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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC9370CE it is the complementary color #236C8FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC9370CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC9370CE shade: #E1936BCE, #F2A57ECE, #FFB791CE, #FFC9A4CE and #FFDBB7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC9370CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC9370CE shade: #DC9370CE, #CB815DCE, #BA6F4ACE, #A95D37CE and #984B24CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC9370CE shade: #DC936F, #DC756F and #DC6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC9370CE shade: #DC936F, #DCB06F, #DCCD6F, #CEDC6F and #B0DC6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC9370CE shade matches the following richer shades: #DC936F, #EB8E61 and #F98852

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC9370CE shade: #DC936F, #CE987E, #BF9D8C, #B1A29B and #A2A7A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC9370CE shade: #DC6F87, #DC756F, #DC926F, #DCAF6F and #DCCC6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC9370CE shade: #C86231, #D47A4E, #DC936F, #E4AC91 and #ECC5B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC9370CE shade: #DC9370, #A4DC6F and #6F78DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC9370CE shade: #DC9370, #6FDC92 and #926FDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC9370CE shade: #DC9370, #A4DC6F, #6FBADC and #A86FDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC9370CE shade: #DC9370, #83DC6F, #6FBADC and #C86FDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 40 / 11

HEX #DC9370CE

RGBA 220 147 112 0.81

HSLA 19.44, 0.61%, 0.65%, 0.81

LABA 67.47, 23.69, 29.73, 0.81

 

Complementary color

CMYK 61 / 20 / 0 / 36

HEX #236C8FCE

RGBA 35 108 143 0.81

HSLA 199.44, 0.61%, 0.35%, 0.81

LABA 42.86, -9.95, -25.59, 0.81

 

CMYK 0 / 28 / 42 / 10

HEX #E1936BCE

RGBA 225 147 107 0.81

HSLA 20.34, 0.66%, 0.65%, 0.81

LABA 67.97, 25.24, 33.2, 0.81

 

CMYK 0 / 26 / 39 / 4

HEX #F2A57ECE

RGBA 242 165 126 0.81

HSLA 20.17, 0.82%, 0.72%, 0.81

LABA 74.38, 24.15, 31.7, 0.81

 

CMYK 0 / 23 / 35 / 0

HEX #FFB791CE

RGBA 255 183 145 0.81

HSLA 20.73, 1%, 0.78%, 0.81

LABA 80.28, 21.62, 29.66, 0.81

 

CMYK 0 / 17 / 29 / 0

HEX #FFC9A4CE

RGBA 255 201 164 0.81

HSLA 24.4, 1%, 0.82%, 0.81

LABA 84.85, 14.3, 25.82, 0.81

 

CMYK 0 / 11 / 23 / 0

HEX #FFDBB7CE

RGBA 255 219 183 0.81

HSLA 30, 1%, 0.86%, 0.81

LABA 89.55, 7.31, 22.34, 0.81

 

CMYK 0 / 27 / 40 / 11

HEX #DC9370CE

RGBA 220 147 112 0.81

HSLA 19.44, 0.61%, 0.65%, 0.81

LABA 67.47, 23.69, 29.73, 0.81

 

CMYK 0 / 30 / 44 / 17

HEX #CB815DCE

RGBA 203 129 93 0.81

HSLA 19.64, 0.51%, 0.58%, 0.81

LABA 60.95, 24.84, 31.31, 0.81

 

CMYK 0 / 33 / 49 / 22

HEX #BA6F4ACE

RGBA 186 111 74 0.81

HSLA 19.82, 0.45%, 0.51%, 0.81

LABA 54.35, 26.16, 33.05, 0.81

 

CMYK 0 / 36 / 55 / 27

HEX #A95D37CE

RGBA 169 93 55 0.81

HSLA 20, 0.51%, 0.44%, 0.81

LABA 47.67, 27.65, 34.96, 0.81

 

CMYK 0 / 41 / 62 / 33

HEX #984B24CE

RGBA 152 75 36 0.81

HSLA 20.17, 0.62%, 0.37%, 0.81

LABA 40.95, 29.34, 36.98, 0.81

 

CMYK 0 / 33 / 50 / 14

HEX #DC936F

RGB 220 147 111

HSL 19.82, 0.61%, 0.65%

LAB 67.45, 23.6, 30.25

 

CMYK 0 / 47 / 50 / 14

HEX #DC756F

RGB 220 117 111

HSL 3.3, 0.61%, 0.65%

LAB 60.86, 39.45, 21.52

 

CMYK 0 / 50 / 50 / 14

HEX #DC6F6F

RGB 220 111 111

HSL 0, 0.61%, 0.65%

LAB 59.65, 42.5, 19.88

 

CMYK 0 / 33 / 50 / 14

HEX #DC936F

RGB 220 147 111

HSL 19.82, 0.61%, 0.65%

LAB 67.45, 23.6, 30.25

 

CMYK 0 / 20 / 50 / 14

HEX #DCB06F

RGB 220 176 111

HSL 35.78, 0.61%, 0.65%

LAB 74.45, 8.04, 39.19

 

CMYK 0 / 7 / 50 / 14

HEX #DCCD6F

RGB 220 205 111

HSL 51.74, 0.61%, 0.65%

LAB 81.85, -7.11, 48.29

 

CMYK 6 / 0 / 50 / 14

HEX #CEDC6F

RGB 206 220 111

HSL 67.71, 0.61%, 0.65%

LAB 84.72, -20.23, 51.46

 

CMYK 20 / 0 / 50 / 14

HEX #B0DC6F

RGB 176 220 111

HSL 84.22, 0.61%, 0.65%

LAB 82.68, -31.75, 48.53

 

CMYK 0 / 33 / 50 / 14

HEX #DC936F

RGB 220 147 111

HSL 19.82, 0.61%, 0.65%

LAB 67.45, 23.6, 30.25

 

CMYK 0 / 40 / 59 / 8

HEX #EB8E61

RGB 235 142 97

HSL 19.57, 0.78%, 0.65%

LAB 67.93, 31.08, 38.74

 

CMYK 0 / 45 / 67 / 2

HEX #F98852

RGB 249 136 82

HSL 19.4, 0.93%, 0.65%

LAB 68.28, 38.7, 47.38

 

CMYK 0 / 33 / 50 / 14

HEX #DC936F

RGB 220 147 111

HSL 19.82, 0.61%, 0.65%

LAB 67.45, 23.6, 30.25

 

CMYK 0 / 26 / 39 / 19

HEX #CE987E

RGB 206 152 126

HSL 19.5, 0.45%, 0.65%

LAB 67.34, 16.86, 21.61

 

CMYK 0 / 18 / 27 / 25

HEX #BF9D8C

RGB 191 157 140

HSL 20, 0.28%, 0.65%

LAB 67.34, 10.01, 13.62

 

CMYK 0 / 8 / 12 / 31

HEX #B1A29B

RGB 177 162 155

HSL 19.09, 0.12%, 0.65%

LAB 67.69, 4.24, 5.6

 

CMYK 4 / 1 / 0 / 34

HEX #A2A7A9

RGB 162 167 169

HSL 197.14, 0.04%, 0.65%

LAB 68.16, -1.38, -1.66

 

CMYK 0 / 50 / 39 / 14

HEX #DC6F87

RGB 220 111 135

HSL 346.79, 0.61%, 0.65%

LAB 60.19, 44.95, 6.8

 

CMYK 0 / 47 / 50 / 14

HEX #DC756F

RGB 220 117 111

HSL 3.3, 0.61%, 0.65%

LAB 60.86, 39.45, 21.52

 

CMYK 0 / 34 / 50 / 14

HEX #DC926F

RGB 220 146 111

HSL 19.27, 0.61%, 0.65%

LAB 67.22, 24.14, 29.95

 

CMYK 0 / 20 / 50 / 14

HEX #DCAF6F

RGB 220 175 111

HSL 35.23, 0.61%, 0.65%

LAB 74.2, 8.57, 38.88

 

CMYK 0 / 7 / 50 / 14

HEX #DCCC6F

RGB 220 204 111

HSL 51.19, 0.61%, 0.65%

LAB 81.59, -6.6, 47.98

 

CMYK 0 / 51 / 76 / 22

HEX #C86231

RGB 200 98 49

HSL 19.47, 0.61%, 0.49%

LAB 53.21, 37.3, 45.44

 

CMYK 0 / 42 / 63 / 17

HEX #D47A4E

RGB 212 122 78

HSL 19.7, 0.61%, 0.57%

LAB 60.31, 31.12, 38.89

 

CMYK 0 / 33 / 50 / 14

HEX #DC936F

RGB 220 147 111

HSL 19.82, 0.61%, 0.65%

LAB 67.45, 23.6, 30.25

 

CMYK 0 / 25 / 36 / 11

HEX #E4AC91

RGB 228 172 145

HSL 19.52, 0.61%, 0.73%

LAB 74.85, 16.96, 21.86

 

CMYK 0 / 17 / 25 / 7

HEX #ECC5B2

RGB 236 197 178

HSL 19.66, 0.6%, 0.81%

LAB 82.37, 11.01, 14.69

 

CMYK 0 / 33 / 49 / 14

HEX #DC9370

RGB 220 147 112

HSL 19.44, 0.61%, 0.65%

LAB 67.47, 23.69, 29.73

 

CMYK 25 / 0 / 50 / 14

HEX #A4DC6F

RGB 164 220 111

HSL 90.83, 0.61%, 0.65%

LAB 81.96, -36.13, 47.49

 

CMYK 50 / 45 / 0 / 14

HEX #6F78DC

RGB 111 120 220

HSL 235.05, 0.61%, 0.65%

LAB 54.01, 23.62, -52.38

 

CMYK 0 / 33 / 49 / 14

HEX #DC9370

RGB 220 147 112

HSL 19.44, 0.61%, 0.65%

LAB 67.47, 23.69, 29.73

 

CMYK 50 / 0 / 34 / 14

HEX #6FDC92

RGB 111 220 146

HSL 139.27, 0.61%, 0.65%

LAB 79.98, -47.51, 26.98

 

CMYK 34 / 50 / 0 / 14

HEX #926FDC

RGB 146 111 220

HSL 259.27, 0.61%, 0.65%

LAB 54.71, 37.38, -51.1

 

CMYK 0 / 33 / 49 / 14

HEX #DC9370

RGB 220 147 112

HSL 19.44, 0.61%, 0.65%

LAB 67.47, 23.69, 29.73

 

CMYK 25 / 0 / 50 / 14

HEX #A4DC6F

RGB 164 220 111

HSL 90.83, 0.61%, 0.65%

LAB 81.96, -36.13, 47.49

 

CMYK 50 / 15 / 0 / 14

HEX #6FBADC

RGB 111 186 220

HSL 198.72, 0.61%, 0.65%

LAB 72, -14.14, -24.26

 

CMYK 24 / 50 / 0 / 14

HEX #A86FDC

RGB 168 111 220

HSL 271.38, 0.61%, 0.65%

LAB 56.94, 43.14, -47.41

 

CMYK 0 / 33 / 49 / 14

HEX #DC9370

RGB 220 147 112

HSL 19.44, 0.61%, 0.65%

LAB 67.47, 23.69, 29.73

 

CMYK 40 / 0 / 50 / 14

HEX #83DC6F

RGB 131 220 111

HSL 108.99, 0.61%, 0.65%

LAB 80.27, -47.19, 45.04

 

CMYK 50 / 15 / 0 / 14

HEX #6FBADC

RGB 111 186 220

HSL 198.72, 0.61%, 0.65%

LAB 72, -14.14, -24.26

 

CMYK 9 / 50 / 0 / 14

HEX #C86FDC

RGB 200 111 220

HSL 288.99, 0.61%, 0.65%

LAB 60.62, 51.86, -41.36

 

Description

Color code: HEX #DC9370CE | qconv.com Color code: HEX #DC9370CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 147 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 147 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 40 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 40% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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