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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC95D5 it is the complementary color #236A2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC95D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC95D5 shade: #E195D0, #F2A7E3, #FFB9F6, #FFCBFF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC95D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC95D5 shade: #DC95D5, #CB83C2, #BA71AF, #A95F9C and #984D89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC95D5 shade: #DB94D4, #DB94C1, #DB94AE, #DB949A and #DB9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC95D5 shade: #DB94D4, #CF94DB, #BC94DB, #A994DB and #9594DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC95D5 shade matches the following richer shades: #DB94D4, #E788DE, #F27DE7 and #FE71F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC95D5 shade: #DB94D4, #D09FCB, #C4ABC2, #B9B7B8 and #ADC2AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC95D5 shade: #BB94DB, #CE94DB, #DB94D5, #DB94C2 and #DB94AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC95D5 shade: #C756BC, #D175C8, #DB94D4, #E6B3E1 and #F0D2ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC95D5 shade: #DC95D5, #DBA894 and #94DBC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC95D5 shade: #DC95D5, #D5DB94 and #94D5DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC95D5 shade: #DC95D5, #DBA894, #94DB9A and #94C7DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC95D5 shade: #DC95D5, #DBBE94, #94DB9A and #94B2DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 3 / 14

HEX #DC95D5

RGB 220 149 213

HSL 305.92, 0.5%, 0.72%

LAB 70.53, 36.66, -21.93

 

Complementary color

CMYK 67 / 0 / 60 / 58

HEX #236A2A

RGB 35 106 42

HSL 125.92, 0.5%, 0.28%

LAB 39.3, -36.37, 29.13

 

CMYK 0 / 34 / 8 / 12

HEX #E195D0

RGB 225 149 208

HSL 313.42, 0.56%, 0.73%

LAB 70.91, 37.41, -18.55

 

CMYK 0 / 31 / 6 / 5

HEX #F2A7E3

RGB 242 167 227

HSL 312, 0.74%, 0.8%

LAB 77.32, 36.7, -19.08

 

CMYK 0 / 27 / 4 / 0

HEX #FFB9F6

RGB 255 185 246

HSL 307.71, 1%, 0.86%

LAB 83.24, 34.75, -20.22

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 32 / 3 / 14

HEX #DC95D5

RGB 220 149 213

HSL 305.92, 0.5%, 0.72%

LAB 70.53, 36.66, -21.93

 

CMYK 0 / 35 / 4 / 20

HEX #CB83C2

RGB 203 131 194

HSL 307.5, 0.41%, 0.65%

LAB 64.02, 37.38, -21.45

 

CMYK 0 / 39 / 6 / 27

HEX #BA71AF

RGB 186 113 175

HSL 309.04, 0.35%, 0.59%

LAB 57.41, 38.14, -20.92

 

CMYK 0 / 44 / 8 / 34

HEX #A95F9C

RGB 169 95 156

HSL 310.54, 0.3%, 0.52%

LAB 50.71, 38.91, -20.31

 

CMYK 0 / 49 / 10 / 40

HEX #984D89

RGB 152 77 137

HSL 312, 0.33%, 0.45%

LAB 43.93, 39.66, -19.58

 

CMYK 0 / 32 / 3 / 14

HEX #DB94D4

RGB 219 148 212

HSL 305.92, 0.5%, 0.72%

LAB 70.17, 36.69, -21.94

 

CMYK 0 / 32 / 12 / 14

HEX #DB94C1

RGB 219 148 193

HSL 321.97, 0.5%, 0.72%

LAB 69.53, 33.41, -12.37

 

CMYK 0 / 32 / 21 / 14

HEX #DB94AE

RGB 219 148 174

HSL 338.03, 0.5%, 0.72%

LAB 68.97, 30.4, -2.63

 

CMYK 0 / 32 / 30 / 14

HEX #DB949A

RGB 219 148 154

HSL 354.93, 0.5%, 0.72%

LAB 68.44, 27.56, 7.79

 

CMYK 0 / 32 / 32 / 14

HEX #DB9494

RGB 219 148 148

HSL 0, 0.5%, 0.72%

LAB 68.3, 26.77, 10.94

 

CMYK 0 / 32 / 3 / 14

HEX #DB94D4

RGB 219 148 212

HSL 305.92, 0.5%, 0.72%

LAB 70.17, 36.69, -21.94

 

CMYK 5 / 32 / 0 / 14

HEX #CF94DB

RGB 207 148 219

HSL 289.86, 0.5%, 0.72%

LAB 69.15, 34.17, -27.48

 

CMYK 14 / 32 / 0 / 14

HEX #BC94DB

RGB 188 148 219

HSL 273.8, 0.5%, 0.72%

LAB 67.27, 28.22, -30.54

 

CMYK 23 / 32 / 0 / 14

HEX #A994DB

RGB 169 148 219

HSL 257.75, 0.5%, 0.72%

LAB 65.54, 22.42, -33.36

 

CMYK 32 / 32 / 0 / 14

HEX #9594DB

RGB 149 148 219

HSL 240.85, 0.5%, 0.72%

LAB 63.9, 16.58, -36.02

 

CMYK 0 / 32 / 3 / 14

HEX #DB94D4

RGB 219 148 212

HSL 305.92, 0.5%, 0.72%

LAB 70.17, 36.69, -21.94

 

CMYK 0 / 41 / 4 / 9

HEX #E788DE

RGB 231 136 222

HSL 305.68, 0.66%, 0.72%

LAB 69.38, 48.51, -28.56

 

CMYK 0 / 48 / 5 / 5

HEX #F27DE7

RGB 242 125 231

HSL 305.64, 0.82%, 0.72%

LAB 68.98, 58.73, -34.04

 

CMYK 0 / 56 / 6 / 0

HEX #FE71F0

RGB 254 113 240

HSL 305.96, 0.99%, 0.72%

LAB 68.88, 68.96, -39.04

 

CMYK 0 / 32 / 3 / 14

HEX #DB94D4

RGB 219 148 212

HSL 305.92, 0.5%, 0.72%

LAB 70.17, 36.69, -21.94

 

CMYK 0 / 24 / 2 / 18

HEX #D09FCB

RGB 208 159 203

HSL 306.12, 0.34%, 0.72%

LAB 71.23, 25.46, -15.48

 

CMYK 0 / 13 / 1 / 23

HEX #C4ABC2

RGB 196 171 194

HSL 304.8, 0.17%, 0.72%

LAB 72.73, 13.11, -8.39

 

CMYK 0 / 1 / 1 / 27

HEX #B9B7B8

RGB 185 183 184

HSL 330, 0.01%, 0.72%

LAB 74.6, 0.89, -0.27

 

CMYK 11 / 0 / 10 / 24

HEX #ADC2AF

RGB 173 194 175

HSL 125.71, 0.15%, 0.72%

LAB 76.41, -10.77, 7.14

 

CMYK 15 / 32 / 0 / 14

HEX #BB94DB

RGB 187 148 219

HSL 272.96, 0.5%, 0.72%

LAB 67.17, 27.91, -30.7

 

CMYK 6 / 32 / 0 / 14

HEX #CE94DB

RGB 206 148 219

HSL 289.01, 0.5%, 0.72%

LAB 69.05, 33.85, -27.64

 

CMYK 0 / 32 / 3 / 14

HEX #DB94D5

RGB 219 148 213

HSL 305.07, 0.5%, 0.72%

LAB 70.21, 36.87, -22.44

 

CMYK 0 / 32 / 11 / 14

HEX #DB94C2

RGB 219 148 194

HSL 321.13, 0.5%, 0.72%

LAB 69.57, 33.57, -12.88

 

CMYK 0 / 32 / 20 / 14

HEX #DB94AF

RGB 219 148 175

HSL 337.18, 0.5%, 0.72%

LAB 68.99, 30.55, -3.14

 

CMYK 0 / 57 / 6 / 22

HEX #C756BC

RGB 199 86 188

HSL 305.84, 0.5%, 0.56%

LAB 54.48, 57.84, -32.8

 

CMYK 0 / 44 / 4 / 18

HEX #D175C8

RGB 209 117 200

HSL 305.87, 0.5%, 0.64%

LAB 62.04, 47.7, -27.81

 

CMYK 0 / 32 / 3 / 14

HEX #DB94D4

RGB 219 148 212

HSL 305.92, 0.5%, 0.72%

LAB 70.17, 36.69, -21.94

 

CMYK 0 / 22 / 2 / 10

HEX #E6B3E1

RGB 230 179 225

HSL 305.88, 0.5%, 0.8%

LAB 78.75, 26.02, -15.95

 

CMYK 0 / 13 / 1 / 6

HEX #F0D2ED

RGB 240 210 237

HSL 306, 0.5%, 0.88%

LAB 87.36, 15.03, -9.4

 

CMYK 0 / 32 / 3 / 14

HEX #DC95D5

RGB 220 149 213

HSL 305.92, 0.5%, 0.72%

LAB 70.53, 36.66, -21.93

 

CMYK 0 / 23 / 32 / 14

HEX #DBA894

RGB 219 168 148

HSL 16.9, 0.5%, 0.72%

LAB 73.03, 15.99, 17.56

 

CMYK 32 / 0 / 10 / 14

HEX #94DBC5

RGB 148 219 197

HSL 161.41, 0.5%, 0.72%

LAB 82.37, -26.9, 3.76

 

CMYK 0 / 32 / 3 / 14

HEX #DC95D5

RGB 220 149 213

HSL 305.92, 0.5%, 0.72%

LAB 70.53, 36.66, -21.93

 

CMYK 3 / 0 / 32 / 14

HEX #D5DB94

RGB 213 219 148

HSL 65.07, 0.5%, 0.72%

LAB 85.48, -13.02, 34.3

 

CMYK 32 / 3 / 0 / 14

HEX #94D5DB

RGB 148 213 219

HSL 185.07, 0.5%, 0.72%

LAB 81.29, -19, -9.54

 

CMYK 0 / 32 / 3 / 14

HEX #DC95D5

RGB 220 149 213

HSL 305.92, 0.5%, 0.72%

LAB 70.53, 36.66, -21.93

 

CMYK 0 / 23 / 32 / 14

HEX #DBA894

RGB 219 168 148

HSL 16.9, 0.5%, 0.72%

LAB 73.03, 15.99, 17.56

 

CMYK 32 / 0 / 30 / 14

HEX #94DB9A

RGB 148 219 154

HSL 125.07, 0.5%, 0.72%

LAB 81.45, -35.1, 25.1

 

CMYK 32 / 9 / 0 / 14

HEX #94C7DB

RGB 148 199 219

HSL 196.9, 0.5%, 0.72%

LAB 77.43, -11.82, -15.31

 

CMYK 0 / 32 / 3 / 14

HEX #DC95D5

RGB 220 149 213

HSL 305.92, 0.5%, 0.72%

LAB 70.53, 36.66, -21.93

 

CMYK 0 / 13 / 32 / 14

HEX #DBBE94

RGB 219 190 148

HSL 35.49, 0.5%, 0.72%

LAB 78.48, 4.25, 25.04

 

CMYK 32 / 0 / 30 / 14

HEX #94DB9A

RGB 148 219 154

HSL 125.07, 0.5%, 0.72%

LAB 81.45, -35.1, 25.1

 

CMYK 32 / 19 / 0 / 14

HEX #94B2DB

RGB 148 178 219

HSL 214.65, 0.5%, 0.72%

LAB 71.73, -0.58, -23.96

 

Description

Color code: HEX #DC95D5 | qconv.com Color code: HEX #DC95D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 149 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 149 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 3 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 3% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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