

HEX #DCDA8F

RGB 220 218 143

HSL 58.44, 0.52%, 0.71%

LAB 85.68, -10.43, 37.2

 

CMYK 0 / 33 / 60 / 22

HEX #C88750

RGB 200 135 80

HSL 27.5, 0.52%, 0.55%

LAB 61.81, 19.29, 39.28

 

CMYK 0 / 25 / 47 / 18

HEX #D29D6F

RGB 210 157 111

HSL 27.88, 0.52%, 0.63%

LAB 68.72, 14.14, 31.69

 

CMYK 0 / 19 / 35 / 14

HEX #DCB28F

RGB 220 178 143

HSL 27.27, 0.52%, 0.71%

LAB 75.48, 10.39, 23.65

 

CMYK 0 / 13 / 24 / 10

HEX #E5C7AE

RGB 229 199 174

HSL 27.27, 0.51%, 0.79%

LAB 82.14, 6.79, 16.41

 

CMYK 0 / 8 / 14 / 6

HEX #EFDDCD

RGB 239 221 205

HSL 28.24, 0.52%, 0.87%

LAB 89.14, 3.58, 10.07

 

CMYK 0 / 19 / 35 / 14

HEX #DCB390

RGB 220 179 144

HSL 27.63, 0.52%, 0.71%

LAB 75.74, 9.98, 23.48

 

CMYK 23 / 0 / 35 / 14

HEX #AADC8F

RGB 170 220 143

HSL 98.96, 0.52%, 0.71%

LAB 82.76, -29.95, 32.74

 

CMYK 34 / 35 / 0 / 14

HEX #928FDC

RGB 146 143 220

HSL 242.34, 0.52%, 0.71%

LAB 62.44, 18.88, -38.88

 

CMYK 0 / 19 / 35 / 14

HEX #DCB390

RGB 220 179 144

HSL 27.63, 0.52%, 0.71%

LAB 75.74, 9.98, 23.48

 

CMYK 35 / 0 / 20 / 14

HEX #8FDCB1

RGB 143 220 177

HSL 146.49, 0.52%, 0.71%

LAB 81.95, -32.9, 13.7

 

CMYK 20 / 35 / 0 / 14

HEX #B18FDC

RGB 177 143 220

HSL 266.49, 0.52%, 0.71%

LAB 65.09, 27.88, -34.55

 

CMYK 0 / 19 / 35 / 14

HEX #DCB390

RGB 220 179 144

HSL 27.63, 0.52%, 0.71%

LAB 75.74, 9.98, 23.48

 

CMYK 23 / 0 / 35 / 14

HEX #AADC8F

RGB 170 220 143

HSL 98.96, 0.52%, 0.71%

LAB 82.76, -29.95, 32.74

 

CMYK 35 / 16 / 0 / 14

HEX #8FB9DC

RGB 143 185 220

HSL 207.27, 0.52%, 0.71%

LAB 73.35, -5.54, -22.05

 

CMYK 12 / 35 / 0 / 14

HEX #C18FDC

RGB 193 143 220

HSL 278.96, 0.52%, 0.71%

LAB 66.63, 32.74, -32.04

 

CMYK 0 / 19 / 35 / 14

HEX #DCB390

RGB 220 179 144

HSL 27.63, 0.52%, 0.71%

LAB 75.74, 9.98, 23.48

 

CMYK 34 / 0 / 35 / 14

HEX #92DC8F

RGB 146 220 143

HSL 117.66, 0.52%, 0.71%

LAB 81.45, -37.97, 30.75

 

CMYK 35 / 16 / 0 / 14

HEX #8FB9DC

RGB 143 185 220

HSL 207.27, 0.52%, 0.71%

LAB 73.35, -5.54, -22.05

 

CMYK 2 / 35 / 0 / 14

HEX #D88FDC

RGB 216 143 220

HSL 296.88, 0.52%, 0.71%

LAB 69.05, 39.87, -28.11

 

Description

Color code: HEX #DCB390CE | qconv.com Color code: HEX #DCB390CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 179 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 179 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 28 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 28% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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