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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCAB59 it is the complementary color #2354A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCAB59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCAB59 shade: #E1AB54, #F2BD67, #FFCF7A, #FFE18D and #FFF3A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCAB59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCAB59 shade: #DCAB59, #CB9946, #BA8733, #A97520 and #98630D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCAB59 shade: #DCAC5B, #DC895B, #DC665B and #DC5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCAB59 shade: #DCAC5B, #DCCF5B, #C7DC5B, #A4DC5B and #81DC5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCAB59 shade matches the following richer shades: #DCAC5B, #ECB04B and #FCB43B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCAB59 shade: #DCAC5B, #CCA86B, #BCA47B, #ACA08B and #9C9C9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCAB59 shade: #DC665B, #DC885B, #DCAB5B, #DCCD5B and #C9DC5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCAB59 shade: #BD8528, #D59B39, #DCAC5B, #E3BD7D and #EBCE9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCAB59 shade: #DCAB59, #73DC5B and #775BDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCAB59 shade: #DCAB59, #5BDCAB and #AB5BDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCAB59 shade: #DCAB59, #73DC5B, #5B8CDC and #C45BDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCAB59 shade: #DCAB59, #5BDC6A, #5B8CDC and #DC5BCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 60 / 14

HEX #DCAB59

RGB 220 171 89

HSL 37.56, 0.65%, 0.61%

LAB 72.93, 8.89, 48.39

 

Complementary color

CMYK 79 / 49 / 0 / 35

HEX #2354A6

RGB 35 84 166

HSL 217.56, 0.65%, 0.39%

LAB 36.84, 14.02, -48.88

 

CMYK 0 / 24 / 63 / 12

HEX #E1AB54

RGB 225 171 84

HSL 37.02, 0.7%, 0.61%

LAB 73.4, 10.65, 51.46

 

CMYK 0 / 22 / 57 / 5

HEX #F2BD67

RGB 242 189 103

HSL 37.12, 0.84%, 0.68%

LAB 79.76, 9.55, 50.15

 

CMYK 0 / 19 / 52 / 0

HEX #FFCF7A

RGB 255 207 122

HSL 38.35, 1%, 0.74%

LAB 85.65, 6.98, 48.28

 

CMYK 0 / 12 / 45 / 0

HEX #FFE18D

RGB 255 225 141

HSL 44.21, 1%, 0.78%

LAB 90.34, -0.51, 44.76

 

CMYK 0 / 5 / 37 / 0

HEX #FFF3A0

RGB 255 243 160

HSL 52.42, 1%, 0.81%

LAB 95.12, -7.59, 41.48

 

CMYK 0 / 22 / 60 / 14

HEX #DCAB59

RGB 220 171 89

HSL 37.56, 0.65%, 0.61%

LAB 72.93, 8.89, 48.39

 

CMYK 0 / 25 / 66 / 20

HEX #CB9946

RGB 203 153 70

HSL 37.44, 0.56%, 0.54%

LAB 66.46, 10.06, 49.67

 

CMYK 0 / 27 / 73 / 27

HEX #BA8733

RGB 186 135 51

HSL 37.33, 0.57%, 0.46%

LAB 59.89, 11.44, 50.8

 

CMYK 0 / 31 / 81 / 34

HEX #A97520

RGB 169 117 32

HSL 37.23, 0.68%, 0.39%

LAB 53.23, 13.08, 51.48

 

CMYK 0 / 35 / 91 / 40

HEX #98630D

RGB 152 99 13

HSL 37.12, 0.84%, 0.32%

LAB 46.48, 15.04, 51.07

 

CMYK 0 / 22 / 59 / 14

HEX #DCAC5B

RGB 220 172 91

HSL 37.67, 0.65%, 0.61%

LAB 73.2, 8.51, 47.73

 

CMYK 0 / 38 / 59 / 14

HEX #DC895B

RGB 220 137 91

HSL 21.4, 0.65%, 0.61%

LAB 64.85, 27.28, 37.72

 

CMYK 0 / 54 / 59 / 14

HEX #DC665B

RGB 220 102 91

HSL 5.12, 0.65%, 0.61%

LAB 57.53, 45.32, 28.53

 

CMYK 0 / 59 / 59 / 14

HEX #DC5B5B

RGB 220 91 91

HSL 0, 0.65%, 0.61%

LAB 55.54, 50.53, 25.95

 

CMYK 0 / 22 / 59 / 14

HEX #DCAC5B

RGB 220 172 91

HSL 37.67, 0.65%, 0.61%

LAB 73.2, 8.51, 47.73

 

CMYK 0 / 6 / 59 / 14

HEX #DCCF5B

RGB 220 207 91

HSL 53.95, 0.65%, 0.61%

LAB 82.16, -9.72, 57.95

 

CMYK 10 / 0 / 59 / 14

HEX #C7DC5B

RGB 199 220 91

HSL 69.77, 0.65%, 0.61%

LAB 84.01, -24.68, 59.55

 

CMYK 25 / 0 / 59 / 14

HEX #A4DC5B

RGB 164 220 91

HSL 86.05, 0.65%, 0.61%

LAB 81.75, -38.11, 56.4

 

CMYK 41 / 0 / 59 / 14

HEX #81DC5B

RGB 129 220 91

HSL 102.33, 0.65%, 0.61%

LAB 79.96, -50.07, 53.88

 

CMYK 0 / 22 / 59 / 14

HEX #DCAC5B

RGB 220 172 91

HSL 37.67, 0.65%, 0.61%

LAB 73.2, 8.51, 47.73

 

CMYK 0 / 25 / 68 / 7

HEX #ECB04B

RGB 236 176 75

HSL 37.64, 0.81%, 0.61%

LAB 75.69, 12.09, 58.41

 

CMYK 0 / 29 / 77 / 1

HEX #FCB43B

RGB 252 180 59

HSL 37.62, 0.97%, 0.61%

LAB 78.26, 15.99, 68.04

 

CMYK 0 / 22 / 59 / 14

HEX #DCAC5B

RGB 220 172 91

HSL 37.67, 0.65%, 0.61%

LAB 73.2, 8.51, 47.73

 

CMYK 0 / 18 / 48 / 20

HEX #CCA86B

RGB 204 168 107

HSL 37.73, 0.49%, 0.61%

LAB 70.8, 5.34, 36.34

 

CMYK 0 / 13 / 35 / 26

HEX #BCA47B

RGB 188 164 123

HSL 37.85, 0.33%, 0.61%

LAB 68.51, 2.73, 24.53

 

CMYK 0 / 7 / 19 / 33

HEX #ACA08B

RGB 172 160 139

HSL 38.18, 0.17%, 0.61%

LAB 66.35, 0.83, 12.53

 

CMYK 0 / 0 / 1 / 39

HEX #9C9C9B

RGB 156 156 155

HSL 60, 0.01%, 0.61%

LAB 64.33, -0.19, 0.51

 

CMYK 0 / 54 / 59 / 14

HEX #DC665B

RGB 220 102 91

HSL 5.12, 0.65%, 0.61%

LAB 57.53, 45.32, 28.53

 

CMYK 0 / 38 / 59 / 14

HEX #DC885B

RGB 220 136 91

HSL 20.93, 0.65%, 0.61%

LAB 64.63, 27.81, 37.45

 

CMYK 0 / 22 / 59 / 14

HEX #DCAB5B

RGB 220 171 91

HSL 37.21, 0.65%, 0.61%

LAB 72.96, 9.04, 47.44

 

CMYK 0 / 7 / 59 / 14

HEX #DCCD5B

RGB 220 205 91

HSL 53.02, 0.65%, 0.61%

LAB 81.64, -8.71, 57.37

 

CMYK 9 / 0 / 59 / 14

HEX #C9DC5B

RGB 201 220 91

HSL 68.84, 0.65%, 0.61%

LAB 84.15, -23.89, 59.75

 

CMYK 0 / 30 / 79 / 26

HEX #BD8528

RGB 189 133 40

HSL 37.45, 0.65%, 0.45%

LAB 59.66, 13.39, 55.22

 

CMYK 0 / 27 / 73 / 16

HEX #D59B39

RGB 213 155 57

HSL 37.69, 0.65%, 0.53%

LAB 67.94, 12.59, 57.34

 

CMYK 0 / 22 / 59 / 14

HEX #DCAC5B

RGB 220 172 91

HSL 37.67, 0.65%, 0.61%

LAB 73.2, 8.51, 47.73

 

CMYK 0 / 17 / 45 / 11

HEX #E3BD7D

RGB 227 189 125

HSL 37.65, 0.65%, 0.69%

LAB 78.58, 5.35, 37.36

 

CMYK 0 / 12 / 32 / 8

HEX #EBCE9F

RGB 235 206 159

HSL 37.11, 0.66%, 0.77%

LAB 84.13, 3.43, 27.14

 

CMYK 0 / 22 / 60 / 14

HEX #DCAB59

RGB 220 171 89

HSL 37.56, 0.65%, 0.61%

LAB 72.93, 8.89, 48.39

 

CMYK 48 / 0 / 59 / 14

HEX #73DC5B

RGB 115 220 91

HSL 108.84, 0.65%, 0.61%

LAB 79.38, -54.27, 53.06

 

CMYK 46 / 59 / 0 / 14

HEX #775BDC

RGB 119 91 220

HSL 253.02, 0.65%, 0.61%

LAB 47.72, 42.56, -62.45

 

CMYK 0 / 22 / 60 / 14

HEX #DCAB59

RGB 220 171 89

HSL 37.56, 0.65%, 0.61%

LAB 72.93, 8.89, 48.39

 

CMYK 59 / 0 / 22 / 14

HEX #5BDCAB

RGB 91 220 171

HSL 157.21, 0.65%, 0.61%

LAB 79.81, -47.06, 13.57

 

CMYK 22 / 59 / 0 / 14

HEX #AB5BDC

RGB 171 91 220

HSL 277.21, 0.65%, 0.61%

LAB 53.28, 54.39, -53.21

 

CMYK 0 / 22 / 60 / 14

HEX #DCAB59

RGB 220 171 89

HSL 37.56, 0.65%, 0.61%

LAB 72.93, 8.89, 48.39

 

CMYK 48 / 0 / 59 / 14

HEX #73DC5B

RGB 115 220 91

HSL 108.84, 0.65%, 0.61%

LAB 79.38, -54.27, 53.06

 

CMYK 59 / 36 / 0 / 14

HEX #5B8CDC

RGB 91 140 220

HSL 217.21, 0.65%, 0.61%

LAB 58.18, 7.37, -45.83

 

CMYK 11 / 59 / 0 / 14

HEX #C45BDC

RGB 196 91 220

HSL 288.84, 0.65%, 0.61%

LAB 56.47, 60.51, -47.94

 

CMYK 0 / 22 / 60 / 14

HEX #DCAB59

RGB 220 171 89

HSL 37.56, 0.65%, 0.61%

LAB 72.93, 8.89, 48.39

 

CMYK 59 / 0 / 52 / 14

HEX #5BDC6A

RGB 91 220 106

HSL 126.98, 0.65%, 0.61%

LAB 78.72, -58.62, 45.19

 

CMYK 59 / 36 / 0 / 14

HEX #5B8CDC

RGB 91 140 220

HSL 217.21, 0.65%, 0.61%

LAB 58.18, 7.37, -45.83

 

CMYK 0 / 59 / 7 / 14

HEX #DC5BCD

RGB 220 91 205

HSL 306.98, 0.65%, 0.61%

LAB 59.07, 64.01, -35.13

 

Description

Color code: HEX #DCAB59 | qconv.com Color code: HEX #DCAB59 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 171 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 171 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 60 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 60% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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