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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC9345 it is the complementary color #236CBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC9345. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC9345 shade: #E19340, #F2A553, #FFB766, #FFC979 and #FFDB8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC9345. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC9345 shade: #DC9345, #CB8132, #BA6F1F, #A95D0C and #984B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC9345 shade: #DC9447, #DC6C47 and #DC4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC9345 shade: #DC9447, #DCBC47, #D4DC47, #ABDC47 and #83DC47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC9345 shade matches the following richer shades: #DC9447 and #EE9435

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC9345 shade: #DC9447, #CA9359, #B8936A, #A7927C and #95918E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC9345 shade: #DC474C, #DC6A47, #DC9147, #DCB947 and #D7DC47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC9345 shade: #AF6A21, #D28028, #DC9447, #E3A869 and #E9BC8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC9345 shade: #DC9345, #74DC47 and #5647DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC9345 shade: #DC9345, #47DC91 and #9147DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC9345 shade: #DC9345, #74DC47, #4791DC and #AF47DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC9345 shade: #DC9345, #47DC47, #4791DC and #DC47DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 69 / 14

HEX #DC9345

RGB 220 147 69

HSL 30.99, 0.68%, 0.57%

LAB 66.91, 20.49, 51.19

 

Complementary color

CMYK 81 / 42 / 0 / 27

HEX #236CBA

RGB 35 108 186

HSL 210.99, 0.68%, 0.43%

LAB 45.12, 6.26, -47.35

 

CMYK 0 / 35 / 72 / 12

HEX #E19340

RGB 225 147 64

HSL 30.93, 0.73%, 0.57%

LAB 67.46, 22.33, 54.25

 

CMYK 0 / 32 / 66 / 5

HEX #F2A553

RGB 242 165 83

HSL 30.94, 0.86%, 0.64%

LAB 73.81, 20.86, 52.9

 

CMYK 0 / 28 / 60 / 0

HEX #FFB766

RGB 255 183 102

HSL 31.76, 1%, 0.7%

LAB 79.66, 17.94, 50.86

 

CMYK 0 / 21 / 53 / 0

HEX #FFC979

RGB 255 201 121

HSL 35.82, 1%, 0.74%

LAB 84.18, 10, 46.97

 

CMYK 0 / 14 / 45 / 0

HEX #FFDB8C

RGB 255 219 140

HSL 41.22, 1%, 0.77%

LAB 88.84, 2.44, 43.36

 

CMYK 0 / 33 / 69 / 14

HEX #DC9345

RGB 220 147 69

HSL 30.99, 0.68%, 0.57%

LAB 66.91, 20.49, 51.19

 

CMYK 0 / 36 / 75 / 20

HEX #CB8132

RGB 203 129 50

HSL 30.98, 0.6%, 0.5%

LAB 60.45, 22.08, 52.46

 

CMYK 0 / 40 / 83 / 27

HEX #BA6F1F

RGB 186 111 31

HSL 30.97, 0.71%, 0.43%

LAB 53.93, 23.91, 53.29

 

CMYK 0 / 45 / 93 / 34

HEX #A95D0C

RGB 169 93 12

HSL 30.96, 0.87%, 0.35%

LAB 47.35, 26.01, 53

 

CMYK 0 / 51 / 100 / 40

HEX #984B00

RGB 152 75 0

HSL 29.61, 1%, 0.3%

LAB 40.75, 28.36, 50.49

 

CMYK 0 / 33 / 68 / 14

HEX #DC9447

RGB 220 148 71

HSL 31.01, 0.68%, 0.57%

LAB 67.16, 20.07, 50.52

 

CMYK 0 / 51 / 68 / 14

HEX #DC6C47

RGB 220 108 71

HSL 14.9, 0.68%, 0.57%

LAB 58.41, 41.08, 40.67

 

CMYK 0 / 68 / 68 / 14

HEX #DC4747

RGB 220 71 71

HSL 0, 0.68%, 0.57%

LAB 52.04, 57.82, 33.12

 

CMYK 0 / 33 / 68 / 14

HEX #DC9447

RGB 220 148 71

HSL 31.01, 0.68%, 0.57%

LAB 67.16, 20.07, 50.52

 

CMYK 0 / 15 / 68 / 14

HEX #DCBC47

RGB 220 188 71

HSL 47.11, 0.68%, 0.57%

LAB 77.06, -1.21, 61.06

 

CMYK 4 / 0 / 68 / 14

HEX #D4DC47

RGB 212 220 71

HSL 63.22, 0.68%, 0.57%

LAB 84.81, -20.72, 68.74

 

CMYK 22 / 0 / 68 / 14

HEX #ABDC47

RGB 171 220 71

HSL 79.73, 0.68%, 0.57%

LAB 82, -37.02, 64.97

 

CMYK 40 / 0 / 68 / 14

HEX #83DC47

RGB 131 220 71

HSL 95.84, 0.68%, 0.57%

LAB 79.88, -51.2, 62.11

 

CMYK 0 / 33 / 68 / 14

HEX #DC9447

RGB 220 148 71

HSL 31.01, 0.68%, 0.57%

LAB 67.16, 20.07, 50.52

 

CMYK 0 / 38 / 78 / 7

HEX #EE9435

RGB 238 148 53

HSL 30.81, 0.84%, 0.57%

LAB 69.19, 26.74, 61.19

 

CMYK 0 / 33 / 68 / 14

HEX #DC9447

RGB 220 148 71

HSL 31.01, 0.68%, 0.57%

LAB 67.16, 20.07, 50.52

 

CMYK 0 / 27 / 56 / 21

HEX #CA9359

RGB 202 147 89

HSL 30.8, 0.52%, 0.57%

LAB 65.08, 14.27, 38.57

 

CMYK 0 / 20 / 42 / 28

HEX #B8936A

RGB 184 147 106

HSL 31.54, 0.35%, 0.57%

LAB 63.42, 8.37, 26.96

 

CMYK 0 / 13 / 26 / 35

HEX #A7927C

RGB 167 146 124

HSL 30.7, 0.2%, 0.57%

LAB 61.85, 4.31, 14.55

 

CMYK 0 / 3 / 5 / 42

HEX #95918E

RGB 149 145 142

HSL 25.71, 0.03%, 0.57%

LAB 60.42, 0.91, 2.1

 

CMYK 0 / 68 / 65 / 14

HEX #DC474C

RGB 220 71 76

HSL 357.99, 0.68%, 0.57%

LAB 52.11, 58.09, 30.31

 

CMYK 0 / 52 / 68 / 14

HEX #DC6A47

RGB 220 106 71

HSL 14.09, 0.68%, 0.57%

LAB 58.02, 42.08, 40.21

 

CMYK 0 / 34 / 68 / 14

HEX #DC9147

RGB 220 145 71

HSL 29.8, 0.68%, 0.57%

LAB 66.46, 21.68, 49.75

 

CMYK 0 / 16 / 68 / 14

HEX #DCB947

RGB 220 185 71

HSL 45.91, 0.68%, 0.57%

LAB 76.29, 0.35, 60.26

 

CMYK 2 / 0 / 68 / 14

HEX #D7DC47

RGB 215 220 71

HSL 62.01, 0.68%, 0.57%

LAB 85.04, -19.49, 69.04

 

CMYK 0 / 39 / 81 / 31

HEX #AF6A21

RGB 175 106 33

HSL 30.85, 0.68%, 0.41%

LAB 51.3, 21.96, 49.61

 

CMYK 0 / 39 / 81 / 18

HEX #D28028

RGB 210 128 40

HSL 31.06, 0.68%, 0.49%

LAB 61.04, 25.22, 57.43

 

CMYK 0 / 33 / 68 / 14

HEX #DC9447

RGB 220 148 71

HSL 31.01, 0.68%, 0.57%

LAB 67.16, 20.07, 50.52

 

CMYK 0 / 26 / 54 / 11

HEX #E3A869

RGB 227 168 105

HSL 30.98, 0.69%, 0.65%

LAB 73.13, 14.65, 40.78

 

CMYK 0 / 19 / 40 / 9

HEX #E9BC8C

RGB 233 188 140

HSL 30.97, 0.68%, 0.73%

LAB 79.15, 9.85, 30.39

 

CMYK 0 / 33 / 69 / 14

HEX #DC9345

RGB 220 147 69

HSL 30.99, 0.68%, 0.57%

LAB 66.91, 20.49, 51.19

 

CMYK 47 / 0 / 68 / 14

HEX #74DC47

RGB 116 220 71

HSL 101.88, 0.68%, 0.57%

LAB 79.24, -55.84, 61.25

 

CMYK 61 / 68 / 0 / 14

HEX #5647DC

RGB 86 71 220

HSL 246.04, 0.68%, 0.57%

LAB 40.66, 48.19, -74.07

 

CMYK 0 / 33 / 69 / 14

HEX #DC9345

RGB 220 147 69

HSL 30.99, 0.68%, 0.57%

LAB 66.91, 20.49, 51.19

 

CMYK 68 / 0 / 34 / 14

HEX #47DC91

RGB 71 220 145

HSL 149.8, 0.68%, 0.57%

LAB 78.79, -56.1, 25.7

 

CMYK 34 / 68 / 0 / 14

HEX #9147DC

RGB 145 71 220

HSL 269.8, 0.68%, 0.57%

LAB 46.57, 58.37, -64.18

 

CMYK 0 / 33 / 69 / 14

HEX #DC9345

RGB 220 147 69

HSL 30.99, 0.68%, 0.57%

LAB 66.91, 20.49, 51.19

 

CMYK 47 / 0 / 68 / 14

HEX #74DC47

RGB 116 220 71

HSL 101.88, 0.68%, 0.57%

LAB 79.24, -55.84, 61.25

 

CMYK 68 / 34 / 0 / 14

HEX #4791DC

RGB 71 145 220

HSL 210.2, 0.68%, 0.57%

LAB 58.75, 0.88, -44.98

 

CMYK 20 / 68 / 0 / 14

HEX #AF47DC

RGB 175 71 220

HSL 281.88, 0.68%, 0.57%

LAB 50.44, 64.52, -57.74

 

CMYK 0 / 33 / 69 / 14

HEX #DC9345

RGB 220 147 69

HSL 30.99, 0.68%, 0.57%

LAB 66.91, 20.49, 51.19

 

CMYK 68 / 0 / 68 / 14

HEX #47DC47

RGB 71 220 71

HSL 120, 0.68%, 0.57%

LAB 77.86, -66.71, 59.37

 

CMYK 68 / 34 / 0 / 14

HEX #4791DC

RGB 71 145 220

HSL 210.2, 0.68%, 0.57%

LAB 58.75, 0.88, -44.98

 

CMYK 0 / 68 / 0 / 14

HEX #DC47DC

RGB 220 71 220

HSL 300, 0.68%, 0.57%

LAB 56.97, 74.28, -46.94

 

Description

Color code: HEX #DC9345 | qconv.com Color code: HEX #DC9345 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 147 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 147 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 69 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 69% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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