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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC9921 it is the complementary color #2366DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC9921. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC9921 shade: #E1991C, #F2AB2F, #FFBD42, #FFCF55 and #FFE168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC9921. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC9921 shade: #DC9921, #CB870E, #BA7500, #A96300 and #985100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC9921 shade: #DE9A21, #DE6721, #DE3421 and #DE2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC9921 shade: #DE9A21, #DECD21, #BCDE21, #89DE21 and #56DE21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC9921 shade matches the following richer shades: #DE9A21 and #F2A00D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC9921 shade: #DE9A21, #C99436, #B58F4A, #A0895F and #8B8374

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC9921 shade: #DE3421, #DE6621, #DE9921, #DECB21 and #BEDE21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC9921 shade: #966816, #BA811C, #DE9A21, #E3AB45 and #E9BB69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC9921 shade: #DC9921, #41DE21 and #4D21DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC9921 shade: #DC9921, #21DE99 and #9921DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC9921 shade: #DC9921, #41DE21, #2166DE and #BE21DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC9921 shade: #DC9921, #21DE3A, #2166DE and #DE21C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 85 / 14

HEX #DC9921

RGB 220 153 33

HSL 38.5, 0.74%, 0.5%

LAB 68.1, 15.85, 66.34

 

Complementary color

CMYK 84 / 54 / 0 / 13

HEX #2366DE

RGB 35 102 222

HSL 218.5, 0.74%, 0.5%

LAB 45.82, 23.99, -66.89

 

CMYK 0 / 32 / 88 / 12

HEX #E1991C

RGB 225 153 28

HSL 38.07, 0.78%, 0.5%

LAB 68.66, 17.89, 68.39

 

CMYK 0 / 29 / 81 / 5

HEX #F2AB2F

RGB 242 171 47

HSL 38.15, 0.88%, 0.57%

LAB 74.96, 16.08, 68.84

 

CMYK 0 / 26 / 74 / 0

HEX #FFBD42

RGB 255 189 66

HSL 39.05, 1%, 0.63%

LAB 80.77, 12.82, 67.92

 

CMYK 0 / 19 / 67 / 0

HEX #FFCF55

RGB 255 207 85

HSL 43.06, 1%, 0.67%

LAB 85.27, 4.43, 64.84

 

CMYK 0 / 12 / 59 / 0

HEX #FFE168

RGB 255 225 104

HSL 48.08, 1%, 0.7%

LAB 89.91, -3.55, 61.69

 

CMYK 0 / 30 / 85 / 14

HEX #DC9921

RGB 220 153 33

HSL 38.5, 0.74%, 0.5%

LAB 68.1, 15.85, 66.34

 

CMYK 0 / 33 / 93 / 20

HEX #CB870E

RGB 203 135 14

HSL 38.41, 0.87%, 0.43%

LAB 61.7, 17.81, 65.04

 

CMYK 0 / 37 / 100 / 27

HEX #BA7500

RGB 186 117 0

HSL 37.74, 1%, 0.36%

LAB 55.24, 20.04, 61.96

 

CMYK 0 / 41 / 100 / 34

HEX #A96300

RGB 169 99 0

HSL 35.15, 1%, 0.33%

LAB 48.71, 22.51, 56.66

 

CMYK 0 / 47 / 100 / 40

HEX #985100

RGB 152 81 0

HSL 31.97, 1%, 0.3%

LAB 42.09, 25.05, 51.31

 

CMYK 0 / 31 / 85 / 13

HEX #DE9A21

RGB 222 154 33

HSL 38.41, 0.74%, 0.5%

LAB 68.57, 16.17, 66.82

HEX #DE9A21

CMYK 0 / 54 / 85 / 13

HEX #DE6721

RGB 222 103 33

HSL 22.22, 0.74%, 0.5%

LAB 57.41, 42.83, 57.56

HEX #DE6721

CMYK 0 / 77 / 85 / 13

HEX #DE3421

RGB 222 52 33

HSL 6.03, 0.74%, 0.5%

LAB 49.61, 63.67, 50.99

HEX #DE3421

CMYK 0 / 85 / 85 / 13

HEX #DE2121

RGB 222 33 33

HSL 0, 0.74%, 0.5%

LAB 47.91, 68.47, 49.55

HEX #DE2121

CMYK 0 / 31 / 85 / 13

HEX #DE9A21

RGB 222 154 33

HSL 38.41, 0.74%, 0.5%

LAB 68.57, 16.17, 66.82

HEX #DE9A21

CMYK 0 / 8 / 85 / 13

HEX #DECD21

RGB 222 205 33

HSL 54.6, 0.74%, 0.5%

LAB 81.46, -10.53, 77.4

HEX #DECD21

CMYK 15 / 0 / 85 / 13

HEX #BCDE21

RGB 188 222 33

HSL 70.79, 0.74%, 0.5%

LAB 83.47, -32.96, 78

HEX #BCDE21

CMYK 38 / 0 / 85 / 13

HEX #89DE21

RGB 137 222 33

HSL 86.98, 0.74%, 0.5%

LAB 80.56, -52.05, 74.37

HEX #89DE21

CMYK 61 / 0 / 85 / 13

HEX #56DE21

RGB 86 222 33

HSL 103.17, 0.74%, 0.5%

LAB 78.65, -66.68, 71.97

HEX #56DE21

CMYK 0 / 31 / 85 / 13

HEX #DE9A21

RGB 222 154 33

HSL 38.41, 0.74%, 0.5%

LAB 68.57, 16.17, 66.82

HEX #DE9A21

CMYK 0 / 34 / 95 / 5

HEX #F2A00D

RGB 242 160 13

HSL 38.52, 0.9%, 0.5%

LAB 72.26, 21.2, 74.87

HEX #F2A00D

CMYK 0 / 31 / 85 / 13

HEX #DE9A21

RGB 222 154 33

HSL 38.41, 0.74%, 0.5%

LAB 68.57, 16.17, 66.82

HEX #DE9A21

CMYK 0 / 26 / 73 / 21

HEX #C99436

RGB 201 148 54

HSL 38.37, 0.58%, 0.5%

LAB 64.85, 11.04, 55.07

HEX #C99436

CMYK 0 / 21 / 59 / 29

HEX #B58F4A

RGB 181 143 74

HSL 38.69, 0.42%, 0.5%

LAB 61.62, 6.29, 41.61

HEX #B58F4A

CMYK 0 / 14 / 41 / 37

HEX #A0895F

RGB 160 137 95

HSL 38.77, 0.25%, 0.5%

LAB 58.22, 2.61, 25.74

HEX #A0895F

CMYK 0 / 6 / 17 / 45

HEX #8B8374

RGB 139 131 116

HSL 39.13, 0.09%, 0.5%

LAB 55.05, 0.34, 9.19

HEX #8B8374

CMYK 0 / 77 / 85 / 13

HEX #DE3421

RGB 222 52 33

HSL 6.03, 0.74%, 0.5%

LAB 49.61, 63.67, 50.99

 

CMYK 0 / 54 / 85 / 13

HEX #DE6621

RGB 222 102 33

HSL 21.9, 0.74%, 0.5%

LAB 57.21, 43.32, 57.4

 

CMYK 0 / 31 / 85 / 13

HEX #DE9921

RGB 222 153 33

HSL 38.1, 0.74%, 0.5%

LAB 68.33, 16.71, 66.63

 

CMYK 0 / 9 / 85 / 13

HEX #DECB21

RGB 222 203 33

HSL 53.97, 0.74%, 0.5%

LAB 80.93, -9.52, 76.97

 

CMYK 14 / 0 / 85 / 13

HEX #BEDE21

RGB 190 222 33

HSL 70.16, 0.74%, 0.5%

LAB 83.6, -32.16, 78.16

 

CMYK 0 / 31 / 85 / 41

HEX #966816

RGB 150 104 22

HSL 38.44, 0.74%, 0.34%

LAB 47.55, 11.46, 49.15

 

CMYK 0 / 31 / 85 / 27

HEX #BA811C

RGB 186 129 28

HSL 38.35, 0.74%, 0.42%

LAB 58.25, 13.88, 58.02

 

CMYK 0 / 31 / 85 / 13

HEX #DE9A21

RGB 222 154 33

HSL 38.41, 0.74%, 0.5%

LAB 68.57, 16.17, 66.82

HEX #DE9A21

CMYK 0 / 25 / 70 / 11

HEX #E3AB45

RGB 227 171 69

HSL 38.73, 0.74%, 0.58%

LAB 73.47, 10.62, 58.39

HEX #E3AB45

CMYK 0 / 20 / 55 / 9

HEX #E9BB69

RGB 233 187 105

HSL 38.44, 0.74%, 0.66%

LAB 78.39, 7.05, 47.34

HEX #E9BB69

CMYK 0 / 30 / 85 / 14

HEX #DC9921

RGB 220 153 33

HSL 38.5, 0.74%, 0.5%

LAB 68.1, 15.85, 66.34

 

CMYK 71 / 0 / 85 / 13

HEX #41DE21

RGB 65 222 33

HSL 109.84, 0.74%, 0.5%

LAB 78.16, -70.88, 71.34

 

CMYK 65 / 85 / 0 / 13

HEX #4D21DE

RGB 77 33 222

HSL 253.97, 0.74%, 0.5%

LAB 33.86, 65.65, -86.45

 

CMYK 0 / 30 / 85 / 14

HEX #DC9921

RGB 220 153 33

HSL 38.5, 0.74%, 0.5%

LAB 68.1, 15.85, 66.34

 

CMYK 85 / 0 / 31 / 13

HEX #21DE99

RGB 33 222 153

HSL 158.1, 0.74%, 0.5%

LAB 78.96, -59.7, 21.68

 

CMYK 31 / 85 / 0 / 13

HEX #9921DE

RGB 153 33 222

HSL 278.1, 0.74%, 0.5%

LAB 42.96, 73.98, -71.14

 

CMYK 0 / 30 / 85 / 14

HEX #DC9921

RGB 220 153 33

HSL 38.5, 0.74%, 0.5%

LAB 68.1, 15.85, 66.34

 

CMYK 71 / 0 / 85 / 13

HEX #41DE21

RGB 65 222 33

HSL 109.84, 0.74%, 0.5%

LAB 78.16, -70.88, 71.34

 

CMYK 85 / 54 / 0 / 13

HEX #2166DE

RGB 33 102 222

HSL 218.1, 0.74%, 0.5%

LAB 45.77, 23.84, -66.97

 

CMYK 14 / 85 / 0 / 13

HEX #BE21DE

RGB 190 33 222

HSL 289.84, 0.74%, 0.5%

LAB 48.65, 79.61, -61.65

 

CMYK 0 / 30 / 85 / 14

HEX #DC9921

RGB 220 153 33

HSL 38.5, 0.74%, 0.5%

LAB 68.1, 15.85, 66.34

 

CMYK 85 / 0 / 74 / 13

HEX #21DE3A

RGB 33 222 58

HSL 127.94, 0.74%, 0.5%

LAB 77.8, -73.56, 63.85

 

CMYK 85 / 54 / 0 / 13

HEX #2166DE

RGB 33 102 222

HSL 218.1, 0.74%, 0.5%

LAB 45.77, 23.84, -66.97

 

CMYK 0 / 85 / 11 / 13

HEX #DE21C5

RGB 222 33 197

HSL 307.94, 0.74%, 0.5%

LAB 52.56, 81.48, -40.74

 

Description

Color code: HEX #DC9921 | qconv.com Color code: HEX #DC9921 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 153 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 153 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 85 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 85% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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