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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC910B it is the complementary color #236EF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC910B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC910B shade: #E19106, #F2A319, #FFB52C, #FFC73F and #FFD952

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC910B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC910B shade: #DC910B, #CB7F00, #BA6D00, #A95B00 and #984900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC910B shade: #DA900B, #DA580B, #DA210B and #DA0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC910B shade: #DA900B, #DAC80B, #B5DA0B, #7DDA0B and #45DA0B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC910B shade matches the following richer shades: #DA900B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC910B shade: #DA900B, #C78B1E, #B58531, #A28043 and #907B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC910B shade: #DA200B, #DA570B, #DA8E0B, #DAC50B and #B8DA0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC910B shade: #8C5C07, #B37609, #DA900B, #F3A61C and #F5B543

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC910B shade: #DC910B, #2EDA0B and #3C0BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC910B shade: #DC910B, #0BDA8E and #8E0BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC910B shade: #DC910B, #2EDA0B, #0B57DA and #B80BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC910B shade: #DC910B, #0BDA27, #0B57DA and #DA0BBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 95 / 14

HEX #DC910B

RGB 220 145 11

HSL 38.47, 0.9%, 0.45%

LAB 66.13, 19.75, 69.63

 

Complementary color

CMYK 86 / 55 / 0 / 4

HEX #236EF4

RGB 35 110 244

HSL 218.47, 0.9%, 0.55%

LAB 49.55, 27.23, -73.2

 

CMYK 0 / 36 / 97 / 12

HEX #E19106

RGB 225 145 6

HSL 38.08, 0.95%, 0.45%

LAB 66.73, 21.85, 71.01

 

CMYK 0 / 33 / 90 / 5

HEX #F2A319

RGB 242 163 25

HSL 38.16, 0.89%, 0.52%

LAB 72.99, 19.78, 73.29

 

CMYK 0 / 29 / 83 / 0

HEX #FFB52C

RGB 255 181 44

HSL 38.96, 1%, 0.59%

LAB 78.75, 16.24, 73.63

 

CMYK 0 / 22 / 75 / 0

HEX #FFC73F

RGB 255 199 63

HSL 42.5, 1%, 0.62%

LAB 83.16, 7.52, 71.33

 

CMYK 0 / 15 / 68 / 0

HEX #FFD952

RGB 255 217 82

HSL 46.82, 1%, 0.66%

LAB 87.72, -0.83, 68.62

 

CMYK 0 / 34 / 95 / 14

HEX #DC910B

RGB 220 145 11

HSL 38.47, 0.9%, 0.45%

LAB 66.13, 19.75, 69.63

 

CMYK 0 / 37 / 100 / 20

HEX #CB7F00

RGB 203 127 0

HSL 37.54, 1%, 0.4%

LAB 59.78, 22, 65.97

 

CMYK 0 / 41 / 100 / 27

HEX #BA6D00

RGB 186 109 0

HSL 35.16, 1%, 0.36%

LAB 53.36, 24.44, 60.76

 

CMYK 0 / 46 / 100 / 34

HEX #A95B00

RGB 169 91 0

HSL 32.31, 1%, 0.33%

LAB 46.87, 26.93, 55.51

 

CMYK 0 / 52 / 100 / 40

HEX #984900

RGB 152 73 0

HSL 28.82, 1%, 0.3%

LAB 40.31, 29.45, 50.23

 

CMYK 0 / 34 / 95 / 15

HEX #DA900B

RGB 218 144 11

HSL 38.55, 0.9%, 0.45%

LAB 65.65, 19.43, 69.18

 

CMYK 0 / 60 / 95 / 15

HEX #DA580B

RGB 218 88 11

HSL 22.32, 0.9%, 0.45%

LAB 53.93, 48.08, 61.3

 

CMYK 0 / 85 / 95 / 15

HEX #DA210B

RGB 218 33 11

HSL 6.38, 0.9%, 0.45%

LAB 47, 67.06, 57.18

 

CMYK 0 / 95 / 95 / 15

HEX #DA0B0B

RGB 218 11 11

HSL 0, 0.9%, 0.45%

LAB 45.86, 70.31, 56.57

 

CMYK 0 / 34 / 95 / 15

HEX #DA900B

RGB 218 144 11

HSL 38.55, 0.9%, 0.45%

LAB 65.65, 19.43, 69.18

 

CMYK 0 / 8 / 95 / 15

HEX #DAC80B

RGB 218 200 11

HSL 54.78, 0.9%, 0.45%

LAB 79.75, -10.09, 79.42

 

CMYK 17 / 0 / 95 / 15

HEX #B5DA0B

RGB 181 218 11

HSL 70.72, 0.9%, 0.45%

LAB 81.83, -34.36, 79.76

 

CMYK 43 / 0 / 95 / 15

HEX #7DDA0B

RGB 125 218 11

HSL 86.96, 0.9%, 0.45%

LAB 78.77, -54.98, 76.04

 

CMYK 68 / 0 / 95 / 15

HEX #45DA0B

RGB 69 218 11

HSL 103.19, 0.9%, 0.45%

LAB 76.94, -69.56, 73.8

 

CMYK 0 / 34 / 95 / 15

HEX #DA900B

RGB 218 144 11

HSL 38.55, 0.9%, 0.45%

LAB 65.65, 19.43, 69.18

 

CMYK 0 / 34 / 95 / 15

HEX #DA900B

RGB 218 144 11

HSL 38.55, 0.9%, 0.45%

LAB 65.65, 19.43, 69.18

 

CMYK 0 / 30 / 85 / 22

HEX #C78B1E

RGB 199 139 30

HSL 38.7, 0.74%, 0.45%

LAB 62.25, 14.19, 61.38

 

CMYK 0 / 27 / 73 / 29

HEX #B58531

RGB 181 133 49

HSL 38.18, 0.57%, 0.45%

LAB 58.81, 10.24, 50.39

 

CMYK 0 / 21 / 59 / 36

HEX #A28043

RGB 162 128 67

HSL 38.53, 0.41%, 0.45%

LAB 55.61, 5.75, 37.63

 

CMYK 0 / 15 / 40 / 44

HEX #907B56

RGB 144 123 86

HSL 38.28, 0.25%, 0.45%

LAB 52.69, 2.61, 23.23

 

CMYK 0 / 85 / 95 / 15

HEX #DA200B

RGB 218 32 11

HSL 6.09, 0.9%, 0.45%

LAB 46.93, 67.26, 57.14

 

CMYK 0 / 60 / 95 / 15

HEX #DA570B

RGB 218 87 11

HSL 22.03, 0.9%, 0.45%

LAB 53.76, 48.54, 61.19

 

CMYK 0 / 35 / 95 / 15

HEX #DA8E0B

RGB 218 142 11

HSL 37.97, 0.9%, 0.45%

LAB 65.18, 20.5, 68.85

 

CMYK 0 / 10 / 95 / 15

HEX #DAC50B

RGB 218 197 11

HSL 53.91, 0.9%, 0.45%

LAB 78.96, -8.56, 78.84

 

CMYK 16 / 0 / 95 / 15

HEX #B8DA0B

RGB 184 218 11

HSL 69.86, 0.9%, 0.45%

LAB 82.03, -33.15, 80

 

CMYK 0 / 34 / 95 / 45

HEX #8C5C07

RGB 140 92 7

HSL 38.35, 0.9%, 0.29%

LAB 43.13, 13.4, 49.32

 

CMYK 0 / 34 / 95 / 30

HEX #B37609

RGB 179 118 9

HSL 38.47, 0.9%, 0.37%

LAB 54.62, 16.48, 59.46

 

CMYK 0 / 34 / 95 / 15

HEX #DA900B

RGB 218 144 11

HSL 38.55, 0.9%, 0.45%

LAB 65.65, 19.43, 69.18

 

CMYK 0 / 32 / 88 / 5

HEX #F3A61C

RGB 243 166 28

HSL 38.51, 0.9%, 0.53%

LAB 73.81, 18.67, 73.31

 

CMYK 0 / 26 / 73 / 4

HEX #F5B543

RGB 245 181 67

HSL 38.43, 0.9%, 0.61%

LAB 77.8, 12.85, 64.24

 

CMYK 0 / 34 / 95 / 14

HEX #DC910B

RGB 220 145 11

HSL 38.47, 0.9%, 0.45%

LAB 66.13, 19.75, 69.63

 

CMYK 79 / 0 / 95 / 15

HEX #2EDA0B

RGB 46 218 11

HSL 109.86, 0.9%, 0.45%

LAB 76.53, -73.17, 73.29

 

CMYK 72 / 95 / 0 / 15

HEX #3C0BDA

RGB 60 11 218

HSL 254.2, 0.9%, 0.45%

LAB 30.06, 69.46, -90.49

 

CMYK 0 / 34 / 95 / 14

HEX #DC910B

RGB 220 145 11

HSL 38.47, 0.9%, 0.45%

LAB 66.13, 19.75, 69.63

 

CMYK 95 / 0 / 35 / 15

HEX #0BDA8E

RGB 11 218 142

HSL 157.97, 0.9%, 0.45%

LAB 77.38, -61.72, 25.22

 

CMYK 35 / 95 / 0 / 15

HEX #8E0BDA

RGB 142 11 218

HSL 277.97, 0.9%, 0.45%

LAB 39.67, 75.77, -74.3

 

CMYK 0 / 34 / 95 / 14

HEX #DC910B

RGB 220 145 11

HSL 38.47, 0.9%, 0.45%

LAB 66.13, 19.75, 69.63

 

CMYK 79 / 0 / 95 / 15

HEX #2EDA0B

RGB 46 218 11

HSL 109.86, 0.9%, 0.45%

LAB 76.53, -73.17, 73.29

 

CMYK 95 / 60 / 0 / 15

HEX #0B57DA

RGB 11 87 218

HSL 217.97, 0.9%, 0.45%

LAB 41.14, 30.95, -72.26

 

CMYK 16 / 95 / 0 / 15

HEX #B80BDA

RGB 184 11 218

HSL 290.14, 0.9%, 0.45%

LAB 46.3, 81.25, -63.21

 

CMYK 0 / 34 / 95 / 14

HEX #DC910B

RGB 220 145 11

HSL 38.47, 0.9%, 0.45%

LAB 66.13, 19.75, 69.63

 

CMYK 95 / 0 / 82 / 15

HEX #0BDA27

RGB 11 218 39

HSL 128.12, 0.9%, 0.45%

LAB 76.29, -75, 68.02

 

CMYK 95 / 60 / 0 / 15

HEX #0B57DA

RGB 11 87 218

HSL 217.97, 0.9%, 0.45%

LAB 41.14, 30.95, -72.26

 

CMYK 0 / 95 / 13 / 15

HEX #DA0BBE

RGB 218 11 190

HSL 308.12, 0.9%, 0.45%

LAB 50.53, 82.65, -39.95

 

Description

Color code: HEX #DC910B | qconv.com Color code: HEX #DC910B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 145 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 145 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 95 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 95% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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