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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC8EB9 it is the complementary color #237146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC8EB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC8EB9 shade: #E18EB4, #F2A0C7, #FFB2DA, #FFC4ED and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC8EB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC8EB9 shade: #DC8EB9, #CB7CA6, #BA6A93, #A95880 and #98466D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC8EB9 shade: #DC8EB9, #DC8EA4, #DC8E8F and #DC8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC8EB9 shade: #DC8EB9, #DC8ECE, #D58EDC, #C08EDC and #AB8EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC8EB9 shade matches the following richer shades: #DC8EB9, #E882BA and #F476BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC8EB9 shade: #DC8EB9, #D09AB8, #C4A6B7, #B8B2B5 and #ACBEB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC8EB9 shade: #D48EDC, #DC8ECF, #DC8EBA, #DC8EA5 and #DC8E90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC8EB9 shade: #C94F92, #D36EA6, #DC8EB9, #E6ADCD and #F0CDE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC8EB9 shade: #DC8EB9, #DCC08E and #8EDADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC8EB9 shade: #DC8EB9, #BADC8E and #8EBADC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC8EB9 shade: #DC8EB9, #DCC08E, #8EDCB0 and #8EABDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC8EB9 shade: #DC8EB9, #DCD78E, #8EDCB0 and #8E93DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 16 / 14

HEX #DC8EB9

RGB 220 142 185

HSL 326.92, 0.53%, 0.71%

LAB 68.07, 35.66, -10.09

 

Complementary color

CMYK 69 / 0 / 38 / 56

HEX #237146

RGB 35 113 70

HSL 146.92, 0.53%, 0.29%

LAB 42.17, -34.35, 17.15

 

CMYK 0 / 37 / 20 / 12

HEX #E18EB4

RGB 225 142 180

HSL 332.53, 0.58%, 0.72%

LAB 68.5, 36.61, -6.59

 

CMYK 0 / 34 / 18 / 5

HEX #F2A0C7

RGB 242 160 199

HSL 331.46, 0.76%, 0.79%

LAB 74.91, 35.84, -7.39

 

CMYK 0 / 30 / 15 / 0

HEX #FFB2DA

RGB 255 178 218

HSL 328.83, 1%, 0.85%

LAB 80.83, 33.77, -8.8

 

CMYK 0 / 23 / 7 / 0

HEX #FFC4ED

RGB 255 196 237

HSL 318.31, 1%, 0.88%

LAB 85.43, 27.42, -12.12

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 35 / 16 / 14

HEX #DC8EB9

RGB 220 142 185

HSL 326.92, 0.53%, 0.71%

LAB 68.07, 35.66, -10.09

 

CMYK 0 / 39 / 18 / 20

HEX #CB7CA6

RGB 203 124 166

HSL 328.1, 0.43%, 0.64%

LAB 61.54, 36.44, -9.32

 

CMYK 0 / 43 / 21 / 27

HEX #BA6A93

RGB 186 106 147

HSL 329.25, 0.37%, 0.57%

LAB 54.92, 37.25, -8.44

 

CMYK 0 / 48 / 24 / 34

HEX #A95880

RGB 169 88 128

HSL 330.37, 0.32%, 0.5%

LAB 48.23, 38.08, -7.41

 

CMYK 0 / 54 / 28 / 40

HEX #98466D

RGB 152 70 109

HSL 331.46, 0.37%, 0.44%

LAB 41.47, 38.88, -6.17

 

CMYK 0 / 35 / 16 / 14

HEX #DC8EB9

RGB 220 142 185

HSL 326.92, 0.53%, 0.71%

LAB 68.07, 35.66, -10.09

 

CMYK 0 / 35 / 25 / 14

HEX #DC8EA4

RGB 220 142 164

HSL 343.08, 0.53%, 0.71%

LAB 67.46, 32.51, 0.78

 

CMYK 0 / 35 / 35 / 14

HEX #DC8E8F

RGB 220 142 143

HSL 359.23, 0.53%, 0.71%

LAB 66.93, 29.74, 11.82

 

CMYK 0 / 35 / 35 / 14

HEX #DC8E8E

RGB 220 142 142

HSL 0, 0.53%, 0.71%

LAB 66.91, 29.62, 12.35

 

CMYK 0 / 35 / 16 / 14

HEX #DC8EB9

RGB 220 142 185

HSL 326.92, 0.53%, 0.71%

LAB 68.07, 35.66, -10.09

 

CMYK 0 / 35 / 6 / 14

HEX #DC8ECE

RGB 220 142 206

HSL 310.77, 0.53%, 0.71%

LAB 68.76, 39.15, -20.75

 

CMYK 3 / 35 / 0 / 14

HEX #D58EDC

RGB 213 142 220

HSL 294.62, 0.53%, 0.71%

LAB 68.5, 39.47, -28.98

 

CMYK 13 / 35 / 0 / 14

HEX #C08EDC

RGB 192 142 220

HSL 278.46, 0.53%, 0.71%

LAB 66.31, 32.99, -32.55

 

CMYK 22 / 35 / 0 / 14

HEX #AB8EDC

RGB 171 142 220

HSL 262.31, 0.53%, 0.71%

LAB 64.3, 26.65, -35.83

 

CMYK 0 / 35 / 16 / 14

HEX #DC8EB9

RGB 220 142 185

HSL 326.92, 0.53%, 0.71%

LAB 68.07, 35.66, -10.09

 

CMYK 0 / 44 / 20 / 9

HEX #E882BA

RGB 232 130 186

HSL 327.06, 0.69%, 0.71%

LAB 67.03, 46.09, -12.06

 

CMYK 0 / 52 / 23 / 4

HEX #F476BC

RGB 244 118 188

HSL 326.67, 0.85%, 0.71%

LAB 66.38, 56.09, -14

 

CMYK 0 / 35 / 16 / 14

HEX #DC8EB9

RGB 220 142 185

HSL 326.92, 0.53%, 0.71%

LAB 68.07, 35.66, -10.09

 

CMYK 0 / 26 / 12 / 18

HEX #D09AB8

RGB 208 154 184

HSL 326.67, 0.36%, 0.71%

LAB 69.46, 24.84, -7.61

 

CMYK 0 / 15 / 7 / 23

HEX #C4A6B7

RGB 196 166 183

HSL 326, 0.2%, 0.71%

LAB 71.16, 13.84, -4.65

 

CMYK 0 / 3 / 2 / 28

HEX #B8B2B5

RGB 184 178 181

HSL 330, 0.04%, 0.71%

LAB 73.13, 2.68, -0.78

 

CMYK 9 / 0 / 5 / 25

HEX #ACBEB4

RGB 172 190 180

HSL 146.67, 0.12%, 0.71%

LAB 75.38, -8.09, 2.94

 

CMYK 4 / 35 / 0 / 14

HEX #D48EDC

RGB 212 142 220

HSL 293.85, 0.53%, 0.71%

LAB 68.4, 39.16, -29.15

 

CMYK 0 / 35 / 6 / 14

HEX #DC8ECF

RGB 220 142 207

HSL 310, 0.53%, 0.71%

LAB 68.8, 39.32, -21.25

 

CMYK 0 / 35 / 15 / 14

HEX #DC8EBA

RGB 220 142 186

HSL 326.15, 0.53%, 0.71%

LAB 68.1, 35.82, -10.6

 

CMYK 0 / 35 / 25 / 14

HEX #DC8EA5

RGB 220 142 165

HSL 342.31, 0.53%, 0.71%

LAB 67.49, 32.66, 0.26

 

CMYK 0 / 35 / 35 / 14

HEX #DC8E90

RGB 220 142 144

HSL 358.46, 0.53%, 0.71%

LAB 66.96, 29.87, 11.3

 

CMYK 0 / 61 / 27 / 21

HEX #C94F92

RGB 201 79 146

HSL 327.05, 0.53%, 0.55%

LAB 51.93, 55.28, -12.11

 

CMYK 0 / 48 / 21 / 17

HEX #D36EA6

RGB 211 110 166

HSL 326.73, 0.53%, 0.63%

LAB 59.67, 46.42, -12.01

 

CMYK 0 / 35 / 16 / 14

HEX #DC8EB9

RGB 220 142 185

HSL 326.92, 0.53%, 0.71%

LAB 68.07, 35.66, -10.09

 

CMYK 0 / 25 / 11 / 10

HEX #E6ADCD

RGB 230 173 205

HSL 326.32, 0.53%, 0.79%

LAB 76.75, 25.76, -8.09

 

CMYK 0 / 15 / 7 / 6

HEX #F0CDE0

RGB 240 205 224

HSL 327.43, 0.54%, 0.87%

LAB 85.79, 15.39, -4.83

 

CMYK 0 / 35 / 16 / 14

HEX #DC8EB9

RGB 220 142 185

HSL 326.92, 0.53%, 0.71%

LAB 68.07, 35.66, -10.09

 

CMYK 0 / 13 / 35 / 14

HEX #DCC08E

RGB 220 192 142

HSL 38.46, 0.53%, 0.71%

LAB 78.97, 2.85, 28.88

 

CMYK 35 / 1 / 0 / 14

HEX #8EDADC

RGB 142 218 220

HSL 181.54, 0.53%, 0.71%

LAB 82.41, -22.87, -8.44

 

CMYK 0 / 35 / 16 / 14

HEX #DC8EB9

RGB 220 142 185

HSL 326.92, 0.53%, 0.71%

LAB 68.07, 35.66, -10.09

 

CMYK 15 / 0 / 35 / 14

HEX #BADC8E

RGB 186 220 142

HSL 86.15, 0.53%, 0.71%

LAB 83.75, -24.37, 34.72

 

CMYK 35 / 15 / 0 / 14

HEX #8EBADC

RGB 142 186 220

HSL 206.15, 0.53%, 0.71%

LAB 73.57, -6.35, -21.73

 

CMYK 0 / 35 / 16 / 14

HEX #DC8EB9

RGB 220 142 185

HSL 326.92, 0.53%, 0.71%

LAB 68.07, 35.66, -10.09

 

CMYK 0 / 13 / 35 / 14

HEX #DCC08E

RGB 220 192 142

HSL 38.46, 0.53%, 0.71%

LAB 78.97, 2.85, 28.88

 

CMYK 35 / 0 / 20 / 14

HEX #8EDCB0

RGB 142 220 176

HSL 146.15, 0.53%, 0.71%

LAB 81.88, -33.39, 14.13

 

CMYK 35 / 22 / 0 / 14

HEX #8EABDC

RGB 142 171 220

HSL 217.69, 0.53%, 0.71%

LAB 69.5, 1.85, -27.95

 

CMYK 0 / 35 / 16 / 14

HEX #DC8EB9

RGB 220 142 185

HSL 326.92, 0.53%, 0.71%

LAB 68.07, 35.66, -10.09

 

CMYK 0 / 2 / 35 / 14

HEX #DCD78E

RGB 220 215 142

HSL 56.15, 0.53%, 0.71%

LAB 84.88, -9.03, 36.67

 

CMYK 35 / 0 / 20 / 14

HEX #8EDCB0

RGB 142 220 176

HSL 146.15, 0.53%, 0.71%

LAB 81.88, -33.39, 14.13

 

CMYK 35 / 33 / 0 / 14

HEX #8E93DC

RGB 142 147 220

HSL 236.15, 0.53%, 0.71%

LAB 63.17, 15.46, -37.77

 

Description

Color code: HEX #DC8EB9 | qconv.com Color code: HEX #DC8EB9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 142 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 142 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 16 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 16% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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