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Color name
HEX #DC9916

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC9916 it is the complementary color #2366E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC9916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC9916 shade: #E19911, #F2AB24, #FFBD37, #FFCF4A and #FFE15D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC9916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC9916 shade: #DC9916, #CB8703, #BA7500, #A96300 and #985100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC9916 shade: #DA9816, #DA6316, #DA2E16 and #DA1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC9916 shade: #DA9816, #DACD16, #B3DA16, #7EDA16 and #49DA16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC9916 shade matches the following richer shades: #DA9816 and #EE9E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC9916 shade: #DA9816, #C79129, #B38B3C, #A08550 and #8D7F63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC9916 shade: #DA2D16, #DA6116, #DA9516, #DACA16 and #B6DA16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC9916 shade: #8F630E, #B57E12, #DA9816, #EAAB2F and #EEBA54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC9916 shade: #DC9916, #33DA16 and #4716DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC9916 shade: #DC9916, #16DA95 and #9516DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC9916 shade: #DC9916, #33DA16, #165ADA and #BD16DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC9916 shade: #DC9916, #16DA33, #165ADA and #DA16BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 90 / 14

HEX #DC9916

RGB 220 153 22

HSL 39.7, 0.82%, 0.47%

LAB 68.06, 15.61, 69.08

 

Complementary color

CMYK 85 / 56 / 0 / 9

HEX #2366E9

RGB 35 102 233

HSL 219.7, 0.82%, 0.53%

LAB 46.64, 28.17, -71.77

 

CMYK 0 / 32 / 92 / 12

HEX #E19911

RGB 225 153 17

HSL 39.23, 0.86%, 0.47%

LAB 68.63, 17.7, 70.73

 

CMYK 0 / 29 / 85 / 5

HEX #F2AB24

RGB 242 171 36

HSL 39.32, 0.89%, 0.55%

LAB 74.91, 15.78, 72.12

 

CMYK 0 / 26 / 78 / 0

HEX #FFBD37

RGB 255 189 55

HSL 40.2, 1%, 0.61%

LAB 80.7, 12.41, 71.84

 

CMYK 0 / 19 / 71 / 0

HEX #FFCF4A

RGB 255 207 74

HSL 44.09, 1%, 0.65%

LAB 85.19, 3.88, 69.2

 

CMYK 0 / 12 / 64 / 0

HEX #FFE15D

RGB 255 225 93

HSL 48.89, 1%, 0.68%

LAB 89.81, -4.26, 66.32

 

CMYK 0 / 30 / 90 / 14

HEX #DC9916

RGB 220 153 22

HSL 39.7, 0.82%, 0.47%

LAB 68.06, 15.61, 69.08

 

CMYK 0 / 33 / 99 / 20

HEX #CB8703

RGB 203 135 3

HSL 39.6, 0.97%, 0.4%

LAB 61.68, 17.68, 66.75

 

CMYK 0 / 37 / 100 / 27

HEX #BA7500

RGB 186 117 0

HSL 37.74, 1%, 0.36%

LAB 55.24, 20.04, 61.96

 

CMYK 0 / 41 / 100 / 34

HEX #A96300

RGB 169 99 0

HSL 35.15, 1%, 0.33%

LAB 48.71, 22.51, 56.66

 

CMYK 0 / 47 / 100 / 40

HEX #985100

RGB 152 81 0

HSL 31.97, 1%, 0.3%

LAB 42.09, 25.05, 51.31

 

CMYK 0 / 30 / 90 / 15

HEX #DA9816

RGB 218 152 22

HSL 39.8, 0.82%, 0.47%

LAB 67.59, 15.28, 68.62

 

CMYK 0 / 55 / 90 / 15

HEX #DA6316

RGB 218 99 22

HSL 23.57, 0.82%, 0.47%

LAB 55.97, 43.02, 59.88

 

CMYK 0 / 79 / 90 / 15

HEX #DA2E16

RGB 218 46 22

HSL 7.35, 0.82%, 0.47%

LAB 48.16, 64.03, 54.22

 

CMYK 0 / 90 / 90 / 15

HEX #DA1616

RGB 218 22 22

HSL 0, 0.82%, 0.47%

LAB 46.36, 69.14, 52.95

 

CMYK 0 / 30 / 90 / 15

HEX #DA9816

RGB 218 152 22

HSL 39.8, 0.82%, 0.47%

LAB 67.59, 15.28, 68.62

 

CMYK 0 / 6 / 90 / 15

HEX #DACD16

RGB 218 205 22

HSL 56.02, 0.82%, 0.47%

LAB 81.09, -12.47, 79.02

 

CMYK 18 / 0 / 90 / 15

HEX #B3DA16

RGB 179 218 22

HSL 71.94, 0.82%, 0.47%

LAB 81.72, -34.99, 78.28

 

CMYK 42 / 0 / 90 / 15

HEX #7EDA16

RGB 126 218 22

HSL 88.16, 0.82%, 0.47%

LAB 78.83, -54.45, 74.73

 

CMYK 67 / 0 / 90 / 15

HEX #49DA16

RGB 73 218 22

HSL 104.39, 0.82%, 0.47%

LAB 77.05, -68.53, 72.52

 

CMYK 0 / 30 / 90 / 15

HEX #DA9816

RGB 218 152 22

HSL 39.8, 0.82%, 0.47%

LAB 67.59, 15.28, 68.62

 

CMYK 0 / 34 / 99 / 7

HEX #EE9E02

RGB 238 158 2

HSL 39.66, 0.98%, 0.47%

LAB 71.31, 20.46, 75.35

 

CMYK 0 / 30 / 90 / 15

HEX #DA9816

RGB 218 152 22

HSL 39.8, 0.82%, 0.47%

LAB 67.59, 15.28, 68.62

 

CMYK 0 / 27 / 79 / 22

HEX #C79129

RGB 199 145 41

HSL 39.49, 0.66%, 0.47%

LAB 63.8, 11.26, 59.08

 

CMYK 0 / 22 / 66 / 30

HEX #B38B3C

RGB 179 139 60

HSL 39.83, 0.5%, 0.47%

LAB 60.23, 6.64, 46.82

 

CMYK 0 / 17 / 50 / 37

HEX #A08550

RGB 160 133 80

HSL 39.75, 0.33%, 0.47%

LAB 56.91, 3.23, 32.27

 

CMYK 0 / 10 / 30 / 45

HEX #8D7F63

RGB 141 127 99

HSL 40, 0.18%, 0.47%

LAB 53.75, 0.78, 17.19

 

CMYK 0 / 79 / 90 / 15

HEX #DA2D16

RGB 218 45 22

HSL 7.04, 0.82%, 0.47%

LAB 48.06, 64.31, 54.15

 

CMYK 0 / 56 / 90 / 15

HEX #DA6116

RGB 218 97 22

HSL 22.96, 0.82%, 0.47%

LAB 55.6, 43.99, 59.61

 

CMYK 0 / 32 / 90 / 15

HEX #DA9516

RGB 218 149 22

HSL 38.88, 0.82%, 0.47%

LAB 66.87, 16.89, 68.07

 

CMYK 0 / 7 / 90 / 15

HEX #DACA16

RGB 218 202 22

HSL 55.1, 0.82%, 0.47%

LAB 80.29, -10.95, 78.4

 

CMYK 17 / 0 / 90 / 15

HEX #B6DA16

RGB 182 218 22

HSL 71.02, 0.82%, 0.47%

LAB 81.92, -33.79, 78.52

 

CMYK 0 / 31 / 90 / 44

HEX #8F630E

RGB 143 99 14

HSL 39.53, 0.82%, 0.31%

LAB 45.35, 10.87, 49.43

 

CMYK 0 / 30 / 90 / 29

HEX #B57E12

RGB 181 126 18

HSL 39.75, 0.82%, 0.39%

LAB 56.87, 13.07, 59.41

 

CMYK 0 / 30 / 90 / 15

HEX #DA9816

RGB 218 152 22

HSL 39.8, 0.82%, 0.47%

LAB 67.59, 15.28, 68.62

 

CMYK 0 / 27 / 80 / 8

HEX #EAAB2F

RGB 234 171 47

HSL 39.79, 0.82%, 0.55%

LAB 74.08, 12.68, 67.72

 

CMYK 0 / 22 / 65 / 7

HEX #EEBA54

RGB 238 186 84

HSL 39.74, 0.82%, 0.63%

LAB 78.42, 8.18, 57.41

 

CMYK 0 / 30 / 90 / 14

HEX #DC9916

RGB 220 153 22

HSL 39.7, 0.82%, 0.47%

LAB 68.06, 15.61, 69.08

 

CMYK 77 / 0 / 90 / 15

HEX #33DA16

RGB 51 218 22

HSL 111.12, 0.82%, 0.47%

LAB 76.62, -72.25, 71.98

 

CMYK 67 / 90 / 0 / 15

HEX #4716DA

RGB 71 22 218

HSL 255, 0.82%, 0.47%

LAB 31.75, 67.59, -87.66

 

CMYK 0 / 30 / 90 / 14

HEX #DC9916

RGB 220 153 22

HSL 39.7, 0.82%, 0.47%

LAB 68.06, 15.61, 69.08

 

CMYK 90 / 0 / 32 / 15

HEX #16DA95

RGB 22 218 149

HSL 158.88, 0.82%, 0.47%

LAB 77.57, -59.78, 21.84

 

CMYK 32 / 90 / 0 / 15

HEX #9516DA

RGB 149 22 218

HSL 278.88, 0.82%, 0.47%

LAB 41.26, 74.99, -71.66

 

CMYK 0 / 30 / 90 / 14

HEX #DC9916

RGB 220 153 22

HSL 39.7, 0.82%, 0.47%

LAB 68.06, 15.61, 69.08

 

CMYK 77 / 0 / 90 / 15

HEX #33DA16

RGB 51 218 22

HSL 111.12, 0.82%, 0.47%

LAB 76.62, -72.25, 71.98

 

CMYK 90 / 59 / 0 / 15

HEX #165ADA

RGB 22 90 218

HSL 219.18, 0.82%, 0.47%

LAB 42.07, 29.42, -70.73

 

CMYK 13 / 90 / 0 / 15

HEX #BD16DA

RGB 189 22 218

HSL 291.12, 0.82%, 0.47%

LAB 47.57, 80.7, -61.12

 

CMYK 0 / 30 / 90 / 14

HEX #DC9916

RGB 220 153 22

HSL 39.7, 0.82%, 0.47%

LAB 68.06, 15.61, 69.08

 

CMYK 90 / 0 / 77 / 15

HEX #16DA33

RGB 22 218 51

HSL 128.88, 0.82%, 0.47%

LAB 76.41, -73.73, 64.73

 

CMYK 90 / 59 / 0 / 15

HEX #165ADA

RGB 22 90 218

HSL 219.18, 0.82%, 0.47%

LAB 42.07, 29.42, -70.73

 

CMYK 0 / 90 / 13 / 15

HEX #DA16BD

RGB 218 22 189

HSL 308.88, 0.82%, 0.47%

LAB 50.87, 81.37, -38.83

 

Description

Color code: HEX #DC9916 | qconv.com Color code: HEX #DC9916 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 153 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 153 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 90% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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