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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCAC6D it is the complementary color #235392. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCAC6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCAC6D shade: #E1AC68, #F2BE7B, #FFD08E, #FFE2A1 and #FFF4B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCAC6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCAC6D shade: #DCAC6D, #CB9A5A, #BA8847, #A97634 and #986421

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCAC6D shade: #DCAD6F, #DC906F, #DC726F and #DC6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCAC6D shade: #DCAD6F, #DCCA6F, #D1DC6F, #B3DC6F and #96DC6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCAC6D shade matches the following richer shades: #DCAD6F, #EBAF61 and #F9B152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCAC6D shade: #DCAD6F, #CEAB7E, #BFA98C, #B1A79B and #A2A5A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCAC6D shade: #DC736F, #DC906F, #DCAD6F, #DCCA6F and #D1DC6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCAC6D shade: #C88731, #D49A4E, #DCAD6F, #E4C091 and #ECD3B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCAC6D shade: #DCAC6D, #89DC6F and #816FDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCAC6D shade: #DCAC6D, #6FDCAD and #AD6FDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCAC6D shade: #DCAC6D, #89DC6F, #6F9EDC and #C36FDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCAC6D shade: #DCAC6D, #6FDC77, #6F9EDC and #DC6FD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 50 / 14

HEX #DCAC6D

RGB 220 172 109

HSL 34.05, 0.61%, 0.65%

LAB 73.43, 9.98, 38.94

 

Complementary color

CMYK 76 / 43 / 0 / 43

HEX #235392

RGB 35 83 146

HSL 214.05, 0.61%, 0.35%

LAB 35.24, 6.82, -39.42

 

CMYK 0 / 24 / 54 / 12

HEX #E1AC68

RGB 225 172 104

HSL 33.72, 0.67%, 0.65%

LAB 73.88, 11.61, 42.17

 

CMYK 0 / 21 / 49 / 5

HEX #F2BE7B

RGB 242 190 123

HSL 33.78, 0.82%, 0.72%

LAB 80.26, 10.68, 40.81

 

CMYK 0 / 18 / 44 / 0

HEX #FFD08E

RGB 255 208 142

HSL 35.04, 1%, 0.78%

LAB 86.17, 8.29, 38.94

 

CMYK 0 / 11 / 37 / 0

HEX #FFE2A1

RGB 255 226 161

HSL 41.49, 1%, 0.82%

LAB 90.88, 1.07, 35.45

 

CMYK 0 / 4 / 29 / 0

HEX #FFF4B4

RGB 255 244 180

HSL 51.2, 1%, 0.85%

LAB 95.69, -5.76, 32.23

 

CMYK 0 / 22 / 50 / 14

HEX #DCAC6D

RGB 220 172 109

HSL 34.05, 0.61%, 0.65%

LAB 73.43, 9.98, 38.94

 

CMYK 0 / 24 / 56 / 20

HEX #CB9A5A

RGB 203 154 90

HSL 33.98, 0.52%, 0.57%

LAB 66.93, 10.96, 40.34

 

CMYK 0 / 27 / 62 / 27

HEX #BA8847

RGB 186 136 71

HSL 33.91, 0.45%, 0.5%

LAB 60.34, 12.1, 41.77

 

CMYK 0 / 30 / 69 / 34

HEX #A97634

RGB 169 118 52

HSL 33.85, 0.53%, 0.43%

LAB 53.64, 13.46, 43.17

 

CMYK 0 / 34 / 78 / 40

HEX #986421

RGB 152 100 33

HSL 33.78, 0.64%, 0.36%

LAB 46.84, 15.09, 44.33

 

CMYK 0 / 21 / 50 / 14

HEX #DCAD6F

RGB 220 173 111

HSL 34.13, 0.61%, 0.65%

LAB 73.71, 9.63, 38.26

 

CMYK 0 / 35 / 50 / 14

HEX #DC906F

RGB 220 144 111

HSL 18.17, 0.61%, 0.65%

LAB 66.76, 25.21, 29.35

 

CMYK 0 / 48 / 50 / 14

HEX #DC726F

RGB 220 114 111

HSL 1.65, 0.61%, 0.65%

LAB 60.25, 40.99, 20.69

 

CMYK 0 / 50 / 50 / 14

HEX #DC6F6F

RGB 220 111 111

HSL 0, 0.61%, 0.65%

LAB 59.65, 42.5, 19.88

 

CMYK 0 / 21 / 50 / 14

HEX #DCAD6F

RGB 220 173 111

HSL 34.13, 0.61%, 0.65%

LAB 73.71, 9.63, 38.26

 

CMYK 0 / 8 / 50 / 14

HEX #DCCA6F

RGB 220 202 111

HSL 50.09, 0.61%, 0.65%

LAB 81.07, -5.57, 47.35

 

CMYK 5 / 0 / 50 / 14

HEX #D1DC6F

RGB 209 220 111

HSL 66.06, 0.61%, 0.65%

LAB 84.94, -19.04, 51.78

 

CMYK 19 / 0 / 50 / 14

HEX #B3DC6F

RGB 179 220 111

HSL 82.57, 0.61%, 0.65%

LAB 82.87, -30.63, 48.8

 

CMYK 32 / 0 / 50 / 14

HEX #96DC6F

RGB 150 220 111

HSL 98.53, 0.61%, 0.65%

LAB 81.19, -41.01, 46.38

 

CMYK 0 / 21 / 50 / 14

HEX #DCAD6F

RGB 220 173 111

HSL 34.13, 0.61%, 0.65%

LAB 73.71, 9.63, 38.26

 

CMYK 0 / 26 / 59 / 8

HEX #EBAF61

RGB 235 175 97

HSL 33.91, 0.78%, 0.65%

LAB 75.57, 13.6, 47.95

 

CMYK 0 / 29 / 67 / 2

HEX #F9B152

RGB 249 177 82

HSL 34.13, 0.93%, 0.65%

LAB 77.4, 17.37, 57.53

 

CMYK 0 / 21 / 50 / 14

HEX #DCAD6F

RGB 220 173 111

HSL 34.13, 0.61%, 0.65%

LAB 73.71, 9.63, 38.26

 

CMYK 0 / 17 / 39 / 19

HEX #CEAB7E

RGB 206 171 126

HSL 33.75, 0.45%, 0.65%

LAB 72.06, 6.57, 27.95

 

CMYK 0 / 12 / 27 / 25

HEX #BFA98C

RGB 191 169 140

HSL 34.12, 0.28%, 0.65%

LAB 70.42, 3.47, 17.9

 

CMYK 0 / 6 / 12 / 31

HEX #B1A79B

RGB 177 167 155

HSL 32.73, 0.12%, 0.65%

LAB 69, 1.51, 7.49

 

CMYK 4 / 2 / 0 / 34

HEX #A2A5A9

RGB 162 165 169

HSL 214.29, 0.04%, 0.65%

LAB 67.62, -0.28, -2.45

 

CMYK 0 / 48 / 50 / 14

HEX #DC736F

RGB 220 115 111

HSL 2.2, 0.61%, 0.65%

LAB 60.45, 40.48, 20.97

 

CMYK 0 / 35 / 50 / 14

HEX #DC906F

RGB 220 144 111

HSL 18.17, 0.61%, 0.65%

LAB 66.76, 25.21, 29.35

 

CMYK 0 / 21 / 50 / 14

HEX #DCAD6F

RGB 220 173 111

HSL 34.13, 0.61%, 0.65%

LAB 73.71, 9.63, 38.26

 

CMYK 0 / 8 / 50 / 14

HEX #DCCA6F

RGB 220 202 111

HSL 50.09, 0.61%, 0.65%

LAB 81.07, -5.57, 47.35

 

CMYK 5 / 0 / 50 / 14

HEX #D1DC6F

RGB 209 220 111

HSL 66.06, 0.61%, 0.65%

LAB 84.94, -19.04, 51.78

 

CMYK 0 / 33 / 76 / 22

HEX #C88731

RGB 200 135 49

HSL 34.17, 0.61%, 0.49%

LAB 61.51, 17.48, 53.81

 

CMYK 0 / 27 / 63 / 17

HEX #D49A4E

RGB 212 154 78

HSL 34.03, 0.61%, 0.57%

LAB 67.77, 13.88, 47.58

 

CMYK 0 / 21 / 50 / 14

HEX #DCAD6F

RGB 220 173 111

HSL 34.13, 0.61%, 0.65%

LAB 73.71, 9.63, 38.26

 

CMYK 0 / 16 / 36 / 11

HEX #E4C091

RGB 228 192 145

HSL 33.98, 0.61%, 0.73%

LAB 79.75, 6.34, 28.48

 

CMYK 0 / 11 / 25 / 7

HEX #ECD3B2

RGB 236 211 178

HSL 34.14, 0.6%, 0.81%

LAB 85.82, 3.69, 19.53

 

CMYK 0 / 22 / 50 / 14

HEX #DCAC6D

RGB 220 172 109

HSL 34.05, 0.61%, 0.65%

LAB 73.43, 9.98, 38.94

 

CMYK 38 / 0 / 50 / 14

HEX #89DC6F

RGB 137 220 111

HSL 105.69, 0.61%, 0.65%

LAB 80.55, -45.3, 45.44

 

CMYK 41 / 50 / 0 / 14

HEX #816FDC

RGB 129 111 220

HSL 249.91, 0.61%, 0.65%

LAB 53.17, 33.17, -53.64

 

CMYK 0 / 22 / 50 / 14

HEX #DCAC6D

RGB 220 172 109

HSL 34.05, 0.61%, 0.65%

LAB 73.43, 9.98, 38.94

 

CMYK 50 / 0 / 21 / 14

HEX #6FDCAD

RGB 111 220 173

HSL 154.13, 0.61%, 0.65%

LAB 80.51, -42.25, 13.59

 

CMYK 21 / 50 / 0 / 14

HEX #AD6FDC

RGB 173 111 220

HSL 274.13, 0.61%, 0.65%

LAB 57.48, 44.48, -46.52

 

CMYK 0 / 22 / 50 / 14

HEX #DCAC6D

RGB 220 172 109

HSL 34.05, 0.61%, 0.65%

LAB 73.43, 9.98, 38.94

 

CMYK 38 / 0 / 50 / 14

HEX #89DC6F

RGB 137 220 111

HSL 105.69, 0.61%, 0.65%

LAB 80.55, -45.3, 45.44

 

CMYK 50 / 28 / 0 / 14

HEX #6F9EDC

RGB 111 158 220

HSL 214.13, 0.61%, 0.65%

LAB 64.16, 1.22, -36.36

 

CMYK 11 / 50 / 0 / 14

HEX #C36FDC

RGB 195 111 220

HSL 286.24, 0.61%, 0.65%

LAB 60.01, 50.48, -42.35

 

CMYK 0 / 22 / 50 / 14

HEX #DCAC6D

RGB 220 172 109

HSL 34.05, 0.61%, 0.65%

LAB 73.43, 9.98, 38.94

 

CMYK 50 / 0 / 46 / 14

HEX #6FDC77

RGB 111 220 119

HSL 124.4, 0.61%, 0.65%

LAB 79.56, -51.87, 40.08

 

CMYK 50 / 28 / 0 / 14

HEX #6F9EDC

RGB 111 158 220

HSL 214.13, 0.61%, 0.65%

LAB 64.16, 1.22, -36.36

 

CMYK 0 / 50 / 3 / 14

HEX #DC6FD5

RGB 220 111 213

HSL 303.85, 0.61%, 0.65%

LAB 62.83, 56.17, -33.78

 

Description

Color code: HEX #DCAC6D | qconv.com Color code: HEX #DCAC6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 172 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 172 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 50 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 50% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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