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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC95DA it is the complementary color #236A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC95DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC95DA shade: #E195D5, #F2A7E8, #FFB9FB, #FFCBFF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC95DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC95DA shade: #DC95DA, #CB83C7, #BA71B4, #A95FA1 and #984D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC95DA shade: #DB94D9, #DB94C6, #DB94B3, #DB94A0 and #DB9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC95DA shade: #DB94D9, #CA94DB, #B794DB, #A494DB and #9494DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC95DA shade matches the following richer shades: #DB94D9, #E788E4, #F27DEF and #FE71FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC95DA shade: #DB94D9, #D09FCE, #C4ABC3, #B9B7B9 and #ADC2AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC95DA shade: #B694DB, #C994DB, #DB94DA, #DB94C7 and #DB94B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC95DA shade: #C756C3, #D175CE, #DB94D9, #E6B3E4 and #F0D2EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC95DA shade: #DC95DA, #DBA394 and #94DBC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC95DA shade: #DC95DA, #DADB94 and #94DADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC95DA shade: #DC95DA, #DBA394, #94DB95 and #94CCDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC95DA shade: #DC95DA, #DBB994, #94DB95 and #94B6DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 1 / 14

HEX #DC95DA

RGB 220 149 218

HSL 301.69, 0.5%, 0.72%

LAB 70.71, 37.56, -24.42

 

Complementary color

CMYK 67 / 0 / 65 / 58

HEX #236A25

RGB 35 106 37

HSL 121.69, 0.5%, 0.28%

LAB 39.24, -37.03, 31.6

 

CMYK 0 / 34 / 5 / 12

HEX #E195D5

RGB 225 149 213

HSL 309.47, 0.56%, 0.73%

LAB 71.08, 38.27, -21.05

 

CMYK 0 / 31 / 4 / 5

HEX #F2A7E8

RGB 242 167 232

HSL 308, 0.74%, 0.8%

LAB 77.48, 37.57, -21.53

 

CMYK 0 / 27 / 2 / 0

HEX #FFB9FB

RGB 255 185 251

HSL 303.43, 1%, 0.86%

LAB 83.4, 35.63, -22.64

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 32 / 1 / 14

HEX #DC95DA

RGB 220 149 218

HSL 301.69, 0.5%, 0.72%

LAB 70.71, 37.56, -24.42

 

CMYK 0 / 35 / 2 / 20

HEX #CB83C7

RGB 203 131 199

HSL 303.33, 0.41%, 0.65%

LAB 64.2, 38.29, -23.98

 

CMYK 0 / 39 / 3 / 27

HEX #BA71B4

RGB 186 113 180

HSL 304.93, 0.35%, 0.59%

LAB 57.6, 39.05, -23.49

 

CMYK 0 / 44 / 5 / 34

HEX #A95FA1

RGB 169 95 161

HSL 306.49, 0.3%, 0.52%

LAB 50.91, 39.81, -22.94

 

CMYK 0 / 49 / 7 / 40

HEX #984D8E

RGB 152 77 142

HSL 308, 0.33%, 0.45%

LAB 44.14, 40.55, -22.27

 

CMYK 0 / 32 / 1 / 14

HEX #DB94D9

RGB 219 148 217

HSL 301.69, 0.5%, 0.72%

LAB 70.35, 37.6, -24.43

 

CMYK 0 / 32 / 10 / 14

HEX #DB94C6

RGB 219 148 198

HSL 317.75, 0.5%, 0.72%

LAB 69.69, 34.24, -14.91

 

CMYK 0 / 32 / 18 / 14

HEX #DB94B3

RGB 219 148 179

HSL 333.8, 0.5%, 0.72%

LAB 69.11, 31.16, -5.21

 

CMYK 0 / 32 / 27 / 14

HEX #DB94A0

RGB 219 148 160

HSL 349.86, 0.5%, 0.72%

LAB 68.59, 28.37, 4.65

 

CMYK 0 / 32 / 32 / 14

HEX #DB9494

RGB 219 148 148

HSL 0, 0.5%, 0.72%

LAB 68.3, 26.77, 10.94

 

CMYK 0 / 32 / 1 / 14

HEX #DB94D9

RGB 219 148 217

HSL 301.69, 0.5%, 0.72%

LAB 70.35, 37.6, -24.43

 

CMYK 8 / 32 / 0 / 14

HEX #CA94DB

RGB 202 148 219

HSL 285.63, 0.5%, 0.72%

LAB 68.64, 32.59, -28.31

 

CMYK 16 / 32 / 0 / 14

HEX #B794DB

RGB 183 148 219

HSL 269.58, 0.5%, 0.72%

LAB 66.8, 26.68, -31.31

 

CMYK 25 / 32 / 0 / 14

HEX #A494DB

RGB 164 148 219

HSL 253.52, 0.5%, 0.72%

LAB 65.11, 20.93, -34.06

 

CMYK 32 / 32 / 0 / 14

HEX #9494DB

RGB 148 148 219

HSL 240, 0.5%, 0.72%

LAB 63.83, 16.3, -36.15

 

CMYK 0 / 32 / 1 / 14

HEX #DB94D9

RGB 219 148 217

HSL 301.69, 0.5%, 0.72%

LAB 70.35, 37.6, -24.43

 

CMYK 0 / 41 / 1 / 9

HEX #E788E4

RGB 231 136 228

HSL 301.89, 0.66%, 0.72%

LAB 69.61, 49.56, -31.52

 

CMYK 0 / 48 / 1 / 5

HEX #F27DEF

RGB 242 125 239

HSL 301.54, 0.82%, 0.72%

LAB 69.31, 60.08, -37.93

 

CMYK 0 / 56 / 2 / 0

HEX #FE71FA

RGB 254 113 250

HSL 301.7, 0.99%, 0.72%

LAB 69.31, 70.59, -43.85

 

CMYK 0 / 32 / 1 / 14

HEX #DB94D9

RGB 219 148 217

HSL 301.69, 0.5%, 0.72%

LAB 70.35, 37.6, -24.43

 

CMYK 0 / 24 / 1 / 18

HEX #D09FCE

RGB 208 159 206

HSL 302.45, 0.34%, 0.72%

LAB 71.33, 26.01, -16.99

 

CMYK 0 / 13 / 1 / 23

HEX #C4ABC3

RGB 196 171 195

HSL 302.4, 0.17%, 0.72%

LAB 72.76, 13.3, -8.89

 

CMYK 0 / 1 / 0 / 27

HEX #B9B7B9

RGB 185 183 185

HSL 300, 0.01%, 0.72%

LAB 74.63, 1.08, -0.77

 

CMYK 11 / 0 / 10 / 24

HEX #ADC2AE

RGB 173 194 174

HSL 122.86, 0.15%, 0.72%

LAB 76.39, -10.96, 7.64

 

CMYK 17 / 32 / 0 / 14

HEX #B694DB

RGB 182 148 219

HSL 268.73, 0.5%, 0.72%

LAB 66.7, 26.37, -31.46

 

CMYK 8 / 32 / 0 / 14

HEX #C994DB

RGB 201 148 219

HSL 284.79, 0.5%, 0.72%

LAB 68.54, 32.28, -28.47

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DA

RGB 219 148 218

HSL 300.85, 0.5%, 0.72%

LAB 70.39, 37.78, -24.93

 

CMYK 0 / 32 / 9 / 14

HEX #DB94C7

RGB 219 148 199

HSL 316.9, 0.5%, 0.72%

LAB 69.73, 34.41, -15.41

 

CMYK 0 / 32 / 18 / 14

HEX #DB94B4

RGB 219 148 180

HSL 332.96, 0.5%, 0.72%

LAB 69.14, 31.32, -5.72

 

CMYK 0 / 57 / 2 / 22

HEX #C756C3

RGB 199 86 195

HSL 302.12, 0.5%, 0.56%

LAB 54.8, 59.02, -36.32

 

CMYK 0 / 44 / 1 / 18

HEX #D175CE

RGB 209 117 206

HSL 301.96, 0.5%, 0.64%

LAB 62.28, 48.77, -30.82

 

CMYK 0 / 32 / 1 / 14

HEX #DB94D9

RGB 219 148 217

HSL 301.69, 0.5%, 0.72%

LAB 70.35, 37.6, -24.43

 

CMYK 0 / 22 / 1 / 10

HEX #E6B3E4

RGB 230 179 228

HSL 302.35, 0.5%, 0.8%

LAB 78.85, 26.56, -17.42

 

CMYK 0 / 13 / 0 / 6

HEX #F0D2EF

RGB 240 210 239

HSL 302, 0.5%, 0.88%

LAB 87.41, 15.39, -10.37

 

CMYK 0 / 32 / 1 / 14

HEX #DC95DA

RGB 220 149 218

HSL 301.69, 0.5%, 0.72%

LAB 70.71, 37.56, -24.42

 

CMYK 0 / 26 / 32 / 14

HEX #DBA394

RGB 219 163 148

HSL 12.68, 0.5%, 0.72%

LAB 71.82, 18.68, 15.89

 

CMYK 32 / 0 / 12 / 14

HEX #94DBC0

RGB 148 219 192

HSL 157.18, 0.5%, 0.72%

LAB 82.25, -27.95, 6.24

 

CMYK 0 / 32 / 1 / 14

HEX #DC95DA

RGB 220 149 218

HSL 301.69, 0.5%, 0.72%

LAB 70.71, 37.56, -24.42

 

CMYK 0 / 0 / 32 / 14

HEX #DADB94

RGB 218 219 148

HSL 60.85, 0.5%, 0.72%

LAB 85.86, -11.11, 34.88

 

CMYK 32 / 0 / 0 / 14

HEX #94DADB

RGB 148 218 219

HSL 180.85, 0.5%, 0.72%

LAB 82.68, -21.51, -7.48

 

CMYK 0 / 32 / 1 / 14

HEX #DC95DA

RGB 220 149 218

HSL 301.69, 0.5%, 0.72%

LAB 70.71, 37.56, -24.42

 

CMYK 0 / 26 / 32 / 14

HEX #DBA394

RGB 219 163 148

HSL 12.68, 0.5%, 0.72%

LAB 71.82, 18.68, 15.89

 

CMYK 32 / 0 / 32 / 14

HEX #94DB95

RGB 148 219 149

HSL 120.85, 0.5%, 0.72%

LAB 81.36, -35.92, 27.57

 

CMYK 32 / 7 / 0 / 14

HEX #94CCDB

RGB 148 204 219

HSL 192.68, 0.5%, 0.72%

LAB 78.81, -14.42, -13.25

 

CMYK 0 / 32 / 1 / 14

HEX #DC95DA

RGB 220 149 218

HSL 301.69, 0.5%, 0.72%

LAB 70.71, 37.56, -24.42

 

CMYK 0 / 16 / 32 / 14

HEX #DBB994

RGB 219 185 148

HSL 31.27, 0.5%, 0.72%

LAB 77.22, 6.89, 23.33

 

CMYK 32 / 0 / 32 / 14

HEX #94DB95

RGB 148 219 149

HSL 120.85, 0.5%, 0.72%

LAB 81.36, -35.92, 27.57

 

CMYK 32 / 17 / 0 / 14

HEX #94B6DB

RGB 148 182 219

HSL 211.27, 0.5%, 0.72%

LAB 72.8, -2.76, -22.32

 

Description

Color code: HEX #DC95DA | qconv.com Color code: HEX #DC95DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 149 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 149 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 1 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 1% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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