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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCABF4 it is the complementary color #23540B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCABF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCABF4 shade: #E1ABEF, #F2BDFF, #FFCFFF, #FFE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCABF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCABF4 shade: #DCABF4, #CB99E1, #BA87CE, #A975BB and #9863A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCABF4 shade: #DBA9F4, #EFA9F4, #F4A9E4, #F4A9D0 and #F4A9BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCABF4 shade: #DBA9F4, #C7A9F4, #B3A9F4 and #A9A9F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCABF4 shade matches the following richer shades: #DBA9F4 and #DEA1FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCABF4 shade: #DBA9F4, #D9B1EC, #D6B9E4, #D3C1DC and #D1C9D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCABF4 shade: #B3A9F4, #C7A9F4, #DBA9F4, #EFA9F4 and #F4A9E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCABF4 shade: #BD60EA, #CC85EF, #DBA9F4, #EBCEF9 and #FAF2FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCABF4 shade: #DCABF4, #F4A9B3 and #A9F4BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCABF4 shade: #DCABF4, #F4DBA9 and #A9F4DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCABF4 shade: #DCABF4, #F4A9B3, #C2F4A9 and #A9F4EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCABF4 shade: #DCABF4, #F4B6A9, #C2F4A9 and #A9E7F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 30 / 0 / 4

HEX #DCABF4

RGB 220 171 244

HSL 280.27, 0.77%, 0.81%

LAB 76.6, 30.74, -29.57

 

Complementary color

CMYK 58 / 0 / 87 / 67

HEX #23540B

RGB 35 84 11

HSL 100.27, 0.77%, 0.19%

LAB 31.17, -30.49, 34.38

 

CMYK 6 / 28 / 0 / 6

HEX #E1ABEF

RGB 225 171 239

HSL 287.65, 0.68%, 0.8%

LAB 76.9, 31.31, -26.37

 

CMYK 5 / 26 / 0 / 0

HEX #F2BDFF

RGB 242 189 255

HSL 288.18, 1%, 0.87%

LAB 83.17, 30.14, -25.23

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 10 / 30 / 0 / 4

HEX #DCABF4

RGB 220 171 244

HSL 280.27, 0.77%, 0.81%

LAB 76.6, 30.74, -29.57

 

CMYK 10 / 32 / 0 / 12

HEX #CB99E1

RGB 203 153 225

HSL 281.67, 0.55%, 0.74%

LAB 70.12, 31.38, -29.34

 

CMYK 10 / 34 / 0 / 19

HEX #BA87CE

RGB 186 135 206

HSL 283.1, 0.42%, 0.67%

LAB 63.53, 32.07, -29.1

 

CMYK 10 / 37 / 0 / 27

HEX #A975BB

RGB 169 117 187

HSL 284.57, 0.34%, 0.6%

LAB 56.83, 32.81, -28.86

 

CMYK 10 / 41 / 0 / 34

HEX #9863A8

RGB 152 99 168

HSL 286.09, 0.28%, 0.52%

LAB 50.01, 33.59, -28.61

 

CMYK 10 / 31 / 0 / 4

HEX #DBA9F4

RGB 219 169 244

HSL 280, 0.77%, 0.81%

LAB 76.05, 31.51, -30.43

 

CMYK 2 / 31 / 0 / 4

HEX #EFA9F4

RGB 239 169 244

HSL 296, 0.77%, 0.81%

LAB 78.03, 37.73, -27.22

 

CMYK 0 / 31 / 7 / 4

HEX #F4A9E4

RGB 244 169 228

HSL 312.8, 0.77%, 0.81%

LAB 78, 36.47, -18.57

 

CMYK 0 / 31 / 15 / 4

HEX #F4A9D0

RGB 244 169 208

HSL 328.8, 0.77%, 0.81%

LAB 77.38, 33.18, -8.63

 

CMYK 0 / 31 / 23 / 4

HEX #F4A9BC

RGB 244 169 188

HSL 344.8, 0.77%, 0.81%

LAB 76.82, 30.18, 1.46

 

CMYK 10 / 31 / 0 / 4

HEX #DBA9F4

RGB 219 169 244

HSL 280, 0.77%, 0.81%

LAB 76.05, 31.51, -30.43

 

CMYK 18 / 31 / 0 / 4

HEX #C7A9F4

RGB 199 169 244

HSL 264, 0.77%, 0.81%

LAB 74.22, 25.41, -33.4

 

CMYK 27 / 31 / 0 / 4

HEX #B3A9F4

RGB 179 169 244

HSL 248, 0.77%, 0.81%

LAB 72.56, 19.51, -36.11

 

CMYK 31 / 31 / 0 / 4

HEX #A9A9F4

RGB 169 169 244

HSL 240, 0.77%, 0.81%

LAB 71.79, 16.66, -37.37

 

CMYK 10 / 31 / 0 / 4

HEX #DBA9F4

RGB 219 169 244

HSL 280, 0.77%, 0.81%

LAB 76.05, 31.51, -30.43

 

CMYK 12 / 36 / 0 / 1

HEX #DEA1FC

RGB 222 161 252

HSL 280.22, 0.94%, 0.81%

LAB 74.85, 38.35, -36.58

 

CMYK 10 / 31 / 0 / 4

HEX #DBA9F4

RGB 219 169 244

HSL 280, 0.77%, 0.81%

LAB 76.05, 31.51, -30.43

 

CMYK 8 / 25 / 0 / 7

HEX #D9B1EC

RGB 217 177 236

HSL 280.68, 0.61%, 0.81%

LAB 77.43, 24.95, -24.01

 

CMYK 6 / 19 / 0 / 11

HEX #D6B9E4

RGB 214 185 228

HSL 280.47, 0.44%, 0.81%

LAB 78.81, 18.07, -17.63

 

CMYK 4 / 12 / 0 / 14

HEX #D3C1DC

RGB 211 193 220

HSL 280, 0.28%, 0.81%

LAB 80.27, 11.22, -11.15

 

CMYK 1 / 5 / 0 / 17

HEX #D1C9D4

RGB 209 201 212

HSL 283.64, 0.11%, 0.81%

LAB 81.88, 4.77, -4.48

 

CMYK 27 / 31 / 0 / 4

HEX #B3A9F4

RGB 179 169 244

HSL 248, 0.77%, 0.81%

LAB 72.56, 19.51, -36.11

 

CMYK 18 / 31 / 0 / 4

HEX #C7A9F4

RGB 199 169 244

HSL 264, 0.77%, 0.81%

LAB 74.22, 25.41, -33.4

 

CMYK 10 / 31 / 0 / 4

HEX #DBA9F4

RGB 219 169 244

HSL 280, 0.77%, 0.81%

LAB 76.05, 31.51, -30.43

 

CMYK 2 / 31 / 0 / 4

HEX #EFA9F4

RGB 239 169 244

HSL 296, 0.77%, 0.81%

LAB 78.03, 37.73, -27.22

 

CMYK 0 / 31 / 6 / 4

HEX #F4A9E5

RGB 244 169 229

HSL 312, 0.77%, 0.81%

LAB 78.03, 36.65, -19.06

 

CMYK 19 / 59 / 0 / 8

HEX #BD60EA

RGB 189 96 234

HSL 280.43, 0.77%, 0.65%

LAB 57.2, 59.25, -54.71

 

CMYK 15 / 44 / 0 / 6

HEX #CC85EF

RGB 204 133 239

HSL 280.19, 0.77%, 0.73%

LAB 66.4, 45.39, -42.81

 

CMYK 10 / 31 / 0 / 4

HEX #DBA9F4

RGB 219 169 244

HSL 280, 0.77%, 0.81%

LAB 76.05, 31.51, -30.43

 

CMYK 6 / 17 / 0 / 2

HEX #EBCEF9

RGB 235 206 249

HSL 280.47, 0.78%, 0.89%

LAB 86.33, 17.73, -17.33

 

CMYK 1 / 4 / 0 / 1

HEX #FAF2FD

RGB 250 242 253

HSL 283.64, 0.73%, 0.97%

LAB 96.38, 4.61, -4.34

 

CMYK 10 / 30 / 0 / 4

HEX #DCABF4

RGB 220 171 244

HSL 280.27, 0.77%, 0.81%

LAB 76.6, 30.74, -29.57

 

CMYK 0 / 31 / 27 / 4

HEX #F4A9B3

RGB 244 169 179

HSL 352, 0.77%, 0.81%

LAB 76.6, 28.92, 6.05

 

CMYK 31 / 0 / 23 / 4

HEX #A9F4BD

RGB 169 244 189

HSL 136, 0.77%, 0.81%

LAB 90.23, -34.06, 19.27

 

CMYK 10 / 30 / 0 / 4

HEX #DCABF4

RGB 220 171 244

HSL 280.27, 0.77%, 0.81%

LAB 76.6, 30.74, -29.57

 

CMYK 0 / 10 / 31 / 4

HEX #F4DBA9

RGB 244 219 169

HSL 40, 0.77%, 0.81%

LAB 88.33, 1.39, 27.77

 

CMYK 31 / 0 / 10 / 4

HEX #A9F4DB

RGB 169 244 219

HSL 160, 0.77%, 0.81%

LAB 90.89, -28.29, 4.68

 

CMYK 10 / 30 / 0 / 4

HEX #DCABF4

RGB 220 171 244

HSL 280.27, 0.77%, 0.81%

LAB 76.6, 30.74, -29.57

 

CMYK 0 / 31 / 27 / 4

HEX #F4A9B3

RGB 244 169 179

HSL 352, 0.77%, 0.81%

LAB 76.6, 28.92, 6.05

 

CMYK 20 / 0 / 31 / 4

HEX #C2F4A9

RGB 194 244 169

HSL 100, 0.77%, 0.81%

LAB 91.25, -29.21, 31.09

 

CMYK 31 / 0 / 4 / 4

HEX #A9F4EA

RGB 169 244 234

HSL 172, 0.77%, 0.81%

LAB 91.27, -25.12, -2.58

 

CMYK 10 / 30 / 0 / 4

HEX #DCABF4

RGB 220 171 244

HSL 280.27, 0.77%, 0.81%

LAB 76.6, 30.74, -29.57

 

CMYK 0 / 25 / 31 / 4

HEX #F4B6A9

RGB 244 182 169

HSL 10.4, 0.77%, 0.81%

LAB 79.36, 20.72, 15.4

 

CMYK 20 / 0 / 31 / 4

HEX #C2F4A9

RGB 194 244 169

HSL 100, 0.77%, 0.81%

LAB 91.25, -29.21, 31.09

 

CMYK 31 / 5 / 0 / 4

HEX #A9E7F4

RGB 169 231 244

HSL 190.4, 0.77%, 0.81%

LAB 88.03, -16.47, -12.61

 

Description

Color code: HEX #DCABF4 | qconv.com Color code: HEX #DCABF4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 171 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 171 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 30 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 30% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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