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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCB249 it is the complementary color #234DB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCB249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCB249 shade: #E1B244, #F2C457, #FFD66A, #FFE87D and #FFFA90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCB249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCB249 shade: #DCB249, #CBA036, #BA8E23, #A97C10 and #986A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCB249 shade: #DCB147, #DC8947, #DC6147 and #DC4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCB249 shade: #DCB147, #DCDA47, #B6DC47, #8EDC47 and #66DC47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCB249 shade matches the following richer shades: #DCB147 and #EEB935

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCB249 shade: #DCB147, #CAAA59, #B8A26A, #A79A7C and #95938E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCB249 shade: #DC6047, #DC8747, #DCAF47, #DCD747 and #B9DC47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCB249 shade: #AF8621, #D2A128, #DCB147, #E3C069 and #E9CF8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCB249 shade: #DCB249, #56DC47 and #7447DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCB249 shade: #DCB249, #47DCAF and #AF47DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCB249 shade: #DCB249, #56DC47, #4774DC and #CD47DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCB249 shade: #DCB249, #47DC65, #4774DC and #DC47BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 67 / 14

HEX #DCB249

RGB 220 178 73

HSL 42.86, 0.68%, 0.57%

LAB 74.53, 4.15, 57.56

 

Complementary color

CMYK 81 / 58 / 0 / 29

HEX #234DB6

RGB 35 77 182

HSL 222.86, 0.68%, 0.43%

LAB 36.07, 24.94, -59.62

 

CMYK 0 / 21 / 70 / 12

HEX #E1B244

RGB 225 178 68

HSL 42.04, 0.72%, 0.57%

LAB 74.99, 6.01, 60.32

 

CMYK 0 / 19 / 64 / 5

HEX #F2C457

RGB 242 196 87

HSL 42.19, 0.86%, 0.65%

LAB 81.32, 4.82, 59.35

 

CMYK 0 / 16 / 58 / 0

HEX #FFD66A

RGB 255 214 106

HSL 43.49, 1%, 0.71%

LAB 87.19, 2.16, 57.7

 

CMYK 0 / 9 / 51 / 0

HEX #FFE87D

RGB 255 232 125

HSL 49.38, 1%, 0.75%

LAB 91.89, -5.48, 54.38

 

CMYK 0 / 2 / 44 / 0

HEX #FFFA90

RGB 255 250 144

HSL 57.3, 1%, 0.78%

LAB 96.67, -12.68, 51.23

 

CMYK 0 / 19 / 67 / 14

HEX #DCB249

RGB 220 178 73

HSL 42.86, 0.68%, 0.57%

LAB 74.53, 4.15, 57.56

 

CMYK 0 / 21 / 73 / 20

HEX #CBA036

RGB 203 160 54

HSL 42.68, 0.59%, 0.5%

LAB 68.1, 5.42, 58.36

 

CMYK 0 / 24 / 81 / 27

HEX #BA8E23

RGB 186 142 35

HSL 42.52, 0.68%, 0.43%

LAB 61.57, 6.92, 58.63

 

CMYK 0 / 27 / 91 / 34

HEX #A97C10

RGB 169 124 16

HSL 42.35, 0.83%, 0.36%

LAB 54.96, 8.7, 57.79

 

CMYK 0 / 30 / 100 / 40

HEX #986A00

RGB 152 106 0

HSL 41.84, 1%, 0.3%

LAB 48.24, 10.79, 55.28

 

CMYK 0 / 20 / 68 / 14

HEX #DCB147

RGB 220 177 71

HSL 42.68, 0.68%, 0.57%

LAB 74.26, 4.56, 58.14

 

CMYK 0 / 38 / 68 / 14

HEX #DC8947

RGB 220 137 71

HSL 26.58, 0.68%, 0.57%

LAB 64.61, 25.96, 47.71

 

CMYK 0 / 56 / 68 / 14

HEX #DC6147

RGB 220 97 71

HSL 10.47, 0.68%, 0.57%

LAB 56.31, 46.46, 38.21

 

CMYK 0 / 68 / 68 / 14

HEX #DC4747

RGB 220 71 71

HSL 0, 0.68%, 0.57%

LAB 52.04, 57.82, 33.12

 

CMYK 0 / 20 / 68 / 14

HEX #DCB147

RGB 220 177 71

HSL 42.68, 0.68%, 0.57%

LAB 74.26, 4.56, 58.14

 

CMYK 0 / 1 / 68 / 14

HEX #DCDA47

RGB 220 218 71

HSL 59.19, 0.68%, 0.57%

LAB 84.9, -16.44, 69.03

 

CMYK 17 / 0 / 68 / 14

HEX #B6DC47

RGB 182 220 71

HSL 75.3, 0.68%, 0.57%

LAB 82.69, -32.78, 65.9

 

CMYK 35 / 0 / 68 / 14

HEX #8EDC47

RGB 142 220 71

HSL 91.41, 0.68%, 0.57%

LAB 80.4, -47.54, 62.82

 

CMYK 54 / 0 / 68 / 14

HEX #66DC47

RGB 102 220 71

HSL 107.52, 0.68%, 0.57%

LAB 78.73, -59.74, 60.55

 

CMYK 0 / 20 / 68 / 14

HEX #DCB147

RGB 220 177 71

HSL 42.68, 0.68%, 0.57%

LAB 74.26, 4.56, 58.14

 

CMYK 0 / 22 / 78 / 7

HEX #EEB935

RGB 238 185 53

HSL 42.81, 0.84%, 0.57%

LAB 77.95, 7.22, 69.36

 

CMYK 0 / 20 / 68 / 14

HEX #DCB147

RGB 220 177 71

HSL 42.68, 0.68%, 0.57%

LAB 74.26, 4.56, 58.14

 

CMYK 0 / 16 / 56 / 21

HEX #CAAA59

RGB 202 170 89

HSL 43.01, 0.52%, 0.57%

LAB 70.89, 1.83, 45.55

 

CMYK 0 / 12 / 42 / 28

HEX #B8A26A

RGB 184 162 106

HSL 43.08, 0.35%, 0.57%

LAB 67.33, 0.18, 32.05

 

CMYK 0 / 8 / 26 / 35

HEX #A79A7C

RGB 167 154 124

HSL 41.86, 0.2%, 0.57%

LAB 63.98, -0.1, 17.5

 

CMYK 0 / 1 / 5 / 42

HEX #95938E

RGB 149 147 142

HSL 42.86, 0.03%, 0.57%

LAB 60.97, -0.21, 2.89

 

CMYK 0 / 56 / 68 / 14

HEX #DC6047

RGB 220 96 71

HSL 10.07, 0.68%, 0.57%

LAB 56.12, 46.94, 38

 

CMYK 0 / 39 / 68 / 14

HEX #DC8747

RGB 220 135 71

HSL 25.77, 0.68%, 0.57%

LAB 64.16, 27.03, 47.2

 

CMYK 0 / 20 / 68 / 14

HEX #DCAF47

RGB 220 175 71

HSL 41.88, 0.68%, 0.57%

LAB 73.76, 5.62, 57.61

 

CMYK 0 / 2 / 68 / 14

HEX #DCD747

RGB 220 215 71

HSL 57.99, 0.68%, 0.57%

LAB 84.11, -14.96, 68.24

 

CMYK 16 / 0 / 68 / 14

HEX #B9DC47

RGB 185 220 71

HSL 74.09, 0.68%, 0.57%

LAB 82.89, -31.6, 66.17

 

CMYK 0 / 23 / 81 / 31

HEX #AF8621

RGB 175 134 33

HSL 42.68, 0.68%, 0.41%

LAB 58.3, 6.31, 55.93

 

CMYK 0 / 23 / 81 / 18

HEX #D2A128

RGB 210 161 40

HSL 42.71, 0.68%, 0.49%

LAB 69, 7.39, 64.53

 

CMYK 0 / 20 / 68 / 14

HEX #DCB147

RGB 220 177 71

HSL 42.68, 0.68%, 0.57%

LAB 74.26, 4.56, 58.14

 

CMYK 0 / 15 / 54 / 11

HEX #E3C069

RGB 227 192 105

HSL 42.79, 0.69%, 0.65%

LAB 79.07, 1.96, 48.01

 

CMYK 0 / 11 / 40 / 9

HEX #E9CF8C

RGB 233 207 140

HSL 43.23, 0.68%, 0.73%

LAB 83.88, -0.07, 36.61

 

CMYK 0 / 19 / 67 / 14

HEX #DCB249

RGB 220 178 73

HSL 42.86, 0.68%, 0.57%

LAB 74.53, 4.15, 57.56

 

CMYK 61 / 0 / 68 / 14

HEX #56DC47

RGB 86 220 71

HSL 113.96, 0.68%, 0.57%

LAB 78.24, -63.64, 59.88

 

CMYK 47 / 68 / 0 / 14

HEX #7447DC

RGB 116 71 220

HSL 258.12, 0.68%, 0.57%

LAB 43.34, 52.95, -69.57

 

CMYK 0 / 19 / 67 / 14

HEX #DCB249

RGB 220 178 73

HSL 42.86, 0.68%, 0.57%

LAB 74.53, 4.15, 57.56

 

CMYK 68 / 0 / 20 / 14

HEX #47DCAF

RGB 71 220 175

HSL 161.88, 0.68%, 0.57%

LAB 79.4, -49.67, 10.8

 

CMYK 20 / 68 / 0 / 14

HEX #AF47DC

RGB 175 71 220

HSL 281.88, 0.68%, 0.57%

LAB 50.44, 64.52, -57.74

 

CMYK 0 / 19 / 67 / 14

HEX #DCB249

RGB 220 178 73

HSL 42.86, 0.68%, 0.57%

LAB 74.53, 4.15, 57.56

 

CMYK 61 / 0 / 68 / 14

HEX #56DC47

RGB 86 220 71

HSL 113.96, 0.68%, 0.57%

LAB 78.24, -63.64, 59.88

 

CMYK 68 / 47 / 0 / 14

HEX #4774DC

RGB 71 116 220

HSL 221.88, 0.68%, 0.57%

LAB 50.68, 18.45, -57.83

 

CMYK 7 / 68 / 0 / 14

HEX #CD47DC

RGB 205 71 220

HSL 293.96, 0.68%, 0.57%

LAB 54.71, 70.98, -50.66

 

CMYK 0 / 19 / 67 / 14

HEX #DCB249

RGB 220 178 73

HSL 42.86, 0.68%, 0.57%

LAB 74.53, 4.15, 57.56

 

CMYK 68 / 0 / 54 / 14

HEX #47DC65

RGB 71 220 101

HSL 132.08, 0.68%, 0.57%

LAB 78.15, -63.35, 46.73

 

CMYK 68 / 47 / 0 / 14

HEX #4774DC

RGB 71 116 220

HSL 221.88, 0.68%, 0.57%

LAB 50.68, 18.45, -57.83

 

CMYK 0 / 68 / 14 / 14

HEX #DC47BE

RGB 220 71 190

HSL 312.08, 0.68%, 0.57%

LAB 55.52, 69.7, -32.08

 

Description

Color code: HEX #DCB249 | qconv.com Color code: HEX #DCB249 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 178 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 178 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 67 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 67% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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