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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC9490 it is the complementary color #236B6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC9490. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC9490 shade: #E1948B, #F2A69E, #FFB8B1, #FFCAC4 and #FFDCD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC9490. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC9490 shade: #DC9490, #CB827D, #BA706A, #A95E57 and #984C44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC9490 shade: #DC938F and #DC8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC9490 shade: #DC938F, #DCA78F, #DCBC8F, #DCD18F and #D1DC8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC9490 shade matches the following richer shades: #DC938F, #E78883 and #F37D77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC9490 shade: #DC938F, #D09D9B, #C4A8A7, #B8B3B2 and #ACBDBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC9490 shade: #DC8FB4, #DC8F9F, #DC928F, #DCA78F and #DCBB8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC9490 shade: #C85650, #D2746F, #DC938F, #E5B1AE and #EFCFCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC9490 shade: #DC9490, #C8DC8F and #8FAADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC9490 shade: #DC9490, #8FDC92 and #928FDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC9490 shade: #DC9490, #C8DC8F, #8FD8DC and #A28FDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC9490 shade: #DC9490, #B1DC8F, #8FD8DC and #B98FDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 35 / 14

HEX #DC9490

RGB 220 148 144

HSL 3.16, 0.52%, 0.71%

LAB 68.32, 26.65, 13.22

 

Complementary color

CMYK 68 / 4 / 0 / 56

HEX #236B6F

RGB 35 107 111

HSL 183.16, 0.52%, 0.29%

LAB 41.25, -20.39, -8.77

 

CMYK 0 / 34 / 38 / 12

HEX #E1948B

RGB 225 148 139

HSL 6.28, 0.59%, 0.71%

LAB 68.79, 27.95, 16.74

 

CMYK 0 / 31 / 35 / 5

HEX #F2A69E

RGB 242 166 158

HSL 5.71, 0.76%, 0.78%

LAB 75.21, 27.07, 15.52

 

CMYK 0 / 28 / 31 / 0

HEX #FFB8B1

RGB 255 184 177

HSL 5.38, 1%, 0.85%

LAB 81.13, 24.78, 13.76

 

CMYK 0 / 21 / 23 / 0

HEX #FFCAC4

RGB 255 202 196

HSL 6.1, 1%, 0.88%

LAB 85.75, 17.9, 10.16

 

CMYK 0 / 14 / 16 / 0

HEX #FFDCD7

RGB 255 220 215

HSL 7.5, 1%, 0.92%

LAB 90.48, 11.32, 6.92

 

CMYK 0 / 33 / 35 / 14

HEX #DC9490

RGB 220 148 144

HSL 3.16, 0.52%, 0.71%

LAB 68.32, 26.65, 13.22

 

CMYK 0 / 36 / 38 / 20

HEX #CB827D

RGB 203 130 125

HSL 3.85, 0.43%, 0.64%

LAB 61.78, 27.56, 14.46

 

CMYK 0 / 40 / 43 / 27

HEX #BA706A

RGB 186 112 106

HSL 4.5, 0.37%, 0.57%

LAB 55.14, 28.58, 15.86

 

CMYK 0 / 44 / 49 / 34

HEX #A95E57

RGB 169 94 87

HSL 5.12, 0.32%, 0.5%

LAB 48.42, 29.71, 17.48

 

CMYK 0 / 50 / 55 / 40

HEX #984C44

RGB 152 76 68

HSL 5.71, 0.38%, 0.43%

LAB 41.63, 30.95, 19.39

 

CMYK 0 / 33 / 35 / 14

HEX #DC938F

RGB 220 147 143

HSL 3.12, 0.52%, 0.71%

LAB 68.07, 27.06, 13.42

 

CMYK 0 / 35 / 35 / 14

HEX #DC8F8F

RGB 220 143 143

HSL 0, 0.52%, 0.71%

LAB 67.16, 29.21, 12.14

 

CMYK 0 / 33 / 35 / 14

HEX #DC938F

RGB 220 147 143

HSL 3.12, 0.52%, 0.71%

LAB 68.07, 27.06, 13.42

 

CMYK 0 / 24 / 35 / 14

HEX #DCA78F

RGB 220 167 143

HSL 18.7, 0.52%, 0.71%

LAB 72.78, 16.29, 19.97

 

CMYK 0 / 15 / 35 / 14

HEX #DCBC8F

RGB 220 188 143

HSL 35.06, 0.52%, 0.71%

LAB 77.97, 5.08, 27.03

 

CMYK 0 / 5 / 35 / 14

HEX #DCD18F

RGB 220 209 143

HSL 51.43, 0.52%, 0.71%

LAB 83.34, -5.86, 34.15

 

CMYK 5 / 0 / 35 / 14

HEX #D1DC8F

RGB 209 220 143

HSL 68.57, 0.52%, 0.71%

LAB 85.36, -15.65, 36.64

 

CMYK 0 / 33 / 35 / 14

HEX #DC938F

RGB 220 147 143

HSL 3.12, 0.52%, 0.71%

LAB 68.07, 27.06, 13.42

 

CMYK 0 / 41 / 43 / 9

HEX #E78883

RGB 231 136 131

HSL 3, 0.68%, 0.71%

LAB 66.7, 35.69, 18.43

 

CMYK 0 / 49 / 51 / 5

HEX #F37D77

RGB 243 125 119

HSL 2.9, 0.84%, 0.71%

LAB 65.79, 44.59, 24.18

 

CMYK 0 / 33 / 35 / 14

HEX #DC938F

RGB 220 147 143

HSL 3.12, 0.52%, 0.71%

LAB 68.07, 27.06, 13.42

 

CMYK 0 / 25 / 25 / 18

HEX #D09D9B

RGB 208 157 155

HSL 2.26, 0.36%, 0.71%

LAB 69.39, 18.68, 8.43

 

CMYK 0 / 14 / 15 / 23

HEX #C4A8A7

RGB 196 168 167

HSL 2.07, 0.2%, 0.71%

LAB 71.24, 10.02, 4.28

 

CMYK 0 / 3 / 3 / 28

HEX #B8B3B2

RGB 184 179 178

HSL 10, 0.04%, 0.71%

LAB 73.31, 1.59, 1.13

 

CMYK 9 / 1 / 0 / 25

HEX #ACBDBE

RGB 172 189 190

HSL 183.33, 0.12%, 0.71%

LAB 75.38, -5.61, -2.5

 

CMYK 0 / 35 / 18 / 14

HEX #DC8FB4

RGB 220 143 180

HSL 331.17, 0.52%, 0.71%

LAB 68.14, 34.34, -7.19

 

CMYK 0 / 35 / 28 / 14

HEX #DC8F9F

RGB 220 143 159

HSL 347.53, 0.52%, 0.71%

LAB 67.55, 31.28, 3.72

 

CMYK 0 / 34 / 35 / 14

HEX #DC928F

RGB 220 146 143

HSL 2.34, 0.52%, 0.71%

LAB 67.84, 27.6, 13.1

 

CMYK 0 / 24 / 35 / 14

HEX #DCA78F

RGB 220 167 143

HSL 18.7, 0.52%, 0.71%

LAB 72.78, 16.29, 19.97

 

CMYK 0 / 15 / 35 / 14

HEX #DCBB8F

RGB 220 187 143

HSL 34.29, 0.52%, 0.71%

LAB 77.72, 5.61, 26.69

 

CMYK 0 / 57 / 60 / 22

HEX #C85650

RGB 200 86 80

HSL 3, 0.52%, 0.55%

LAB 51.28, 45.02, 26.23

 

CMYK 0 / 45 / 47 / 18

HEX #D2746F

RGB 210 116 111

HSL 3.03, 0.52%, 0.63%

LAB 59.29, 36.22, 19.16

 

CMYK 0 / 33 / 35 / 14

HEX #DC938F

RGB 220 147 143

HSL 3.12, 0.52%, 0.71%

LAB 68.07, 27.06, 13.42

 

CMYK 0 / 23 / 24 / 10

HEX #E5B1AE

RGB 229 177 174

HSL 3.27, 0.51%, 0.79%

LAB 76.77, 18.46, 8.82

 

CMYK 0 / 13 / 14 / 6

HEX #EFCFCD

RGB 239 207 205

HSL 3.53, 0.52%, 0.87%

LAB 85.7, 10.87, 5.12

 

CMYK 0 / 33 / 35 / 14

HEX #DC9490

RGB 220 148 144

HSL 3.16, 0.52%, 0.71%

LAB 68.32, 26.65, 13.22

 

CMYK 9 / 0 / 35 / 14

HEX #C8DC8F

RGB 200 220 143

HSL 75.58, 0.52%, 0.71%

LAB 84.71, -19.05, 35.67

 

CMYK 35 / 23 / 0 / 14

HEX #8FAADC

RGB 143 170 220

HSL 218.96, 0.52%, 0.71%

LAB 69.3, 2.68, -28.26

 

CMYK 0 / 33 / 35 / 14

HEX #DC9490

RGB 220 148 144

HSL 3.16, 0.52%, 0.71%

LAB 68.32, 26.65, 13.22

 

CMYK 35 / 0 / 34 / 14

HEX #8FDC92

RGB 143 220 146

HSL 122.34, 0.52%, 0.71%

LAB 81.35, -38.43, 29.06

 

CMYK 34 / 35 / 0 / 14

HEX #928FDC

RGB 146 143 220

HSL 242.34, 0.52%, 0.71%

LAB 62.44, 18.88, -38.88

 

CMYK 0 / 33 / 35 / 14

HEX #DC9490

RGB 220 148 144

HSL 3.16, 0.52%, 0.71%

LAB 68.32, 26.65, 13.22

 

CMYK 9 / 0 / 35 / 14

HEX #C8DC8F

RGB 200 220 143

HSL 75.58, 0.52%, 0.71%

LAB 84.71, -19.05, 35.67

 

CMYK 35 / 2 / 0 / 14

HEX #8FD8DC

RGB 143 216 220

HSL 183.12, 0.52%, 0.71%

LAB 81.9, -21.62, -9.19

 

CMYK 26 / 35 / 0 / 14

HEX #A28FDC

RGB 162 143 220

HSL 254.81, 0.52%, 0.71%

LAB 63.75, 23.43, -36.74

 

CMYK 0 / 33 / 35 / 14

HEX #DC9490

RGB 220 148 144

HSL 3.16, 0.52%, 0.71%

LAB 68.32, 26.65, 13.22

 

CMYK 20 / 0 / 35 / 14

HEX #B1DC8F

RGB 177 220 143

HSL 93.51, 0.52%, 0.71%

LAB 83.19, -27.48, 33.38

 

CMYK 35 / 2 / 0 / 14

HEX #8FD8DC

RGB 143 216 220

HSL 183.12, 0.52%, 0.71%

LAB 81.9, -21.62, -9.19

 

CMYK 16 / 35 / 0 / 14

HEX #B98FDC

RGB 185 143 220

HSL 272.73, 0.52%, 0.71%

LAB 65.85, 30.3, -33.32

 

Description

Color code: HEX #DC9490 | qconv.com Color code: HEX #DC9490 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 148 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 148 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 35 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 35% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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