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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCAA91 it is the complementary color #23556E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCAA91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCAA91 shade: #E1AA8C, #F2BC9F, #FFCEB2, #FFE0C5 and #FFF2D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCAA91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCAA91 shade: #DCAA91, #CB987E, #BA866B, #A97458 and #986245

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCAA91 shade: #DDAB92, #DD9792 and #DD9292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCAA91 shade: #DDAB92, #DDBF92, #DDD392, #D2DD92 and #BEDD92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCAA91 shade matches the following richer shades: #DDAB92, #E8A787 and #F4A47B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCAA91 shade: #DDAB92, #D1AF9E, #C6B3AA, #BAB7B5 and #AFBBC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCAA91 shade: #DD92A1, #DD9792, #DDAB92, #DDBF92 and #DDD392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCAA91 shade: #C97B54, #D39373, #DDAB92, #E7C3B2 and #F1DCD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCAA91 shade: #DCAA91, #B5DD92 and #9297DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCAA91 shade: #DCAA91, #92DDAB and #AB92DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCAA91 shade: #DCAA91, #B5DD92, #92C4DD and #BA92DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCAA91 shade: #DCAA91, #9FDD92, #92C4DD and #D092DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 34 / 14

HEX #DCAA91

RGB 220 170 145

HSL 20, 0.52%, 0.72%

LAB 73.55, 14.92, 19.94

 

Complementary color

CMYK 68 / 23 / 0 / 57

HEX #23556E

RGB 35 85 110

HSL 200, 0.52%, 0.28%

LAB 33.94, -8.14, -19.29

 

CMYK 0 / 24 / 38 / 12

HEX #E1AA8C

RGB 225 170 140

HSL 21.18, 0.59%, 0.72%

LAB 73.97, 16.27, 23.3

 

CMYK 0 / 22 / 34 / 5

HEX #F2BC9F

RGB 242 188 159

HSL 20.96, 0.76%, 0.79%

LAB 80.37, 15.55, 22.14

 

CMYK 0 / 19 / 30 / 0

HEX #FFCEB2

RGB 255 206 178

HSL 21.82, 1%, 0.85%

LAB 86.31, 13.4, 20.47

 

CMYK 0 / 12 / 23 / 0

HEX #FFE0C5

RGB 255 224 197

HSL 27.93, 1%, 0.89%

LAB 91.05, 6.63, 17.14

 

CMYK 0 / 5 / 15 / 0

HEX #FFF2D8

RGB 255 242 216

HSL 40, 1%, 0.92%

LAB 95.88, 0.2, 14.11

 

CMYK 0 / 23 / 34 / 14

HEX #DCAA91

RGB 220 170 145

HSL 20, 0.52%, 0.72%

LAB 73.55, 14.92, 19.94

 

CMYK 0 / 25 / 38 / 20

HEX #CB987E

RGB 203 152 126

HSL 20.26, 0.43%, 0.65%

LAB 67.02, 15.66, 21.12

 

CMYK 0 / 28 / 42 / 27

HEX #BA866B

RGB 186 134 107

HSL 20.51, 0.36%, 0.57%

LAB 60.38, 16.52, 22.41

 

CMYK 0 / 31 / 48 / 34

HEX #A97458

RGB 169 116 88

HSL 20.74, 0.32%, 0.5%

LAB 53.63, 17.5, 23.84

 

CMYK 0 / 36 / 55 / 40

HEX #986245

RGB 152 98 69

HSL 20.96, 0.38%, 0.43%

LAB 46.76, 18.66, 25.44

 

CMYK 0 / 23 / 34 / 13

HEX #DDAB92

RGB 221 171 146

HSL 20, 0.52%, 0.72%

LAB 73.92, 14.9, 19.91

 

CMYK 0 / 32 / 34 / 13

HEX #DD9792

RGB 221 151 146

HSL 4, 0.52%, 0.72%

LAB 69.17, 25.66, 13.31

 

CMYK 0 / 34 / 34 / 13

HEX #DD9292

RGB 221 146 146

HSL 0, 0.52%, 0.72%

LAB 68.02, 28.35, 11.7

 

CMYK 0 / 23 / 34 / 13

HEX #DDAB92

RGB 221 171 146

HSL 20, 0.52%, 0.72%

LAB 73.92, 14.9, 19.91

 

CMYK 0 / 14 / 34 / 13

HEX #DDBF92

RGB 221 191 146

HSL 36, 0.52%, 0.72%

LAB 78.87, 4.25, 26.67

 

CMYK 0 / 5 / 34 / 13

HEX #DDD392

RGB 221 211 146

HSL 52, 0.52%, 0.72%

LAB 83.98, -6.14, 33.48

 

CMYK 5 / 0 / 34 / 13

HEX #D2DD92

RGB 210 221 146

HSL 68.8, 0.52%, 0.72%

LAB 85.75, -15.4, 35.64

 

CMYK 14 / 0 / 34 / 13

HEX #BEDD92

RGB 190 221 146

HSL 84.8, 0.52%, 0.72%

LAB 84.35, -22.86, 33.53

 

CMYK 0 / 23 / 34 / 13

HEX #DDAB92

RGB 221 171 146

HSL 20, 0.52%, 0.72%

LAB 73.92, 14.9, 19.91

 

CMYK 0 / 28 / 42 / 9

HEX #E8A787

RGB 232 167 135

HSL 19.79, 0.68%, 0.72%

LAB 73.9, 20.06, 26.03

 

CMYK 0 / 33 / 50 / 4

HEX #F4A47B

RGB 244 164 123

HSL 20.33, 0.85%, 0.72%

LAB 74.33, 25.18, 33.27

 

CMYK 0 / 23 / 34 / 13

HEX #DDAB92

RGB 221 171 146

HSL 20, 0.52%, 0.72%

LAB 73.92, 14.9, 19.91

 

CMYK 0 / 16 / 24 / 18

HEX #D1AF9E

RGB 209 175 158

HSL 20, 0.36%, 0.72%

LAB 73.99, 9.73, 13.31

 

CMYK 0 / 10 / 14 / 22

HEX #C6B3AA

RGB 198 179 170

HSL 19.29, 0.2%, 0.72%

LAB 74.28, 5.29, 7.05

 

CMYK 0 / 2 / 3 / 27

HEX #BAB7B5

RGB 186 183 181

HSL 24, 0.03%, 0.72%

LAB 74.6, 0.69, 1.38

 

CMYK 9 / 3 / 0 / 24

HEX #AFBBC1

RGB 175 187 193

HSL 200, 0.13%, 0.72%

LAB 75.14, -2.94, -4.46

 

CMYK 0 / 34 / 27 / 13

HEX #DD92A1

RGB 221 146 161

HSL 348, 0.52%, 0.72%

LAB 68.39, 30.32, 3.83

 

CMYK 0 / 32 / 34 / 13

HEX #DD9792

RGB 221 151 146

HSL 4, 0.52%, 0.72%

LAB 69.17, 25.66, 13.31

 

CMYK 0 / 23 / 34 / 13

HEX #DDAB92

RGB 221 171 146

HSL 20, 0.52%, 0.72%

LAB 73.92, 14.9, 19.91

 

CMYK 0 / 14 / 34 / 13

HEX #DDBF92

RGB 221 191 146

HSL 36, 0.52%, 0.72%

LAB 78.87, 4.25, 26.67

 

CMYK 0 / 5 / 34 / 13

HEX #DDD392

RGB 221 211 146

HSL 52, 0.52%, 0.72%

LAB 83.98, -6.14, 33.48

 

CMYK 0 / 39 / 58 / 21

HEX #C97B54

RGB 201 123 84

HSL 20, 0.52%, 0.56%

LAB 59.18, 26.55, 33.96

 

CMYK 0 / 30 / 45 / 17

HEX #D39373

RGB 211 147 115

HSL 20, 0.52%, 0.64%

LAB 66.48, 20.38, 26.61

 

CMYK 0 / 23 / 34 / 13

HEX #DDAB92

RGB 221 171 146

HSL 20, 0.52%, 0.72%

LAB 73.92, 14.9, 19.91

 

CMYK 0 / 16 / 23 / 9

HEX #E7C3B2

RGB 231 195 178

HSL 19.25, 0.52%, 0.8%

LAB 81.42, 10.21, 13.29

 

CMYK 0 / 9 / 13 / 5

HEX #F1DCD1

RGB 241 220 209

HSL 20.63, 0.53%, 0.88%

LAB 89.15, 5.43, 8

 

CMYK 0 / 23 / 34 / 14

HEX #DCAA91

RGB 220 170 145

HSL 20, 0.52%, 0.72%

LAB 73.55, 14.92, 19.94

 

CMYK 18 / 0 / 34 / 13

HEX #B5DD92

RGB 181 221 146

HSL 92, 0.52%, 0.72%

LAB 83.76, -26.12, 32.65

 

CMYK 34 / 32 / 0 / 13

HEX #9297DD

RGB 146 151 221

HSL 236, 0.52%, 0.72%

LAB 64.54, 14.53, -36.17

 

CMYK 0 / 23 / 34 / 14

HEX #DCAA91

RGB 220 170 145

HSL 20, 0.52%, 0.72%

LAB 73.55, 14.92, 19.94

 

CMYK 34 / 0 / 23 / 13

HEX #92DDAB

RGB 146 221 171

HSL 140, 0.52%, 0.72%

LAB 82.25, -33.62, 17.31

 

CMYK 23 / 34 / 0 / 13

HEX #AB92DD

RGB 171 146 221

HSL 260, 0.52%, 0.72%

LAB 65.31, 24.62, -34.81

 

CMYK 0 / 23 / 34 / 14

HEX #DCAA91

RGB 220 170 145

HSL 20, 0.52%, 0.72%

LAB 73.55, 14.92, 19.94

 

CMYK 18 / 0 / 34 / 13

HEX #B5DD92

RGB 181 221 146

HSL 92, 0.52%, 0.72%

LAB 83.76, -26.12, 32.65

 

CMYK 34 / 11 / 0 / 13

HEX #92C4DD

RGB 146 196 221

HSL 200, 0.52%, 0.72%

LAB 76.56, -10.31, -17.71

 

CMYK 16 / 34 / 0 / 13

HEX #BA92DD

RGB 186 146 221

HSL 272, 0.52%, 0.72%

LAB 66.69, 29.15, -32.56

 

CMYK 0 / 23 / 34 / 14

HEX #DCAA91

RGB 220 170 145

HSL 20, 0.52%, 0.72%

LAB 73.55, 14.92, 19.94

 

CMYK 28 / 0 / 34 / 13

HEX #9FDD92

RGB 159 221 146

HSL 109.6, 0.52%, 0.72%

LAB 82.46, -33.73, 30.69

 

CMYK 34 / 11 / 0 / 13

HEX #92C4DD

RGB 146 196 221

HSL 200, 0.52%, 0.72%

LAB 76.56, -10.31, -17.71

 

CMYK 6 / 34 / 0 / 13

HEX #D092DD

RGB 208 146 221

HSL 289.6, 0.52%, 0.72%

LAB 68.89, 35.96, -28.98

 

Description

Color code: HEX #DCAA91 | qconv.com Color code: HEX #DCAA91 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 170 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 170 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 34 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 34% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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