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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC9801 it is the complementary color #2367FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC9801. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC9801 shade: #E19800, #F2AA0F, #FFBC22, #FFCE35 and #FFE048

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC9801. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC9801 shade: #DC9801, #CB8600, #BA7400, #A96200 and #985000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC9801 shade: #DA9701, #DA5C01, #DA2201 and #DA0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC9801 shade: #DA9701, #DAD101, #A9DA01, #6EDA01 and #33DA01

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC9801 shade matches the following richer shades: #DA9701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC9801 shade: #DA9701, #C89013, #B78925, #A58336 and #937C48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC9801 shade: #DA2201, #DA5C01, #DA9501, #DACF01 and #ABDA01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC9801 shade: #885E01, #B17A01, #DA9701, #FEB107 and #FEBE30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC9801 shade: #DC9801, #1ADA01 and #3F01DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC9801 shade: #DC9801, #01DA95 and #9501DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC9801 shade: #DC9801, #1ADA01, #0146DA and #C101DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC9801 shade: #DC9801, #01DA29, #0146DA and #DA01B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 100 / 14

HEX #DC9801

RGB 220 152 1

HSL 41.37, 0.99%, 0.43%

LAB 67.78, 15.9, 72.11

 

Complementary color

CMYK 86 / 59 / 0 / 0

HEX #2367FE

RGB 35 103 254

HSL 221.37, 0.99%, 0.57%

LAB 48.53, 35.38, -80.43

 

CMYK 0 / 32 / 100 / 12

HEX #E19800

RGB 225 152 0

HSL 40.53, 1%, 0.44%

LAB 68.36, 18.06, 72.91

 

CMYK 0 / 30 / 94 / 5

HEX #F2AA0F

RGB 242 170 15

HSL 40.97, 0.9%, 0.5%

LAB 74.61, 15.95, 76.26

 

CMYK 0 / 26 / 87 / 0

HEX #FFBC22

RGB 255 188 34

HSL 41.81, 1%, 0.57%

LAB 80.37, 12.36, 77.62

 

CMYK 0 / 19 / 79 / 0

HEX #FFCE35

RGB 255 206 53

HSL 45.45, 1%, 0.6%

LAB 84.82, 3.56, 76.19

 

CMYK 0 / 12 / 72 / 0

HEX #FFE048

RGB 255 224 72

HSL 49.84, 1%, 0.64%

LAB 89.41, -4.84, 74.1

 

CMYK 0 / 31 / 100 / 14

HEX #DC9801

RGB 220 152 1

HSL 41.37, 0.99%, 0.43%

LAB 67.78, 15.9, 72.11

 

CMYK 0 / 34 / 100 / 20

HEX #CB8600

RGB 203 134 0

HSL 39.61, 1%, 0.4%

LAB 61.44, 18.19, 67.05

 

CMYK 0 / 38 / 100 / 27

HEX #BA7400

RGB 186 116 0

HSL 37.42, 1%, 0.36%

LAB 55, 20.59, 61.81

 

CMYK 0 / 42 / 100 / 34

HEX #A96200

RGB 169 98 0

HSL 34.79, 1%, 0.33%

LAB 48.47, 23.06, 56.51

 

CMYK 0 / 47 / 100 / 40

HEX #985000

RGB 152 80 0

HSL 31.58, 1%, 0.3%

LAB 41.86, 25.61, 51.17

 

CMYK 0 / 31 / 100 / 15

HEX #DA9701

RGB 218 151 1

HSL 41.47, 0.99%, 0.43%

LAB 67.31, 15.56, 71.68

 

CMYK 0 / 58 / 100 / 15

HEX #DA5C01

RGB 218 92 1

HSL 25.16, 0.99%, 0.43%

LAB 54.62, 46.13, 63.74

 

CMYK 0 / 84 / 100 / 15

HEX #DA2201

RGB 218 34 1

HSL 9.12, 0.99%, 0.43%

LAB 47.04, 66.76, 59.99

 

CMYK 0 / 100 / 100 / 15

HEX #DA0101

RGB 218 1 1

HSL 0, 0.99%, 0.43%

LAB 45.54, 71.09, 59.41

 

CMYK 0 / 31 / 100 / 15

HEX #DA9701

RGB 218 151 1

HSL 41.47, 0.99%, 0.43%

LAB 67.31, 15.56, 71.68

 

CMYK 0 / 4 / 100 / 15

HEX #DAD101

RGB 218 209 1

HSL 57.51, 0.99%, 0.43%

LAB 82.11, -14.7, 82.1

 

CMYK 22 / 0 / 100 / 15

HEX #A9DA01

RGB 169 218 1

HSL 73.55, 0.99%, 0.43%

LAB 81.06, -39.23, 79.74

 

CMYK 50 / 0 / 100 / 15

HEX #6EDA01

RGB 110 218 1

HSL 89.86, 0.99%, 0.43%

LAB 78.15, -59.76, 76.22

 

CMYK 77 / 0 / 100 / 15

HEX #33DA01

RGB 51 218 1

HSL 106.18, 0.99%, 0.43%

LAB 76.59, -72.68, 74.32

 

CMYK 0 / 31 / 100 / 15

HEX #DA9701

RGB 218 151 1

HSL 41.47, 0.99%, 0.43%

LAB 67.31, 15.56, 71.68

 

CMYK 0 / 31 / 100 / 15

HEX #DA9701

RGB 218 151 1

HSL 41.47, 0.99%, 0.43%

LAB 67.31, 15.56, 71.68

 

CMYK 0 / 28 / 91 / 22

HEX #C89013

RGB 200 144 19

HSL 41.44, 0.83%, 0.43%

LAB 63.57, 11.66, 65.29

 

CMYK 0 / 25 / 80 / 28

HEX #B78925

RGB 183 137 37

HSL 41.1, 0.66%, 0.43%

LAB 59.97, 8.4, 56.37

 

CMYK 0 / 21 / 67 / 35

HEX #A58336

RGB 165 131 54

HSL 41.62, 0.51%, 0.43%

LAB 56.58, 4.48, 45.26

 

CMYK 0 / 16 / 51 / 42

HEX #937C48

RGB 147 124 72

HSL 41.6, 0.34%, 0.43%

LAB 53.04, 1.81, 31.52

 

CMYK 0 / 84 / 100 / 15

HEX #DA2201

RGB 218 34 1

HSL 9.12, 0.99%, 0.43%

LAB 47.04, 66.76, 59.99

 

CMYK 0 / 58 / 100 / 15

HEX #DA5C01

RGB 218 92 1

HSL 25.16, 0.99%, 0.43%

LAB 54.62, 46.13, 63.74

 

CMYK 0 / 32 / 100 / 15

HEX #DA9501

RGB 218 149 1

HSL 40.92, 0.99%, 0.43%

LAB 66.83, 16.64, 71.35

 

CMYK 0 / 5 / 100 / 15

HEX #DACF01

RGB 218 207 1

HSL 56.96, 0.99%, 0.43%

LAB 81.58, -13.71, 81.71

 

CMYK 22 / 0 / 100 / 15

HEX #ABDA01

RGB 171 218 1

HSL 73, 0.99%, 0.43%

LAB 81.18, -38.44, 79.88

 

CMYK 0 / 31 / 99 / 47

HEX #885E01

RGB 136 94 1

HSL 41.33, 0.99%, 0.27%

LAB 43.13, 10.22, 50.63

 

CMYK 0 / 31 / 99 / 31

HEX #B17A01

RGB 177 122 1

HSL 41.25, 0.99%, 0.35%

LAB 55.35, 13.24, 61.31

 

CMYK 0 / 31 / 100 / 15

HEX #DA9701

RGB 218 151 1

HSL 41.47, 0.99%, 0.43%

LAB 67.31, 15.56, 71.68

 

CMYK 0 / 30 / 97 / 0

HEX #FEB107

RGB 254 177 7

HSL 41.3, 0.99%, 0.51%

LAB 77.6, 17.31, 79.92

 

CMYK 0 / 25 / 81 / 0

HEX #FEBE30

RGB 254 190 48

HSL 41.36, 0.99%, 0.59%

LAB 80.8, 11.24, 74.15

 

CMYK 0 / 31 / 100 / 14

HEX #DC9801

RGB 220 152 1

HSL 41.37, 0.99%, 0.43%

LAB 67.78, 15.9, 72.11

 

CMYK 88 / 0 / 100 / 15

HEX #1ADA01

RGB 26 218 1

HSL 113.09, 0.99%, 0.43%

LAB 76.29, -75.32, 73.96

 

CMYK 71 / 100 / 0 / 15

HEX #3F01DA

RGB 63 1 218

HSL 257.14, 0.99%, 0.43%

LAB 29.76, 71.22, -90.99

 

CMYK 0 / 31 / 100 / 14

HEX #DC9801

RGB 220 152 1

HSL 41.37, 0.99%, 0.43%

LAB 67.78, 15.9, 72.11

 

CMYK 100 / 0 / 32 / 15

HEX #01DA95

RGB 1 218 149

HSL 160.92, 0.99%, 0.43%

LAB 77.47, -60.55, 21.69

 

CMYK 32 / 100 / 0 / 15

HEX #9501DA

RGB 149 1 218

HSL 280.92, 0.99%, 0.43%

LAB 40.37, 77.66, -73.12

 

CMYK 0 / 31 / 100 / 14

HEX #DC9801

RGB 220 152 1

HSL 41.37, 0.99%, 0.43%

LAB 67.78, 15.9, 72.11

 

CMYK 88 / 0 / 100 / 15

HEX #1ADA01

RGB 26 218 1

HSL 113.09, 0.99%, 0.43%

LAB 76.29, -75.32, 73.96

 

CMYK 100 / 68 / 0 / 15

HEX #0146DA

RGB 1 70 218

HSL 220.92, 0.99%, 0.43%

LAB 36.83, 41.61, -79.33

 

CMYK 11 / 100 / 0 / 15

HEX #C101DA

RGB 193 1 218

HSL 293.09, 0.99%, 0.43%

LAB 47.52, 83.41, -61.16

 

CMYK 0 / 31 / 100 / 14

HEX #DC9801

RGB 220 152 1

HSL 41.37, 0.99%, 0.43%

LAB 67.78, 15.9, 72.11

 

CMYK 100 / 0 / 81 / 15

HEX #01DA29

RGB 1 218 41

HSL 131.06, 0.99%, 0.43%

LAB 76.26, -75.25, 67.45

 

CMYK 100 / 68 / 0 / 15

HEX #0146DA

RGB 1 70 218

HSL 220.92, 0.99%, 0.43%

LAB 36.83, 41.61, -79.33

 

CMYK 0 / 100 / 18 / 15

HEX #DA01B2

RGB 218 1 178

HSL 311.06, 0.99%, 0.43%

LAB 49.67, 81.9, -34.28

 

Description

Color code: HEX #DC9801 | qconv.com Color code: HEX #DC9801 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 152 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 152 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 100 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 100% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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