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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC92B6 it is the complementary color #236D49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC92B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC92B6 shade: #E192B1, #F2A4C4, #FFB6D7, #FFC8EA and #FFDAFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC92B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC92B6 shade: #DC92B6, #CB80A3, #BA6E90, #A95C7D and #984A6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC92B6 shade: #DC93B6, #DC93A2 and #DC9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC92B6 shade: #DC93B6, #DC93CA, #DA93DC, #C693DC and #B293DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC92B6 shade matches the following richer shades: #DC93B6, #E787B6, #F37CB5 and #FE70B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC92B6 shade: #DC93B6, #D09EB6, #C4AAB7, #B9B5B7 and #ADC1B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC92B6 shade: #D993DC, #DC93CB, #DC93B7, #DC93A4 and #DC9593

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC92B6 shade: #C7548C, #D174A1, #DC93B6, #E6B2CB and #F0D1E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC92B6 shade: #DC92B6, #DCC693 and #93D4DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC92B6 shade: #DC92B6, #B7DC93 and #93B7DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC92B6 shade: #DC92B6, #DCC693, #93DCB7 and #93A9DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC92B6 shade: #DC92B6, #DCDC93, #93DCB7 and #9393DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 17 / 14

HEX #DC92B6

RGB 220 146 182

HSL 330.81, 0.51%, 0.72%

LAB 68.86, 33.05, -7.24

 

Complementary color

CMYK 68 / 0 / 33 / 57

HEX #236D49

RGB 35 109 73

HSL 150.81, 0.51%, 0.28%

LAB 40.86, -31.92, 13.61

 

CMYK 0 / 35 / 21 / 12

HEX #E192B1

RGB 225 146 177

HSL 336.46, 0.57%, 0.73%

LAB 69.28, 34.04, -3.75

 

CMYK 0 / 32 / 19 / 5

HEX #F2A4C4

RGB 242 164 196

HSL 335.38, 0.75%, 0.8%

LAB 75.71, 33.28, -4.57

 

CMYK 0 / 29 / 16 / 0

HEX #FFB6D7

RGB 255 182 215

HSL 332.88, 1%, 0.86%

LAB 81.63, 31.21, -5.99

 

CMYK 0 / 22 / 8 / 0

HEX #FFC8EA

RGB 255 200 234

HSL 322.91, 1%, 0.89%

LAB 86.26, 24.82, -9.29

 

CMYK 0 / 15 / 1 / 0

HEX #FFDAFD

RGB 255 218 253

HSL 303.24, 1%, 0.93%

LAB 91.01, 18.67, -12.25

 

CMYK 0 / 34 / 17 / 14

HEX #DC92B6

RGB 220 146 182

HSL 330.81, 0.51%, 0.72%

LAB 68.86, 33.05, -7.24

 

CMYK 0 / 37 / 20 / 20

HEX #CB80A3

RGB 203 128 163

HSL 332, 0.42%, 0.65%

LAB 62.32, 33.82, -6.44

 

CMYK 0 / 41 / 23 / 27

HEX #BA6E90

RGB 186 110 144

HSL 333.16, 0.36%, 0.58%

LAB 55.69, 34.65, -5.54

 

CMYK 0 / 46 / 26 / 34

HEX #A95C7D

RGB 169 92 125

HSL 334.29, 0.31%, 0.51%

LAB 48.97, 35.51, -4.51

 

CMYK 0 / 51 / 30 / 40

HEX #984A6A

RGB 152 74 106

HSL 335.38, 0.35%, 0.44%

LAB 42.18, 36.37, -3.27

 

CMYK 0 / 33 / 17 / 14

HEX #DC93B6

RGB 220 147 182

HSL 331.23, 0.51%, 0.72%

LAB 69.08, 32.52, -6.9

 

CMYK 0 / 33 / 26 / 14

HEX #DC93A2

RGB 220 147 162

HSL 347.67, 0.51%, 0.72%

LAB 68.53, 29.56, 3.46

 

CMYK 0 / 33 / 33 / 14

HEX #DC9393

RGB 220 147 147

HSL 0, 0.51%, 0.72%

LAB 68.16, 27.56, 11.32

 

CMYK 0 / 33 / 17 / 14

HEX #DC93B6

RGB 220 147 182

HSL 331.23, 0.51%, 0.72%

LAB 69.08, 32.52, -6.9

 

CMYK 0 / 33 / 8 / 14

HEX #DC93CA

RGB 220 147 202

HSL 314.79, 0.51%, 0.72%

LAB 69.72, 35.79, -17.09

 

CMYK 1 / 33 / 0 / 14

HEX #DA93DC

RGB 218 147 220

HSL 298.36, 0.51%, 0.72%

LAB 70.13, 38.37, -26.42

 

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

CMYK 19 / 33 / 0 / 14

HEX #B293DC

RGB 178 147 220

HSL 265.48, 0.51%, 0.72%

LAB 66.14, 25.93, -32.92

 

CMYK 0 / 33 / 17 / 14

HEX #DC93B6

RGB 220 147 182

HSL 331.23, 0.51%, 0.72%

LAB 69.08, 32.52, -6.9

 

CMYK 0 / 42 / 21 / 9

HEX #E787B6

RGB 231 135 182

HSL 330.63, 0.67%, 0.72%

LAB 67.79, 42.61, -8.68

 

CMYK 0 / 49 / 26 / 5

HEX #F37CB5

RGB 243 124 181

HSL 331.26, 0.83%, 0.72%

LAB 67.13, 51.95, -8.94

 

CMYK 0 / 56 / 29 / 0

HEX #FE70B5

RGB 254 112 181

HSL 330.85, 0.99%, 0.72%

LAB 66.52, 61, -9.7

 

CMYK 0 / 33 / 17 / 14

HEX #DC93B6

RGB 220 147 182

HSL 331.23, 0.51%, 0.72%

LAB 69.08, 32.52, -6.9

 

CMYK 0 / 24 / 13 / 18

HEX #D09EB6

RGB 208 158 182

HSL 331.2, 0.35%, 0.72%

LAB 70.34, 22.32, -5.18

 

CMYK 0 / 13 / 7 / 23

HEX #C4AAB7

RGB 196 170 183

HSL 330, 0.18%, 0.72%

LAB 72.16, 11.65, -3.18

 

CMYK 0 / 2 / 1 / 27

HEX #B9B5B7

RGB 185 181 183

HSL 330, 0.03%, 0.72%

LAB 74.05, 1.78, -0.52

 

CMYK 10 / 0 / 5 / 24

HEX #ADC1B7

RGB 173 193 183

HSL 150, 0.14%, 0.72%

LAB 76.34, -8.75, 2.7

 

CMYK 1 / 33 / 0 / 14

HEX #D993DC

RGB 217 147 220

HSL 297.53, 0.51%, 0.72%

LAB 70.03, 38.05, -26.6

 

CMYK 0 / 33 / 8 / 14

HEX #DC93CB

RGB 220 147 203

HSL 313.97, 0.51%, 0.72%

LAB 69.75, 35.97, -17.59

 

CMYK 0 / 33 / 17 / 14

HEX #DC93B7

RGB 220 147 183

HSL 330.41, 0.51%, 0.72%

LAB 69.11, 32.67, -7.42

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A4

RGB 220 147 164

HSL 346.03, 0.51%, 0.72%

LAB 68.58, 29.84, 2.41

 

CMYK 0 / 32 / 33 / 14

HEX #DC9593

RGB 220 149 147

HSL 1.64, 0.51%, 0.72%

LAB 68.62, 26.48, 11.96

 

CMYK 0 / 58 / 30 / 22

HEX #C7548C

RGB 199 84 140

HSL 330.78, 0.51%, 0.55%

LAB 52.26, 51.63, -8.09

 

CMYK 0 / 44 / 23 / 18

HEX #D174A1

RGB 209 116 161

HSL 330.97, 0.5%, 0.64%

LAB 60.44, 41.96, -8

 

CMYK 0 / 33 / 17 / 14

HEX #DC93B6

RGB 220 147 182

HSL 331.23, 0.51%, 0.72%

LAB 69.08, 32.52, -6.9

 

CMYK 0 / 23 / 12 / 10

HEX #E6B2CB

RGB 230 178 203

HSL 331.15, 0.51%, 0.8%

LAB 77.86, 22.75, -5.35

 

CMYK 0 / 13 / 7 / 6

HEX #F0D1E0

RGB 240 209 224

HSL 330.97, 0.51%, 0.88%

LAB 86.75, 13.28, -3.41

 

CMYK 0 / 34 / 17 / 14

HEX #DC92B6

RGB 220 146 182

HSL 330.81, 0.51%, 0.72%

LAB 68.86, 33.05, -7.24

 

CMYK 0 / 10 / 33 / 14

HEX #DCC693

RGB 220 198 147

HSL 41.92, 0.51%, 0.72%

LAB 80.58, 0.31, 28.41

 

CMYK 33 / 4 / 0 / 14

HEX #93D4DC

RGB 147 212 220

HSL 186.58, 0.51%, 0.72%

LAB 80.99, -18.54, -10.52

 

CMYK 0 / 34 / 17 / 14

HEX #DC92B6

RGB 220 146 182

HSL 330.81, 0.51%, 0.72%

LAB 68.86, 33.05, -7.24

 

CMYK 17 / 0 / 33 / 14

HEX #B7DC93

RGB 183 220 147

HSL 90.41, 0.51%, 0.72%

LAB 83.63, -24.78, 31.99

 

CMYK 33 / 17 / 0 / 14

HEX #93B7DC

RGB 147 183 220

HSL 210.41, 0.51%, 0.72%

LAB 73.05, -3.34, -22.5

 

CMYK 0 / 34 / 17 / 14

HEX #DC92B6

RGB 220 146 182

HSL 330.81, 0.51%, 0.72%

LAB 68.86, 33.05, -7.24

 

CMYK 0 / 10 / 33 / 14

HEX #DCC693

RGB 220 198 147

HSL 41.92, 0.51%, 0.72%

LAB 80.58, 0.31, 28.41

 

CMYK 33 / 0 / 17 / 14

HEX #93DCB7

RGB 147 220 183

HSL 149.59, 0.51%, 0.72%

LAB 82.28, -30.55, 11.03

 

CMYK 33 / 23 / 0 / 14

HEX #93A9DC

RGB 147 169 220

HSL 221.92, 0.51%, 0.72%

LAB 69.29, 4.36, -28.25

 

CMYK 0 / 34 / 17 / 14

HEX #DC92B6

RGB 220 146 182

HSL 330.81, 0.51%, 0.72%

LAB 68.86, 33.05, -7.24

 

CMYK 0 / 0 / 33 / 14

HEX #DCDC93

RGB 220 220 147

HSL 60, 0.51%, 0.72%

LAB 86.26, -10.97, 35.94

 

CMYK 33 / 0 / 17 / 14

HEX #93DCB7

RGB 147 220 183

HSL 149.59, 0.51%, 0.72%

LAB 82.28, -30.55, 11.03

 

CMYK 33 / 33 / 0 / 14

HEX #9393DC

RGB 147 147 220

HSL 240, 0.51%, 0.72%

LAB 63.54, 16.85, -37.16

 

Description

Color code: HEX #DC92B6 | qconv.com Color code: HEX #DC92B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 146 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 146 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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